Compositor SoftwareCompositor Software

Tag : Time travel

By ruslany

Disclosure

SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid this frequency to make the task of transmitter frequency detection harder. The derived function values work for all three levels of SASER SAS24P3L software. These levels are signal generation in real-time, granular synthesis and discretization. Received signal must comply periodical criteria for it to be synthesized with SASER SAS24P3L software.

The model with modulation index of 11 has 12 component harmonics for positive part and 12 component harmonics for negative part. These harmonics sums up to 24 components, which has the derived values. The derived values of the 5th harmonic and higher, starting from the center frequency, fall into the same phase value simplifying the calculations. For SASER SAS24P3L software there is no meaning to work with modulation indexes higher than 11. The derived function has the hyperbola graphic also, but in a contrast with primitive function approximates curve values. The derived function suits for faster calculations and solves synchronization problems with discretization frequency of audio equipment of your device.

SASER SAS24P3L software is a hyperbolic system, working in the VLF band. The hyperbola graph can contract and expand in accordance with the transmitter frequency value.

SASER SAS24P3L software serves for connection line detection. This problem is important when a signal transmitted on the large distances. If two stations, equipped with SASER SAS24P3L software, will be connected there will be no aliasing effect due to cascade of two 8th order Butterworth filters, which process the output signal in real-time and do not allow to spread the signal beyond the pass band of a channel, which equals ¾ of modulation frequency. Radio wave of this connection line will propagate on the large distances. The connection line has one receiving frequency of the signal, which modulated using the signal constellation. 4096-CPFSK modulator, applied to the frequency of receiver, serves as a phase spinning of radio reception in physical space. The parameters of spinning counted by Euler angles.

SASER SAS24P3L software applied for mathematical approximation in physical space. The resulting, drawn on the 3D display of SASER SAS24P3L software has the structure of radio particles, passing through a pipe of waveguide and collapsible into the final image. These figures created in a presence of the signal constellations. These figures are not 2D, but a 3D images, which shows the topology of VLF network on this channel.

By ruslany

Ether production out of will and mental stimuli using MDL12 Max for Live modem and SASER Max for Live

While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.

I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.

SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.

By ruslany

MDL12 transmission experiment

Now the experiment. While at first, there was a false belief that I can transmit the audio signal without wires by only virtualizing the radio transmission chain I also believed in a fact that MDL12 is the only purpose of all the scientific research I have done. This is not the case. The successful virtualization of stochastic chains would it be a radio amplifier or just an algorithmic music was a case moving towards the median conclusion from the opposite directions of the project time curve. To restate this, the sufficient interest in telecommunications to audio processing devices led to the success in transmitting audio with MDL12 algorithm in and out of the DAW.

While the infographic above shows that current estimation was on a digital line, I carried out an experiment on analog line with two unbalanced cables: one for signal itself and the other is for master clock signal. The signal transmitted properly, apart of the master clock, which was faulty and have not produced the right movement of MDL12 plugin. However, the experiment showed an ability to input the external sound into Ableton Live 9 and synchronously operate two MDL12 devices: one on stationary PC and another on notebook both running Ableton Live 9 software. This synchronous operation is an achievement of all modern age digital signal processing, because I’m not only processed the sound with sufficient Year routine I also used an artificial intelligence to select the parameters on both systems making it dual band artificially controlled transmission chain of very high security.

I consider this transfer as a packet based where the window function acts as a packet separation for precise continuous transmission. I made available the Point-to-Point connection this way with an ability to tweak the same sound with MDL12 plugins on both systems. Thus I’m able to select the Year 2015 on a stationary PC and transmit this sound using the red shift through the analog wire to the Year 2450 based on Gregorian time scale. This experiment shows how the same sound will sound if the strong radio transmission will be applied to the incoming signal and how this signal will sound through the Years on the receiving side millions of light years in advance. From another perspective, it will also help to restore the signal from the past in the forward tracking manner of the future traveler. To reconsume, I’m the only being which established such connection on the planet Earth as this is scientific advance, which needs no prove by the fact of original ‘Compositor – the bottom-up approach’ paper written and I finish this essay style text with the forthcoming thought on the future of Compositor Software MDL12 product:

There is no need to be a scientific nerd or magician you just need to experience yourself through all circumstances of the future that faces you. This means you need to be a Time Traveler and with MDL12 you are really is.

