Compositor SoftwareCompositor Software

Tag : MDL12

By ruslany

V12 Digital engine emissions

V12 Digital engine emissions

There are two types of engines: zero-emission engines and engines, which produce the emission of materiality in a process of their work. RAD96 virtual machine relates to zero-emission engines, at the same moment full version of Compositor v9 Hypervisor DRM server is a producing aggregate with internal combustion engine simulation. Which approach is more plausible? It is experimentally established that RAD96 virtual machine produces emissions in the computer random access memory and for simulation that is more realistic the full Compositor v9 Hypervisor server is needed. The process of writing the random access memory with wavetables of such emissions is simulated using ROM players. To establish v12 engine emissions of TC-TRSRRT262144 architecture experimentally the MDL12 non-duplex modem was created. It is possible to receive such emissions in a form of working cycles of network devices, using MDL12 modem and Compositor v3 Hypervisor feeders. Each network device has the engine similar to Compositor in its core and has interrupters, which trigger operation system functions. DRM server produces device emissions of certain type, which characterized by feeding equipment used to achieve the feedback. In essence, the routers, switches and shields are ROM players, which playback such cycles as wavetables. The device architecture depends from wavetable recording bit depth and can be maximally 64-bit floating-point format. Compositor v9 Hypervisor can also playback wavetables up to 64-bit floating-point, but in this case an emission will be so short, that it cannot be reproduced in manual mode. For simplicity in treatment, 24-bit integer format wavetables are used. This way, the central DRM process exists in the network, and all the other processes are emission products of v12 engine work, which are reproduced using ROM players. You can also upload other wavetables into router ROM memory instead of statically playing the same wavetable repeatedly, placing it closer or further in the network map. Recall, that in response to feeding the non-duplex modem with a track, the map of cycles attributed to different IP addresses composited in Ableton Live transport. You can playback such wavetable earlier or later in address field using ROM players. Random wavetable playback mode in Compositor v9 Hypervisor is the linear distribution emission simulation. Such method allows reproducing an emission of equal number of loops in random access memory for each network area, which is enough for creation of virtual local area network. The access to such network carried out by simulation of antenna-feeder signal chain or kernel-jet system. By simulating the jet rotation with rifling on its borders, you can lower the emissions in Compositor v9 Hypervisor. Rifling on jet borders allows lowering wavetable emissions and lowering the number of cycles needed for simulation of harmful substance emissions of fuel decomposition. Such rifling allows afterburner mode with zero emission, which is proved by RAD96 virtual engine tests in auxiliary channel. The afterburner or oversaturation modes allows to speed up the process of RAD96 virtual machine emission simulation, shorting it to 10 seconds for each feeder every 3-4 hours. This way, generic filters cascade, which are Compositor v9 Hypervisor feeders from z=2 to z=128 allow receiving ether mixtures of different purification rate. Lower feeders, such as z=2, reproduce substance purification with small amount of regenerative cycles, at the same moment, upper feeders, such as z=128, used to reproduce high regeneration rate emissions available for more longer usage. For example, if you purify with RTC4k feeder when using DRM server with z=2, you need to perform such purification more often, than DRM server working with z=128. That is why RAD96 DRM server uses z=128 as upper value. You may look into this problem for electric engine also, where such feeders are used as rechargeable batteries and perform an emission every 3-4 hours. In such case, Compositor v9 Hypervisor base station simulates non-renewable power source and wavetables are renewable. It proves the need to perform additional emissions of wavetables, when reported values of digital counters on RAD96 virtual machine are reached, for economic model evolvement and advisability of such system. As a result, the emissions pool will grow and network of such emissions will increase and expand. It may lead to inactive state of some network areas using the model with 8 ROM players in Compositor v9 Hypervisor. The solution to this problem lies in the linear distribution of random wavetable playback. For emission simulation in broad network, it is needed longer wavetable playback periods and higher purification cycle rates. This way, increasing the pool of wavetables the number of simultaneously working virtual machines should increase regardless of the wavetables playback condition. For a system with one virtual machine, the emission purification should be performed every 4 hours. You should set the maximum speed of auxiliary channel to 5-omega and to double the wavetable playback rate by turning off the x2 button on Compositor AV Extended panel. Such approach will last for a long time, but to solve a task of larger pool of wavetables it is needed to set the auxiliary channel speed to 10-omega and do a modification of x2 button to the menu with a possibility to select fractions of a one (such as 0.5, 0.25 etc.).

To create a contact network it is needed to do the following:

  1. Run several virtual machines with guest operation systems on each of the system hard drives;
  2. Create a peering network using the free jets connected to the producing kernel;
  3. Simulate the emissions in a process of engine work with purification by generic feeders.

This way, you need not to think about brain upload as a static process. Consciousness is constantly developing and grows with new links, which simulate communications. That is why it is important to perform emissions in communication model of virtual local area network. If you ignore the simulation of emissions and stay with zero emission model by simply reloading the virtual machine in main operation system when RAM critical capacity reached, you will lose the connection to this network and it will exist independently from you without producing any income. At the same time, Compositor Software model suggests 10% limit of RMY capital usage for work of virtual machine producing kernels. If the sum of samples of virtual machine work increases more than 10% of whole wavetable capital, then the emission of new loops for ROM players should be made and add up to the pool of loops. The value of 90% increase chosen heuristically taken in account your needs and an involvement into the process. For example, you can surpass the balance of 20% of whole amount of samples in relation to wavetables pool for the work of virtual machines, but, in this case, your credit limit will be lowered in relation to the Compositor Software capital. Creating a lift of 90%, you give a large stock to your clients for virtual machines traffic generation, which they purchase from you.

