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Tag : Ruslan Yusipov

By ruslany

Niagara project

Niagara project

This autumn has started from a very interesting project. While I continued working on Compositor v9.0.1 (current build a14), I felt a need to have such system as mobile real-time operation system (RTOS). Compositor v9.0.1 a14 consumes many resources at 192 kHz and I decided to sample it using Compositor v9.0.1 itself. At this time, the approach of middleware and dump was matured and I decided to make separate product for Compositor documentation development. Such manual will consist of all commands needed to operate the Niagara RTOS client. As the UNIX-like operating system, it will support most of the commands for routing protocols configuration, such as TCP/IP and VLAN. The prominent feature of this RTOS is that it is a software router, which runs on middleware, recorded with Compositor RTOS v9.0.1. If the middleware recorded on a feedback with z16 and z32 generics connected and they are in reverse, the system will give a resistance of 16 + 32 Ohm = 48 Ohm. This way, the generic networks accounted: in example above there will be corporate (z32) and state (z16) connection.

The middleware approach isn’t new, as any hardware router Niagara consists of MIB, the size of which is 769 kB, compounded with routing table and generic networks set. Such system works with MME driver using discretization frequency of 192 kHz and allows connecting the whole pool of Compositor RTOS v9.0.1 forwarding platform (which is 6559 MIB’s on a moment of writing) using a dump, which is also recorded on 192 kHz sample rate. The upper frequency of z128 generic is 150 GHz, but each middleware includes RAD96 fixation, that is why an effective range is extended up to 300 GHz.

Niagara is a client system that is why it demands calling an operator for configuring programming commands. I already reviewed NIM radio chat, which I call (No Internet Messenger) last year. It turns out that it is also an acronym for Nuclear Instrumentation Module.

Each command, presented in the full version of English and Russian documentation, should be made only through an operator and each middleware has its own operator, which depends on VLAN set and servers, connected to NIM. This way, you are requesting network topology and demand operator to execute other commands, and it decides if to make command or not.

At first, middleware ran in RAD96 sandbox, but now middleware and dump become a multifunctional products. The development period of Niagara project is 2001 – 2019 and not 2012 – 2019 as the host Compositor program. The reason for this is that Niagara consists of middleware and dump and they are including the Royalty routing tables. This is proved by Inaccessible Page file emission (track recording, which is a routing path). This track, made in 2001, is a part of IP emission. The period of 2010 to 2019 covered by the reference files of timeserver, which emission contains and it is responsible for routing path hops GPS positioning in present time.

Niagara v1.0 a3

That is why Ruslan Yusipov digital portrait with codename Niagara contains 18 years of art, which is a long background for 35 years old author. Older recordings exist, such as the audiocassette recording of Yamaha PSR-330 synthesizer direct signal, which is Ruslan Yusipov live performance at the age of 14, with the author voice accompaniment, that is why Niagara is 21 years development project from 1998 to present moment.

Ruslan Yusipov art is not limited by 6559 MIB’s emission and can be enriched by routing tables from the CD-archive. This way, at the year 2021 I account to receive database of 10000 MIB’s, which will allow adding more stochastic distributions for flows selection in Compositor v9.0.1 a15.

By ruslany

Ruslan Yusipov SuperComputer (RYSC)

Ruslan Yusipov SuperComputer (RYSC)

Compositor Software creates reminiscent mittwares using 10th version of injector and wavetables. It is a mixture of tracks, produced in the past decade. It is that problems, which Compositor Software faced earlier. In English language, reminiscent means to remind something. Two Compositor software RIG’s on the RMY physical server performs work on problem solving. To set a problem for Ruslan Yusipov SuperComputer you need a full-length full-duplex modem of version 8.5.4. It is enough to load a mittware in fast speed regime. To load a mittware it is needed a full cycle upload to modem input via playback device. RIG’s set a problem in the buffer (the problem resides in the buffer no matter if RIG’s turned on or off). In the beginning of problem-solving SuperComputer made of 960 hyperbolic cores fragments it on small sub-problems and solves them with interruption. Later, it magnifies problems, making full load periods last longer. The solution to a problem is a long lasting period of full load of all physical cores. Compositor Software interests only reminiscent mittwares. When SuperComputer finishes execution of loaded problems, it transfers to the other problems mode, coming from all connected ether participants. It is needed to solve not only Compositor Software problems but also problems of other system users – it is a main idea of virtual local area network.

In 2016 the time of problem solving by mittware was one month without any success. RYSC solves the problem in 5 minutes. This advancement achieved mainly because of better TC-SUBTRSRRT262144 architecture and supports up to 96 cores in one RAD96 virtual machine. The transfer function evidently allows installing solutions to the recipient, which simplifies performance of real physical actions of their realization.

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

CAA – 6: Ruslan Yusipov SASER SAS24P3L recordings on Cyland Audio Archive

Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.

This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.

By ruslany

Top 3 techno tracks which use Morse code as a melody

The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.

  1. Dubfire & Oliver Huntemann – Diablo (Original Mix)

The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.

The translation reads as:

. .. .. .. (EIII)

  1. Gaiser – Ciliate with

On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.

The track translation reads:

… . (SE) with variation on … .. (SI)

  1. Boosty – Wavescanner

On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.

The track translation reads as:

. .. (EI)

 

If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.