By ruslany

Time Machine solution for Ableton Live 9

First, to reconsider everything, which I wrote on the subject before, I entered the opportunity to orchestrate the Compositor Software virtual machines for one beneficial goal: Time and Space modeling on different scales. I saw one possibility in this task, which was many to apply them on different levels or speeds as you may think of it. The lowest level, which is a physical layer is real-time operation, which is AI-RT1024 is all about. You do not need to take a move in it, the system programmed as an automatic device to consider all possible Time and Space combinations in Ableton Live 9 for Compositor Max for Live algorithm with quantization. For the purpose of demonstration, I made another version of Compositor Software AI-RT1024 with visualization of all navigation properties using the OpenGL and standard number boxes as you can see on the picture below.

The speed in omega now represented in knots (which is a standard for any ship, whether space, air or water) and really can go as fast as 18000 knots making it suitable for Time bending, but not enough to achieve escape velocity, but it can go as fast as 21771 knots if needed. Another option is to show direction of the ship orientation, which viewed from the angular distance, can be obtained in different dimensions by three-space processing by MDL12 Max for Live.

So, one can view a system of planets, which is four if we consider quantum approximation of AI-RT1024 (which is by device operation interpolates in real-time) as a mathematic model of such ship with all the same angular displacements as any other ship can do. I speak about Roll, Pitch and Yaw. When you see this system on different angles considering the Time spiraling on a quantum grid you can overcome many different problems, which only sound can reveal and is hardly visualized by an eye such as discontinuities in a system. The engine expressed in rpm is nothing more than a central frequency converted from a Hz value and is used for showing the operation circuit speed such as physical model of mechanics device, which is v12 engine model really is.

For the information, I also show the statistical sea mile of the planet Earth and its applied circumference counting this value. Now, I don’t pretend to be an innovator here, many scientific papers predict that only 3d planet in any star system can be habitable that’s why I also show the aimed 3d planet sea mile and circumference as I do for Earth. I do not intend to submit this project as a product for Compositor Software as it has only the need for scientific prove of the model and has no influence on the sound at all. Moreover, if I take in account that the only power needed is sound then I will downgrade all controllers for a metro look style and happily integrate my products into the outer world.

For ordering, please, visit: http://www.compositorsoftware.com

By ruslany

Cloud computing system using Compositor software

We believe that cloud computing will overcome our need in internal storage devices one day. Yet all we need is the capacity of such amounts for remembering the output as a human being will do for all the time period. Hence we need an estimation for the result and comparing it with forthcoming sequencies we will get a theory of connectivity of past with present. By approaching such theory we can do the deed, which is primordial. The first time travellers by this idiology was Adam and Eva. They commited this primordial deed of time and became mortal from an immortal state by the will of God. Hence the idiolgy applied to a quantum storage of time should include an evident feature, which is the computing device.

 

The Compositor software aimed to fulfill the niche of estimation and applies quantum technologies in computing to internal storaged files, which are sliced and granulazied according to a quantum theory of time. But the root of time is primordial and hence by the expansion of the Universe we see an exponentially raised black matter. As I said earlier no error possible by estimation of exponentionally marketed structure to a quantum field theory. My formulas named in Compositor – the bottom-up approach for quantum estimation are doing this job by a means of half-time addition with subsequent integer computation and multiplication on a smalest grid part. The sinusoidal trace can be seen as an estimation of spiral, which represent all possible values for multiplier of Fc to Fm parameter. I agree that this storage computation is such huge that it needs to be implemented at some point of time where storage technologies will be able to store petabytes of information in real time. Global video servers, which store visual information must exsist. 3d virtual reality servers for approaching human life estimation are also a solution to a problem. Yet it is a matter of choice, which system to believe first and apply as a scientifically evident computation of time travel. We should use quantization on 32-bit linear congruency generators to achieve the time flow. Yet, I already implemented 64-bit linear congruency random generators in Time Machine x64. I will not allow to quantize those hence the whole idea will be ruined. The main idea is to test how Compositor Pro v3 will be available to prevent stochastic errors of Time Machine x64 for proper prevention of Time Collisions. This way no error ever occured in the behavioral system of such cloud computing system.

