Compositor SoftwareCompositor Software

Category : Telecommunications

14
Jun, 2016

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

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20
May, 2016

By ruslany

Disclosure

SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid this frequency to make the task of transmitter frequency detection harder. The derived function values work for all three levels of SASER SAS24P3L software. These levels are signal generation in real-time, granular synthesis and discretization. Received signal must comply periodical criteria for it to be synthesized with SASER SAS24P3L software.

The model with modulation index of 11 has 12 component harmonics for positive part and 12 component harmonics for negative part. These harmonics sums up to 24 components, which has the derived values. The derived values of the 5th harmonic and higher, starting from the center frequency, fall into the same phase value simplifying the calculations. For SASER SAS24P3L software there is no meaning to work with modulation indexes higher than 11. The derived function has the hyperbola graphic also, but in a contrast with primitive function approximates curve values. The derived function suits for faster calculations and solves synchronization problems with discretization frequency of audio equipment of your device.

SASER SAS24P3L software is a hyperbolic system, working in the VLF band. The hyperbola graph can contract and expand in accordance with the transmitter frequency value.

SASER SAS24P3L software serves for connection line detection. This problem is important when a signal transmitted on the large distances. If two stations, equipped with SASER SAS24P3L software, will be connected there will be no aliasing effect due to cascade of two 8th order Butterworth filters, which process the output signal in real-time and do not allow to spread the signal beyond the pass band of a channel, which equals ¾ of modulation frequency. Radio wave of this connection line will propagate on the large distances. The connection line has one receiving frequency of the signal, which modulated using the signal constellation. 4096-CPFSK modulator, applied to the frequency of receiver, serves as a phase spinning of radio reception in physical space. The parameters of spinning counted by Euler angles.

SASER SAS24P3L software applied for mathematical approximation in physical space. The resulting, drawn on the 3D display of SASER SAS24P3L software has the structure of radio particles, passing through a pipe of waveguide and collapsible into the final image. These figures created in a presence of the signal constellations. These figures are not 2D, but a 3D images, which shows the topology of VLF network on this channel.

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02
May, 2016

By ruslany

Ether decomposition using Morse code method

Ether received via MDL12 Max for Live modem is a property of its original sender. However, I developed a method of Ether decomposition using the AVOX Max for Live resynthesizer. The pass band of AVOX is capable of SLF translations suitable for submarine communications. Thus turning back to an original intent of merging both Sonar and Radar technics together and working on a signal level, MDL12 Max for Live and SASER Max for Live is a solution to induce such communication.

While it is an extremely tough task to decompose the Ether received with SASER Max for Live, I set up a server running special edition of SASER software. It is fully autonomous and registers signalizations in a special binary file. Later I use these signalizations to travel back and forth in time using SASER Max for Live as a feeder for MDL12 Max for Live modem.

Here I present several recorded signalizations out of MDL12 Max for Live modem, which are manually decomposed using Morse code method.

In the first file I decompose Ether from bottom to top, lower pinging comes first and then middle rhythmic bar.

For example, File 1 has a code pinging inherited by me as:

Lows: ..- (U)

Mids: … (S)

Giving me a consolidated marking as “US” at the end of file decomposition. A trained operator can decompose such Ether feedbacks in real-time by using MDL12 Max for Live modem relatively quick.

File 2 is for Russian marking and is somewhat more difficult as it uses beats instead of vertically placed Morse code ping bars. File 2 is an example of such Ether and consists of following codes:

Beat 1: .-. (R)

Beat 2: ..- (U)

This gives marking as “RU” at the end of decomposition.

I admit that the first file is not resynthesized original Ether and the second one is resynthesized clean version of original translation.

Another example of Russian marking also uses vertical bars as in US example, however the labeling starts from top to bottom:

Mids: .-. (R)

Lows: ..- (U)

It is you who decide if such Radar-Sonar system efficient or not, but taking in account that SASER is completely real-time system and acts on a signal level rather than radio frequencies the task of identification the potential threat is a subject of 5 ms to detect the threat and up to 30 sec to receive feedback from it to identify whether it is friend or not by using SASER as a feeder for MDL12 modem.

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30
Apr, 2016

By ruslany

Ether production out of will and mental stimuli using MDL12 Max for Live modem and SASER Max for Live

While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.

I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.

SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.

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03
Aug, 2015

By ruslany

MDL12 demodulator

The project of modeling the demodulator for the MDL12 Sonar Telescope has begun in 2012, some time before the original function developed and was a step on the opposite function to the one provided by Frequency Modulation (FM). The project is for the whole generation of Compositor Software instruments and consists of QIF submitted to sine + cosine functions with an opposite behavior. The demodulator successfully achieves waveform restoration after it is processed by MDL12 codec for subtracting Time function from spectral representation.

