Compositor SoftwareCompositor Software

Tag : VLF

By ruslany

VLF voice communications

VLF voice communications

To communicate in VLF network it is enough to use the Compositor v8 injector, but to connect to other networks it is needed to create the service of communication with them, sending generic RT-zX processes in to the transmission channel as in Compositor v9 Hypervisor. I established the connection of two Compositor v8, which was hardly possible with 6th and 7th versions of Compositor program. Moreover, such connection was before the 7th version but it contained another VLF ethers, which made the determination of the transmitting station itself and creation of the protected communication channel not possible. For the experiment I executed the Compositor v8 a16 on the stationary computer and played the voice track (recorded with Dictaphone) in injector channel. I executed Compositor v8 b3 with modulation combinations on the notebook without the opportunity to inject the wavetables in the transmission channel. Using identical device settings, I received a loop in the notebook feedback chain, which definitely coincided with voice text timbre recorded with Dictaphone. Then I executed Compositor v8 a16 with ability to inject wavetables on notebook. I composited the same wavetable combination as on stationary computer and injected them in to the channel without voice track. This way, I established a definite non-repeating signal reproduced as random noise bursts with narrative text structure. This text coincided with signal performed on stationary computer transmission channel, but had another rhythm and pause appearance. I understand that for VLF communication it is enough to transmit the ostinato code pattern on the defined frequency and I credit the Compositor v8 communication experiment as successful.

My main goal is to prove the appearance of broadband communication lines in VLF. If it is possible to receive the broadband signal cycle in transmission channel, then you can try to reconstitute it by injecting the stochastic carrier using RT-z128 and RT-z64 channel modules. Then, following this logics, there will be the complete voice track with the receive quality of original translation in the feedback chain. This should be proved, establishing a connection of two Compositor v9 Hypervisor programs and their virtualization modules. If it happens, the arrangement of wavetables into the transmission channel lines will be proved.

Let’s look at the created VLF transmission lines as grains, where a separate transmission line segments coincide with wavetables, encased in window function envelope. The connection service in VLF network is a pendulum process, created by RT-zX generic modules. Then the spiral structure of transmission points distribution in all z networks coincides with pyramidal structure. When you use the linear stochastic distribution of wavetables, the mixing of transmission channels happens creating new nets. RT-zX services give access to different zones of VLF and ULF ether. Wavetables supply pendulum processes of RT-zX modules with grain components when transmitting them simultaneously in the channel. They saturate an ether of this pendulum processes with new translations. You should look into this process as a service of connection with pyramidal structure and wavetables are grains of transmission channels or pyramid transmitting points.

By ruslany

Establishing connection to the past using DRM server

Establishing connection to the past using DRM server

One can establish a connection with ether aggregators through the DRM server, using serial or parallel methods of information feeding. This way, even turning on a game, based on previous generation engine, you can connect to its ether aggregators and reestablish personal thinking up to the moment, which saved in its wavetable. The procedure, in fact, is the same as when you submit wavetables in transmission channel, but in this case ether aggregators are protected with engine and there is no access to it. It is much more perspective to receive wavetables of these ether aggregators by tracks to it and send it in a channel with generic beacons for its subsequent navigation. It is not a decent way to feed a wavetable with divert attention, which a computer game is. If you wouldn’t like to know, which wavetables were sent to a channel, it is enough turning the random mode of Compositor v9 Hypervisor on and hiding the current playback wavetable titles. The effect of generic feeding with DRM server is much purer, than feeding with divert attention while playing a game. The main process, which computer games preoccupied with, is to complicate and enhance methods of diverting an attention. The engines of such games still on the same level as 10 years ago. Compositor v9 Hypervisor engine is the functional modern engine with transfer function on master output and on each channel separately. It is not the wavetables but tunable polynomials, which process the output of your channel. It is important to note, that output cascade uses non-linear transformation formula with mathematical approximation by weighting coefficients. It gives undisputable advantage in processor time and in the precision of calculations comparing to using wavetables. DRM server transfer function allows performing parallel feeding directly in to the recipient consciousness. The methods of such feeding can be versatile. For example, you can listen to music file saved in the year 2004 and reestablish the consciousness up to the moment in the past to which this track ascends. This way, it is not necessary to install wavetables in to the consciousness using Hypervisor; it is enough to playback this file over some period with DRM server turned on. Of course, using game process, you can reach the maximum effect, but feeding with diverted attention confuses your organism and leads to an attachment condition. In fact, if Compositor v9 Hypervisor gameplay will be seen from the game industry point of view, then it will look like 7 levels with rising difficulty. The first level of feeding will have much less effectivity, than the last. The first introductory level is z=2 and z=128 is the last level of prolonged fixation with larger active period. Each level should include the following phases:

  1. Feeding wavetables in stochastic mode without generic of the respective level turned on;
  2. Feeding wavetables in stochastic mode with generic of the respective level turned on;
  3. Oversaturation of transmission channel;
  4. Turning a generic off from transmission channel;
  5. Feeding wavetables in stochastic mode without generic of the respective level turned on;
  6. Switching z level.