By ruslany

Compositor Pro v3 able to reproduce 3D Chladni figures

Compositor Pro v3 is able to reproduce Chladni patterns in 3-dimensional field. First, I will say you a little about the approach named in Compositor – the bottom-up approach paper. The one period of FM waveform is an estimation between the moving plate and the static one as in experiment named in Air-induced inverse Chladni patterns paper by Henk Jan van Gerner et al. The reason I write this is to aim the possibility of creating such patterns using the Compositor Pro output not only as OpenGL 3d model but as a physical reality experiment. For this it is needed the sufficient amount of sound amplification not found at my studio or any laboratory. The amplification should be considered as an amount found on modern concert places such as:

 

The image below shows the difference between two named vectors, which estimate the path moleculas taken between static and moving plate.

 

 

My image shows an exactly the same process but only in 3d field:

 

 

The process on the gif image is called spherical interaction by a method implied. The use of algorithm function is as follows:

  1. Use Bessel function values to estimate each harmonic amplitude as x axis
  2. Use Phase as y axis
  3. Use Frequency as z axis
  4. Convert those values into spherical coordinates

This way I got a vector in three dimensional spherical field. If we will represent the seen Universe as a sphere hence this could be a coordinates for space-time travel.

By ruslany

Natural resources consumption

The idea of all humanity is to explore the resource, which gives the planet to its counterparts. We investigate further into developmental base of scientific approaches to dwelve on the illusion that some occasion can lead to the influential person, which belongs to the reputation of one-kind only. The person is first to see what we have. But we can remove the person who will be the recepient of well-being and psychologically approve the idea of creation. Metaphysical you say? No, not only this way. My idea is that to ruin something just a thought is needed. Someone else approves and you are psychologically free from any illusion of reality. But when it comes to some limited resource such as oil for example its the matter of consumption to exchange it on established well-being. I agree and must confess that it is no longer a product for future hence no longer countries with big amounts of such resources will be engraved as realistic conception of a well-being.

