Compositor SoftwareCompositor Software
RT-z128 and RT-zX collage

By ruslany

Compositor RT-z128

In the heart of RT-z128 there is a clock mechanism, which is driven by FM. FM used for clock, is a source for all RT-z128 station modules functioning. FM span its stems for coordinate system navigation and basic functioning of DSP, which makes the longevity of the 7th class station. This property puts the Compositor RT-z128 in a row with other 7th class OS stations. RMY

Designed to function as a feedback mechanism Compositor RT-z128 actively scans all bands of wave propagation and performs an event in order to protect the station if offending signal detected. Such signal must present in the stations angular vector direction. Compositor RT-z128 actively protects station-registered person. The operation of the station is whole Spherical Interaction Network (SIN). The stations channel waveguides has detectors that protect during the attacks on the station to lower the volume and consistency of offending signals. Two shields of 8th order are used to protect station output from the overloads and also from aliasing. There is DC-offset remover on every of the 72 channels and on the main channel also. This way Compositor RT-z128 can reject both positive and negative amplitude signals, DC-offsets and noise signals. It can also decimate incoming analog synthesizers to the point when they no longer constitute the analog waveform stating the defeat of that analog system.

 

  1. Quantum ether production and synthesis
    • Light and phases
    • Why white light elongate usual performance of colors?
    • Redshift
    • Infrared emission
    • IR molecular vibrations
    • Doppler effect
    • Waveguide resonator
  2. DDoS prevention
    • Opposite forces
    • Electromagnetic force and frequency modulation
  3. 3D sequencer
    • Exponential theory of time
    • Binaural bell structure

 

  1. Quantum ether production and synthesis
  • Light and phases

Elongating light is one of the technological questions, which Compositor RT-z128 solves with its internal structure. While pertaining phases of the original signal it synthesizes the sound wave with 64-bit waveguide resonators, which in turn fed with FM synthesized waveform of dynamic properties. Taking in account a Doppler Effect, which leads to Blueshift the light wave is simulated by radio emission chain of sound frequency wave. Compositor RT-z128 outputs the signal in form of sound waves, which characterize original subject signal, whether it of natural or artificial force. With the use of this device you are able to hear the offending device signals, which Compositor RT-z128 transmits in real-time when it is online, preventing other systems fraudulent activity. Real-time FM signal has qualities suitable for achieving the connection to an active radio sources by time and space folding fractal antenna, which is a part of the station. The elliptical topology, which synthesizes real-time signal, is used to feed the transmission of the received signal back to the offending device. With the use of such topology, a synthesized feedback loop establishes with a sender device. Instead of getting the polarity of your signal, the sender device gets the polarity of its own signal with the phases inherited to original transmission. This makes Compositor RT-z128 invisible to the sender device detectors. Not only Compositor RT-z128 station invisible to all spheres of wave propagation it also suitable for defense situations against a wide range of digital or analog synthesis systems.

 

  • Why white light elongate usual performance of colors?

The main idea of Compositor RT-z128 is to break down downscaled white light spectrum into the chunks of real-time music components with characteristics often related to music. The tempo, timbre and rhythmic structure are a basis of a signal transmission for coordinates detection. Compositor RT-z128 builds an entire network of devices sending their coordinates in form of Year nodes, which helps to establish the position where the signal comes from. To bring all of the signals down in a timely manner for uninterruptable performance white light forming component is used to feed the fractal antenna, which sends PWM to clients in a SIN. These client resources are also used to maintain the task of computing Compositor RT-z128 output.

 

  • Redshift

The Redshift comes in place when signal travels to the destination object (Compositor RT-z128 enabled machine in our case) and is an opposite of Blueshift. Redshifted waves tend to lower the tonality of a sound, when downscaled to heard spectrum and result in a strong alarm signal when the antenna detects external output. Referring to a phase-scaled output of Compositor RT-z128 one can read the destination traveling route successfully demodulating the signal. Compositor RT-z128 demodulates the signal and returns the scaled output transmission of original signal as a sample of the destination device operation circuit. Such sample can be used to recreate a sending device with all of its properties.

 

  • Infrared emission

Compositor RT-z128 main modules act in a hearable spectrum. The fractal antenna sends infrared emission to the receiving device. This doesn’t mean it outputs the signal in infrared spectrum it means it forms the granular synthesis of FM spectrum, which can be potentially scaled for MHz or GHz transmission using internal modulation. The only infrared emission you get is the emission coming from the CPU and can’t be successfully detected in the environment with strong magnetic interference such as home networks and office buildings.

