Compositor SoftwareCompositor Software

Tag : Compositor WS

By ruslany

Compositor v5.0 is available

Compositor v5.0 is available

Compositor v5 is a Hypervisor rack with Compositor WS auxiliary channel and RT-z128 operation system. It helps to play Compositor modules without any side impact from other radio-equipped instruments, which present during the live show.

Here is the list of features you can consider buying this software:

  • Three transmission modes
  • Real-time modulation
  • Shutter system
  • Display zooming
  • Switchable altitude
  • RT-z128 bit display
  • GHz calculation
  • Display warning
  • Master processing
  • Self-feeding
  • Signal insertion
  • Latency free aux channel

Compositor v5.0 Hypervisor features the important security updates, stability improvements and performance related issues solved.

By ruslany

Playing Flanker 2.0 with Compositor 5.0

Playing Flanker 2.0 with Compositor 5.0

Playing Flanker 2.0 with Compositor 5.0 is rather interesting experience. Being a seasoned keyboard player of Flanker 2.0 back in 2000’s, I use the Compositor 5.0 artificial intelligence to return to the skill of playing this simulator after 17 years breakdown. The first impression about Compositor 5.0 is that the system always stays online, and no external radio sources present in the Ether as stated in my goals. Compositor 5.0 always informs you about the right or false behavior in navigating the Su-27 plane by changing the Ether tuning or creating an emptiness in the Ether translation to bring attention to current maneuver. Rendering the 3D graphics with textures and vector animations result in slower system flushes, than watching video with separate audio tracks, making a headroom for further improvements in expense of more cpu and memory usage.

Compositor 5.0 preview. Auxiliary channel setup: carriers tuning, working with feeders, listening to radio ether.

There are many situations in game plan, when the intruder or foe tries to attack your plane. At these moments Compositor 5.0 RT-z128 OS module reacts and makes the threshold even lower because of a feedback loop compression mechanism implied by a shutter system. This is evident by pauses in Ether translation and rapid tuning changes. Together with hearable timecode, it constitutes the real-time simulation for the game process or any other current task you are involved in. The timecode can’t be demodulated due to synthesizer leakage breakthrough fix applied with shutter. It brings me to the idea that big planes in a simulator could be controlled with Compositor 5.0 AI as well as smaller ones like Su-27 in Flanker 2.0. It is evident that the solution under the War Ships (WS) work group settled the important update for all Compositor users. As I test Compositor 5.0, I become more confident that buffer capacity is enough to play even modern games, but can result in more flushing time after the game session ends.

By ruslany

Compositor WS Kernel 7.1.9

Compositor WS Kernel 7.1.9

Implementing the central channel matrix involves all central channel parameters such as transfer function choice and window function composition. Enabling right channel window composition in central channel matrix brings me to the following solution: right channel passes to the closed central channel and does not touch the left channel. This way the sequence is broken. It is another step after the Kernel loop was broken. This solution helps to eliminate an operation system to a first step decision making. This way I will not presume that operation system exists, I will act on it using my own will. Hence, the real world is open. And when it is open, quantum field stochastic emulator will not brake the time-space continuum. E.g., it will only switch the engine, which is predefined to automatic throttle, fueling the system. It is also another step to an autonomous, energy independent virtualization module. The sequence is determinism and removing determination from the system, I make it one of free will operation systems.