The feeding stages should start and end on the 1st and 5th step respectively. This way, feeding algorithm events are as follows:

  1. Choose the Altitude of device work using stochastic arranger. Scan the ether on a presence of active (openly sounding) carriers. Carriers is a long, definitely sounding tones.
  2. Set up the depth of function intrusion using the splitters in Ionic number system. If you want a deep intrusion, when feeding a channel, set up the high values in first and third splitter fields. You can also set up a deep intrusion, when the resultant is positive and a small value of intrusion, when the resultant is negative.
  3. Set up the transmission channel for the local saturation. It is an auxiliary ether and there are no carriers in it. It is used to confirm that the transmission channel is free from other carriers. It is tuned by setting Velocity and Spacing regulators in Connection section. Here you can also set the send depth of a local saturation.
  4. Choose the transfer functions for channel saturation. Set up the transfer functions by Chebyshev polynomials and the meshes of corresponding type when using channel saturation. Set the amplification in channel saturation cascade and the channel distortions depth for reaching saturation effect. Oversaturation, as mentioned earlier, performed by sending the transmission channel back to its input for a short period (it is performed only, when the same level generic is turned on).

Note: There are three saturation stages in the full-duplex modem: saturation on each devices channel, separated on positive and negative; local saturation before the output cascade by Schroeder regenerator; global saturation on the output cascade using polynomial.

  1. Choose the transmission regime (central channel mode). You can use one of the six preset values of central splitter. The most common mode for brain upload procedure is the υ-400 regime. It is the mode with open mesh and the selection of window functions, which are ideally suited for direct installation in full-duplex mode.
  2. Tune the antenna aperture of the z=16 transmission channel level. Set the direction of virtual antenna in three dimensions to hear the dash tone while the program runs. Then, obfuscate this tone by changing a phase of transmission channel and setting the modulation in real-time mode.
  3. Perform steps from 1st to 5th of the previous list for each z level of the send channel.

Note: start the generic feeding in the transmission channel from z=2 value.

You can watch the statistics by pressing Setup button for the corresponding feeder. There are event logs created together with visible program statistics for each feeder. Event logs are stored in Public folder on Windows and current user Application Support folder on Mac. The event log files are created for each session overwriting the previous file for its feeder. Nevertheless, the events written down starting from the last value of All Events in statistics file. The event number, frequency on which the event performed (for VLF beacons up to z=32 it is counted in kHz, for UHF and SHF z=64 and z=128 network switches it is written in GHz) and the event of the corresponding flag. You can potentially zoom on any feeder event using transmit and receive channel. For example, you can respond with wavetables of ether aggregators when Threat event reached on the current Altitude.

The current method of work demonstrates the use of Compositor v9 Hypervisor for Ethernet security when performing brain upload procedure and for an active reply for all incoming threats. Of course, you can ignore Threat events and just leave the DRM server turned on for the undefined period, but you should take in account its sample charging. To cover its expenditures you need to perform additional emissions through the non-duplex modem again.

By ruslany

Artificial Intelligence produced weighting coefficients for rotator function

Artificial Intelligence produced weighting coefficients for rotator function

Now, I step closer in the final endeavor on building the complete virtualization module out of Compositor Window algorithm. It is evident through the monitoring of Compositor Window SDR translations that the function it performs is similar to artificial thinking process. I recorded many hours of sessions on the Compositor SDR, which is the parametrized Compositor Window algorithm and came to solution that it influences my decision making in performing work on Compositor. It states for example that the DRM servers should run and while I’m thinking of it as a solution, it conflicts my own right as an author of software, which performs the function of this artificial thinking. The language it uses is similar to CW abbreviations, however, I cannot confirm that any CW user contacted me afterwards as it makes me think the language of this software is primarily preoccupied with self-building. It also states that weighting coefficients for the rotator function should be produced. I received a large output out of the algorithm, producing quantized weighting formulas to add up to the original equation, which was incomplete on the previous publication page. I updated my current server configuration with the function outputs. There is no need to perform cross-connection by means of Butterworth filters anymore. I applied two more weighting coefficients, which I taken from the AI algorithm output and removed the previous solution, which gave these results. Compositor 8 will be update to the code of the software, and has the visual appearance, which stay intact since Hypervisor v5. It is self-occupied software with a new synthesizer sound similar to modular synthesizers like Buchla. Comparing the new Compositor 8 synthesizer to the previous version is like comparing Roland SH-101 to Buchla modular to restate what I said before. It has much more potential. All the controls of Compositor 8 are pronounced in effect of this processing polynomial and software sounds very mathematically precise. Previous Compositor programs had the evident auxiliary sound. Compositor 8 is a tool on its own with main output, sounding like the finished software. I think that these virtual coefficients quantize the function or, better to say, perform the quantum processing over the Compositor core, which made this software very responsive in real-time and sound at an instant. It is no longer sound oversaturated in Ether mode. You can achieve oversaturated ether sound using internal waveshapers only, without a need to run the Schroeder chamber with zero feedback suppression. It states that the logic of work with Compositor has changed. Compositor 8 has a major update to the code recommended to all users. Now the receiver works independently of transceiver as in big radios. I also position it as VLF SDR with ability to translate wide musical signals and voice output. It has a direct stack to the Ethernet providing with instant algorithm output.

