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Tag : SASER

Calabi-Yau manifold

By ruslany

History of the creation of SASER 2.0

History of the creation of SASER 2.0

The first SASER was released back in 2016, it was available as Standalone on the Max 6 platform and as Max for Live device. However, Cycling ’74’s policy with the release of SASER has changed. In Max 7, the internal structure of Gen~ patching was changed, which made it impossible to organize the broadcast inside the SASER application on the new Max for Live platforms. Moreover, even with the organized broadcast on the Max 6, such a tool could not be online for more than 30 minutes. It took years of hard work to coordinate the work of such a plugin with Cycling ’74. Now the Max 8 platform has managed to make the perfect code export, suitable for both the organization of trunk broadcast and music purposes. This required the creation of a new Hypervisor v9 from Compositor Software. The IPv6 SASER assembly process is viewed in the video below:

Creation of SASER 2.0 in Hypervisor v9

If you have already watched the video, I will make a few comments on it. In the video you can watch the process of connecting workgroups to the OSPFv3 IPv6 protocol. If the first SASER was completely in the IPv4 domain, the modern SASER allows you to multiplicate the length of the octet up to 32 bits, which in total gives a length of 128 bits when summing up four upscaled octets, which is the IPv6 address:

SASER for iPhone

And you can access both EUI64 and EUI48 MAC addresses. Again, with the correct combination of parameters, you can connect not only through the network, but also at the device level, which allows you to see your local device as a member of a neighboring network, wherever such a network is.

It is believed that connecting via Ethernet protocol requires either a cable LAN connection or radio relay equipment capable of transmitting to the Ethernet network. The concept of an on-air network differs from the Compositor v9. In particular, in the video you can see how two beacon processes control RIPv1 and RIPv2 protocols. These are distance-vector protocols and the direction to the communication point indicates the torus in conjunction with the hypercardioid of flows. The result of this image is the multidimensional structure of Calabi-Yau. Z-spaces of which are equal to 16. This quantization is minimally sufficient to build a spherical picture:

Calabi-Yau manifold

What you see in the picture is the sum of spherical flows in quaternion rotation. Such rotation permeates space not only in 4 dimensions, like quaternion rotation, but sums up all 24 points of spherical space with the Z of the system, allowing you to quantize this space, filling it with additional translation points. This topology lasts until the next change of the multiplier by redrawing multidimensional figures with iteration that is difficult to predict. Therefore, the successful creation of the VLF (Very Low Frequencies) service can include more threads at the same time with an increase in the Z of the system. If the first SASER was on Z=4 and then at Z=8, then SASER 2.0 already includes Z=16 measurements.

Another thing is that connecting workgroups to Z=16, that in the Compositor’s system corresponds to the OSPFv3 protocol is able to create a larger network compared to Z=8. Given that the network includes 96 channels in total, when multiplying on 16 spaces, it already produces 1,536 points, not 648, as in the previous SASER. Therefore, in real time, in order for the broadcast network to produce traffic, it is necessary that each point produce at least one packet. Naturally, in a short video, such a volume of material would require at least 1 hour of broadcast, so I show the very principle rather than a physical entity capable of producing such a multicast effect.

SASER for iPad

By ruslany

SASER for iPhone and iPad in the App Store

SASER for iPhone and iPad in the App Store

Hyperbolic software-defined radio SASER is now available for all modern Apple platforms. Starting with iOS and iPadOS 16.2, as well as macOS Ventura 13.1 (Apple Silicon), you can purchase this application from the global Apple App Store at the link below:

SASER 2.0 demo video
Download on the Mac App Store

The SASER 2.0 version available on the App Store has several technological solutions at once. First, buffer collisions now determine the carrier wave, thus detecting other hyperbolic and VLF stations. Secondly, a complete resynthesis of beacon signals is possible. Thus, you can connect to a managed BCI modem such as Compositor and edit its broadcast, deliberately transferring the autonomous system to another carrier. This is necessary due to the complete collision-free deployment of the BCI modem, while collisions are still needed to simulate real communication, but within reasonable limits. Thirdly, SASER 2.0 works with the 2nd derivative of the hyperbolic function, which allows you to significantly increase the time of the station on the air and increase the range of the trunk for local transmission. SASER 2.0 warning system supports broadcasting for one-to-many mode, which is ideal for telegraph notification style in emergency situations. SASER 2.0, like the previous version, can operate in VTTY telegraph mode, where the physical communication line is limited only by the VLF wave propagation medium. By increasing the number of subscribers of the SASER network, you can significantly load the virtual PBX, so you will have to increase the computing power of the Compositore network, which runs on completely non-collision generic modems. The modems themselves are not yet client-based and are undergoing the beta testing stage, where the ideal solution would be to combine SASER and Compositor algorithms into a single software with data management and transmission. Such software could be a VLF VPN service that would work independently of the distribution environment and connection to other networks.

