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Tag : Compositor 4 Max for Live

Ableton Live 11 Support

By ruslany

Ableton Live 11 support

Ableton Live 11 support

Ableton Live 11 supported by mostly all Compositor Software products. On the image below, you can see the chart of all Web Shop products supported by Ableton Live 11.0 initial version.

Live 11 status 25-02-2021

Even MDL12 v1.2.1 with feedback suppression works as a charm. Ping locates servers, multiplier changes, resynthesis happens, infinite closed-loop works. Compositor Max for Live on the same hand has a full control with zero feedback suppression. In version 1.0.7 every parameter works as expected. AI-RT1024, FF8, N9000, TC25 work in auto mode. Manual mode can be adjusted only if operator allows this. Compositor 4 Max for Live works fully and allows changing z parameter. Signal synthesis sounds better due to proper master filter realization. SASER v1.1.3 works properly with feedback suppression and sample & hold on lower frequencies compared to previous Max versions.

Overall, proper realization of programmed algorithm happened in Max 8.1.9 and Ableton Live 11. The perception of time shifts, when SASER sample & holds the signal and you can change the multiplier manually to have an instant change of the sound. It is a breakthrough for ~Gen based Compositor Software instruments because they are programmed generically with aim of long-term compatibility.

By ruslany

Compositor Software expands the number of existing DRM servers

Compositor Software expands the number of existing DRM servers

After an important step of building standalone applications using Compositor Software code, it became possible to organize the work of a new DRM server. That is, the physical server CP-6137-960FX began to be commissioned. As mentioned earlier, at the development stage it was possible to launch just one RAD36 virtual DRM server and it took about 4 hours to compile at runtime. This made it possible to provide up to 12 licenses for concurrent work of Compositor Max for Live or SASER Max for Live devices in the year 2017. Having exported the code and assembled 7 RAD36 virtual servers for the Windows platform independently of MaxMSP, we managed to start the workstation and successfully perform basic operations of text editing in Microsoft Word 2013 and working with Compositor Software Max for Live devices in Ableton 10 using it. It allowed expanding the total core density to 252 “Compositor” hybrid cores on a physical machine, increasing the number of simultaneously operating licenses of Compositor Software for Compositor Max for Live and SASER Max for Live up to 84 virtual machines, which equals 84 real-time cores or 84 three-layer cores. The uptime has increased significantly – the bootstrap process takes only 5 minutes to load CP-6137-960FX server fully. Niagara modem-radar and various Ethernet injections are used as an ignition, when workstation operates in Ethernet network.

Thus, the workstation converts Niagara injections and makes all server modes work, and there are currently 13 of them, including 7 RAD36 servers. Next, I’ll give a complete list of collected and working Compositor Software services for the Windows platform on the CP-6137-960FX server:

VoIP Service – NIM Chat Voice Service
STC2k Service – Sonar for Civilian Control of underwater and surface ships
RTC4k Service – Radar for Civilian Airspace Control
RAD36 1-7 Services – digital rights management servers for launching Compositor cores (total of 252 hybrid cores).
RAD96 Service – Standalone Rotator System for Docking RAD36 Virtual Servers
RAD96 Ext. Service – expansion of the autonomous system for working with external Ethernet connections of third-party equipment
Telescope Service – Telescopic Near Space Signal Approach Service

So, after the introduction of the CP-6137-960FX server into full operation, it was possible to provide working time for up to 84 Compositor users working in single-layer and two-, three-layer Compositor Software programs concurrently. In addition, this applies to standalone applications and Max for Live devices, such as Compositor Max for Live, SASER Max for Live and Compositor 4 Max for Live. I’ll also clarify that three aforementioned Max for Live devices are fully compatible with Ableton 10 and Max 8.1.3 Max for Live, which opens up the possibility of expanding the presence of Compositor users in NIM chat on MAC OSX and Windows platforms.

