The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.
Dubfire & Oliver Huntemann – Diablo (Original Mix)
The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.
The translation reads as:
. .. .. .. (EIII)
Gaiser – Ciliate with
On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.
The track translation reads:
… . (SE) with variation on … .. (SI)
Boosty – Wavescanner
On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.
The track translation reads as:
. .. (EI)
If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.
The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.
The second part of experiment I committed is to achieve an advancement noone on Earth ever achieved. Compositor TC-SRRT2048 algorithm was used to transmit techno music signal with space-time folding oversampling of x138 times, which equals to 11050Hz Transmission Rate. I experienced no more Time Collisions, but the Binary wideband Signal was returned to me instead of submited techno music material. The Signal was like a Binary code with dips of silence and peaks. It reminds me the metallic sound of dropping a stone into the garage. The Signal slightly dimed the channel output so I wondered how smart the algorithm work is. I just appoint you that I live in Russia and hope this achievement will lead to peace on our planet Earth.