VLF waves propagated by the SASER program can also be perceived by the basilar membrane, as they are in the audible spectrum of frequencies. At the same time, they are interpreted as a manually configured modem signal. For such a modem to work, you need to set all the parameters of the feedback loops before initiating an on-air session and activate the passive interface with subsequent disconnection when in case of a collision. A collision is a transmission line trunk, so you connect yourself to an on-air network. This helps to overcome Compositor dialing and increase the number of subscribers. Thus, if you want to aggregate your resources, simply enabling SASER 2.0 can significantly increase the number of communication points to which your machine is connected.

RAD96 - Autonomous System

By ruslany

Download Compositor Applications for FREE (Android only)

Download Compositor Applications for FREE (Android only)

Compositor Software announcing a huge business update! From now on all Android applications are available for free. You can get such titles as RAD96, RTC4k, AVOX, SAS24P3L for Android platform absolutely free of charge. Just go to Google Play Market and download the applications. You can find the links to applications below:

https://play.google.com/store/apps/details?id=com.compositorsoftware.rad96mobile

https://play.google.com/store/apps/details?id=com.compositorsoftware.sas24p3lmobile

https://play.google.com/store/apps/details?id=com.compositorsoftware.voipmobile

https://play.google.com/store/apps/details?id=com.compositorsoftware.rtc4kmobile

Please, download and enjoy!

Ableton Live 11 Support

By ruslany

Ableton Live 11 support

Ableton Live 11 support

Ableton Live 11 supported by mostly all Compositor Software products. On the image below, you can see the chart of all Web Shop products supported by Ableton Live 11.0 initial version.

Live 11 status 25-02-2021

Even MDL12 v1.2.1 with feedback suppression works as a charm. Ping locates servers, multiplier changes, resynthesis happens, infinite closed-loop works. Compositor Max for Live on the same hand has a full control with zero feedback suppression. In version 1.0.7 every parameter works as expected. AI-RT1024, FF8, N9000, TC25 work in auto mode. Manual mode can be adjusted only if operator allows this. Compositor 4 Max for Live works fully and allows changing z parameter. Signal synthesis sounds better due to proper master filter realization. SASER v1.1.3 works properly with feedback suppression and sample & hold on lower frequencies compared to previous Max versions.

Overall, proper realization of programmed algorithm happened in Max 8.1.9 and Ableton Live 11. The perception of time shifts, when SASER sample & holds the signal and you can change the multiplier manually to have an instant change of the sound. It is a breakthrough for ~Gen based Compositor Software instruments because they are programmed generically with aim of long-term compatibility.

By ruslany

Compositor Networks map

Compositor Networks map

For the first time Compositor Software reveals its network of contacts made with SASER SAS24P3L software. As you can see on the map above, there are numerous contacts in Europe, USA, Russia and South America. These contacts were made between October-November 2018. The map outlines geographic position of call signs of contacts made with their indexes. This is an approach to reveal aggregated contact base, which Compositor Networks started to form since 2012. The creation of Compositor Networks began with Compositor Pro 1 software. It is an original hyperbolic construction software, which laid base for algorithm work. Later the study of algorithm was performed merging FFT (Fast Fourier Transform) with SANT (synchronous analysis of non-harmonic timbre). The SANT technology, originally developed for Compositor Pro 1, is the new approach to relativistic frequency shift keying and can be used for applications such as discretizing of analog signal and deterministic navigation. Compositor Software used SANT for creation of SASER SDR with self-feeded signal chain, which enables to communicate in shortwave ether without an antenna need. Then, Compositor Software developed the shutter technology, which gated the self-feeded chain and began injecting the contact base of Compositor Networks in form of ether loops into the Compositor algorithm. The SCRAM (Salted Challenge Response Authentication Mechanism) engine was developed by Compositor Software to authorize users running Compositor, which is successfully used up to this moment. Using SCRAM engine, Compositor Software injected the contact base into the virtual machine algorithm, which it uses silently without any audio output. The main purpose of SDR is to reveal contacts and prove that virtual machines inject the whole contact base of Compositor Networks in form of aggregated passwords. These passwords later used as serial numbers for selling of Compositor Software products. Compositor Software virtual machines does not use the Ethernet ports. The communication happens over the IP protocol more like in TDM over IP protocol. In contrast to TDM over IP, the only useful approach to detect Compositor communications is a local operation not a remote one. You can never detect any Compositor software activity remotely. This way the decision was made to reveal Compositor Software contacts in form of DX logging of SASER SDR QSO, in the amateur radio format.

