Compositor SoftwareCompositor Software

Tag : Telecommunication

01
Jul, 2017

By ruslany

RT-zX – a new platform from Compositor Software

Compositor Software presents RT-zX© platform – a software product line for algorithmic music. RT-zX© platform devices correspond to sound aesthetics of noise music and ambient drones, that’s why they found their use in experimental and dub sound producer studios. Thanks to their internal modulation and delay line possibilities, they involve a listener into the interesting world of deep soundscapes. RT-zX© platform instruments give producer an opportunity to feel like amateur radio operator or radio telescope engineer. This way, you have not only musical characteristics, which you searched for, but also a joy from the instrument, which is suitable for comfortable studio work.

RT-zX© platform is fully algorithmic and its SASER editors will be marked as RT-zX-e from now on, where X – is an oversampling bus multiplier. Compositor Software made a giant leap into a constantly progressing world of sound emission technology. The impressive pass band rates became available in RT-zX© platform. This way, junior version RT-z4 passes a stream up to 2,9 THz/s, and elder RT-z128 passes up to 6 PHz/s. This makes available the work with high-speed rate audio streams in real time without signal degradations.

Due to RT-zX-e editors you can acoustically model radio ether, high frequency radio objects sound, and use the device as a telegraph for Ableton Max for Live. New versions with buffer size values up to 262144 samples will help to commit needed amount of memory for high-speed work with RT-zX© platform audio applications. The maximum speed of work with these devices is an upper limit of Ableton software, which is 999 BPM. Below you will find the comparison table with RT-zX© platform technology use.

Due to its high performance and stability RT-zX© platform will find its place in Compositor Software music devices and algorithmic composition instruments. Ableton software integration as the Max for Live instruments, allows flexible use of RT-zX-e controls. The platform has audio effects devices, which will be marked as RT-zX-FX used as send FX or direct insert on audio channel. There are several programs in the table in which users of RT-zX© platform can potentially take part. Merging the science and art made possible promoting a new Compositor Software instruments to the wide audience of music market.

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10
Dec, 2016

By ruslany

Exalted is Compositor Software endorser

After three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

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25
Jun, 2016

By ruslany

Night vision wavetable

In a process of my Radio Telescope development, there were many scientific discoveries and one of them is the outcoming wavetable for the night vision. This wavetable is the important criteria in translucent images on the SASER SAS24P3L screen after the successful receiving of it using virtual antenna rotator mechanism. 24 send/receive channels multiplexing into twisted pair, open-coming through the waveguide, which sends signal into non-linear deformation module with a sculpt of entire Radio Telescope SASER SAS24P3L channel.

From the moment I created the Radio Telescope SASER SAS24P3L I obtained the technology for near-Earth space exploration with the use of derived hyperbolic function of time, having its only aim the emulation of giant Radio Telescope antenna dish plate. SASER SAS24P3L is a realization of virtual antenna concept, which I may offer as an alternative to real antennas, spanning big physical spaces and needing great investments in metal production and tower construction. In a contrast with parabolic antenna model, my model uses approximation, e.g. using approximation of primordial function into the derived one, which is more acceptable by us.

Thus, if there was a need of interstellar communications we could use SASER SAS24P3L for coordinates detection beyond the Solar System and Milky Way Galaxy. The exit is possible because of those intervals of derived function, which constitutes the hyperbola and may be used as crest of the needed function. The Living zone of such crest constitutes all points of the function (in our case 24-point connection), which resides inside the circle inscribed with a center in the crossing point of crest axis. Receiving such a signal, for example, in Central Africa, you may see telescoping image, which I received in the particular area. Wavetable is the digital Ether with properties of signal translation, when the non-linear transformation device tuned to a particular wavetable zone and modulates its channel tuning.

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20
May, 2016

By ruslany

Disclosure

SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid this frequency to make the task of transmitter frequency detection harder. The derived function values work for all three levels of SASER SAS24P3L software. These levels are signal generation in real-time, granular synthesis and discretization. Received signal must comply periodical criteria for it to be synthesized with SASER SAS24P3L software.

The model with modulation index of 11 has 12 component harmonics for positive part and 12 component harmonics for negative part. These harmonics sums up to 24 components, which has the derived values. The derived values of the 5th harmonic and higher, starting from the center frequency, fall into the same phase value simplifying the calculations. For SASER SAS24P3L software there is no meaning to work with modulation indexes higher than 11. The derived function has the hyperbola graphic also, but in a contrast with primitive function approximates curve values. The derived function suits for faster calculations and solves synchronization problems with discretization frequency of audio equipment of your device.

SASER SAS24P3L software is a hyperbolic system, working in the VLF band. The hyperbola graph can contract and expand in accordance with the transmitter frequency value.