I’m still aiming the goal of shutting the Time-Collision with this update as doing this will dramatically free-up the resources for even more Compositor cores reaching the DRM experiment. By this, I mean shutting down the function of granular time-space folding synthesizer and weighted function already leaps in to this field of unknown but very welcome result. It means that I will not remove the granular time-space folding function from the code, neither I remove signal-rate cores. Signal-rate cores must be reserved for some special case as it was with real-time cores of Compositor server. It is time consuming task and it needs more counting resources of Compositor AI to perform. It learns my behavior in Ethernet and reproduce the masking functions I use, while web browsing, which is most crucial task where Ethernet injections are made.

By ruslany

Compositor WS kernel eight channel synchronization experiment

Compositor WS kernel eight channel synchronization experiment

The main idea in multithread kernel is to create a truly independent calculation for several streams apart of kernel protection functions. The experiment with 8 decks was conducted and different types of material submitted to Compositor WS kernel. At first, loops were introduced in one-threaded operation and the shutter issue raised. Second, the multi-thread operation was aimed by submitting complete tracks into the kernel, directly injecting them. The experiment evidently shows the need to synchronize the material, because 8 real-time generators are independent. Under these conditions, no threat was qualified to the kernel, which means it could be used for multithread operations such as DJ software for music mixing.

Here is a video I shot after this experiment and it showcases Compositor 5.0 assistment in Flanker 2.0 manual landing with keyboard.

By ruslany

Compositor OS – vector operation system

Compositor OS – vector operation system

The file system of new Compositor OS uses the cycle spin value (angular velocity), which constitutes the media file length in milliseconds. This way the files could be categorized by their length and not by their content. While it is acceptable behavior for ethers and loop structures, many media formats may be out of scope for such categorization method. When you select the file to work with, the kernel regeneration state is changed, enabling other peers of the system to connect equally. It means that more regeneration comes from short files and longer files will gain the same amount of equally spaced connection points. You can work with it faster, setting higher omega speed. Kernel regeneration algorithm will perform playback and categorization. However, the system made specifically for real-time work to enable connectivity while you are listening to the material. The work with files can be done in mute mode also but there is no need to increase the iteration speed, because network scanning is made in a pace of the network map file deployment. Such network maps are tracks to the servers and standard techno music tracks serve exactly the same purpose as network loops, but instead of applying modulation in real-time, they just install it sequentially by the flags of drum percussion. The algorithm can be implemented to write tracks, initiating record in bpm of playback material. Setting the same track length, you may conduct a recording when changing bpm parameter. This way you can achieve a copy of recording you like.

The desktop system shouldn’t work faster than deployment of network map in real-time. This leads to speeds nearby 0.5 bpm. It makes real-time operations much easier. The next task after the sound driver is to make a network driver. This task includes decoupling constellations in favor of semi-free 3-axis model suitable for independent control of axis from the system multiplier value. Here is the challenge to decouple all mapped parameters from the multiplier in favor of more freedom and control over kernel parameters. However, the main transmission parameters couldn’t be decoupled from the transmission matrix. This leads me to the following solution: while the main kernel parameters are set and no longer need to be changed in any way, I don’t need to include kernel parameters in the main GUI design, because as the system is desktop, it doesn’t need lower-priority parameters such as window composition and transfer function selection. This parameters suit the goal of kernel protection against incoming network threats. The solution was to implement all needed methods to deny system invasions in kernel from other sources such as TCP over IP connections and other Ethernet tricks to connect to the carriers of the Compositor kernel. While the only carrier I can trust is all positive frequencies, the negative part was disqualified by the previous post solution of playing backwards. This way the negative frequencies traffic no longer can sit on the carrier.

