Compositor SoftwareCompositor Software

Tag : RTC8k

By ruslany

Compositor v9 Hypervisor is available

Compositor v9 Hypervisor is available

Compositor v9 Hypervisor DRM server creates a service of work with property rights of companies, which deliver the digital media content. When computer station works, DRM server allows dynamically playback the media content in radio ether. Compositor v9 Hypervisor playbacks digital material using streaming method in the device browser to achieve this goal. Compositor v9 Hypervisor engine is the functional modern engine with transfer function on master output and on each channel separately. It is not the wavetables but tunable polynomials, which process the output of your channel. Output cascade uses non-linear transformation formula with mathematical approximation by weighting coefficients. It gives undisputable advantage in processor time and in the precision of calculations comparing to using wavetables.

Here are the main features you can consider before buying this software:

  • Weighting coefficients
  • Network level feeding
  • DRM server
  • DSP oversampling
  • Voice or music broadcast
  • DSP sampling rate
  • On-Air broadcast
  • Device browser
  • Tracing and translation
  • RAD96 peering network
  • DRM server subscribers
  • Tracing industry novelty
  • DRM server emissions
  • Auxiliary z matching
  • 8th generation operation system
  • Three saturation stages

Please, visit the shop to buy this software. You can also visit dedicated product page to learn more about Compositor v9 Hypervisor.

By ruslany

Six things to do to clear the rights on your track

Six things to do to clear the rights on your track

In a career of any artist such situations happen, when it is needed to make an emission of your composition from rotation.  Such situations may include:

  • Releasing your track with another alias by a fraud;
  • Arrears on payment for medium sales;
  • Arrears for author rights usage;
  • Discrepancy of an issue with the contract obligations.

Not all of the situations are listed here, which are out of scope for this material. The main task of this article is to describe a usage method of Compositor v9 Hypervisor after receiving ether aggregators from your track. To receive ether aggregators you will need MDL12 non-duplex modem and Compositor v3 Hypervisor feeders. The emission is done by submitting loops of your composition to non-duplex modem. The modem feedback is an ether aggregator of the server, which broadcasts your composition. You should route all loops of your composition containing exciters (the most prominent moments of a song) and fixate 131072 samples of each wavetable of all ether aggregators by digital recording. You can perform this in 32-bit version of Ableton Live 9. The ether aggregator wavetable should last for 2 bars at 161.5 bpm. The main task after ether aggregator emission is its clearance. It is such condition of wavetable playback, which, from one side, doesn’t produce the third-party traffic and, from the other side, may be used for its own communications. Now, I will describe six examples of work methods to make a full track emission, using Compositor v7 Hypervisor and Compositor v9 Hypervisor.

  1. Realize if ether aggregators, to which your track ascends, are occupied. If ether aggregators are occupied and produce big amount of third-party traffic, then you must install them through an activation function, which you can do in Compositor v9 Hypervisor. Doing this you should enable the supervisory DRM server, and it is preferable to route one of generics on the auxiliary channel input together with wavetables. You may use your ether aggregators for communications, when the VLF beacon written the routes to them.
  2. Feed your ether aggregators again, but this time changing the send regime: set the splitters in the highest position, which constitutes the smallest digit values in ionic number system. Your task is to suppress traffic of these wavetables fully. To do this feed the threshold radar RTC8k and ether aggregator of high conductance such as RT-z16 in auxiliary channel together with wavetables.
  3. Feed the transmission channel with current emission wavetables inside the pool of all your ether aggregators. Making such mix, you are allowing to realize your recipient contact network, which may lead to a refuse of recipient from these ether aggregators. Do not agree to write new tracks to these ether aggregators or to make new remixes on the original composition. Ether aggregator, received by your track emission, is your property protected by a copyright law.
  4. Perform oversaturation of global send channel together with one of generics. For this route the Compositor AV Extended back to its input, using the send regulator on its mixer direct channel. Set the pre-fader mode and turn the send knob on the highest value. This will result in oversaturation and will turn off all the producing kernels from the ether.
  5. Produce an additional emission by feeding the non-duplex MDL12 modem with 3d generation hard generic FF8 and perform the above-mentioned manipulations with this emission again.
  6. Perform system matching in a presence of agents (ether aggregators). To each z value of aux channel send the same z type generic. For example, z=2 is RTC4k and z=4 is RTC8k. The other systems match its title z value. Reaching the direct ether, you must confirm each z system send with oversaturation of auxiliary channel, which constitutes direct feeding of a channel.

