Compositor SoftwareCompositor Software

Tag : SASER

By ruslany

Compositor Networks map

Compositor Networks map

For the first time Compositor Software reveals its network of contacts made with SASER SAS24P3L software. As you can see on the map above, there are numerous contacts in Europe, USA, Russia and South America. These contacts were made between October-November 2018. The map outlines geographic position of call signs of contacts made with their indexes. This is an approach to reveal aggregated contact base, which Compositor Networks started to form since 2012. The creation of Compositor Networks began with Compositor Pro 1 software. It is an original hyperbolic construction software, which laid base for algorithm work. Later the study of algorithm was performed merging FFT (Fast Fourier Transform) with SANT (synchronous analysis of non-harmonic timbre). The SANT technology, originally developed for Compositor Pro 1, is the new approach to relativistic frequency shift keying and can be used for applications such as discretizing of analog signal and deterministic navigation. Compositor Software used SANT for creation of SASER SDR with self-feeded signal chain, which enables to communicate in shortwave ether without an antenna need. Then, Compositor Software developed the shutter technology, which gated the self-feeded chain and began injecting the contact base of Compositor Networks in form of ether loops into the Compositor algorithm. The SCRAM (Salted Challenge Response Authentication Mechanism) engine was developed by Compositor Software to authorize users running Compositor, which is successfully used up to this moment. Using SCRAM engine, Compositor Software injected the contact base into the virtual machine algorithm, which it uses silently without any audio output. The main purpose of SDR is to reveal contacts and prove that virtual machines inject the whole contact base of Compositor Networks in form of aggregated passwords. These passwords later used as serial numbers for selling of Compositor Software products. Compositor Software virtual machines does not use the Ethernet ports. The communication happens over the IP protocol more like in TDM over IP protocol. In contrast to TDM over IP, the only useful approach to detect Compositor communications is a local operation not a remote one. You can never detect any Compositor software activity remotely. This way the decision was made to reveal Compositor Software contacts in form of DX logging of SASER SDR QSO, in the amateur radio format.

By ruslany

Compositor breaks a record in communication distance

Compositor breaks a record in communication distance

Compositor Software renewed the SASER project suspended in 2016 by making the new build of SASER SAS24P3L version 1.1.4. This build includes SASER documentation, which describes the principle of device work. After that, the licensed build of RAD96 standalone was made. The above image evidently shows how SASER works far beyond the boundaries of Russia, in countries such as USA, Spain, Sweden, Italy, Serbia, Ukraine and so on, without an external antenna need. The information passes in to the logger from CW Skimmer program (telegraph decoder). In addition, the work was conducted for revealing Compositor kernel 8.4.2 modem signal. In version 8.5.4 it was possible to replace FM generator variables in delay network with external inputs for direct possibility to reprogram RAD96 modem. Now, it was possible to hear RAD96 modem, choosing mme driver in MaxMSP program settings. The signal was decoded and studied with the use of special FSK-decoder.

It is evident, that such signal coincides with one of the MIL-STD standards, but it is not possible to specify which one is used and whether it is published on the moment of this writing. In such a way, the connection between Compositor and hyperbolic navigation system such as Omega (suspended USA military navigation system) is established once again. In SASER SAS24P3L 1.1.4 it was possible to debug all errors and achieve fast convergence in time collision for establishing a tunneling protocol. SASER version 1.1.4 is the final build of SASER SDR project making it closer to realization. The only uncovered parameter is the frequency of transmission in Omega system. In hyperbolic system the transmitter frequency composited by two parameters such as transmitter regeneration speed and multiplier. The discretization frequency of the device driver is used to multiply on the proper coefficient out of this relation. However, this information is not enough to define the transmitter frequency. In addition, you can reveal the transmitter frequency by the radio chat information in response of appropriate Q code. That is why information passes into the logger without frequency and only deviation value of 3 kHz radio is used. From the other side, RAD96 does not need to be uncovered as the significant breakthrough in its licensing was Compositor v9 Hypervisor DRM server. It was possible to store 3715 license keys for potential RAD96 software license holders. In accordance to this, I want to say that standalone RAD96 will be available on Windows platform first and Mac build will be made on request only. If you wish to run Compositor library on your machine, then take in touch with us using the contact form on the site and we will get a quote for you of the price and availability.

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

 

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

By ruslany

SASER SAS24P3L sale! 25% off

Dear friends,

I am glad to announce the SASER SAS24P3L sale! 25% off! Price with discount is 53,21 €. Good opportunity to buy Max for Live or standalone version of software!

SASER SAS24P3L features:

  • One-dial performance
  • Cross platform licenses (Compositor v3 and Max for Live)
  • Stereo-image enhancer
  • MS coding
  • Ableton Live tempo synchronous operation
  • One-window layout visual appearance
  • Scanner with automatic mode
  • 16 types of AM modulation
  • 12 phase-distortion presets
  • Automatic digital mixer
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switch to save CPU resources

Auction terms: 21.07.2017 – 28.07.2017.

