Download Compositor Applications for FREE (Android only)
Compositor Software announcing a huge business update! From now on all Android applications are available for free. You can get such titles as RAD96, RTC4k, AVOX, SAS24P3L for Android platform absolutely free of charge. Just go to Google Play Market and download the applications. You can find the links to applications below:
How to call Quanta Phone, Neuro Radio (models RAD96, RTC4k, AVOX, SAS24P3L)
Beta distribution plays the role of a scanner that selects the desired step of the function, and window functions are used to weigh the signal to interference. Dialing in the system is carried out with the help of neural connections. Each neural connection serves as a number in the system. Neural communication is a feedback loop. Consequently, all feedbacks are numbered and serve to dial recipients in the system. To dial one recipient, you need 3 neural connections. Pressing the button corresponds to the feedback cycle and occurs in time from 50 to 350 ms.. A 3-digit pin code is needed to dial an autonomous system in the Compositor system. The pin code is typed in one opening of the application and set according to the current location of the subscriber’s spirit.
Ableton Live 11 supported by mostly all Compositor Software products. On the image below, you can see the chart of all Web Shop products supported by Ableton Live 11.0 initial version.
Live 11 status 25-02-2021
Even MDL12 v1.2.1 with feedback suppression works as a charm. Ping locates servers, multiplier changes, resynthesis happens, infinite closed-loop works. Compositor Max for Live on the same hand has a full control with zero feedback suppression. In version 1.0.7 every parameter works as expected. AI-RT1024, FF8, N9000, TC25 work in auto mode. Manual mode can be adjusted only if operator allows this. Compositor 4 Max for Live works fully and allows changing z parameter. Signal synthesis sounds better due to proper master filter realization. SASER v1.1.3 works properly with feedback suppression and sample & hold on lower frequencies compared to previous Max versions.
Overall, proper realization of programmed algorithm happened in Max 8.1.9 and Ableton Live 11. The perception of time shifts, when SASER sample & holds the signal and you can change the multiplier manually to have an instant change of the sound. It is a breakthrough for ~Gen based Compositor Software instruments because they are programmed generically with aim of long-term compatibility.
For the first time Compositor Software reveals its network of contacts made with SASER SAS24P3L software. As you can see on the map above, there are numerous contacts in Europe, USA, Russia and South America. These contacts were made between October-November 2018. The map outlines geographic position of call signs of contacts made with their indexes. This is an approach to reveal aggregated contact base, which Compositor Networks started to form since 2012. The creation of Compositor Networks began with Compositor Pro 1 software. It is an original hyperbolic construction software, which laid base for algorithm work. Later the study of algorithm was performed merging FFT (Fast Fourier Transform) with SANT (synchronous analysis of non-harmonic timbre). The SANT technology, originally developed for Compositor Pro 1, is the new approach to relativistic frequency shift keying and can be used for applications such as discretizing of analog signal and deterministic navigation. Compositor Software used SANT for creation of SASER SDR with self-feeded signal chain, which enables to communicate in shortwave ether without an antenna need. Then, Compositor Software developed the shutter technology, which gated the self-feeded chain and began injecting the contact base of Compositor Networks in form of ether loops into the Compositor algorithm. The SCRAM (Salted Challenge Response Authentication Mechanism) engine was developed by Compositor Software to authorize users running Compositor, which is successfully used up to this moment. Using SCRAM engine, Compositor Software injected the contact base into the virtual machine algorithm, which it uses silently without any audio output. The main purpose of SDR is to reveal contacts and prove that virtual machines inject the whole contact base of Compositor Networks in form of aggregated passwords. These passwords later used as serial numbers for selling of Compositor Software products. Compositor Software virtual machines does not use the Ethernet ports. The communication happens over the IP protocol more like in TDM over IP protocol. In contrast to TDM over IP, the only useful approach to detect Compositor communications is a local operation not a remote one. You can never detect any Compositor software activity remotely. This way the decision was made to reveal Compositor Software contacts in form of DX logging of SASER SDR QSO, in the amateur radio format.
Compositor breaks a record in communication distance
Compositor Software renewed the SASER project suspended in 2016 by making the new build of SASER SAS24P3L version 1.1.4. This build includes SASER documentation, which describes the principle of device work. After that, the licensed build of RAD96 standalone was made. The above image evidently shows how SASER works far beyond the boundaries of Russia, in countries such as USA, Spain, Sweden, Italy, Serbia, Ukraine and so on, without an external antenna need. The information passes in to the logger from CW Skimmer program (telegraph decoder). In addition, the work was conducted for revealing Compositor kernel 8.4.2 modem signal. In version 8.5.4 it was possible to replace FM generator variables in delay network with external inputs for direct possibility to reprogram RAD96 modem. Now, it was possible to hear RAD96 modem, choosing mme driver in MaxMSP program settings. The signal was decoded and studied with the use of special FSK-decoder.
It is evident, that such signal coincides with one of the MIL-STD standards, but it is not possible to specify which one is used and whether it is published on the moment of this writing. In such a way, the connection between Compositor and hyperbolic navigation system such as Omega (suspended USA military navigation system) is established once again. In SASER SAS24P3L 1.1.4 it was possible to debug all errors and achieve fast convergence in time collision for establishing a tunneling protocol. SASER version 1.1.4 is the final build of SASER SDR project making it closer to realization. The only uncovered parameter is the frequency of transmission in Omega system. In hyperbolic system the transmitter frequency composited by two parameters such as transmitter regeneration speed and multiplier. The discretization frequency of the device driver is used to multiply on the proper coefficient out of this relation. However, this information is not enough to define the transmitter frequency. In addition, you can reveal the transmitter frequency by the radio chat information in response of appropriate Q code. That is why information passes into the logger without frequency and only deviation value of 3 kHz radio is used. From the other side, RAD96 does not need to be uncovered as the significant breakthrough in its licensing was Compositor v9 Hypervisor DRM server. It was possible to store 3715 license keys for potential RAD96 software license holders. In accordance to this, I want to say that standalone RAD96 will be available on Windows platform first and Mac build will be made on request only. If you wish to run Compositor library on your machine, then take in touch with us using the contact form on the site and we will get a quote for you of the price and availability.
Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.
Compositor Software portfolio broadens and fills with information
Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.
I am glad to announce the SASER SAS24P3L sale! 25% off! Price with discount is 53,21 €. Good opportunity to buy Max for Live or standalone version of software!
SASER SAS24P3L features:
One-dial performance
Cross platform licenses (Compositor v3 and Max for Live)
Stereo-image enhancer
MS coding
Ableton Live tempo synchronous operation
One-window layout visual appearance
Scanner with automatic mode
16 types of AM modulation
12 phase-distortion presets
Automatic digital mixer
Signal level meter with overload indicator and dB values
Snapshot of every parameter
DSP processors on/off switch to save CPU resources
Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.
This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.
The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.
Dubfire & Oliver Huntemann – Diablo (Original Mix)
The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.
The translation reads as:
. .. .. .. (EIII)
Gaiser – Ciliate with
On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.
The track translation reads:
… . (SE) with variation on … .. (SI)
Boosty – Wavescanner
On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.
The track translation reads as:
. .. (EI)
If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.