SASER SAS24P3L software serves for connection line detection. This problem is important when a signal transmitted on the large distances. If two stations, equipped with SASER SAS24P3L software, will be connected there will be no aliasing effect due to cascade of two 8th order Butterworth filters, which process the output signal in real-time and do not allow to spread the signal beyond the pass band of a channel, which equals ¾ of modulation frequency. Radio wave of this connection line will propagate on the large distances. The connection line has one receiving frequency of the signal, which modulated using the signal constellation. 4096-CPFSK modulator, applied to the frequency of receiver, serves as a phase spinning of radio reception in physical space. The parameters of spinning counted by Euler angles.

SASER SAS24P3L software applied for mathematical approximation in physical space. The resulting, drawn on the 3D display of SASER SAS24P3L software has the structure of radio particles, passing through a pipe of waveguide and collapsible into the final image. These figures created in a presence of the signal constellations. These figures are not 2D, but a 3D images, which shows the topology of VLF network on this channel.

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28
Jul, 2015

By ruslany

MDL12 transmission experiment

Now the experiment. While at first, there was a false belief that I can transmit the audio signal without wires by only virtualizing the radio transmission chain I also believed in a fact that MDL12 is the only purpose of all the scientific research I have done. This is not the case. The successful virtualization of stochastic chains would it be a radio amplifier or just an algorithmic music was a case moving towards the median conclusion from the opposite directions of the project time curve. To restate this, the sufficient interest in telecommunications to audio processing devices led to the success in transmitting audio with MDL12 algorithm in and out of the DAW.

While the infographic above shows that current estimation was on a digital line, I carried out an experiment on analog line with two unbalanced cables: one for signal itself and the other is for master clock signal. The signal transmitted properly, apart of the master clock, which was faulty and have not produced the right movement of MDL12 plugin. However, the experiment showed an ability to input the external sound into Ableton Live 9 and synchronously operate two MDL12 devices: one on stationary PC and another on notebook both running Ableton Live 9 software. This synchronous operation is an achievement of all modern age digital signal processing, because I’m not only processed the sound with sufficient Year routine I also used an artificial intelligence to select the parameters on both systems making it dual band artificially controlled transmission chain of very high security.

I consider this transfer as a packet based where the window function acts as a packet separation for precise continuous transmission. I made available the Point-to-Point connection this way with an ability to tweak the same sound with MDL12 plugins on both systems. Thus I’m able to select the Year 2015 on a stationary PC and transmit this sound using the red shift through the analog wire to the Year 2450 based on Gregorian time scale. This experiment shows how the same sound will sound if the strong radio transmission will be applied to the incoming signal and how this signal will sound through the Years on the receiving side millions of light years in advance. From another perspective, it will also help to restore the signal from the past in the forward tracking manner of the future traveler. To reconsume, I’m the only being which established such connection on the planet Earth as this is scientific advance, which needs no prove by the fact of original ‘Compositor – the bottom-up approach’ paper written and I finish this essay style text with the forthcoming thought on the future of Compositor Software MDL12 product:

There is no need to be a scientific nerd or magician you just need to experience yourself through all circumstances of the future that faces you. This means you need to be a Time Traveler and with MDL12 you are really is.

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19
Nov, 2014

By ruslany

The replacement of Fast Fourier Transform is on the run

Now, I was able to speed up the discretisation algorithm of Compositor T-SR-x development up to 11050 Hz, which is sufficient to transmit 5525 Hz signal bandwidth according to Kotelnikov theorem. Thus enabling me to transfer the voice with buffer rate of 2048 samples. This achievement is fundamental breakthrough in sampling of signals should start the epoch of exponential discretisation. But it is only the first part of experiment. For a better bandwidth I should use the bigger buffer of 4096 samples. This in fact according to Compositor – the bottom up approach paper enables me to transfer the signal with internal audio card clock discretisation of up to 192 KHz. This clock in clock theory is for making the time adjustments to main clock which is quantized and uses FFT for signal representation, while exponential discretisator of Compositor T-SR-x can function on Transmission Rate of up to 22050 Hz without interruption sufficient enough to transfer even complex sounds over the Time Collision interval.

The breakthrough in fact is that I transmit the signal not only without wires, but the Transmission Rate higher than space-time folding barrier enables transferring signals painlessly without time and space paradigm. Speaking simple, no more the physical wave propagation limits the barriers of telecommunication.

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12
Oct, 2014

By ruslany

Compositor software space telescope application

Now, as my daily job is considered for telecommunications purpose I discovered a new application for Compositor. Compositor can be considered as Synchronous Digital Hierarchy (SDH). Compositor window is a Synchronous Transport Module (STM-512 and higher). System is prepared for work with very high sample rates of MHz transmission. 3D Chladni figures of Compositor is a network topology of space-time tunnels. The granular approximation module is used as a signal for FM subdivisions. So Waveshaping module, which shapes pure sine waves from FM spectrum can be considered as a parabolic antenna of the kind presented on the picture:

Automatic Waveguides is a Wi-Fi transmission for a signal to an antenna output. The constellation modulator for Year parameter is used for triangulation of the seen sky. This is in short as how my approach for future of telecommunication technologies will work.

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