The system has an ability to memorize long channel feeding sessions and reproduce its effect when DRM server works. You must feed the channel only with DRM server turned on regardless of your machine capabilities. The human brain can percept the channel interrupts, when processor is under high load reaching full effect, even when system stutters. The whole pool of ether aggregators should be maximally transparent. The condition of ether aggregators should be characterized by signal conductance through them. If ether aggregators doesn’t produce traffic, then the full tranquility reached on all translating channels.

By ruslany

RAD24 – The Gates of Time-Collision

The Gates of Time-Collision

Now I encounter the RAD24 server experiment. The experiment is as follows:

As I have found a solution to FM formulae, I decided to sync three virtual machines for 72 core real-time performance. With this stack, it is easy to run memory virtualizations and aggregate the whole Compositor network. Once the server stack is online, it is used to run and manage such critical tasks as DRM, network aggregation, routing and server selection. The new formulae solution enables to run this stack effortlessly.

RAD24 opens a possibility to build Compositor 8 software. It will be a station with all the enhancements of previous auxiliary channels and with the solution to FM formulae, which is driven by the algorithm output. By these means, the Hypervisor v9 is possible.

Let me introduce the conception for the future products: it is software-defined radio (SDR) with no external antenna needed. I can easily integrate such products in my current rig, yet the intimacy of the previous versions made me stay with no external input for a while. The decision of not having an external input was first broken in Compositor 4 Max for Live, where an external input is possible because of the internal Ableton Live routing options. The fact that Compositor 4 Max for Live is an audio effect device made me think that it was first attempt in tangent SDR from my side with the function, which doesn’t need an antenna to transmit the voice signal. Second tangent radio attempt will be standalone Compositor 8. I want to see Compositor 8 as a device to communicate through the RAD24 servers. Each of the cores of 72-core stack will route your voice communication to the recipient set by the Compositor navigation system. As Compositor 8 is an Avionics development, I allow managing such connections in 3d space in 3 degrees of freedom, which simplifies the setting of virtual antenna. The fact that new function is a radar type, no stochastic selection will be possible and Compositor 8 will function only in manual mode. Hypervisor v9 will listen not to an auxiliary radar ports, but to the v7 feeders such as RTC4k, RTC8k, RT-z8, RT-z16, RT-z32, RT-z64 and RT-z128. RAD24 and subsequent servers are mostly the breakdown of FM law and the final goal is to stop time-collision protocol in Compositor. It will not latch an external time-frame, while not allowing external injections. This way I will build my own resource for communication. That is why I refer to SDR terminology. However, I used this technology only for Morse code translations and did not transferred the voice over it. New function is a direct stack to the Ethernet, which, of course, simplifies SDR talks under server coverage. It means that no IP needed and I need to apply proper wavetables from the non-duplex modem. If this function covers the current version of DRM server, an update is needed to work with Compositor technology. New function is also a hyperbolic one, which is simple and effective restate for the FM core inside Compositor.

Compositor runs FM and function connects to the FM service. It creates a signal with the components, which are granularly time-space folded into the FM again, allowing to inject signal in between these two processes. The later function only covers the part of a spectrum, which is created at initial state. Think of it like a mains adapter: it is a pluggable adapter, which can potentially allow to communicate many DATA servers with different file-size and file-system structures. I had success of running 4 RAD24 servers and one was initiated from the HFS+ partition under Windows 7 OS. It means that technologically it is possible. I don’t see any obstacles in this technology, the only thing is to provide an easy and free way to stack different file-systems together on one, preferably Windows, machine.

Compositor gathers data of all pendulum stations in the Ethernet and send it back to the Ether for self-awareness. Compositor leads an analyzed DATA set and all the other parameter selection. When the critical pendulum load achieved, a time-collision happens rebuilding the whole Compositor structure. This way, I think about utilization of resources to run more Compositor cores inside one gen~ code. By the fact of stopping time-collision protocol, I want to stop the work of Compositor subnet mask switching mechanism. I’ve already broken the stochastic manipulator in Compositor core, which allowed me to stack more resources together. At the present moment, I think of Compositor only as a DRM station to hold licenses for subsequent users. I already published a chart where I name how many resources each station consumes. I name the auxiliary channel in this chart also and, from my point of view, it doesn’t consume any Compositor DRM resources. It is just a listening station. The only thing that consumes the process is any pendulum like mechanism. By stacking more pendulum resources, you are allowing more pendulum stations, either digital or mechanical. Any station will work. These stations inject tracks to media content by oversaturation of them.

