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Tag : SAS24P3L

By ruslany

Compositor Networks map

Compositor Networks map

For the first time Compositor Software reveals its network of contacts made with SASER SAS24P3L software. As you can see on the map above, there are numerous contacts in Europe, USA, Russia and South America. These contacts were made between October-November 2018. The map outlines geographic position of call signs of contacts made with their indexes. This is an approach to reveal aggregated contact base, which Compositor Networks started to form since 2012. The creation of Compositor Networks began with Compositor Pro 1 software. It is an original hyperbolic construction software, which laid base for algorithm work. Later the study of algorithm was performed merging FFT (Fast Fourier Transform) with SANT (synchronous analysis of non-harmonic timbre). The SANT technology, originally developed for Compositor Pro 1, is the new approach to relativistic frequency shift keying and can be used for applications such as discretizing of analog signal and deterministic navigation. Compositor Software used SANT for creation of SASER SDR with self-feeded signal chain, which enables to communicate in shortwave ether without an antenna need. Then, Compositor Software developed the shutter technology, which gated the self-feeded chain and began injecting the contact base of Compositor Networks in form of ether loops into the Compositor algorithm. The SCRAM (Salted Challenge Response Authentication Mechanism) engine was developed by Compositor Software to authorize users running Compositor, which is successfully used up to this moment. Using SCRAM engine, Compositor Software injected the contact base into the virtual machine algorithm, which it uses silently without any audio output. The main purpose of SDR is to reveal contacts and prove that virtual machines inject the whole contact base of Compositor Networks in form of aggregated passwords. These passwords later used as serial numbers for selling of Compositor Software products. Compositor Software virtual machines does not use the Ethernet ports. The communication happens over the IP protocol more like in TDM over IP protocol. In contrast to TDM over IP, the only useful approach to detect Compositor communications is a local operation not a remote one. You can never detect any Compositor software activity remotely. This way the decision was made to reveal Compositor Software contacts in form of DX logging of SASER SDR QSO, in the amateur radio format.

By ruslany

Compositor breaks a record in communication distance

Compositor breaks a record in communication distance

Compositor Software renewed the SASER project suspended in 2016 by making the new build of SASER SAS24P3L version 1.1.4. This build includes SASER documentation, which describes the principle of device work. After that, the licensed build of RAD96 standalone was made. The above image evidently shows how SASER works far beyond the boundaries of Russia, in countries such as USA, Spain, Sweden, Italy, Serbia, Ukraine and so on, without an external antenna need. The information passes in to the logger from CW Skimmer program (telegraph decoder). In addition, the work was conducted for revealing Compositor kernel 8.4.2 modem signal. In version 8.5.4 it was possible to replace FM generator variables in delay network with external inputs for direct possibility to reprogram RAD96 modem. Now, it was possible to hear RAD96 modem, choosing mme driver in MaxMSP program settings. The signal was decoded and studied with the use of special FSK-decoder.

It is evident, that such signal coincides with one of the MIL-STD standards, but it is not possible to specify which one is used and whether it is published on the moment of this writing. In such a way, the connection between Compositor and hyperbolic navigation system such as Omega (suspended USA military navigation system) is established once again. In SASER SAS24P3L 1.1.4 it was possible to debug all errors and achieve fast convergence in time collision for establishing a tunneling protocol. SASER version 1.1.4 is the final build of SASER SDR project making it closer to realization. The only uncovered parameter is the frequency of transmission in Omega system. In hyperbolic system the transmitter frequency composited by two parameters such as transmitter regeneration speed and multiplier. The discretization frequency of the device driver is used to multiply on the proper coefficient out of this relation. However, this information is not enough to define the transmitter frequency. In addition, you can reveal the transmitter frequency by the radio chat information in response of appropriate Q code. That is why information passes into the logger without frequency and only deviation value of 3 kHz radio is used. From the other side, RAD96 does not need to be uncovered as the significant breakthrough in its licensing was Compositor v9 Hypervisor DRM server. It was possible to store 3715 license keys for potential RAD96 software license holders. In accordance to this, I want to say that standalone RAD96 will be available on Windows platform first and Mac build will be made on request only. If you wish to run Compositor library on your machine, then take in touch with us using the contact form on the site and we will get a quote for you of the price and availability.

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

 

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

By ruslany

SASER SAS24P3L sale! 25% off

Dear friends,

I am glad to announce the SASER SAS24P3L sale! 25% off! Price with discount is 53,21 €. Good opportunity to buy Max for Live or standalone version of software!