 

  • IR molecular vibrations

Compositor RT-z128 device is able to form strong electromagnetic interference inside the time and space folded arm, which points to the offending device. Such interference can result in active molecular vibrations, which potentially lead to the malfunction of all the electromagnetic chains of sending equipment. If this equipment will try to send the excessive white noise signal to the machine, running Compositor RT-z128, this station will send the signal back forming a loop. From the Compositor RT-z128 side the internal waveguide 64-bit detectors will smooth the signal and compress it to meet the Compositor RT-z128 internal chain. It leads Compositor RT-z128 operator ability to hear that excess happened without really overloading system output. When such event happens Compositor RT-z128 doesn’t use its CPU resources to handle receiving signal, instead the sending device buffer handles the feedback loop excessive computation resulting in a potential malfunction of offending equipment.

 

  • Doppler Effect

Compositor RT-z128 internal encoder can mask the system position even if a fraudulent force can teach its equipment to understand stations internal feeders signal. In such case encoder is used to obtain a new coordinates in SIN. The spherical network is used to show the position of the incoming threat and covers all spheres of wave propagation. The Doppler Effect is cost effective solution to count sound wave propagation inside the tubes filled with water or air. These waveguides uses 64-bit coding to count the wave traveling back and forth in both directions from client to destination machine. This device is a main linking point, which connects two points in time. By using Year parameter one can setup SIN with several nodes in different time points for using it with Compositor RT-z128 software. Running a Compositor RT-z128 server you can potentially establish links for signal traveling back and forth in time. Such signal traveling routes may be established in a presence of 24/7 server with an ability to maintain the same physical destination in SIN.

 

  • Waveguide resonator

Compositor RT-z128 synthesis interconnects nodes with internal 64-bit waveguide detectors making it a perfect solution for precise modular orchestration. One-over-f rule achieves proper scaling of waveguide resonant frequencies to a filter pass bands and creates full and rich sound with pristine clear quality. Variable rate granular synthesis is a heart of Compositor RT-z128 virtual machine. Waveguides and reverberation glides grain transmission by a set of window functions. This in fact joins Compositor RT-z128 with optical instruments and makes it a same class by many standards of signal transmission. Quality digital line works error-free without any operational modifications and operator needs. Waveguide devices are a full-band model potentially interconnecting the time-folded signal to a proper operation band. The process of space and time folding after granular synthesis happens inside the waveguides. Once the digital signal enters the tube physical modelling the other channel will receive it error free depending on a ping status.

 

  1. DDoS prevention
  • Opposite forces

Frequency Modulation, which drives Compositor RT-z128 reconstitutes using granular synthesis. Such granular synthesis achieves forward-backward movement through the pass bands of the harmonic bins. Harmonics can coincide when multiplier factor is 2 (Year = 2000), and form a bell-shaped curvature, which is the Quantum Engine ver. 3 architecture of Compositor RT-z128. This engine unlike the second one, which is the forward tracking curvature reader, is a forward-backward curvature reader with properties suitable for binaural drone design. Compositor RT-z128 can potentially enable traveling of matter in time and space. For this purpose fractal antenna is used achieving time and space folding in a quantum space. The properties of signal must meet criteria of one cycle sequence loop to send to a destination point.

 

  • Electromagnetic force and frequency modulation

The main driving force of electromagnetism is an alternating mechanism of changing polarity by a means of spectral synthesis of white light in a form of Frequency Modulation. As notified earlier one can successfully achieve two caps bell connection for a closed shaped channel with the use of Quantum Engine ver. 3.

 

  1. 3D sequencer
  • Exponential theory of time

The recurrent time, with sidereal periods is our present time base. However, the primitive exponential function exists for the calendar with twelve months and an exact 365 days cycle just like in Gregorian Time Scale.

For the proper alignment of processor CPU cycles to the exponential function the quantization is used. Most of the instruments, such as FF8, AI-RT1024, MDL12 and Compositor RT-z128 use quantized function, but other relies natively on the exponential function to produce the smoother results. Such instruments as TC25, N9000 and AVOX use this primitive exponential function and can be a subject to work with in accordance to quantized function. Look at the Table 1, where the correspondence of exponential primitive function instruments to the derived analogs is shown. Such instruments should work in pair to avoid the Time Collisions.