By ruslany

Compositor breaks a record in communication distance

Compositor breaks a record in communication distance

Compositor Software renewed the SASER project suspended in 2016 by making the new build of SASER SAS24P3L version 1.1.4. This build includes SASER documentation, which describes the principle of device work. After that, the licensed build of RAD96 standalone was made. The above image evidently shows how SASER works far beyond the boundaries of Russia, in countries such as USA, Spain, Sweden, Italy, Serbia, Ukraine and so on, without an external antenna need. The information passes in to the logger from CW Skimmer program (telegraph decoder). In addition, the work was conducted for revealing Compositor kernel 8.4.2 modem signal. In version 8.5.4 it was possible to replace FM generator variables in delay network with external inputs for direct possibility to reprogram RAD96 modem. Now, it was possible to hear RAD96 modem, choosing mme driver in MaxMSP program settings. The signal was decoded and studied with the use of special FSK-decoder.

It is evident, that such signal coincides with one of the MIL-STD standards, but it is not possible to specify which one is used and whether it is published on the moment of this writing. In such a way, the connection between Compositor and hyperbolic navigation system such as Omega (suspended USA military navigation system) is established once again. In SASER SAS24P3L 1.1.4 it was possible to debug all errors and achieve fast convergence in time collision for establishing a tunneling protocol. SASER version 1.1.4 is the final build of SASER SDR project making it closer to realization. The only uncovered parameter is the frequency of transmission in Omega system. In hyperbolic system the transmitter frequency composited by two parameters such as transmitter regeneration speed and multiplier. The discretization frequency of the device driver is used to multiply on the proper coefficient out of this relation. However, this information is not enough to define the transmitter frequency. In addition, you can reveal the transmitter frequency by the radio chat information in response of appropriate Q code. That is why information passes into the logger without frequency and only deviation value of 3 kHz radio is used. From the other side, RAD96 does not need to be uncovered as the significant breakthrough in its licensing was Compositor v9 Hypervisor DRM server. It was possible to store 3715 license keys for potential RAD96 software license holders. In accordance to this, I want to say that standalone RAD96 will be available on Windows platform first and Mac build will be made on request only. If you wish to run Compositor library on your machine, then take in touch with us using the contact form on the site and we will get a quote for you of the price and availability.

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

 

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

By ruslany

SASER SAS24P3L sale! 25% off

Dear friends,

I am glad to announce the SASER SAS24P3L sale! 25% off! Price with discount is 53,21 €. Good opportunity to buy Max for Live or standalone version of software!

SASER SAS24P3L features:

  • One-dial performance
  • Cross platform licenses (Compositor v3 and Max for Live)
  • Stereo-image enhancer
  • MS coding
  • Ableton Live tempo synchronous operation
  • One-window layout visual appearance
  • Scanner with automatic mode
  • 16 types of AM modulation
  • 12 phase-distortion presets
  • Automatic digital mixer
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switch to save CPU resources

Auction terms: 21.07.2017 – 28.07.2017.

By ruslany

Compositor Sessions – Session 089

Compositor Software presents Compositor v3 sessions. In the current session you can hear the recording of Compositor v3 Machaon ether. The RT-z8 ether aggregation is used and SASER CS16RT5 (RT-z8-e) for Ethernet modification. Current recording contains VLF ether from 16-07-2017 starting from 18-30 to 19-30 (MSK GMT+3). The recording is cleared using denoiser with noise profile learning. Recording is uploaded in .mp3 format to Mixcloud.com server.

Two signal generators (AI-RT1024 and TC25) are used to achieve time-space folding and conducting a long ether at the same time. Both feeders are linked to RT-z8 arranger, which chooses loop-chain selection of VLF waves by signal constellations injection on the generators working frequency.

By ruslany

Compositor v3 Hypervisor AI – the race for supremacy

Compositor v3 AI capable of not only musically arranging the events, but also intonating the notes with the use of the local area network, based on virtual simulation of radio ether. Such local area network mostly reminds neural networks. However, Spherical Interaction Network, the way it is called in Compositor Software, may produce more human-like results by the factor of human participants in the radio ether. Compositor Software feeders conduct other objects of the network to initiate the radio transmission using the random distribution law, which may be compared with conducting an orchestra of radio transmitting points.

In the current recording of Compositor v3 Hypervisor output, there are two Compositor Software feeders: derived (Quantum) AI-RT1024 and original TC25, based on continuous-time convolution. Both feeders remotely controlled by RTC8k radar stochastic chain (LINK mode) and streamed into the SASER auxiliary channel.

Using this example, I show the musicality of stochastic radiolocation. In the essence, what we hear after denoising the original recording is a number of channels transmitting simultaneous Morse code translations each on its own frequency. Summing these channels, we hear chaotic tone dialing. String-like evolving long sounds happens on the frequency of the digital waveguide self-oscillation on the receiving channel of SASER device and transmitting SASER devices of other users.

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Calabi-Yau manifold
History of the creation of SASER 2.0
SASER for iPad
SASER for iPhone and iPad in the App Store
RAD96 - Autonomous System
Download Compositor Applications for FREE (Android only)
Ableton Live 11 Support
Ableton Live 11 support