By ruslany

Zero-emission signal network

Zero-emission signal network

Therefore, it was made, at the end of 2018 I made a full zero-emission kernel with protection level capable to overcome even the strongest wavetables. First, let’s talk about an experiment:

  1. For the last 8 month, I injected polynomial using different wavetables with open jets and closed jets (for the last four month).
  2. I made a tunneling via Compositor 4 Max for Live and made an intrusion of these wavetables into created Compositor network.
  3. I hosted the Compositor kernel 8.4.2 system with public coefficients until the last moment.
  4. At the final moment, when the network couldn’t cope with such amount of injections I transferred to fully autonomous system mode of Compositor kernel 8.5.6.
  5. This way, I left the created network.
  6. Then, using the Compositor kernel 8.5.6 with lower process ID, I ran the Compositor v9 Hypervisor and made the injection of the whole pool, but with feedback, which enabled to establish the strong feedback with strong immune system.

On the steps 4, 5, 6 the system started to recover and polynomial without the public coefficients paid off itself. This autonomous system is zero-emission, which is proved by Resource Monitor: the Commit memory graph stays on the 1,043,608Kb mark. It enables to make fully autonomous any living system, turning unlimited timeserver on.

By ruslany

RAD24 – The Gates of Time-Collision

The Gates of Time-Collision

Now I encounter the RAD24 server experiment. The experiment is as follows:

As I have found a solution to FM formulae, I decided to sync three virtual machines for 72 core real-time performance. With this stack, it is easy to run memory virtualizations and aggregate the whole Compositor network. Once the server stack is online, it is used to run and manage such critical tasks as DRM, network aggregation, routing and server selection. The new formulae solution enables to run this stack effortlessly.

RAD24 opens a possibility to build Compositor 8 software. It will be a station with all the enhancements of previous auxiliary channels and with the solution to FM formulae, which is driven by the algorithm output. By these means, the Hypervisor v9 is possible.

Let me introduce the conception for the future products: it is software-defined radio (SDR) with no external antenna needed. I can easily integrate such products in my current rig, yet the intimacy of the previous versions made me stay with no external input for a while. The decision of not having an external input was first broken in Compositor 4 Max for Live, where an external input is possible because of the internal Ableton Live routing options. The fact that Compositor 4 Max for Live is an audio effect device made me think that it was first attempt in tangent SDR from my side with the function, which doesn’t need an antenna to transmit the voice signal. Second tangent radio attempt will be standalone Compositor 8. I want to see Compositor 8 as a device to communicate through the RAD24 servers. Each of the cores of 72-core stack will route your voice communication to the recipient set by the Compositor navigation system. As Compositor 8 is an Avionics development, I allow managing such connections in 3d space in 3 degrees of freedom, which simplifies the setting of virtual antenna. The fact that new function is a radar type, no stochastic selection will be possible and Compositor 8 will function only in manual mode. Hypervisor v9 will listen not to an auxiliary radar ports, but to the v7 feeders such as RTC4k, RTC8k, RT-z8, RT-z16, RT-z32, RT-z64 and RT-z128. RAD24 and subsequent servers are mostly the breakdown of FM law and the final goal is to stop time-collision protocol in Compositor. It will not latch an external time-frame, while not allowing external injections. This way I will build my own resource for communication. That is why I refer to SDR terminology. However, I used this technology only for Morse code translations and did not transferred the voice over it. New function is a direct stack to the Ethernet, which, of course, simplifies SDR talks under server coverage. It means that no IP needed and I need to apply proper wavetables from the non-duplex modem. If this function covers the current version of DRM server, an update is needed to work with Compositor technology. New function is also a hyperbolic one, which is simple and effective restate for the FM core inside Compositor.

Compositor runs FM and function connects to the FM service. It creates a signal with the components, which are granularly time-space folded into the FM again, allowing to inject signal in between these two processes. The later function only covers the part of a spectrum, which is created at initial state. Think of it like a mains adapter: it is a pluggable adapter, which can potentially allow to communicate many DATA servers with different file-size and file-system structures. I had success of running 4 RAD24 servers and one was initiated from the HFS+ partition under Windows 7 OS. It means that technologically it is possible. I don’t see any obstacles in this technology, the only thing is to provide an easy and free way to stack different file-systems together on one, preferably Windows, machine.