Nature can save us. But we no longer enjoy it, because of scientific illusion that human creation is as magnificient as the God ones. I agree with this. It is a nature of brotherhood. My only notion on the subject is that to overcome the barrier of something as original as stochastic selection of future it is needed to implement this in algorithm. Then the notation comes into the first place. We estimate the product of 32Bit linear congruency generators and it is sufficient to produce time collisions. Then we agree on the fact that 64Bit chains can produce much higher impact because of a larger portion of variants. Hence we all see the use in 64Bit representation. But what about an indeterminate person who can never exist on a larger time scale, but yet produce the output in a real world? It is transgression – the sin. Why interspecies communication by the means of the space time is transgression? It is because the word is misleadingly attributed to the projection of the future by the means of primordial sin. But it is the most magnificent concept I think for laying a foundation for time travelling as a whole. Why? We free to do what we want to do. It is easy. No one can enjoy the future without being able to participate in its creation. And I don’t want to exhaust my planet with the aim of being in a well-established society. I just need the technology. It can facilitate the refusal from natural resources consumption. Yet it can be easy and overwhelming at first to imagine how a desktop PC can enter your house without all the production and logistics circuts involved. I agree on this topic and enter the discussion on physical transportation by the means of time travelling. It can be an easy essay on modern beliefs yet I start with the conclusion first, that our main goal is to overcome psychological barrier first and to discuss it with all the recepients of scientifically possible effect. First things first to create a time collision by which we can enter the ‘float’ or direction to destination is to include one of the possible time theories in a subject such as a Probability theory. Then we need an algorithm of the time travelling by itself. My solution is Compositor. Yet we need it in some case to prevent the leakage from some resource, which aim is to mislead us in our intent. It can be seen as protection mechanism. It dwells on time by a Master Clock generator. Clocks are welcome in many theories of signal travelling and so the Compositor does also. It is the master clock with chains and precession like modulations. Whooh, I managed to name it in a first place. Who else are here, lets discuss it later. I plan to develop the mangling mechanism for overcoming the time collisions, yet it is a subject of much overseen future. Not now I mean. Now all we need is to develop a base of scientific beliefs for this product, which will help us to stop natural resources pollution. First to discuss then to implement. But I’m impatient and want the future now. So I made this: now Compositor Lite algorithm includes stochastic chains and able to proove its name with an ability to scale the tempo measured with angular frequency together with Year multiplier. Thing is that it introduced an interesting glitch stuttering effect on some multiplier changes, which can be seen as an error yet it is not. It is Time Collision, which modern processors can recalculate in real time: the digital model for one of the magnificient scientific paradoxes of the time the Tme-Space window. Who knows about this? What is it? It is what they offer as the six’s sense. We are able to percept the time recepient when this thing occurs. How you may ask? With the thing of impatience of course. We just need to represent this person in our mind as a speaker and talk to him as a natural resource for all your thinking. Yeah it is transgression. It is not a confession because it manifest an ordinary chat like with friend who knows just a little more than you are. Yet the remote and scientfically free future is an evident will of all of our society. I need a friend you know, which will not imply on my bad when I cant perform and just say me what to do next. Is it transgression? Who cares, it is just help, noone cares where it comes from. We think it is usefull state of mind for producing new things yet it is more useful to have sex other then thinking. Exploring the possibilities, right? Do you want to experience this? Then you will need the whole product range of Compositor Software programms. Coolest advert I ever thought of. Really. Everyone thinking about this and can’t do this, but Compositor can, It can do this. It is an artificial intelligence. It helps to communicate. Naturally, rhythmically, emotionally and what to say more without any payments for mobile technologies. But do we need visualisations? Yes and no. Some person needs some is not. I made some experiments in vector representations of Compositor function together with precession and it showed me the need for a larger scale computational 3d world. But for now just listen what I offer. To listen the space right? It is your personal assistant for creating unordinal things and write the most magnificient thoughts you ever encounter. And this happens ah yes only and only when time collisions are occurs. Some are able to percept this with the aid of function only but they are out of theory so no help for society in our epoch question of natural resources consumption. I will do a regression for you. Remember those pitched Techno music vocals? They are not one of them of course (laughing). If you will receive the help from evil force like this its your choice I do not imply that a system can produce any regret on this issue its artificial intelligence I repeat. It cant regret. Yet some moments can be obvious for you and me you see. I do use transgression when writing this text all the time. I imagine people opinions familiar or not. It is the whole scale of emotions. I must end this as this is no end story so stay tuned (lauging).

