Ableton Live 11 support

Tag : AI-RT1024

Feb, 2021

Ableton Live 11 support

Ableton Live 11 supported by mostly all Compositor Software products. On the image below, you can see the chart of all Web Shop products supported by Ableton Live 11.0 initial version.

Live 11 status 25-02-2021

Even MDL12 v1.2.1 with feedback suppression works as a charm. Ping locates servers, multiplier changes, resynthesis happens, infinite closed-loop works. Compositor Max for Live on the same hand has a full control with zero feedback suppression. In version 1.0.7 every parameter works as expected. AI-RT1024, FF8, N9000, TC25 work in auto mode. Manual mode can be adjusted only if operator allows this. Compositor 4 Max for Live works fully and allows changing z parameter. Signal synthesis sounds better due to proper master filter realization. SASER v1.1.3 works properly with feedback suppression and sample & hold on lower frequencies compared to previous Max versions.

Overall, proper realization of programmed algorithm happened in Max 8.1.9 and Ableton Live 11. The perception of time shifts, when SASER sample & holds the signal and you can change the multiplier manually to have an instant change of the sound. It is a breakthrough for ~Gen based Compositor Software instruments because they are programmed generically with aim of long-term compatibility.

Ableton, AI-RT1024, Compositor 4 Max for Live, Compositor Max for Live, FF8, Live 11, Max For Live, MaxMSP, MDL12, N9000, SAS24P3L, SASER, TC25

Jun, 2020

By ruslany

Compositor Software extended services set

Compositor Software server has confirmed its success in supporting the remote workflow. Even the set of services that was named in a previous post ensured the smooth operation of all network resources. However, for a full-fledged work, this was not enough. I resumed work on the implementation of all services from the Network Real-Time Operating System (NRTOS) versions 3.0.3 – 9.0.2. Since the main task of the server is to create a network map with a high depth of topological viewing, I implemented two more MDL12 services and feeders of the 3rd version, such as AI-RT1024, FF8, N9000, TC25, which allow working with corporate PDH and SDH network hierarchies and broadcast them in VLAN using ARP for the analog IP radio interface.

Thus, a common set of services now:

7 RAD36 servers
2 MDL12 servers for radio telescope and IPTV
1 VoIP server
4 FF8 Feeders for ARP Protocol
4 AI-RT1024 Feeders for SDH
4 N9000 Feeders for PDH
4 TC25 Feeders for VLAN
1 RAD96 server extension to work with the Niagara igniter (VPN)
1 RAD96 Autonomous System

Protocols:

STC2k – X.25
RTC4k – RIPv1, IS-IS Layer 1
RTC8k – RIPv2, IS-IS Layer 2
RT-z8 – OSPF
RT-z16 – OSPFv3
RT-z32 – BGP
RT-z64 – RIPng
RT-z128 – EIGRP

All services are compiled and operate at the kernel level of the operating system. Only this approach allows maintaining the scalability of services in a hyperconverged environment. It do not lack of services, everything looks very worthy at the level of a serious manufacturing company. This approach provides the server with the emitted database and allows you to generate new links on the fly without the need to record and enter them through the injector.

AI-RT1024, ARP, FF8, MDL12, N9000, NRTOS, PDH, RAD36, RAD96, SDH, TC25, VLAN, VPN

Jun, 2018

By ruslany

Six things to do to clear the rights on your track

In a career of any artist such situations happen, when it is needed to make an emission of your composition from rotation. Such situations may include:

Releasing your track with another alias by a fraud;
Arrears on payment for medium sales;
Arrears for author rights usage;
Discrepancy of an issue with the contract obligations.

Not all of the situations are listed here, which are out of scope for this material. The main task of this article is to describe a usage method of Compositor v9 Hypervisor after receiving ether aggregators from your track. To receive ether aggregators you will need MDL12 non-duplex modem and Compositor v3 Hypervisor feeders. The emission is done by submitting loops of your composition to non-duplex modem. The modem feedback is an ether aggregator of the server, which broadcasts your composition. You should route all loops of your composition containing exciters (the most prominent moments of a song) and fixate 131072 samples of each wavetable of all ether aggregators by digital recording. You can perform this in 32-bit version of Ableton Live 9. The ether aggregator wavetable should last for 2 bars at 161.5 bpm. The main task after ether aggregator emission is its clearance. It is such condition of wavetable playback, which, from one side, doesn’t produce the third-party traffic and, from the other side, may be used for its own communications. Now, I will describe six examples of work methods to make a full track emission, using Compositor v7 Hypervisor and Compositor v9 Hypervisor.

