Compositor SoftwareCompositor Software

Tag : Transcoding

By ruslany

Hypervisor v9 – wavetables and counteragents

Hypervisor v9 – wavetables and counteragents

When you use wavetables with quantized generics, the later try to balance the wavetable behavior in the ether. That is why they are also the best counteragents. Wavetables should be balanced with counteragents of generic feeders. When the emitted wavetable tries to aggregate offensive traffic, the counteragent works. It balances the system functioning and produces the effect, which is the opposite from wavetable effect produced. Wavetables are dry sounding and quantized generics are wet. That is why they balance the dry/wet state of the signal in auxiliary channel. When the effect of wavetable is fully extinguished, then the quantized generic starts to be the main effect in the auxiliary channel. It wets the line even more producing the fluid sound. This sound is a prominent characteristic of transcoding process. Transcoding with quantized generic, you are synchronizing not only a memory associated with a wavetable but also the pace of quantized feeder development and its dry/wet state. Quantized feeder balances the channel spectrally, removing the interrupters of wavetable loop and smoothing a signal. The main effect of quantized generic is to smooth and wet a signal after successful wavetable loop feeding. That is why wavetables should be routed into the line with quantized generics sounding simultaneously. If the wavetables will be routed without quantized generics, the ether feeding will be too overloaded with ether aggregators and no counteragents will present at their destination routes. That is why quantized generics should stochastically change their tuning to mask the wavetable original destination. If the ether aggregator destination is masked, then it will not be extinguished too soon and the communication effect will be produced. The main rule for counteragent’s presence in a feeding channel is that the high number of wavetables should be played back on the decks simultaneously. If no wavetables are routed with generic feeders, then the state of tranquility reached too soon and there is no positive quality out of this feeding channel. The good channel should route at least eight deck players with one quantized generic to balance the system. If two or more generics are used, the system is too tranquil and doesn’t produce communication traffic. By communication traffic I mean the ether aggregator own traffic routed back to its inputs and passed out in ether after non-linear processing of its wavetable. If quantized generic is applied to the ether aggregator output, then it can’t form its own traffic and two lines are mixed together. That is why in terms of communication quantized generics act as moderators of the produced traffic. They act to the moment when the offensive traffic will not pass out completely. From one side, the stochastic manipulator obfuscates the trace to the wavetable, preventing it from direct communication and, from the other side, it extinguishes it, if the traffic produced doesn’t suits generic feeder output chain.

By ruslany

Musique Concrete with Compositor Software

Musique Concrete with Compositor Software

Musique concrete method using the Compositor Software instruments is fully mastered. It is not that hard from the beginning. The more lows are introduced, the more it is concrete. The isosceles triangle deployment under Compositor 4 Max for Live gives a constant ether, but the quantum stochastic field by means of AI-RT1024 is also needed in a channel. This way it gives channel sweeping in real-time giving a presence of concrete philosophical ideas right from the beginning of audition.

Auditioning of concrete music

First, to have a concrete feeling you need to fix an ether mixture of your thoughts grabbed with MDL12 modem. The Ethernet mixture is a needed fixed material presence over the Ether, which you may listen to repeatedly with the same feeling. The main idea of such performance is to have a first time listening effect over continuous life of the musical composition. In such case, every musical composition, appeared on commercial market, fixed through its own exciter. Building from a previous post, it is a moment, which excites you most. Making a wavetable out of it and loading through a mastering processor, you are recording the concrete files of the translations happening in Ethernet mixture. Then you get back to the resolution, you making before going into the direct ether. Direct ether is characterized by the absence (partial or complete) of auxiliary injection into the feedback mechanism.

This resolution is a final medium for the audition and becomes concrete, once the evidence of concrete files is present. You may also wish to add these concrete files to the resolution, however it is not needed. Just submit those concrete files onto your acoustic system before listening to your music with Compositor. This procedure should happen once and may be reinitialized periodically when the concrete feeling is gone. You can also give the deployment recording to your listeners, it will also sound concrete. Resolution and deployment are two main files, which should go to the release, but I must admit that deployment without quantum stochastic field does not give a continuous impression fixing you on a moment neither the process of building. Tempo changing in concrete materials are insensitive.

Macking up with concrete building blocks, you arranging concrete wall out of bricks, but before ether is fixed, it sounds like the flowing liquid. The modem becomes concrete also. As it goes faster and faster,  the more you think, the more you notice the slowness of its behavior wanting to speed up it a little. It is normal. 300 omega is a very fast speed, but for concrete, it is not that fast as a molecular structure or better to say peer-to-node structure is increasing due to the fixation of ideas. Direct ether under quantum stochastic field wants to jump out but it is also normal, it will never jump out on a medium file, however the tests under the direct translation with fixation are needed, e.g., transcoding in real-time.