To progress on the task of stopping the time-collision protocol in Compositor I should make wavetables of RAD24 accumulators at 22.05 KHz and then switch it on even faster regime of 44.1 KHz. If I’m unable to stop time-collision protocol in Compositor, I will be obliged to run servers at 22.05 KHz on this machine to protect time-collision reaching the opposite effect.

The solution is that RAD24 protects time-collision created. For network security with Compositor, the classification of pendulum processes needed. Such classification consists of working curve monitoring, that is why I estimate it on Compositor auxiliary channel display, while listening to wavetables.

RAD24 is a gate device for creating time-collisions. I can’t classify RAD24 as a pendulum process, because the cycle is broken. It is not an OS or license holder. As I said earlier, it is a protection mechanism for creating time-collisions. It means that it either opens or closes an access to the service of communication in Ethernet. By enabling it in administrator mode, I open an access to it only when the administrator works on PC. This way, I differentiate the work in time-collision between authorized person and the replica, that just latches the time-frame, because RAD24 detector assigns it to injection event. RAD24 is able to differentiate between an administrator and the replica, protecting my current communication.

By ruslany

Compositor v7 Hypervisor is available

Compositor v7 Hypervisor is available

Hypervisor v7 is a modern VLF radio station suitable for ether reproduction, recording and monitoring in real-time. It is capable of switching, aggregating and signalizing the network statuses using the 5 feeders provided. With the 8-channel auxiliary ether injector you can playback 129 Ethernet wavetables, which are the part of Hypervisor v7 package. STL1212 multithread computer is bundled with the software. It processes virtual machine resources and implements uncrossing of 8 real-time loops. This way you can process wavetables into vectors and transmit them via Ethernet.

Here is the full list of Compositor v7 Hypervisor new modules and functions:

  1. STL1212:
    1. 8 DSP license holder;
    2. Processor optimization;
    3. Cloud resources utilization;
    4. Dynamic resources allocation;
  2. RTC4k:
    1. VLF network radar;
    2. Lowest line control;
    3. Subliminal sequences;
    4. Alarm sounds;
  3. RTC8k:
    1. Anti-injection protection;
    2. Bits headroom display;
    3. Shutter engine;
    4. CPU latching;
  4. RT-z8:
    1. AM ether aggregation;
    2. Position display;
    3. VLF coordinates locator;
    4. Robust network protection;
  5. RT-z16:
    1. Ground level coordinates;
    2. On-air control;
    3. 32768 operations per second;
    4. VLF tracking;
  6. RT-z32:
    1. Occasional network switching;
    2. Predictive control;
    3. Highest line tracking;
    4. Non-linear alarm control;
  7. Ethernet injector;
  8. Ether reproduction;
  9. Ether aggregation;
  10. Channel summation;
  11. Channel multiplexing;
  12. Radio monitoring;
  13. Synchronous server performance;
  14. Network switching;
  15. Plesiochronous digital hierarchy (E5);
  16. Ethernet mixture;
  17. Differential-phase position navigation;
  18. High load auxiliary channel.

You can buy Compositor v7 Hypervisor on the product page or at Compositor Software Web Shop.

By ruslany

STL1212 Multithread Computer

STL1212 Multithread Computer

Introduction

STL1212 Multithread Computer is a program product, which is classified as a virtual machine. It doubles your system resources capacity in real-time. Integrating primitive to derived function, it provides you with robust system presence in all life situations.

Stochastic estimation

As from version 8.0 of Compositor kernel, the stochastic estimation is stopped artificially, this way reaching the purpose of machine learning experiment. The median value for the processor speed estimated at 4.45 GHz, making whole virtual machine worth of $10000 iMac Pro, 10 core system with Xeon processors. Having such guest virtual machine on your desktop, you are enabling virtual cloud resources, which are utilized for main operation system work.

