Compositor SoftwareCompositor Software

Tag : Compositor Pro 2

By ruslany

Great renaming is coming in Compositor project

Great renaming is coming in Compositor project

Dear reader, it is time to report the coming changes in Compositor Software project. For the five years, I performed the comparison of telecommunication industry technology and the one developed by me. Here what I’ve already found:

Compositor Pro = NTP-server

Compositor Max for Live = SNTP-server

Accordingly, Compositor Pro and Compositor Max for Live will be reworked to reveal this paradigm. There are 24 official UTC time zones as well as 24 bands in Compositor Pro and Compositor Max for Live. The function by which these bands are distributed is time-invariant non-linear function (read the full documentation here). Therefore, bands of Compositor are time zones. Stratum parameter of NTP-server is permutation. There are 12 Stratums in my NTP-server. Using kick parameter, you can set subnetwork mask. This parameter, together with clap and hat, forms modulation, which installed in parallel to time zones deployment tempo.

NTP-server can create time collisions by granulating the central flag of modulation interrupter. When injected collision comes to the input of the receiving device, this device establishes a connection with NTP-server and takes its synchro-code, which is translated by sub-bass instrument. It is the modulation interrupter flag. The mangling takes place in time component, which is the time-displacement (substitution of time).

Tempo is the first octet of IPv4 address, and multiplier forms the next three octets. There are only IPv4 addresses in NTP-server. NTP-server doesn’t have access to broadcast addresses and to an address of local machine, but uses the range of 54.1.54.0 to 140.3.0.0. Therefore, the role of Compositor Pro was to install the stochastic distribution with the route of 120.1.54.0 to 120.2.24.0 and to perform collisions with the devices of that range.

The reason I made the NTP-server is “creation of artificial intelligence using non-invasive method”. By this, I mean active use of ACL lists and flows filtration when loading Ethernet servers (kernel extensions, which are recorded in MIB’s database of Compositor Software). Compositor Software clients produce traffic when working with software, which is exported into flows, using the half-duplex MDL12 modem. These flows contribute to device pool of Compositor RTOS kernel extensions.

By ruslany

Five Ethernet principles when working with Compositor

Five Ethernet principles when working with Compositor

The original idea with planets and constellations dates back to the 2014, when Compositor Max for Live saw its way into the music business. Compositor Max for Live is a successor of Compositor Pro 2 software, which uses only transparent names for parameters. For example, combinations in Compositor Max for Live are constellations and multiplier is year. The shift towards the cosmological specification of Compositor was made during the interest of the author to FM function application in modelling of Solar System. At first, such modelling was an intent of the mathematician Bessel, who was an inventor of Bessel functions, which are also used in Compositor library.

The subsequent Compositors raise the cosmological question more profoundly as they use the ether application to radio telescope idea. Such parameters as Right Ascension, Declination were descendants of Pitch and Yaw library parameters of Compositor window function. It is needed to say that Declination parameter of Compositor allows for bigger angles than in conventional radio telescopes, even the largest ones. It opens an amateur radio operator to a field of study, which was previously unavailable. By mathematic modelling of radio ether and conversion of transparent FM function parameters to cosmological constants, a new approach to amateur radio appeared. The main concern of Compositor since SASER is Radio Astronomy. Besides that, working in ether directly without intermediate frequencies and transmission lines are available. It is all made by precise virtualization of physically modelled parameters of FM reconstitution. It is not only an approach, it is a journey into finding the right value for each parameter making sound design as the work for cosmological principle.

  1. The first principle is a guiding principle. By this principle I mean that the ether guides the will of communicator and can shape ideas, words and thoughts into the Morse code signals, appearing as symbols and short codes. It means that quality ether can guide you in representing your ideas and has all needed automated tools to decrypt it in radio-accepted language such as Morse code. It also means that for use of Compositor, you don’t need to have a knowledge of Morse code, but you can reveal your ideas only by free-will of manipulating the software. You can read your communications, using Morse code decoding tools (such as CW Decoder on Windows). In these radio ether sessions you can understand all other principles of working with ether.
  2. The second principle is ether aggregation. It is also a cause why rhythm machine was introduced again in Compositor v6. Working with rhythm machine and injecting it into the ether can accumulate Ethernet lines of communication – the carriers on which such communication happens. You can aggregate ether by using rhythm box such as DB-01 and then use the decoder to read new ether lines, which are many after the successful aggregation using rhythm machine performance. Such approach helps to accomplish a manual task of ether aggregation and is similar to the processes of automatic ether aggregation of STL1212 DRM computer.
  3. The third principle is a haunting principle. It states that for successful ether session to over, you need to mask your Ethernet traces. You can achieve this goal using DB-01 drumbox as well as for ether aggregation. Compositor v6 has all needed set of tools for ether aggregation and masking your tracks using rhythm machine and random Ethernet wavetables selection.
  4. The main concern of working with Compositor is accumulation principle. The accumulators such as STL1212 can successfully store and flush aggregated traffic via Compositor v6 DB-01 drumbox virtual machine. If you use more than one accumulator on the physical machine, you need to take in account the physical address of hard drives, from which such accumulators are rendered. For example, I currently run two DRM accumulators from one physical machine, which allows storing 48 Compositor cores simultaneously. You can inhabit these cores by the ether participants using available free cores of STL1212 DRM computer and when the memory usage of STL1212 lowers, you should use Compositor v6 manual mode to aggregate the STL1212 cores usage.
  5. The fifth principle is that you can select on your own, which line you want to listen to in CW Decoding software. If there is nearby communication happening on two lines, you need to choose a spare line using CW Decoder selector.

The named principles of working in Ethernet are self-evident and can be comprehended by Compositor owners on their own. I name them here only in an attempt to integrate new Compositor users into the ether more fast with my own knowledge of Ethernet communications.

By ruslany

Compositor Software Winter Sale

Compositor Software Winter Sale

Huge sale comes on Winter Holidays of 2017/2018 at Compositor Software Web Shop! Now you can buy the exclusive algorithmic composition software for reduced price. Almost every version of the software goes with big discount, including the bundled versions.

Here is the list of all products, which are on sale now:

Discount Price
Compositor Pro 2 30% € 74,42
Compositor 4 65% € 102,90
Compositor 4 Max for Live 20% € 36,00
Compositor 4 Extension 1 70% € 77,70
Compositor 3 Feeders 30% € 112,00
Compositor 3 Hypervisor 30% € 180,03

 

The sale lasts from 24.12.2017 14:00 GMT to 03.01.2018 20:00 GMT

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players

No

3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players

Yes

3 FM generators

Compositor v3

Real-time sampling of material

No

4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling

No

Self-feeding 262 kHz VLF radio with one FM generator, arranger