Compositor gathers data of all pendulum stations in the Ethernet and send it back to the Ether for self-awareness. Compositor leads an analyzed DATA set and all the other parameter selection. When the critical pendulum load achieved, a time-collision happens rebuilding the whole Compositor structure. This way, I think about utilization of resources to run more Compositor cores inside one gen~ code. By the fact of stopping time-collision protocol, I want to stop the work of Compositor subnet mask switching mechanism. I’ve already broken the stochastic manipulator in Compositor core, which allowed me to stack more resources together. At the present moment, I think of Compositor only as a DRM station to hold licenses for subsequent users. I already published a chart where I name how many resources each station consumes. I name the auxiliary channel in this chart also and, from my point of view, it doesn’t consume any Compositor DRM resources. It is just a listening station. The only thing that consumes the process is any pendulum like mechanism. By stacking more pendulum resources, you are allowing more pendulum stations, either digital or mechanical. Any station will work. These stations inject tracks to media content by oversaturation of them.

To progress on the task of stopping the time-collision protocol in Compositor I should make wavetables of RAD24 accumulators at 22.05 KHz and then switch it on even faster regime of 44.1 KHz. If I’m unable to stop time-collision protocol in Compositor, I will be obliged to run servers at 22.05 KHz on this machine to protect time-collision reaching the opposite effect.

The solution is that RAD24 protects time-collision created. For network security with Compositor, the classification of pendulum processes needed. Such classification consists of working curve monitoring, that is why I estimate it on Compositor auxiliary channel display, while listening to wavetables.

RAD24 is a gate device for creating time-collisions. I can’t classify RAD24 as a pendulum process, because the cycle is broken. It is not an OS or license holder. As I said earlier, it is a protection mechanism for creating time-collisions. It means that it either opens or closes an access to the service of communication in Ethernet. By enabling it in administrator mode, I open an access to it only when the administrator works on PC. This way, I differentiate the work in time-collision between authorized person and the replica, that just latches the time-frame, because RAD24 detector assigns it to injection event. RAD24 is able to differentiate between an administrator and the replica, protecting my current communication.

By ruslany

Compositor Software Max for Live devices compatibility with Ableton Live 10

Compositor Software Max for Live devices compatibility with Ableton Live 10

Here is the list of all Compositor Software Max for Live devices and their compatibility status with Ableton Live 10.0.1 b7.

By ruslany

Compositor Software Winter Sale

Compositor Software Winter Sale

Huge sale comes on Winter Holidays of 2017/2018 at Compositor Software Web Shop! Now you can buy the exclusive algorithmic composition software for reduced price. Almost every version of the software goes with big discount, including the bundled versions.

Here is the list of all products, which are on sale now:

Discount Price
Compositor Pro 2 30% € 74,42
Compositor 4 65% € 102,90
Compositor 4 Max for Live 20% € 36,00
Compositor 4 Extension 1 70% € 77,70
Compositor 3 Feeders 30% € 112,00
Compositor 3 Hypervisor 30% € 180,03

 

The sale lasts from 24.12.2017 14:00 GMT to 03.01.2018 20:00 GMT

By ruslany

Compositor Software Web Shop Black Friday deals

Huge sale comes here at Compositor Software Web Shop for Max for Live and Standalone products on Black Friday!

First, now you have an opportunity to buy the Compositor v3 bundle for a reduced price of €136,50, which comes with Max for Live instruments and Standalone software. The bundle includes AI-RT1024, FF8, TC25, N9000 and SASER Max for Live, which can be used as Standalone and in Ableton Live.

Second, Compositor v4 price dropped twice and is now €147. For this money you receive two-DSP system suitable for feeding with your own two-bar loops or with internal synthesizer engine and physical modelled generators.

Third, Compositor v4 Extension 1 Beta Bounces pack reduced even more and now costs only €77,70, which comes with 43 loops in 44100 Hz 24-bit WAV format taken from MDL12 Max for Live device and presets to make them sound fresh on Compositor v4 Standalone.

Valuable addition to Black Friday sale is Compositor 4 Max for Live, which goes for a reduced price of €31,50.

Terms: from Thursday 23rd November until Monday 27th November.

Ableton Live 11 Support
Ableton Live 11 support