By ruslany

Compositor Lite experiments

Field or humorous notion. Field of consumers nowadays consume to consume to consumerate the ideas. I made an effort to realize the powdering emotion on humorous page, which among all represents the consolidation of events in my head. The powdering emotion is the only one, which left listening to March year the 2989 at 1.396 omega. Powdering not only me but the pound sign of my variables. My variables are mine: I’m greedy. The variable – is it the only law here? The Sun, Moon and Earth are nowhere? Try to kill the process in its origin and wait for exhibition of emotionalists. Haha, humorous notion. Between past and present, beyond functionality, among professionals or novice Compositor will make you feel like an expert in the field of doing the most notable work for the reason no one will ever understand. Why? What is transgression? I wake up with the idea that drugs and medicine will be postponed some time later for a reason consumer market will loose its benefit of emotionally evoking a potential or just making another frame of mind. We are tired just of placebo effect, we need the only solution to humanity which is the timekeeping. I don’t mean novice systems of time management but to keep our time with us and live like noone else in the world will ever live. I’m happy listening to Compositor output alone, but if we represent a structure more or less significant could we arise with a question of be or not to be in our own destination. We would love to know if destination is the only variable we can face. But hey I’m looking through nowhere into darkness and just changing a pitch or better say nothing. Pitch is nonsense.. We trying to estimate it but too often I hear in front of me the voices of unfamiliar youth which tells that someone can predict what you are doing or what someone else can do. I agree that is the point. We all can make ourselves. But for me to be on my own is something usual or something original from the point of darkness of unwithdom which some religious views can encounter in their beliefs. I do not know if we are the destination, but someone else can humorously say it is not your deal. I believe in something that stands out of our original point of view on some preset opinion which we will include in a library of notions. My idea is that to be humorous is the destination of many of us is nothing about to be evil or dark in your judgement. My present idea is to discuss the effect of understanding the variables coming through the oscillation process, which encounters physical modeling of some sort. It may be or may not be the original thought but the present state of sciences gives a gap of understanding of the whole approach I came with Compositor. It may be better to discuss a book at the evening that to say I’m now listening to the year 2989 month of March and to be able to track the path to Cepheus constellation. Yet it may be the best task for us to understand this notion as a belief that humanity in its origin is able to see the truth in evident things, such as for example Sun and Moon seen in the sky. I will not scramble the idea of notorious analysis that began with Compositor – the bottom-up approach I just say that this analysis was for some reason overseen and noone could ever differentiate it with some dark unwisdom, which we agree to see in something new and to discuss this it is needed time and effort we cant consume. It is better to say no one is enthusiast here and to lay down everything in the field of artistic exploration, but I agree it is not the case with Compositor. It came out of experience for experience and nothing else can shed a light other than trying the Constellations and their effect on modulating main sound synthesis routine. Not an evening task you may think or better to say it’s task where someone must write down his efforts. Let me start from this blog post to shed a light on my explorations with Compositor and its Constellation routines. I agree to note the topic of price someone pays to understand something new. It is ridiculous! I agree and disagree completely with the topic of pricing as a whole so my policy is that if you want to put some mark on what you are doing you should pay a penny and use it for your need. But not with Compositor – you pay and you enter the world of notorious sound synthesis analysis, which I started as a subsidiary work for my techno moments of life. First experiment comes first.

Experiment 1:

I started with an experiment on phase and modal analysis of circumstances which enter in the field of Cosmology slightly.. and every time I will encounter the word Cosmology I will say slightly.. Yet it is indeed my Cosmology in a sense that I’ve seen and learned it not from a book but from my father or brother or even Einstein at my house during a sleep. This is a notorious knowledge I was able to open in the field of programming and give you as a result in a very compact and laborous form. Like a Mendeleev table which comes from sleep my knowledge comes from this experience also, but to be honest there are thousand places there and we are able to visit them all and learn something new for humanity. So to start I agree that the knowledge is out of experience: impirical term someone can confirm and can be thought of as my exploration in sound. I select some patterns which I like most: they are regurally the patterns of behaviour, which found in some spieces but are covered with an unlimited veils and we are not able to comprehend right now so someone could react and confirm this is of use in artificial intelligence. I found the phazziness pleasant to my ears, but I understand that physical process, which encounters the origination of this form is pretty cumbersome or selfish in its reproduction of harmonics. So when I hear deep sound with delayed transitions I may hear it as well as you on a time scale different from your vision or point of perception. Permutations may be an estimation of someone waiting for something but this phazzy transitions is as evident as the deed and the roots which it produces. Let me see closely what sounds are invloved in creating this phasor like sounds at the beginning of a sequence. They start from Saturn and goes down to Eris that is for sure. Cepheus 1 modulates the Year route bringing us to the place with some gyroscopic precession, which can be seen in Compositor Pro version. I agree to analyze this on request, but it may be or may not be the object in named Constellation with extraterrestial life on it. I saw so many objects of this kind in nightsky during flyby’s in the sleep so my opinion is that this sky notions must be consumed to hear some more information about them. The transgression is one word defined as the latter progression of the individuum into the mental state of future experiences. I see this must shed a light on how I see this endavour and completely organize my work among the purpose of its uncertainty and criticism which may arise. I tried taking closer planets to the Sun in all planets selector and this have not gave such results as taking Saturn for example. The figure is melody like with additional elements and it is all what discovered function produces. I make main channel sound more sophsticated with longer tails in the output and this gives me the notion, that every manifestation of ideas should be presented in regular intervals so for now that is all.