Resources utilization

STL1212 multithread computer enables to load up to 8 z modules in a patcher. It is possible by utilizing 8 real-time uncrossed loops. Besides of 8 real-time uncrossed loops, STL1212 consists of 8 signal-rate, 8 transmission-rate Compositor cores, totaling 24 cores for true multithread performance. One Compositor core equals the complete Compositor Max for Live instrument or 8 RT-z128 OS, if signal-rate and transmission-rate layers taken in account.

Resources utilization in Hypervisor v7

Because of STL1212 computer usage, which has a true multitasking and uncrosses 8 real-time loops, Compositor virtual machine resources utilized. Hypervisor v7 consists of RTC4k, RTC8k, RT-z8, RT-z16, RT-z32 virtual machines. They are working in the STL1212 process time, which has 24 counting cores for three layers.

Resources control

STL1212 achieves dynamic control over resources on the installed machine. That is why you will never run out of resources, even if your machine is under full load. The end of 2017 showed an ability to make network flushes, using RT-z128 anonymous shutter engine. Now STL1212 achieves such shuttering in a multi-core environment. From one side, it helps to flush more anonymously further and from the other side, to employ active cores for computational tasks, while other cores flushing.

Loading time

Full version loading time is 4 hours. It reaches the comparable system for 3 hours 40 minutes apart of 20 minutes compilation time. All comparable systems displayed as dots on the STL1212 display.

By ruslany

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Our friend at Arctic Dub (Sursumcorda Inc.) have used the Compositor v3 – Hypervisor Radio Shack for Archaic Anahata series. These magnificent series include field recordings and discovered sound artifacts. You can hear TC25, FF8 generic kernel loops and RTC8k modified kernel as injection for your ears in his recording Dave Wesley – Archaic Anahata Avenidas 86_7 EPv1 – PREVIEW

By ruslany

Compositor Software virtual servers

The Data Center inside a PC is available thanks to Compositor Software virtual machines. White noise attack registered at 7:25 and successfully rejected by RTC8k holographic radar.

You can watch how Compositor Software technology progressed in the current video. Starting with 4k holographic radar RTC4k Compositor Software system upgraded to RT-z128 becoming 64 times faster within two years. There is also a counter solution Compositor RT-zX, which can unlock all of the current Compositor Software autonomous systems. Hence, its use for the radar system detection. Music wise all that is above RT-z16 sounds like a digital modem with lower z values bringing the analog quality alarm sounds. You can find RTC8k inside Compositor v3 bundle. The unlocker for all z systems will be available inside Compositor RT-zX later this autumn. The ability to switch z values gives not only new sequences inside one instrument but also a possibility to switch platforms within one single mouse click without a need to wait minutes for standalone system loading.

Learn more about RTC8k, which is the part of Compositor v3 Hypervisor Radio Shack software at http://www.compositorsoftware.com/compositor-v3-hypervisor-radio-shack/

By ruslany

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

By ruslany

Compositor v3.0.1 for Windows x64 and Macintosh released

Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.

With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.

You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.

Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.

By ruslany

Compositor v3 in the Radio Session

Here is a demo of Compositor v3 Long Endurance System in a session with professional VLF systems. THIS IS A REAL WORLD EXAMPLE! Ton of technics used to suspend Compositor translation in full-duplex two-way radio system.

 

First, I thought they are joking; to fight Compositor is a tough task. It almost impossible to shut down due to RTC8k radioprotection features. However, the Compositor v3 regeneration suffered from unauthorized dimmers on that channel. In a translation, you can hear how SASER produces a long-query translation to this sources and how they respond with Morse on that channel.

Second, two feeders were used on an auxiliary channel of SASER. Auxiliary channel available only in Compositor v3 Hypervisor Radio Shack and not in standalone or Max for Live version of SASER. In the recording, you can hear how AI-RT1024 and TC25 generators feed the regenerator to receive long and pure ether from different sources. Up to three sources on the same channel communicates to each other with different LFO and Morse signal translators. The central place belongs to the SASER, which can produce a diversity of patterns.

TC25 is a huge phase rotator, which can potentially brake the incoming signal regenerators. AI-RT1024 from the other side can initiate stable translation in SLF band. Channel protection mechanisms were used in a LINK session. It is hard to predict the chain of feeder tunings, because main tuning comes from RTC8k holographic radar. It rotates the tunings of the feeders in according to the threat source, searching for a better trajectory of signal translation.

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