One can believe that for a whole instrumentation only one parameter needed however that is not the case as the main working routine is the subjective approximation of exponentially discretized continuous function, which is no longer a secret named as Quantum Interpolation Formula by means of extrapolating the order of things to an outcome given. This outcome however is not the system of values but the Chowning’s view on FM as a source for musical creativity. Yet, if we go forward and use more modulators in a system, it will give us the plethora of possibilities for an algorithmic outcome applied to many more spheres than I originally intended. The main function is sublimed for the plethora of possibilities, but more modulators mean extra processing power and new architectural design, which for its purpose has more direct connection for voice modeling and thus is removed from the deterministic telescope idea named in a first place. Determinism of such model is a set of behavioral patterns routed from the function itself thus the opposite function provides with different outcomes. One outcome I found in original function is its connectivity to the technological point of view on the Solar system: to model it, more additive style is needed. Thus with proper multiplier I can consider the view of things more clearly stepping back on the original path of investigation and possibly removing most of you from the possibility to work with software, which is MDL12 Max for Live device v1.0.9 in current installment. However, if you consider the demodulation process an opposite of modulation you will step back on a path, which means all negative is an opposite from positive, which is not the case in FM, even when negative frequencies folded to positive ones. Here is where Bessel functions take place in order to count proper vector relationships of the viewed uniform creation. I have this ability for you to view ‘underthehood’ of FM sound synthesis by vectors. Yet, to my clear point of view that is not needed. To proper understand what I’m talking about consider antenna polarization as a source of inspiration for imagery, yet it will not shed a light on a sound frequencies acting on a slightly different scale of things. If you still think the impact of the device is an amplitude or FM deviation it really is. Thus, deviation of 4096Hz provides us with more spectrum running x4096 from the nominal 1 of absolute scale. If we consider 8092Hz of such deviation, the output will be even more emphasized as more frequencies slip through the bandpass filters.

Direct transmission by an amplifier achieves more pressure with sound waves, but makes no use in a large scale transfers, thats why you can’t exaltate yourself this way for the whole generation given. For the real work you need one source and one destination. Lets call it point-to-point connection, which takes its root from the communications industry. This way we as Compositor Software users will stay in touch with current software trends. However, for the sake of mathematical precision I modeled a network with one sender and six receivers all acting by a means of stochastic selection for opening channels of such communication in a superposition of time relative to the current destination.

It can be viewed this way: consider me sitting in front of the screen and submitting the file to several destinations in say 2015, 2035 and 2145 years. And lets consider that all of the MDL12 receivers act as a serviced servers with up and running clock devices for the whole Time period, which is defined by the original creation of such server and to the indeterminate point in time at which such server is shutting down. Lets consider such point the year 4000. The receiver can receive music, images or other multimedia by a means of such modem device, which in this case the Compositor Software development MDL12 Sonar Telescope. It achieves Telescopic precision celestial measurements within a one year time route using a sound travel idea. This is how I model such communication, which can in fact predict future, make other persons aware of fraudulent actions and as a popular movie ‘Minority Report’ already covered the subject predict the crime.

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29
Jul, 2015

By ruslany

Spherical Interaction Network management software

Spherical Interaction Network management software Compositor Pro v2 is a system control using a technic of prerecorded audio samples. While normal network management software is for predefined parameters, which operator controls, audio samples recorded with Compositor Pro v2 can contain parameterization, which may only be introduced in distant future but already presented as an inherent quality of the audio file. An ability to record an audio sample is also a set of parameters, which is a product of manipulations in such network and can be remotely submitted to the input of device under inspection.

An operator with sufficient amount of experience can submit Compositor Pro v2 network map called a ‘track’ to the MDL12 input as a network combination given. This in fact gives precision to judging of where to apply the technology and as Max for Live branch of Compositor Software is only able to model Solar System like planetary systems, Compositor Pro v2 standalone software can model star systems with even numbers of planets ranging from 2 to 12.

The task of MDL12 is to observe such Spherical Interaction mapping tracks generated using Compositor Pro v2 to adjust their tuning from one angular position to another. This leads to an ability to audition the network tracks in different years according to Gregorian calendar, while retaining the original multiplier setting consistent for the whole track length.

The previous MDL12 experiment can be conducted using just a pair of Compositor Pro v2 and Ableton Live 9 with MDL12 Max for Live connected using the Rewire technic. Compositor Pro v2 can emulate superposition using Time multiplier control just like the Year parameter on MDL12. The MDL12, on the other hand, achieves Just Intonation tuning through resynthesis of the submitted material instead of real-time synthesis.

To order Compositor Pro v2, please, visit the following product page.

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