SASER SAS24P3L features:

  • One-dial performance
  • Cross platform licenses (Compositor v3 and Max for Live)
  • Stereo-image enhancer
  • MS coding
  • Ableton Live tempo synchronous operation
  • One-window layout visual appearance
  • Scanner with automatic mode
  • 16 types of AM modulation
  • 12 phase-distortion presets
  • Automatic digital mixer
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switch to save CPU resources

Auction terms: 21.07.2017 – 28.07.2017.

By ruslany

RT-zX – a new platform from Compositor Software

Compositor Software presents RT-zX© platform – a software product line for algorithmic music. RT-zX© platform devices correspond to sound aesthetics of noise music and ambient drones, that’s why they found their use in experimental and dub sound producer studios. Thanks to their internal modulation and delay line possibilities, they involve a listener into the interesting world of deep soundscapes. RT-zX© platform instruments give producer an opportunity to feel like amateur radio operator or radio telescope engineer. This way, you have not only musical characteristics, which you searched for, but also a joy from the instrument, which is suitable for comfortable studio work.

RT-zX© platform is fully algorithmic and its SASER editors will be marked as RT-zX-e from now on, where X – is an oversampling bus multiplier. Compositor Software made a giant leap into a constantly progressing world of sound emission technology. The impressive pass band rates became available in RT-zX© platform. This way, junior version RT-z4 passes a stream up to 2,9 THz/s, and elder RT-z128 passes up to 6 PHz/s. This makes available the work with high-speed rate audio streams in real time without signal degradations.

Due to RT-zX-e editors you can acoustically model radio ether, high frequency radio objects sound, and use the device as a telegraph for Ableton Max for Live. New versions with buffer size values up to 262144 samples will help to commit needed amount of memory for high-speed work with RT-zX© platform audio applications. The maximum speed of work with these devices is an upper limit of Ableton software, which is 999 BPM. Below you will find the comparison table with RT-zX© platform technology use.

Due to its high performance and stability RT-zX© platform will find its place in Compositor Software music devices and algorithmic composition instruments. Ableton software integration as the Max for Live instruments, allows flexible use of RT-zX-e controls. The platform has audio effects devices, which will be marked as RT-zX-FX used as send FX or direct insert on audio channel. There are several programs in the table in which users of RT-zX© platform can potentially take part. Merging the science and art made possible promoting a new Compositor Software instruments to the wide audience of music market.

By ruslany

CAA – 6: Ruslan Yusipov SASER SAS24P3L recordings on Cyland Audio Archive

Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.

This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.

By ruslany

Top 3 techno tracks which use Morse code as a melody

The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.

  1. Dubfire & Oliver Huntemann – Diablo (Original Mix)

The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.

The translation reads as:

. .. .. .. (EIII)

  1. Gaiser – Ciliate with

On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.

The track translation reads:

… . (SE) with variation on … .. (SI)

  1. Boosty – Wavescanner

On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.

The track translation reads as:

. .. (EI)

 

If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.

By ruslany

SASER vs CW Decoder

While being on a high production curve mastering Compositor v3 Hypervisor and Machaon software a new field test produced for the SASER SAS24P3L software, which is mainly responsible for VLF Morse code translations.

In this video you can see the translation of SASER SAS24P3L ver. 1.1.3 output by CW Decoder software. CW Decoder not only detects all bands of SASER SAS24P3L output it can jump from one band to another composing a full message. Now you can see that audible results of a cycling loop do not limit translation possibilities of SASER SAS24P3L. Full long translations can be detected at the SASER output by CW Decoder software and analogous software of different providers. It means that detector is much more sensitive than human ears and what is considered a looped recording is really a multi-band long real-time translation.

Perhaps, I couldn’t imagine the use of SASER SAS24P3L without CW Decoder software from now on mostly because CW Decoder is a free software and SASER is paid one.

By ruslany

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

By ruslany

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for Live modem repeated a 5/4 combination, played in a sequential manner with the internal waveguide of the device. Using two turns Compositor injected pendulum function of Compositor Max for Live over the cloaking device shutting down the chat function and injected all the kernels needed for ICH7 operation in quantum mode with C based pipe of Compositor Pro v2.

Equipment used in a session:

SASER Max for Live
Compositor Max for Live
FF8 Max for Live
AI-RT1024 Max for Live
MDL12 Max for Live
Compositor Pro v2

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