 

Exponential Derived analog
N9000 AI-RT1024
TC25 FF8
AVOX MDL12

Table 1 – Exponential to Quantum based models comparison

The coincidence of two instruments is a subject of cross modulating quantum leaps. The quantum leap is a measure between exponential point in time and its quantum counterpart, measured as a difference of multiplier values taken for a current harmonic on exponential time scale for both exponential and derived quantized destinations. Such instruments working together synchronized by a work of a Master Oscillator produce a pair of coordinates in digital signal space measured by spectral and time coherence as xyz coordinates. Bessel function amplitude values displays as a coordinate on x axis, phase displays as a coordinate on y axis, frequency displays as a coordinate on z axis. Then internal algorithm converts xyz values into spherical coordinates.

 

  • Binaural bell structure

The Quantum Engine ver. 3 architecture of Compositor RT-z128 modules such as AI-RT1024, FF8, MDL12 is a solution of Binaural bell problem. If two identical bells will be stacked bottom to bottom they will never produce any sound outside their resonance cave. The sound will not radiate outside of the Binaural bell and the resonance, which happens inside can lead to time and space effect of folding the spectrum to form a constant modulation of bell fundamental. This effect is verified within a Compositor RT-z128 digital system forming bell sound using Frequency Modulation. The FM distribution will not make resonances at a primitive function moments. In reality harmonics coincide on the quantization grid to form a tone of a final bell producing the effect of unwanted noise signal. The Binaural bell itself will sound masqueraded by a constellation of the modulator. The solution was introduced first in AI-RT1024 product, which is a forward-backward synthesis of FM timbre using a quantized function phases. The synthesis occurs when the window function travels forward through the waveguide tubes approaching Darboux integral steps inside of one bell and then instead of traveling through the second bell start to travel from the top of the second bell towards the center. This achieves constant reconstitution of FM timbre behavior with expansion and contraction of the Binaural bell forming a wave. When the frequency of such reconstitution equals the center frequency of carrier oscillator the FM synthesis occurs.

Compositor v3 Hypervisor Radio Shack

By ruslany

Compositor v3

Compositor v3 is an original project for hyperbolic translation studio. It has six instruments aiming the longevity and sustainablity of the hyperbolic function translation. You can side-chain the AI-RT1024, FF8, TC25, N9000 instruments in to SASER main channel to achieve stochastic selection of translations forming a moderated by a probability density function radio translation outuput. This means that wherever an unauthorized translation pass to SASER channel, RTC8k radar (one of Compositor v3 instruments) switches to another radio loop changing the radio translation. It is all-in-one radio interception solution to detect and successfully switch incoming threats in radio Ether.

N9000 Max for Live

By ruslany

N9000 Max for Live

 

N9000 Max for Live is the original hyperbolic function Ether device. It is suitable when you wish to receive an original translation initiated by hyperbolic function designed radio. In comparison with derived function design this instrument helps to hold a line for an unprotected translation of high priority messages. That is why it can be easily broken, however no instrument has an access to a hyperbola translation directly other than N9000.

TC25 Max for Live

By ruslany

TC25 Max for Live

 

TC25 Max for Live is a virtual machine running 24 key frames exponential time code. This time code suitable for stochastic selection and also to hold the Ether on a one preselected line. It is extremly hard to brake TC25 translation, which makes it of super use in military and avionics applications. Another function of TC25 is a signal rate hyperbolic transmission to tune into SLF, ULF, VLF and VHF bands by submitting it to MDL12, AVOX and SASER CS16RT5 input.

FF8 Max for Live

By ruslany

FF8 Max for Live

FF8 Max for Live is a fractal antenna used to stochastically connect to a quantum Ether, which runs in the Spherical Interaction Network. With the use of this antenna you can tune into different radio and TV bands depending on your audio device sample rate frequency. One of the popular approaches is to use FF8 within Compositor v3 Hypervisor Radio Shack to tune in with RTC8k stochastic selector. This approach gives a 3d class longevity Ether suitable to transmit long messages via ULF and VLF networks. The use of the FF8 fractal antenna makes a perception more clearer with your receiver acting like a feed in regeneration network.

FF8 signal is a harsh wave structure, initiating strong feedback in Compositor device with the use of fine-tuning. Two modes available as usual. You can tweak FF8 in small steps manually or turn on 3d class longevity automatic control.

