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Tag : Ruslan Yusipov

By ruslany

CAA – 6: Ruslan Yusipov SASER SAS24P3L recordings on Cyland Audio Archive

Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.

This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.

By ruslany

Top 3 techno tracks which use Morse code as a melody

The most successful ostinato melodies in techno music may be taken from radio translations, which make this technological style of music more authentic. Such melodies may be a recording of radio loop or Ether resynthesis using original Morse code message as an inspiration. The later allows avoiding Ether noises such as clicks, but loses the original radio translation atmosphere. Today, I will play Top 3 techno tracks, which use Morse code as a track main line, using both approaches.

  1. Dubfire & Oliver Huntemann – Diablo (Original Mix)

The first line is Ali Shirazinia aka Dubfire with Diablo track. The main hook of the track is a radio loop, which sounds as an Ether recording. The sound of this translation taken from Morse code key for manual or automatic telegraph messaging.

The translation reads as:

. .. .. .. (EIII)

  1. Gaiser – Ciliate with

On the second place, there is Jon Gaiser with his resynthesizing passion for short Morse code messages. The track is Ciliate with from Blank Fade album. Having the idea of showcasing different variations of a short radio loop, Jon uses resynthesis as a source of inspiration.

The track translation reads:

… . (SE) with variation on … .. (SI)

  1. Boosty – Wavescanner

On the third place there is Ruslan Yusipov with his Boosty alias. Ruslan uses Funky key sound to resynthesize original translation.

The track translation reads as:

. .. (EI)

 

If you would like to use radio translations in your tracks, I recommend purchasing SASER Max for Live from Compositor Software. With its use, you can enhance your productions with resynthesized radio translations in Gaiser style and one-bar loops recorded directly from the Ether like in Diablo track.

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.