Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.
With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.
You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.
Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.
The project of modeling the demodulator for the MDL12 Sonar Telescope has begun in 2012, some time before the original function developed and was a step on the opposite function to the one provided by Frequency Modulation (FM). The project is for the whole generation of Compositor Software instruments and consists of QIF submitted to sine + cosine functions with an opposite behavior. The demodulator successfully achieves waveform restoration after it is processed by MDL12 codec for subtracting Time function from spectral representation.
One can believe that for a whole instrumentation only one parameter needed however that is not the case as the main working routine is the subjective approximation of exponentially discretized continuous function, which is no longer a secret named as Quantum Interpolation Formula by means of extrapolating the order of things to an outcome given. This outcome however is not the system of values but the Chowning’s view on FM as a source for musical creativity. Yet, if we go forward and use more modulators in a system, it will give us the plethora of possibilities for an algorithmic outcome applied to many more spheres than I originally intended. The main function is sublimed for the plethora of possibilities, but more modulators mean extra processing power and new architectural design, which for its purpose has more direct connection for voice modeling and thus is removed from the deterministic telescope idea named in a first place. Determinism of such model is a set of behavioral patterns routed from the function itself thus the opposite function provides with different outcomes. One outcome I found in original function is its connectivity to the technological point of view on the Solar system: to model it, more additive style is needed. Thus with proper multiplier I can consider the view of things more clearly stepping back on the original path of investigation and possibly removing most of you from the possibility to work with software, which is MDL12 Max for Live device v1.0.9 in current installment. However, if you consider the demodulation process an opposite of modulation you will step back on a path, which means all negative is an opposite from positive, which is not the case in FM, even when negative frequencies folded to positive ones. Here is where Bessel functions take place in order to count proper vector relationships of the viewed uniform creation. I have this ability for you to view ‘underthehood’ of FM sound synthesis by vectors. Yet, to my clear point of view that is not needed. To proper understand what I’m talking about consider antenna polarization as a source of inspiration for imagery, yet it will not shed a light on a sound frequencies acting on a slightly different scale of things. If you still think the impact of the device is an amplitude or FM deviation it really is. Thus, deviation of 4096Hz provides us with more spectrum running x4096 from the nominal 1 of absolute scale. If we consider 8092Hz of such deviation, the output will be even more emphasized as more frequencies slip through the bandpass filters.
Direct transmission by an amplifier achieves more pressure with sound waves, but makes no use in a large scale transfers, thats why you can’t exaltate yourself this way for the whole generation given. For the real work you need one source and one destination. Lets call it point-to-point connection, which takes its root from the communications industry. This way we as Compositor Software users will stay in touch with current software trends. However, for the sake of mathematical precision I modeled a network with one sender and six receivers all acting by a means of stochastic selection for opening channels of such communication in a superposition of time relative to the current destination.
It can be viewed this way: consider me sitting in front of the screen and submitting the file to several destinations in say 2015, 2035 and 2145 years. And lets consider that all of the MDL12 receivers act as a serviced servers with up and running clock devices for the whole Time period, which is defined by the original creation of such server and to the indeterminate point in time at which such server is shutting down. Lets consider such point the year 4000. The receiver can receive music, images or other multimedia by a means of such modem device, which in this case the Compositor Software development MDL12 Sonar Telescope. It achieves Telescopic precision celestial measurements within a one year time route using a sound travel idea. This is how I model such communication, which can in fact predict future, make other persons aware of fraudulent actions and as a popular movie ‘Minority Report’ already covered the subject predict the crime.
Synthesis of the Compositor M4L isn’t the music. It is frequency and time division demultiplexing of spectrum in the range of 60 – 4000 Hz on the speed compatible to gyro measurements of slowly rotating body. This gyro measurements are heard as a sound emitting from your audio card with implied characteristics of algorithm given. It is not only this qualities that guide my thought to produce an outcome given. It is the idea, which spans across the reliable and unusual, with magnificent properties borrowed from modern cosmology, as well as property, which starts under the hood of miriad of opinions and gestures we produce to control the process of operational movements. It is easy to understand that necessity in such movements is a mere fact of growing society and diversity with which one can guide the loan of his own experience. However, I must admit that process of selecting parameters is fun. And Game Theory of predictions can be thought of admiration and unusual path I made to predict the whole. Even this is the process of selecting and merging the knowledge I gave you with the open mind ready for new journeys and an attorney for this quest is the only promise I made to guide the belief in right direction. My experience tells me that magnification is the only prediction I made and it is evident that to control the process I need to make an estimation of the real truth. But the truth is that we don’t need it for the whole generation and are only capable of committing violence and crime using the technology provided, thus my aim is to keep the path shaded for the beliefs to come true and eagerly produce the knowledge of the whole and evident truth.