Realize if ether aggregators, to which your track ascends, are occupied. If ether aggregators are occupied and produce big amount of third-party traffic, then you must install them through an activation function, which you can do in Compositor v9 Hypervisor. Doing this you should enable the supervisory DRM server, and it is preferable to route one of generics on the auxiliary channel input together with wavetables. You may use your ether aggregators for communications, when the VLF beacon written the routes to them.
Feed your ether aggregators again, but this time changing the send regime: set the splitters in the highest position, which constitutes the smallest digit values in ionic number system. Your task is to suppress traffic of these wavetables fully. To do this feed the threshold radar RTC8k and ether aggregator of high conductance such as RT-z16 in auxiliary channel together with wavetables.
Feed the transmission channel with current emission wavetables inside the pool of all your ether aggregators. Making such mix, you are allowing to realize your recipient contact network, which may lead to a refuse of recipient from these ether aggregators. Do not agree to write new tracks to these ether aggregators or to make new remixes on the original composition. Ether aggregator, received by your track emission, is your property protected by a copyright law.
Perform oversaturation of global send channel together with one of generics. For this route the Compositor AV Extended back to its input, using the send regulator on its mixer direct channel. Set the pre-fader mode and turn the send knob on the highest value. This will result in oversaturation and will turn off all the producing kernels from the ether.
Produce an additional emission by feeding the non-duplex MDL12 modem with 3d generation hard generic FF8 and perform the above-mentioned manipulations with this emission again.
Perform system matching in a presence of agents (ether aggregators). To each z value of aux channel send the same z type generic. For example, z=2 is RTC4k and z=4 is RTC8k. The other systems match its title z value. Reaching the direct ether, you must confirm each z system send with oversaturation of auxiliary channel, which constitutes direct feeding of a channel.

The system has an ability to memorize long channel feeding sessions and reproduce its effect when DRM server works. You must feed the channel only with DRM server turned on regardless of your machine capabilities. The human brain can percept the channel interrupts, when processor is under high load reaching full effect, even when system stutters. The whole pool of ether aggregators should be maximally transparent. The condition of ether aggregators should be characterized by signal conductance through them. If ether aggregators doesn’t produce traffic, then the full tranquility reached on all translating channels.

Dec, 2017

By ruslany

Compositor v5.0 is available

Compositor v5 is a Hypervisor rack with Compositor WS auxiliary channel and RT-z128 operation system. It helps to play Compositor modules without any side impact from other radio-equipped instruments, which present during the live show.

Here is the list of features you can consider buying this software:

Three transmission modes
Real-time modulation
Shutter system
Display zooming
Switchable altitude
RT-z128 bit display
GHz calculation
Display warning
Master processing
Self-feeding
Signal insertion
Latency free aux channel

Compositor v5.0 Hypervisor features the important security updates, stability improvements and performance related issues solved.

AI-RT1024, Compositor 5, Compositor Software, Compositor WS, FF8, hypervisor, N9000, RT-z128, TC25

Dec, 2017

By ruslany

Playing Flanker 2.0 with Compositor 5.0

Playing Flanker 2.0 with Compositor 5.0 is rather interesting experience. Being a seasoned keyboard player of Flanker 2.0 back in 2000’s, I use the Compositor 5.0 artificial intelligence to return to the skill of playing this simulator after 17 years breakdown. The first impression about Compositor 5.0 is that the system always stays online, and no external radio sources present in the Ether as stated in my goals. Compositor 5.0 always informs you about the right or false behavior in navigating the Su-27 plane by changing the Ether tuning or creating an emptiness in the Ether translation to bring attention to current maneuver. Rendering the 3D graphics with textures and vector animations result in slower system flushes, than watching video with separate audio tracks, making a headroom for further improvements in expense of more cpu and memory usage.

Compositor 5.0 preview. Auxiliary channel setup: carriers tuning, working with feeders, listening to radio ether.

There are many situations in game plan, when the intruder or foe tries to attack your plane. At these moments Compositor 5.0 RT-z128 OS module reacts and makes the threshold even lower because of a feedback loop compression mechanism implied by a shutter system. This is evident by pauses in Ether translation and rapid tuning changes. Together with hearable timecode, it constitutes the real-time simulation for the game process or any other current task you are involved in. The timecode can’t be demodulated due to synthesizer leakage breakthrough fix applied with shutter. It brings me to the idea that big planes in a simulator could be controlled with Compositor 5.0 AI as well as smaller ones like Su-27 in Flanker 2.0. It is evident that the solution under the War Ships (WS) work group settled the important update for all Compositor users. As I test Compositor 5.0, I become more confident that buffer capacity is enough to play even modern games, but can result in more flushing time after the game session ends.

