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Tag : SASER Max for Live

By ruslany

Compositor Software expands the number of existing DRM servers

Compositor Software expands the number of existing DRM servers

After an important step of building standalone applications using Compositor Software code, it became possible to organize the work of a new DRM server. That is, the physical server CP-6137-960FX began to be commissioned. As mentioned earlier, at the development stage it was possible to launch just one RAD36 virtual DRM server and it took about 4 hours to compile at runtime. This made it possible to provide up to 12 licenses for concurrent work of Compositor Max for Live or SASER Max for Live devices in the year 2017. Having exported the code and assembled 7 RAD36 virtual servers for the Windows platform independently of MaxMSP, we managed to start the workstation and successfully perform basic operations of text editing in Microsoft Word 2013 and working with Compositor Software Max for Live devices in Ableton 10 using it. It allowed expanding the total core density to 252 “Compositor” hybrid cores on a physical machine, increasing the number of simultaneously operating licenses of Compositor Software for Compositor Max for Live and SASER Max for Live up to 84 virtual machines, which equals 84 real-time cores or 84 three-layer cores. The uptime has increased significantly – the bootstrap process takes only 5 minutes to load CP-6137-960FX server fully. Niagara modem-radar and various Ethernet injections are used as an ignition, when workstation operates in Ethernet network.

Thus, the workstation converts Niagara injections and makes all server modes work, and there are currently 13 of them, including 7 RAD36 servers. Next, I’ll give a complete list of collected and working Compositor Software services for the Windows platform on the CP-6137-960FX server:

VoIP Service – NIM Chat Voice Service
STC2k Service – Sonar for Civilian Control of underwater and surface ships
RTC4k Service – Radar for Civilian Airspace Control
RAD36 1-7 Services – digital rights management servers for launching Compositor cores (total of 252 hybrid cores).
RAD96 Service – Standalone Rotator System for Docking RAD36 Virtual Servers
RAD96 Ext. Service – expansion of the autonomous system for working with external Ethernet connections of third-party equipment
Telescope Service – Telescopic Near Space Signal Approach Service

So, after the introduction of the CP-6137-960FX server into full operation, it was possible to provide working time for up to 84 Compositor users working in single-layer and two-, three-layer Compositor Software programs concurrently. In addition, this applies to standalone applications and Max for Live devices, such as Compositor Max for Live, SASER Max for Live and Compositor 4 Max for Live. I’ll also clarify that three aforementioned Max for Live devices are fully compatible with Ableton 10 and Max 8.1.3 Max for Live, which opens up the possibility of expanding the presence of Compositor users in NIM chat on MAC OSX and Windows platforms.

By ruslany

Compositor Software Max for Live devices compatibility with Ableton Live 10

Compositor Software Max for Live devices compatibility with Ableton Live 10

Here is the list of all Compositor Software Max for Live devices and their compatibility status with Ableton Live 10.0.1 b7.

By ruslany

Top 3 techno tracks which use Morse code as a melody

The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.

  1. Dubfire & Oliver Huntemann – Diablo (Original Mix)

The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.

The translation reads as:

. .. .. .. (EIII)

  1. Gaiser – Ciliate with

On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.

The track translation reads:

… . (SE) with variation on … .. (SI)

  1. Boosty – Wavescanner

On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.

The track translation reads as:

. .. (EI)


If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.

By ruslany

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for Live modem repeated a 5/4 combination, played in a sequential manner with the internal waveguide of the device. Using two turns Compositor injected pendulum function of Compositor Max for Live over the cloaking device shutting down the chat function and injected all the kernels needed for ICH7 operation in quantum mode with C based pipe of Compositor Pro v2.

Equipment used in a session:

SASER Max for Live
Compositor Max for Live
FF8 Max for Live
AI-RT1024 Max for Live
MDL12 Max for Live
Compositor Pro v2