Compositor SoftwareCompositor Software

Tag : RT-zX

24
Jul, 2018

By ruslany

VLF voice communications

VLF voice communications

To communicate in VLF network it is enough to use the Compositor v8 injector, but to connect to other networks it is needed to create the service of communication with them, sending generic RT-zX processes in to the transmission channel as in Compositor v9 Hypervisor. I established the connection of two Compositor v8, which was hardly possible with 6th and 7th versions of Compositor program. Moreover, such connection was before the 7th version but it contained another VLF ethers, which made the determination of the transmitting station itself and creation of the protected communication channel not possible. For the experiment I executed the Compositor v8 a16 on the stationary computer and played the voice track (recorded with Dictaphone) in injector channel. I executed Compositor v8 b3 with modulation combinations on the notebook without the opportunity to inject the wavetables in the transmission channel. Using identical device settings, I received a loop in the notebook feedback chain, which definitely coincided with voice text timbre recorded with Dictaphone. Then I executed Compositor v8 a16 with ability to inject wavetables on notebook. I composited the same wavetable combination as on stationary computer and injected them in to the channel without voice track. This way, I established a definite non-repeating signal reproduced as random noise bursts with narrative text structure. This text coincided with signal performed on stationary computer transmission channel, but had another rhythm and pause appearance. I understand that for VLF communication it is enough to transmit the ostinato code pattern on the defined frequency and I credit the Compositor v8 communication experiment as successful.

My main goal is to prove the appearance of broadband communication lines in VLF. If it is possible to receive the broadband signal cycle in transmission channel, then you can try to reconstitute it by injecting the stochastic carrier using RT-z128 and RT-z64 channel modules. Then, following this logics, there will be the complete voice track with the receive quality of original translation in the feedback chain. This should be proved, establishing a connection of two Compositor v9 Hypervisor programs and their virtualization modules. If it happens, the arrangement of wavetables into the transmission channel lines will be proved.

Let’s look at the created VLF transmission lines as grains, where a separate transmission line segments coincide with wavetables, encased in window function envelope. The connection service in VLF network is a pendulum process, created by RT-zX generic modules. Then the spiral structure of transmission points distribution in all z networks coincides with pyramidal structure. When you use the linear stochastic distribution of wavetables, the mixing of transmission channels happens creating new nets. RT-zX services give access to different zones of VLF and ULF ether. Wavetables supply pendulum processes of RT-zX modules with grain components when transmitting them simultaneously in the channel. They saturate an ether of this pendulum processes with new translations. You should look into this process as a service of connection with pyramidal structure and wavetables are grains of transmission channels or pyramid transmitting points.

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02
Oct, 2017

By ruslany

The i11 architecture

The Compositor 4 software is based on Generic Kernel 7.0.2 of i11 architecture. It is twice faster than i7 intel processors. It is counted this way: i11 contains 12 harmonics based on the Carson’s rule, i7, on the other hand, contains 8 harmonics. Dividing 12 on 8 the number of 1,5 is received, which is the number of processor speed increase.

The Compositor 4 couldn’t be realized without the Spherical Interaction driver injection in Compositor kernel 7.0.2. This driver enables the status bar, which works for all z values. Spherical Interaction driver is active only for Sr layer and gives statuses for other layers.

The i11 is a tube architecture and emulation of this can be found using Waveshaping modules of Compositor 4. The real tube lamp is on the master channel (Waveshaping 2) as it stays in front of the master output without dc-offset trimming. This also merges the device with old tube radios. Tube characteristics can be found on waveform display and look like the spine of the rising and falling curves of waveform. The more it is smooth and proximate to vertical line, the faster tube is emulated. Most realistic tubes are on z=128. You can emulate transistor lamps with 2-4-6-8 mesh or valve lamps with 2-3-7-8 mesh. You can also emulate tape effects on z=128 selecting the Rt layer. This is an effective tuning of the Compositor 4 instrument. On lower z values, decimation is too hard to achieve the modern lamp or tape technic.

Extra additions to manual: You should turn Ether on to overexcitate the lamp at initial tuning of the system and turn off Ether while achieving communication with equipment.

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26
Sep, 2017

By ruslany

Compositor 4 is out now!

The preparation of Compositor 4 master version took all spring, summer and also the part of autumn of 2017. The last changes touch the creation of loops library taken from MDL12 non-duplex modem, which you may load in 8 decks of Compositor 4 for simultaneous playback. These profiles give you a unique chance to obtain 42 devices based on wavetables. Changing the tuning of z parameter you are also switching between 7 Compositor RT-zX devices, which may work in automatic mode using the arranger and in manual mode. It gives you a sum of 56 devices for the price of one in standalone version of the software. Using z parameter you can change internal architecture of the software in fraction of a second, which allows to make perfect preset interpolations. In Compositor 4 you are purchasing the universal instrument for loops bouncing, which may be a complete track and as a part of your music set. All decks work synchronous to Compositor 4 internal generators tempo and are indispensable parts of software. You can create a channel matrix of 8×42 and use the carriers of physical modeling in unison to loops playback. The sum of Compositor 4 signal processed using master MS-decoder and stereo image enhancer, which improve spatial characteristics of you phonogram. It is worth mentioning about master bus tube, which warms the signal and enhances it with harmonics. 6 master tube harmonic sets allow to change tube type in master channel cascade using one mouse click. An ability to load your own loops in decks makes this instrument a unique groovebox with unrivaled characteristics. The modulator and main parameters section is also worth a price, because you can change the phonogram tempo from 0.05 bpm to 5760 bpm without a loss in synchronicity of the playback. The Multicolor display allows remembering program tunings using the color and set up in relation to tempo and program multiplier. The large amounts of algorithm combinations, 56 device profiles, two types of internal synthesis and master procesing make Compositor 4 indispensable studio instrument.