What we have or better to say what we will consume next? It is our notorious thinking about the futuristic approach and the delimiting border, which emphasizes the need to convert every persons opinion in one big story probably without the end or do we have an end of some sort. Compositor system regulates the Year 4000 as the end of our well being as a humanity. Though the apocalyptic thinking on a randomly chosen topic. Consumers nowadays populate the idea that every sphere of modern development must be free from hard work or better to say it is an illusion that without hard work you will not get any result. My opinion that to behave well one need a sphere of implementation other than a sphere of original intent. So futurism is our intent, right? We need to consume something to produce futuristic intent. Our original goal is the consumption of something new every time we want it. My behaviour is maybe well developed in a sense that to consume something new I may use new reciprocity from Compositor software and it is more likely I will use Lite version for this intent because of modulations. Modulations arised from the question: can we subtract a rhythmic foundation of modern dance music into something valuable in future? What is a danceable rhythm? It is a differences in phase by a right 90 degree angle. It is better to say the relationship which builds this rhythm is the foundation of every dance track. So we got a precession as I said earlier it may be a precession of a planet in the Constellation system, which belongs to this modulation. But the question is how I got this modulation is still unclear to most of us. The modulation in its intent is a product of beatings of three frequencies, which run clap, hat and kick triggering mechanisms. They give this precession as well as beats on summing the three frequencies. Beats used to modulate multiplier (the Year parameter). It is made with an intent to produce the path for each subsequent Year to the Constellation, which was selected originally on a year 2000 by forming an equilateral triangle between planets which are an original multipliers of this three frequencies forming a rhythmic foundation. So Kick is Earth, clap is Mars and hat is Saturn by the frequency of rotation about their own axis. You may think it is a joke, but if you see speeds it will be roughly 1x for Earth and Mars and 2x for Saturn, which is equal to modern rhythm with an off-beat rhythmic structure. Later you will understand that this frequencies are most important part but for now I will say that if we substitute planets for a rhythm in a 3d model of our Solar system and look for resulting destination it will give us a Constellation, which represents one of sixteen modulators. Now you will not think on a fast scale, right? You may listen to a Compositor output and definitely hear the pattern of planetary motion. It is a large scale and I prefer slow angular frequency speeds for the purpose of estimation this Universe properties. We now enter an autumn, do not forget this. Soon there will be Christmas and New Year holidays. This is a time to rethink our space conception. And this fundamental research was produced by me in 2014 laying back the foundation in 2013. Now I one step closer, but will no longer give credits for my future work. It is a time table and only it can produce decisions of what to do next. My intent is mobile application (to have Constellations on the run), but I don’t see the target audience, because futurism is something we see and definition of auditory experiences is relying mostly on style and its implementation in foreseen future. So in my experience, if you listen to sounds only knowing what I already said about underlying synthesis routines may turn you ponder into the process of the metaphisical creation of the universe not the fast implementation of technology by itself. But the more I watch television and social networks the more fast implementation of needed things comes to my mind ruining the whole experience, which sounds on its own can give the listener of the idea. And the question of melanchy can also obscure the light of your mind when listening to something as original as an algorithm of the Universe work. It is a clock-like mechanism I will not get into the details later you will see its use. My only original intent is to design this algorithm as suitable for many more applications among which navigation, unmanned aerial vehicles, artificial intelligence and neural networks. For example, Compositor Pro is better suitable for the first two tasks, while an updated digital counter mechanism of Lite version is better for communication networks like those found in our nervous system and thus can be a heartbeating source for all artificial intelligence advances. It is here and now. Where to go its your decision. The more I listen to the algorithm the more I understand the value of basilar membrane as an instrument of measure and the more I disregard any experience, which leads not to understanding the right angle of our compulsory movements creating a beat pattern suitable for moving hands, legs as in application of physical movement. This comes from danceable algorithms and thus the movements may be too mechanical to reproduce original human movement, but with the use of combinations, which I applied to Constellations we can make many patterns of behavioral communication needed for further development of robotics as a whole. We see what we need to understand and its our need to organize the reality in some further chunks of perceptual motion. My implemetation tells that I made a choice, which is original. Since ancient Greeks, Egyptians measuring with sound, I measure with algorithm the seen Universe. The Constellations may be updated to a proper catalog based on a named method, but the principle is much better understood if we give the loyal attribution to its creator. Modern scientific approaches set aside the subject of attribution by linking to scientific works of each other. I disagree on this method of developing something completely new and unordinal. Yet I found a dozen of links in an original Compositor – the bottom-up approach paper. Without the discussion there will be no need for an instument, right? And its easy to understand that a phenomenon produced if it is Cosmologically prooved and so important can’t stay aside of