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Compositor v3.0.1 for Windows x64 and Macintosh released

Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.

Compositor v3.0.1 Hypervisor Radio Shack

With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.

RTC8k system

You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.

Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.

Ether production out of will and mental stimuli using MDL12 Max for Live modem and SASER Max for Live

While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.
Frankenstein
I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.

SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.

Time Machine solution for Ableton Live 9

First, to reconsider everything, which I wrote on the subject before, I entered the opportunity to orchestrate the Compositor Software virtual machines for one beneficial goal: Time and Space modeling on different scales. I saw one possibility in this task, which was many to apply them on different levels or speeds as you may think of it. The lowest level, which is a physical layer is real-time operation, which is AI-RT1024 is all about. You do not need to take a move in it, the system programmed as an automatic device to consider all possible Time and Space combinations in Ableton Live 9 for Compositor Max for Live algorithm with quantization. For the purpose of demonstration, I made another version of Compositor Software AI-RT1024 with visualization of all navigation properties using the OpenGL and standard number boxes as you can see on the picture below.
AI-RT1024 visual system

The speed in omega now represented in knots (which is a standard for any ship, whether space, air or water) and really can go as fast as 18000 knots making it suitable for Time bending, but not enough to achieve escape velocity, but it can go as fast as 21771 knots if needed. Another option is to show direction of the ship orientation, which viewed from the angular distance, can be obtained in different dimensions by three-space processing by MDL12 Max for Live.

So, one can view a system of planets, which is four if we consider quantum approximation of AI-RT1024 (which is by device operation interpolates in real-time) as a mathematic model of such ship with all the same angular displacements as any other ship can do. I speak about Roll, Pitch and Yaw. When you see this system on different angles considering the Time spiraling on a quantum grid you can overcome many different problems, which only sound can reveal and is hardly visualized by an eye such as discontinuities in a system. The engine expressed in rpm is nothing more than a central frequency converted from a Hz value and is used for showing the operation circuit speed such as physical model of mechanics device, which is v12 engine model really is.

For the information, I also show the statistical sea mile of the planet Earth and its applied circumference counting this value. Now, I don’t pretend to be an innovator here, many scientific papers predict that only 3d planet in any star system can be habitable that’s why I also show the aimed 3d planet sea mile and circumference as I do for Earth. I do not intend to submit this project as a product for Compositor Software as it has only the need for scientific prove of the model and has no influence on the sound at all. Moreover, if I take in account that the only power needed is sound then I will downgrade all controllers for a metro look style and happily integrate my products into the outer world.

For ordering, please, visit: http://en.compositorsoftware.com

Time Collisions recorded

Here is a Time Machine x64 output recorded on 10.03.2014. It represents two stochastic changes taken from a full chain with subsequent stochastic errors, which create an effect I call Time Collision. It is characterized by a slow playback speed regularly called a time stretching effect. It considerably achieved by a granulation of an algorithm and can be a cause for a chain like loop. Yet, the code was compiled error-free and this why I think this error may have an attribution to the way an intel processor architecture runs Time Machine x64 algorithm. I do not imply that selecting a run speed is an effect of processor architecture rather than DSP resources are not sufficient to compute or it runs out of system memory. Yet, I predict that the effect will be abscent if the selection of multiplier will be quantized such as in Compositor Pro. Quantization is a source to prevent arbitrary changes in algorithm and can be stored as a system memory snapshots.

The recording was made on a system settings specified below:

Procesor:

Intel Core i5 2450m 2.5 ghz

Audio card:

Realtek ALC269

Memory:

4GB ram

Cloud computing system using Compositor software

We believe that cloud computing will overcome our need in internal storage devices one day. Yet all we need is the capacity of such amounts for remembering the output as a human being will do for all the time period. Hence we need an estimation for the result and comparing it with forthcoming sequencies we will get a theory of connectivity of past with present. By approaching such theory we can do the deed, which is primordial. The first time travellers by this idiology was Adam and Eva. They commited this primordial deed of time and became mortal from an immortal state by the will of God. Hence the idiolgy applied to a quantum storage of time should include an evident feature, which is the computing device.

Robocop

 

The Compositor software aimed to fulfill the niche of estimation and applies quantum technologies in computing to internal storaged files, which are sliced and granulazied according to a quantum theory of time. But the root of time is primordial and hence by the expansion of the Universe we see an exponentially raised black matter. As I said earlier no error possible by estimation of exponentionally marketed structure to a quantum field theory. My formulas named in Compositor – the bottom-up approach for quantum estimation are doing this job by a means of half-time addition with subsequent integer computation and multiplication on a smalest grid part. The sinusoidal trace can be seen as an estimation of spiral, which represent all possible values for multiplier of Fc to Fm parameter. I agree that this storage computation is such huge that it needs to be implemented at some point of time where storage technologies will be able to store petabytes of information in real time. Global video servers, which store visual information must exsist. 3d virtual reality servers for approaching human life estimation are also a solution to a problem. Yet it is a matter of choice, which system to believe first and apply as a scientifically evident computation of time travel. We should use quantization on 32-bit linear congruency generators to achieve the time flow. Yet, I already implemented 64-bit linear congruency random generators in Time Machine x64. I will not allow to quantize those hence the whole idea will be ruined. The main idea is to test how Compositor Pro v3 will be available to prevent stochastic errors of Time Machine x64 for proper prevention of Time Collisions. This way no error ever occured in the behavioral system of such cloud computing system.

Compositor Pro v3 – the quantum computing interpolator

In addition to moreover emphasized question of quantum theory I understood how quantum interpolation of Compoitor Pro v3 can prevent the stochastic error. I made an experiment named in previous post as stochastic selection of multipliers in Compositor Lite digital counter linear mode algorithm. Compositor Pro v3, on the other hand, includes feedback chains on wavetable estimation and leads us to continuum with quantum interpolation of parameters. Quantising the exponential function I can prevent stochastic Time Collisions and this is a saver for you if you overtired with stochastic errors of our time. I made the product for Time Collisions, which is new Compositor Software product with exact name of the effect produced – it is Time Machine x64.

Spiral

 

As you see on the picture the multiplier spiral is quantized to bring successive periods, which is natural for human well-being. Human must live in quantum theory for the end of humanity. Period. If we will disregard quantum theory and additive structure of the world we will benefit. However this is not allowed by our conscious thinking, because of resolutions and manifestations of conventional science. Who will benefit? All. Why? Continuous thinking on the projectory of will without authorities, without mood and any other human estimation, which we know as subjective experience of our life. What we will see then? It is easy. An essay style of writing can manifest one property. It is consumption, noone will ever read to this point so this is pointless to write the whole story. My main idea is to promote Compositor Pro v3 product as a solution for Time Machine x64, which still needs an estimation for the final output. Whether it will be mobile app or not? I can’t answer this question easily, maybe the mobile processors will not be able to reproduce Time Collisions who knows. I must test this effect on a number of systems. Yet, because of limitation of resources I can test this only on a small scale of instruments. This is not my fault, because I will not gain government support on this project or enter crowdfunding platforms for the point it is not commercial product. Rather than scientific tool for proper time experience after some effects like Time Collisions.

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