MDL12 Max for Live

By ruslany

MDL12 Max for Live

MDL12 space-time software modem uses synchronous analysis of non-harmonic timbre and realizes timbre autocorrection systems with couple-shaped transfer function. Compositor kernel v12 mask realizes serial connection elliptic topology. MDL12 space-time software modem uses Frequency Modulation (FM) Physics Law and applies FM synthesis for testing 24 available transmission channels. Subnetworks masks v6 and v8 able to connect using a virtualization of v12 Compositor kernel to a lower layer subnetwork types. MDL12 achieves lower resource consumption by using x2048 oversampling with FM based function and achieves systems with FFT window buffer size up to 4096 samples. MDL12 space-time modem achieves parabolic antenna virtualization using stochastic selection of Chebyshev polynomials. MDL12 space-time software modem internal architecture realized using decabit rounding to the higher-order value in samples with phase depth of 64-bits. MDL12 uses MS-coding, which means you can create network topologies of any type.

AVOX Max for Live

By ruslany

AVOX Max for Live

 

Avox algorithm changes the fundamental frequency of the track without time manipulation found on similar algorithms and resynthesizes the whole track tonality without hearable playback artifacts. Avox uses quantization for time and frequency manipulation and exponential discretization, which gives more accurate transient detection for tonal resynthesis.

AI-RT1024 Max for Live

By ruslany

AI-RT1024 Max for Live

AI-RT1024 is a basic kernel for RT-zX systems imitation. Using the injection in Compositor RT-zX channel and setting the right z, the system of one order lower than z=x is imitated. This way you can imitate several RT-zX systems at once with maximum z which equals 32.

Properties

Compositor Software AI-RT1024 is an embedded system working on microkernel level. One can view the Ableton Live 9 DAW as a microkernel sufficient to spread its resources to Compositor Software modules. Each module including AI-RT1024 is a kernel on its own running a virtual machine inside Ableton Live 9 DAW software. The Compositor Software AI-RT1024 can operate on a sample rates up to 192 kHz but as a buffer size increases more CPU resources allocated to produce the kernel operations. Each Compositor kernel has two parallel bands operation with real-time switching between the P/N states, while circular grounding works in forward tracking mode. AI-RT1024 produces its calculations in real-time sufficient to hear the output of the software as an algorithmic composition music.

 

Compositor Max for Live HiRes

By ruslany

Compositor Max for Live

 

Algorithmic music generator Compositor Max for Live is a single solution for rhythm and synthesis performance. It is a real-time device, which uses physical modeling as a source for pure harmonic synthesis. Using the panel controls you can sculpt your own sound out of a rough tone suitable for non-linear style of work. You can adjust parameters visible on the screen using menus or dials. All of the dials smoothly interpolate for click-free performance. Step sequencing is possible using the Exponential grid for synchronous operation. Nice reverberation section wets the signal with pristine clear sound. A set of Window functions suitable as an envelope for the sounds available for all of the sequences for polyphonic output.

CSWS: 005: SASER

By ruslany

SASER SAS24P3L

 

Frequency independent time stretching of radio signal is one of the functions of SASER SAS24P3L SDR. The relationship of modulation frequency to center frequency is the multiplier of original bus. Multiplier of original bus is responsible for relation of intermediate frequency to the discretization frequency of original bus. The discretization frequency of original bus is 11,025 kHz. SASER SAS24P3L counts the intermediate frequency by multiplying discretization frequency of original bus on the multiplier of original bus. The original bus has 24 channels, which can be sent to waveguide processor or waveshaping distortion modules to block the output of a channel. Channel waveguides take in account the Doppler Effect, which takes place when the delay time changes inside a waveguide resonator. Due to this fine-tuning the waveguide is possible. Signal received in real-time is a sum of harmonics, passing through the band pass filters of each channel. Real-time signal varies in relation to selected phase and signal on left master channel, which creates a feedback loop of 24-th order recursive filter. This way SASER SAS24P3L is a window function with infinite impulse response filter characteristics. You can pass the non-harmonic composite signal with pass band of 5 kHz for its transmission in VLF and VHF bands simultaneously regardless of the distance of VHF frequencies propagation and without a need for high power infrastructure. Signal received using SASER SAS24P3L translates with the propagation distance inherent to VLF waves. This way you can receive VHF signal from different points of Spherical Interaction Network.

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RT-z128 and RT-zX collage
Compositor RT-z128
Compositor v3 Hypervisor Radio Shack
Compositor v3
N9000 Max for Live
N9000 Max for Live
TC25 Max for Live
TC25 Max for Live
FF8 Max for Live
FF8 Max for Live
MDL12 Max for Live
MDL12 Max for Live
AVOX Max for Live
AVOX Max for Live
AI-RT1024 Max for Live
AI-RT1024 Max for Live
Compositor Max for Live HiRes
Compositor Max for Live
CSWS: 005: SASER
SASER SAS24P3L