You can buy Compositor 4 now for the price of €45 for Max for Live version and €294 for Standalone version of software. Visit our shop to chose feeders for Max for Live version. If you would like to buy the whole package of Compositor Software instruments look into bundle options.

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23
Aug, 2017

By ruslany

Compositor RT-zX for game industry

Compositor gameplay

After building the automatic part of the program code for Compositor RT-z128 application, main goal is to test this standalone as a music application. Such test includes the creation on its base of the virtual hybrid synthesizer Compositor 4 with RT-zX marking, which has the ability to switch layers and also the z parameter in wide boundaries. RT-zX generates melodic patterns in relation to locations in RT-z128 coordinate system. Virtual synthesizer RT-z128 subdivisions on physical modeling, waveshaping and granular synthesis. This gives three types of synthesizers in one: the first one sounds as an organ, second has a harsh wave distortion sound and third is subtractive, analog modelling synthesizer.

The coordinate system tunes in different sequences and sounds. There is an ability to switch sequences using Phase and Constellation (coordinate system vectors) changes. Each of them tweaks the programmed location on which vector is pointed.

On the RT-zX display you can view the direction on this map location, which constitutes the particular sound. In RT-z128 there are internal generators – this is your player signal. Also, program can receive the external radio ether signal – this is the second player signal, which played on analog synthesizer and resynthesized using system RT-zX waveguide. This way the identification of friend or foe on the game map is achieved. When you wish to know the location of player 2, you turn off the physical modeling and waveshaping modules, making an amplitude of this modules in GUI on 0. In RT-zX physical modeling modules marked as Window function 1, 2, 3, and wave deformation as Waveshaping 1, 2, 3. The signal, which you hear when the RT layer is turned on, constitutes the signal of external synthesizer, which is used to mark second player map locations. Next, your task is to sample the map with the use of RT-zX – you find the locations, which constitute the different vector orientations with the use of second player synthesizer sounds. Using the Constellations menu, you change the display of map locations, and this way open the field map. You find the merging map areas using multiplier as an instrument of orientation after setting the right Constellation. You are starting the game with the closed field and sound textures, which constitute RT-z128 soundings replaced for music design in such a way, that each synthesizer pattern constitutes only one melody. What is more you are hearing melodies of your player, which are based on melodies played with internal physical modeling synthesizer of RT-z128, but your opponent hears melodies, which are based on the replacement of external analog modeling synthesizer RT-zX.

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01
Jul, 2017

By ruslany

RT-zX – a new platform from Compositor Software

Compositor Software presents RT-zX© platform – a software product line for algorithmic music. RT-zX© platform devices correspond to sound aesthetics of noise music and ambient drones, that’s why they found their use in experimental and dub sound producer studios. Thanks to their internal modulation and delay line possibilities, they involve a listener into the interesting world of deep soundscapes. RT-zX© platform instruments give producer an opportunity to feel like amateur radio operator or radio telescope engineer. This way, you have not only musical characteristics, which you searched for, but also a joy from the instrument, which is suitable for comfortable studio work.

RT-zX© platform is fully algorithmic and its SASER editors will be marked as RT-zX-e from now on, where X – is an oversampling bus multiplier. Compositor Software made a giant leap into a constantly progressing world of sound emission technology. The impressive pass band rates became available in RT-zX© platform. This way, junior version RT-z4 passes a stream up to 2,9 THz/s, and elder RT-z128 passes up to 6 PHz/s. This makes available the work with high-speed rate audio streams in real time without signal degradations.

Due to RT-zX-e editors you can acoustically model radio ether, high frequency radio objects sound, and use the device as a telegraph for Ableton Max for Live. New versions with buffer size values up to 262144 samples will help to commit needed amount of memory for high-speed work with RT-zX© platform audio applications. The maximum speed of work with these devices is an upper limit of Ableton software, which is 999 BPM. Below you will find the comparison table with RT-zX© platform technology use.

Due to its high performance and stability RT-zX© platform will find its place in Compositor Software music devices and algorithmic composition instruments. Ableton software integration as the Max for Live instruments, allows flexible use of RT-zX-e controls. The platform has audio effects devices, which will be marked as RT-zX-FX used as send FX or direct insert on audio channel. There are several programs in the table in which users of RT-zX© platform can potentially take part. Merging the science and art made possible promoting a new Compositor Software instruments to the wide audience of music market.

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