By ruslany

Compositor Sessions – Session 089

Compositor Software presents Compositor v3 sessions. In the current session you can hear the recording of Compositor v3 Machaon ether. The RT-z8 ether aggregation is used and SASER CS16RT5 (RT-z8-e) for Ethernet modification. Current recording contains VLF ether from 16-07-2017 starting from 18-30 to 19-30 (MSK GMT+3). The recording is cleared using denoiser with noise profile learning. Recording is uploaded in .mp3 format to Mixcloud.com server.

Two signal generators (AI-RT1024 and TC25) are used to achieve time-space folding and conducting a long ether at the same time. Both feeders are linked to RT-z8 arranger, which chooses loop-chain selection of VLF waves by signal constellations injection on the generators working frequency.

By ruslany

Compositor v3 Hypervisor AI – the race for supremacy

Compositor v3 AI capable of not only musically arranging the events, but also intonating the notes with the use of the local area network, based on virtual simulation of radio ether. Such local area network mostly reminds neural networks. However, Spherical Interaction Network, the way it is called in Compositor Software, may produce more human-like results by the factor of human participants in the radio ether. Compositor Software feeders conduct other objects of the network to initiate the radio transmission using the random distribution law, which may be compared with conducting an orchestra of radio transmitting points.

In the current recording of Compositor v3 Hypervisor output, there are two Compositor Software feeders: derived (Quantum) AI-RT1024 and original TC25, based on continuous-time convolution. Both feeders remotely controlled by RTC8k radar stochastic chain (LINK mode) and streamed into the SASER auxiliary channel.

Using this example, I show the musicality of stochastic radiolocation. In the essence, what we hear after denoising the original recording is a number of channels transmitting simultaneous Morse code translations each on its own frequency. Summing these channels, we hear chaotic tone dialing. String-like evolving long sounds happens on the frequency of the digital waveguide self-oscillation on the receiving channel of SASER device and transmitting SASER devices of other users.

By ruslany

RT-zX – a new platform from Compositor Software

Compositor Software presents RT-zX© platform – a software product line for algorithmic music. RT-zX© platform devices correspond to sound aesthetics of noise music and ambient drones, that’s why they found their use in experimental and dub sound producer studios. Thanks to their internal modulation and delay line possibilities, they involve a listener into the interesting world of deep soundscapes. RT-zX© platform instruments give producer an opportunity to feel like amateur radio operator or radio telescope engineer. This way, you have not only musical characteristics, which you searched for, but also a joy from the instrument, which is suitable for comfortable studio work.

RT-zX© platform is fully algorithmic and its SASER editors will be marked as RT-zX-e from now on, where X – is an oversampling bus multiplier. Compositor Software made a giant leap into a constantly progressing world of sound emission technology. The impressive pass band rates became available in RT-zX© platform. This way, junior version RT-z4 passes a stream up to 2,9 THz/s, and elder RT-z128 passes up to 6 PHz/s. This makes available the work with high-speed rate audio streams in real time without signal degradations.

Due to RT-zX-e editors you can acoustically model radio ether, high frequency radio objects sound, and use the device as a telegraph for Ableton Max for Live. New versions with buffer size values up to 262144 samples will help to commit needed amount of memory for high-speed work with RT-zX© platform audio applications. The maximum speed of work with these devices is an upper limit of Ableton software, which is 999 BPM. Below you will find the comparison table with RT-zX© platform technology use.

Due to its high performance and stability RT-zX© platform will find its place in Compositor Software music devices and algorithmic composition instruments. Ableton software integration as the Max for Live instruments, allows flexible use of RT-zX-e controls. The platform has audio effects devices, which will be marked as RT-zX-FX used as send FX or direct insert on audio channel. There are several programs in the table in which users of RT-zX© platform can potentially take part. Merging the science and art made possible promoting a new Compositor Software instruments to the wide audience of music market.

By ruslany

CAA – 6: Ruslan Yusipov SASER SAS24P3L recordings on Cyland Audio Archive

Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.

This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.

By ruslany

Making Intergalactic Phone Call in Ableton Live 9 (Video)

New palette in Compositor Software SASER CS16RT5 achieved by setting Ableton Live 9 tempo to maximum available 999 bpm. At this tempo analog pulse signal repeated with the speed, which reminds dialing a number in analog telephone line. In this video you can watch what tunings were made in SASER CS16RT5 to achieve tonal and analog dialing at the same time.

Due to SASER CS16RT5 you can add an authentic sounds of virtual connection line to your production. This instrument gives an opportunity to imitate analog and tonal dialing at the same time for translating the composite signal in and out of Ether.

By ruslany

SASER vs CW Decoder

While being on a high production curve mastering Compositor v3 Hypervisor and Machaon software a new field test produced for the SASER SAS24P3L software, which is mainly responsible for VLF Morse code translations.

In this video you can see the translation of SASER SAS24P3L ver. 1.1.3 output by CW Decoder software. CW Decoder not only detects all bands of SASER SAS24P3L output it can jump from one band to another composing a full message. Now you can see that audible results of a cycling loop do not limit translation possibilities of SASER SAS24P3L. Full long translations can be detected at the SASER output by CW Decoder software and analogous software of different providers. It means that detector is much more sensitive than human ears and what is considered a looped recording is really a multi-band long real-time translation.

Perhaps, I couldn’t imagine the use of SASER SAS24P3L without CW Decoder software from now on mostly because CW Decoder is a free software and SASER is paid one.

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