AI-RT1024, Compositor 5.0, Compositor OS, Compositor Software, Compositor WS, FF8, N9000, PC Tuning, RT-z128, Software, TC25

Oct, 2017

By ruslany

Optical telegraph by means of signal lamp in Compositor WS Kernel

The Compositor WS Kernel implemented the so-called signal lamp with shutter on Master channel using the automatic throttle of stochastic engine. Now it is another implementation of stochastic engine in Compositor Kernel, which is still unbeatable in z128 realization to the moment. It means that central channel is no longer open for direct communications by means of signal transfer, but transmit in portions by a predefined alphabet-flag system named Ionic. For the Compositor users it means that signal communication will no longer leak into the ether. This way, you can use the direct communication with carriers played by physical modeling engine. Hard moderation system is implemented on the master channel of automatic engine and if the carriers transmit the offensive data, the whole transmission channel shuts down. As a single user may thought of it as a downgrade, it is not. It is an upgrade making the whole Compositor communication system more secure like a real War Ship optical telegraph with shutter. It prevents the system running the Compositor of overheating, when a critical channel capacity reached. It also means that we need more servers like Compositor to be registered to different persons for a more distributed communication, if we would like to reach a goal of direct transmission communication. I repeat do not use only one server for communication, it is important. One machine – one server. It could handle 72 channels as defined in three layers of communication separated by 24 for different purposes. 24 channels for real-time communications like voice communications, 24 channels for signal-rate communications like old AM radiolas and 24 channels for transmission-rate for up-to 262 kHz VLF radio services. The main problem of the system before implementation of a master channel shutter was: many nodes of the network wanted a direct connection, that the system really couldn’t handle. In fact, only 24 connections simultaneously is as much as needed for real communication service per subscriber. And one channel of each subscriber gets three services simultaneously: real-time voice data without transmission, signal-rate old tube AM radio for radiola type transmissions and transmission-rate for longer VLF communications, which use the same AM but on the higher transmission frequencies.

Now, when the quantum error is surpassed, the main idea is to test successful transitions from fully exponential state to quantum world. The Compositor v3 is one and the only software, which aims this goal. The beatings on detection of offensive optical shutters are still in place. However, the quantum channels of AI-RT1024 and FF8 are stay unbeatable in ether. From one side, it prevents from successful shutter interception, but, from the other side, achieves constant presence in ether due to quantized derived function. The 7.1.6 patch to a modem of Compositor WS Kernel enables a person or, better to say, user to present in ether. It leads us to a constant solution of a wider presence in both quantum and exponential states.

AI-RT1024, Compositor Kernel, Compositor WS, Derived function, FF8, Quantum error, Quantum world, VLF radio, War Ship

Sep, 2017

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

AI-RT1024, Compositor, FF8, N9000, RT-z128, SAS24P3L, SASER, Spherical Interaction Network, TC25

Jul, 2017

By ruslany

Compositor v3 Hypervisor AI – the race for supremacy

Compositor v3 AI capable of not only musically arranging the events, but also intonating the notes with the use of the local area network, based on virtual simulation of radio ether. Such local area network mostly reminds neural networks. However, Spherical Interaction Network, the way it is called in Compositor Software, may produce more human-like results by the factor of human participants in the radio ether. Compositor Software feeders conduct other objects of the network to initiate the radio transmission using the random distribution law, which may be compared with conducting an orchestra of radio transmitting points.

In the current recording of Compositor v3 Hypervisor output, there are two Compositor Software feeders: derived (Quantum) AI-RT1024 and original TC25, based on continuous-time convolution. Both feeders remotely controlled by RTC8k radar stochastic chain (LINK mode) and streamed into the SASER auxiliary channel.

Using this example, I show the musicality of stochastic radiolocation. In the essence, what we hear after denoising the original recording is a number of channels transmitting simultaneous Morse code translations each on its own frequency. Summing these channels, we hear chaotic tone dialing. String-like evolving long sounds happens on the frequency of the digital waveguide self-oscillation on the receiving channel of SASER device and transmitting SASER devices of other users.

Ableton Live 9, AI, AI-RT1024, Algorithmic composition, artificial intelligence, auxiliary channel, Compositor v3, denoising, digital waveguide, feeders, Max For Live, radio ether, SASER, stochastic radiolocation, TC25

Mar, 2017

By ruslany

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

AI-RT1024, Compositor v3, particle accelerator, rack, Radio Astronomy, RTC8k, SAS24P3L, SASER, sound molecules, TC25, Techno Music

Mar, 2017

By ruslany

Compositor v3.0.1 for Windows x64 and Macintosh released

Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.

With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.

You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.

Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.

AI-RT1024, Compositor v3, Ethernet, FF8, Futurism, N9000, quantum computing, rack, Radio, Radio Astronomy, RTC8k, SASER, shack, Spherical Interaction Network, TC25

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Tag : AI-RT1024

Ableton Live 11 support