our perception. Here is where I see a psychological intent of my work and its subsidiaries. The importance of perception of natural algorithm for sound synthesis of planetary like motions. We will discuss it later but the need is only my intent to overcome a barrier of conventionally thinking plethora of scientist, whcih imply the only solution is a quantum theory for time travelling. Faith is no more and beliefs are here to overcome the original paradigm. And beyond all who else will think that sample slicer in Compositor Pro is acting like a quantum interpolator of exponential function derived from FM? We are too consumers to think about that. But without this notion the whole subject will not be complete so I decided to interchange the quantum interpolation of Compositor Pro on right angle phase chunks modulations of Year parameter achieving the exact same goal: quantizing the function. But this time its whole output is modulated. This may raise a question if all is properly done what is the positive regression on a mankind by the work of this algorithm. It may be state variable interspecies communication and what I do mean by this is far beyond transgression in its original terms. It is a highest level of privacy as original and as provocative that noone will ever encounter your thinking is too close without producing any popular phenomenas such as brainwaves or a methodological MRT. I think that in proper implementation of Year and Constellation states we will face a solution to thinking as a process of mask interchange. If we aply masks to our thinking speaking with an original speculator on a problem we can think of a recepient for this communication removing our personal conceptions and beliefs thus enabling more smooth communication by the means what he (or she) needs is what you give. And if we mentally produce such Year, Month and Constellation period to a thinking process we can benefit, of course, from the whole experiential progress so life will be smooth and fast. This is what a future needs from us and this is what I’m enabling you to experience with Compositor. The algorithm is window implemented so many spheres of modern development already entered a game of this knowledge. My origianl intent is discussing a simple and primitive method of representing FM spectrum as a phase-ends of its counterparts and out of this the whole bucket of forms produced. The only idea I see for this implementation beyond our thinking is just a media apllication, which fulfill the consumption niche. Yet it is beneficial for an algorithm to be removed from this purpose hence the aim of this blog is to prevent you from thinking of Compositor as a media tool for your pleasures rather than really working instrument, the algorithm of which can later be implemented as a chip for helping people with mental deseases to proper change their thinking patterns in a response to the situation. This is a main psychological point of transgression and the use of basilar impressions which Compositor gives. But even if we take a speed of 2 omega and faster, this implementation will also manifest a use in speed thinking. An example of this can be the use of Compositor for counting purpose and problem-solving. Entering the field of discussion makes us reliable for a solution: each side-band of FM spectrum is the only chain which transfers the signal to an outer world from a main thinking routine. Using the coupled form such as bell-shape we can estimate the different time scales and transfer function variables for this task to happen. Additional elements driven by a pseudo-random mechanism can generate a scientifically separate and phylosophically evident society of Cyborgs. They will act by the will of an algorithm and randomly not chaotically but by a probability density function selecting their needs. I saw one possible solution for this problem, which is a planet of Cyborgs. This can happen and it is an easy task using Compositor software. What we need is to implement the networking inside the sphere and the algorithm will deliver the signal travelling to the precession-like core, which is also a heart of this creature. The theme of networking is rather difficult and well established nowadays for us to develop such creature for the needs of modern society you may think. But we will not enter their world and they can live as our sudsidiaries for the purpose of scientific knowledge they can produce. We humanity can be seen in exactly the same way for creatures who care about us in a first place like a magnificent God, who deliberately thinking as we are and put his reasoning in a way to control the mechanism I later named the Compositor. Compositor can be and should be a space station to control all living creatures problems and source for this inspiration comes from the understanding of its principles. The speed is needed to recreate the movement, right? We have a war of opposits thinking from bad to good to bad and so on. This is an alteration and modern methodologies have this as an implification of mood. I must agree that mood is the only developmental point of view on alteration and we do not act like Cyborgs in a sense that we can have better mood for a longer period and vice versa. Yet Cyborg will be definitely a creature which balancing in the middle. The networking provides the speed and it is important to understand that creatures who can think that fast on a reliable time scale doesn’t imply any mechanism of sub-concious so their ever lasting experience is fully conscious. That’s why no sleep implementation for them as an exsistantional field of behavior. And again different transfer functions produce different psychological portraits so we may think of them as a solution to well developed creature with a networking thinking. I’m not a professor in a human society and the only chance to implement my technology is all by itself but let me introduce it for you as a New Mind foundation and together we will cope with many problems which we will face later with perspectives so prominent and basic in its functionality. And also to implement the technology we will need time and patience so let us move in unfamiliar direction of future and shape it as we see it in our sleeps. The mere fact that we exist there is the phylosophical motivator and an optimistic point of view on sociological problem of our existence.