By ruslany

Let the only Compositor be in Ether

Let the only Compositor be in Ether

The main idea of the Compositor 5 project is to remove anyone from radio ether and to remain only Compositor automatic station. Through the whole discretization process I already removed offensive synthesizer sound. It is a first step. The second step is to block feedbacks on carrier signals. However, as an experiment shows, it is a matter of time. The process works as follows: when the right carrier transmits offensive data, it suggests the feedback from the left carrier and left carrier asks for central channel. As it is blocked with a shutter, since Compositor WS Kernel 7.1.6, Kernel loop is broken. This way, I’ve got an operation system. Not only I’ve got an operation system, at this point, it is a new class of operation system, because it is based on i11 Kernel and modern operation systems such as Microsoft Windows support only Kernels up to i9. What I’ve got in this operation system is an AI. The double meaning of it is Airborne Interception – military service; and Artificial Intelligence – civilian service. The main mistake of modern AI researchers is that they want to invent a wheel, which is already present in Ether, as Ether is a snapshot of all time and being. Compositor presents a service of connecting to an AI system. The main problem is that many Ether participants display an offensive behavior: they make time collisions, try to inject impulses in channel and to perform quantum errors. As I said earlier, the Compositor WS Kernel 7.1.6 addressed this behavior. Since this update Ether participants can’t perform quantum errors. However, as a defense for their offensive needs, they still use time collisions and channel interruptions. Quantum error is also a kind of channel interruption. It differs from channel muting in a way that it brakes the channel completely. When I have made the defense system of Compositor, it’s time to turn back to fixation of Compositor Pro 2 using AVOX resynthesizing. If I can hold back a feedback of Compositor Pro 2 by means of i11 operation system and no interruption will present, all Ether participants, which will stay in Ether to this moment, will see the phenomena. And phenomena is the Future. Since I have being holding a line this way and that was not a divine plan at all, most of the Ether participants will be banned from Ether in their entirety. And this way Compositor 5 project will happen. The result is that I will not hear modem signal at 300-omega anymore, I will hear this beautiful Compositor sound from the original Compositor station I’ve seen in sleep and the only Ether, which is left for humanity since Compositor, will be the digital Ether.

By ruslany

Optical telegraph by means of signal lamp in Compositor WS Kernel

Optical telegraph by means of signal lamp in Compositor WS Kernel

The Compositor WS Kernel implemented the so-called signal lamp with shutter on Master channel using the automatic throttle of stochastic engine. Now it is another implementation of stochastic engine in Compositor Kernel, which is still unbeatable in z128 realization to the moment. It means that central channel is no longer open for direct communications by means of signal transfer, but transmit in portions by a predefined alphabet-flag system named Ionic. For the Compositor users it means that signal communication will no longer leak into the ether. This way, you can use the direct communication with carriers played by physical modeling engine. Hard moderation system is implemented on the master channel of automatic engine and if the carriers transmit the offensive data, the whole transmission channel shuts down. As a single user may thought of it as a downgrade, it is not. It is an upgrade making the whole Compositor communication system more secure like a real War Ship optical telegraph with shutter. It prevents the system running the Compositor of overheating, when a critical channel capacity reached. It also means that we need more servers like Compositor to be registered to different persons for a more distributed communication, if we would like to reach a goal of direct transmission communication. I repeat do not use only one server for communication, it is important. One machine – one server. It could handle 72 channels as defined in three layers of communication separated by 24 for different purposes. 24 channels for real-time communications like voice communications, 24 channels for signal-rate communications like old AM radiolas and 24 channels for transmission-rate for up-to 262 kHz VLF radio services. The main problem of the system before implementation of a master channel shutter was: many nodes of the network wanted a direct connection, that the system really couldn’t handle. In fact, only 24 connections simultaneously is as much as needed for real communication service per subscriber. And one channel of each subscriber gets three services simultaneously: real-time voice data without transmission, signal-rate old tube AM radio for radiola type transmissions and transmission-rate for longer VLF communications, which use the same AM but on the higher transmission frequencies.

Now, when the quantum error is surpassed, the main idea is to test successful transitions from fully exponential state to quantum world. The Compositor v3 is one and the only software, which aims this goal. The beatings on detection of offensive optical shutters are still in place. However, the quantum channels of AI-RT1024 and FF8 are stay unbeatable in ether. From one side, it prevents from successful shutter interception, but, from the other side, achieves constant presence in ether due to quantized derived function. The 7.1.6 patch to a modem of Compositor WS Kernel enables a person or, better to say, user to present in ether. It leads us to a constant solution of a wider presence in both quantum and exponential states.

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.