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Tag : SASER

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

By ruslany

QRG Q code received using Compositor Software Max for Live devices

After creation of SASER SAS24P3L VLF radio station, I received a number of signals. Today at 15:35 GMT+3 Moscow time at the 29.5 kHz frequency using the 13 modulator I received a signal and then sent it back to MDL12 Max for Live VLF modem. After I stopped the transport in Ableton Live 9, I received a feedback loop with Q code: QRG.

The recording reads a Morse code for RG, Q letter is not present in a repeating loop. The received feedback signal according to 1912 International Radiotelegraph Convention Regulations means: “What line do you belong to?”

About my equipment: SASER SAS24P3L software uses modulation frequency to center frequency relationship called multiplier, which is responsible for signals receiving frequency in VLF band starting from 17 kHz to 44.1 kHz. This instrument takes in account Doppler Effect, which happens because of delay time changes inside waveguide. Related to this, frequency of the signal is changed. 320 channels available using 16 types of 4096-node continuous-phase frequency-shift keying modulation without external antenna need. Partial components of the signal may be muted or signal components may be muted fully using wave shaping distortion modules.

By ruslany

Disclosure

SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid this frequency to make the task of transmitter frequency detection harder. The derived function values work for all three levels of SASER SAS24P3L software. These levels are signal generation in real-time, granular synthesis and discretization. Received signal must comply periodical criteria for it to be synthesized with SASER SAS24P3L software.

The model with modulation index of 11 has 12 component harmonics for positive part and 12 component harmonics for negative part. These harmonics sums up to 24 components, which has the derived values. The derived values of the 5th harmonic and higher, starting from the center frequency, fall into the same phase value simplifying the calculations. For SASER SAS24P3L software there is no meaning to work with modulation indexes higher than 11. The derived function has the hyperbola graphic also, but in a contrast with primitive function approximates curve values. The derived function suits for faster calculations and solves synchronization problems with discretization frequency of audio equipment of your device.

SASER SAS24P3L software is a hyperbolic system, working in the VLF band. The hyperbola graph can contract and expand in accordance with the transmitter frequency value.

SASER SAS24P3L software serves for connection line detection. This problem is important when a signal transmitted on the large distances. If two stations, equipped with SASER SAS24P3L software, will be connected there will be no aliasing effect due to cascade of two 8th order Butterworth filters, which process the output signal in real-time and do not allow to spread the signal beyond the pass band of a channel, which equals ¾ of modulation frequency. Radio wave of this connection line will propagate on the large distances. The connection line has one receiving frequency of the signal, which modulated using the signal constellation. 4096-CPFSK modulator, applied to the frequency of receiver, serves as a phase spinning of radio reception in physical space. The parameters of spinning counted by Euler angles.

SASER SAS24P3L software applied for mathematical approximation in physical space. The resulting, drawn on the 3D display of SASER SAS24P3L software has the structure of radio particles, passing through a pipe of waveguide and collapsible into the final image. These figures created in a presence of the signal constellations. These figures are not 2D, but a 3D images, which shows the topology of VLF network on this channel.

By ruslany

Ether decomposition using Morse code method

Ether received via MDL12 Max for Live modem is a property of its original sender. However, I developed a method of Ether decomposition using the AVOX Max for Live resynthesizer. The pass band of AVOX is capable of SLF translations suitable for submarine communications. Thus turning back to an original intent of merging both Sonar and Radar technics together and working on a signal level, MDL12 Max for Live and SASER Max for Live is a solution to induce such communication.

While it is an extremely tough task to decompose the Ether received with SASER Max for Live, I set up a server running special edition of SASER software. It is fully autonomous and registers signalizations in a special binary file. Later I use these signalizations to travel back and forth in time using SASER Max for Live as a feeder for MDL12 Max for Live modem.

Here I present several recorded signalizations out of MDL12 Max for Live modem, which are manually decomposed using Morse code method.

In the first file I decompose Ether from bottom to top, lower pinging comes first and then middle rhythmic bar.

For example, File 1 has a code pinging inherited by me as:

Lows: ..- (U)

Mids: (S)

Giving me a consolidated marking as “US” at the end of file decomposition. A trained operator can decompose such Ether feedbacks in real-time by using MDL12 Max for Live modem relatively quick.

File 2 is for Russian marking and is somewhat more difficult as it uses beats instead of vertically placed Morse code ping bars. File 2 is an example of such Ether and consists of following codes:

Beat 1: .-. (R)

Beat 2: ..- (U)

This gives marking as “RU” at the end of decomposition.

I admit that the first file is not resynthesized original Ether and the second one is resynthesized clean version of original translation.

Another example of Russian marking also uses vertical bars as in US example, however the labeling starts from top to bottom:

Mids: .-. (R)

Lows: ..- (U)

It is you who decide if such Radar-Sonar system efficient or not, but taking in account that SASER is completely real-time system and acts on a signal level rather than radio frequencies the task of identification the potential threat is a subject of 5 ms to detect the threat and up to 30 sec to receive feedback from it to identify whether it is friend or not by using SASER as a feeder for MDL12 modem.

By ruslany

Ether production out of will and mental stimuli using MDL12 Max for Live modem and SASER Max for Live

While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.

I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.

SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.

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