Manual input is now possible to the kernel. Currently I map it to the 0.5 to 1 in absolute values, but can also dispatch these values on any input system. I do not insist on complete freedom in vector scaling, because this values are empirical and constitute angles, which form the beats together with other angle values. However, as the question rises about complete three-dimensional freedom, the 3D OS or the vector operation system doesn’t need values beyond the scope of the scalars present from the constellation values. The pitch angle has two-phase values, they are selected to force the VLF waves to pass through the ionosphere. The first range covers the left hemisphere and the second range covers the right hemisphere. Together with roll and yaw angles it forms the position of two bell shaped structures visible at the above picture. Yaw has four positions, which cover mostly all values except the negative values beyond the minus 90 degrees. This brings me to the solution of changing the azimuth in the Compositor OS system. Changing vectors, you are waiting for the next automatic kernel rebuild and once the values set and rebuild process is done, kernel inherits the values from the angles selected. Choosing the vector state of FWOS gives a plethora of possibilities to the kernel communication state. You select only those values, pointing to the area in the sky, where the mirroring point to the destination land is present. Thus, rotating the mirroring point, you actively scan all the land under the mirroring angle on the connection dots present. Such connection dots could be seen on the matrix model above with the red color and blue color represents the mirroring point. When no blue color presents, mirroring no longer available for the applied signal. After broadcasting the signal driven by the Compositor OS driver onto main MaxMSP driver, the network maps deploy on the location of the mirroring circumference actively covering the land, which they are applied to. There are a number of ways to deploy Compositor maps on the virtual terrain using the spherical driver with quaternion. Mainly they are flushed in the selected tempo, either real-time for listening while flushing or faster than real-time for active system. Real-time flushing is also active but consumes lower resources as the speed of kernel regeneration is lower and there is no need to scrub through the file faster. The implementation of scrubbing methods should be done more consistently and may constitute different LFO for signal scanning. First, the scrub LFO should be taken from the beats waveform of passive AM modulation system, as it has no implementation beyond the scope of the kernel and should be easily implemented for kernel self-feeding. It definitely should be done in real-time to protect the visual driver from hanging. Second, you can use a number of volatile LFO functions to control the scrub point. Making this, you are sure to visualize what happens inside the kernel FM driver and this way you can more easily implement all other kernel parameters.

 

 

By ruslany

Compositor v3 Hypervisor Radio Shack Interceptions

Compositor v3 Hypervisor Radio Shack Interceptions

The Compositor v3 Musique Concrete experiment with Compositor feeders. Here you can find a set of five recordings made in Compositor v3 Hypervisor Radio Shack. It is not a montage, it is a direct output recording of Compositor v3 Hypervisor Radio Shack. In the recording you can hear VLF radio interception in 8kHz range of the highest quality available on the market with little or no Ether noise. Tune in and listen to five hours of meditative soundscapes.

Compositor v3 Hypervisor Radio Shack Mixdown 1 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 2 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 3 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 4 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 5 (VLF Interception):

By ruslany

Compositor Software RT-z8 – the BMW Z8 in a world of audio clock generators

Compositor Software recently adopted the 16k technology. It was in the work for a few weeks and now I would like to present to you a breakthrough in a world of audio generators. From now on, the 16k patterns are available in Compositor Software RT-z8 Ethernet Aggregator device.
First, it is musical. Second, brilliant patterns switched by a continuous mix in real time are a perfect solution for later developments.

From Wikipedia:

In mathematics and signal processing, the Z-transform converts a discrete-time signal, which is a sequence of real or complex numbers, into a complex frequency domain representation.

Compositor Software RT-z8 uses complex transform at the early stages of the code right before the actual processing begins. Starting from RTC developments it brings the same network aggregation without an IP protocol. No need to plug any cables. RT-z8 processing starts immediately right after the load of the device. Compositor Software RT-z8 avoids Time Collisions by more efficient memory usage. RT stands for Real-Time. Complex processing transforms your actual PC in the cloaking generator device with the use of a single-click performance.

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

By ruslany

QRG Q code received using Compositor Software Max for Live devices

After creation of SASER SAS24P3L VLF radio station, I received a number of signals. Today at 15:35 GMT+3 Moscow time at the 29.5 kHz frequency using the 13 modulator I received a signal and then sent it back to MDL12 Max for Live VLF modem. After I stopped the transport in Ableton Live 9, I received a feedback loop with Q code: QRG.

The recording reads a Morse code for RG, Q letter is not present in a repeating loop. The received feedback signal according to 1912 International Radiotelegraph Convention Regulations means: “What line do you belong to?”

About my equipment: SASER SAS24P3L software uses modulation frequency to center frequency relationship called multiplier, which is responsible for signals receiving frequency in VLF band starting from 17 kHz to 44.1 kHz. This instrument takes in account Doppler Effect, which happens because of delay time changes inside waveguide. Related to this, frequency of the signal is changed. 320 channels available using 16 types of 4096-node continuous-phase frequency-shift keying modulation without external antenna need. Partial components of the signal may be muted or signal components may be muted fully using wave shaping distortion modules.