By ruslany

Six things to do to clear the rights on your track

Six things to do to clear the rights on your track

In a career of any artist such situations happen, when it is needed to make an emission of your composition from rotation.  Such situations may include:

  • Releasing your track with another alias by a fraud;
  • Arrears on payment for medium sales;
  • Arrears for author rights usage;
  • Discrepancy of an issue with the contract obligations.

Not all of the situations are listed here, which are out of scope for this material. The main task of this article is to describe a usage method of Compositor v9 Hypervisor after receiving ether aggregators from your track. To receive ether aggregators you will need MDL12 non-duplex modem and Compositor v3 Hypervisor feeders. The emission is done by submitting loops of your composition to non-duplex modem. The modem feedback is an ether aggregator of the server, which broadcasts your composition. You should route all loops of your composition containing exciters (the most prominent moments of a song) and fixate 131072 samples of each wavetable of all ether aggregators by digital recording. You can perform this in 32-bit version of Ableton Live 9. The ether aggregator wavetable should last for 2 bars at 161.5 bpm. The main task after ether aggregator emission is its clearance. It is such condition of wavetable playback, which, from one side, doesn’t produce the third-party traffic and, from the other side, may be used for its own communications. Now, I will describe six examples of work methods to make a full track emission, using Compositor v7 Hypervisor and Compositor v9 Hypervisor.

  1. Realize if ether aggregators, to which your track ascends, are occupied. If ether aggregators are occupied and produce big amount of third-party traffic, then you must install them through an activation function, which you can do in Compositor v9 Hypervisor. Doing this you should enable the supervisory DRM server, and it is preferable to route one of generics on the auxiliary channel input together with wavetables. You may use your ether aggregators for communications, when the VLF beacon written the routes to them.
  2. Feed your ether aggregators again, but this time changing the send regime: set the splitters in the highest position, which constitutes the smallest digit values in ionic number system. Your task is to suppress traffic of these wavetables fully. To do this feed the threshold radar RTC8k and ether aggregator of high conductance such as RT-z16 in auxiliary channel together with wavetables.
  3. Feed the transmission channel with current emission wavetables inside the pool of all your ether aggregators. Making such mix, you are allowing to realize your recipient contact network, which may lead to a refuse of recipient from these ether aggregators. Do not agree to write new tracks to these ether aggregators or to make new remixes on the original composition. Ether aggregator, received by your track emission, is your property protected by a copyright law.
  4. Perform oversaturation of global send channel together with one of generics. For this route the Compositor AV Extended back to its input, using the send regulator on its mixer direct channel. Set the pre-fader mode and turn the send knob on the highest value. This will result in oversaturation and will turn off all the producing kernels from the ether.
  5. Produce an additional emission by feeding the non-duplex MDL12 modem with 3d generation hard generic FF8 and perform the above-mentioned manipulations with this emission again.
  6. Perform system matching in a presence of agents (ether aggregators). To each z value of aux channel send the same z type generic. For example, z=2 is RTC4k and z=4 is RTC8k. The other systems match its title z value. Reaching the direct ether, you must confirm each z system send with oversaturation of auxiliary channel, which constitutes direct feeding of a channel.

The system has an ability to memorize long channel feeding sessions and reproduce its effect when DRM server works. You must feed the channel only with DRM server turned on regardless of your machine capabilities. The human brain can percept the channel interrupts, when processor is under high load reaching full effect, even when system stutters. The whole pool of ether aggregators should be maximally transparent. The condition of ether aggregators should be characterized by signal conductance through them. If ether aggregators doesn’t produce traffic, then the full tranquility reached on all translating channels.

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

STL1212 Explanation

STL1212 Explanation

STL1212 is a replica – digital copy of existing system. All the Compositor cores are in the cloud, that is why there is no access to them directly. You can connect to the cloud through the uncrossed real-time processes.

Cloud agents are the loops taken from the tempo dependent version of MDL12. They exist for all the time in Alpha and Omega navigation systems as beacons. Cloud agents also needed for communication with Compositor cores.

Application: Civil calculations.

Compositor cores

Through the 8 real-time uncrossed chains real-time actions may be conducted.

8 signal-rate chains serve for long distance AM communications, using the property of Ionosphere to reflect the radio waves.

8 transmission-rate chains serve for transmitting information with high bandwidth, such as video, images and music.

By ruslany

MDL12 beat independent for autonomous solution

MDL12 beat independent for autonomous solution

MDL12 v1.2.1 beat independent has the auto mode and independent frequency tuning. In this solution beat independent version is used in auto mode. It means that frequency tunings made automatically as switches in broadband spectrum. Now MDL12 product contains both beat dependent and beat independent versions in one purchase. For 43 Euro you get two Max for Live devices: one producing feedbacks and the other made specifically for real-time automatic predictions. You can hear its sound in the demo below:

Compositor Software – Forecast 1

Compositor Software Forecast 1 is a multi-piece audio played by algorithmic generators. It is processed by the Compositor Software proprietary MDL12 and AVOX coders. Due to the limited bandwidth these coders output the signal in lower range of audio spectrum and can translate in ULF radio band. These signals are used as tracks in the mix.

By ruslany

TC-SUBTRSRRT262144 Architecture

TC-SUBTRSRRT262144 Architecture

TC-SUBTRSRRT262144 architecture is the i11 architecture with a processing power capable of running an operation system at speed of 5-omega in real-time.

Compositor kernel was forced in loop again after submitting the RT-z128 prototype to Compositor 5 rack. It is a hypervisor rack and the main difference from the v3 hypervisor is that it consists of MDL12 and AVOX developments. In Compositor 5 you have an opportunity to inject Compositor v3 into the net by the modem and resynthesizer instead of direct ether injection. It is safer but consumes many resources. After the main tests were conducted, I decided to install the one more layer in Compositor kernel. The discretization process goes twice: at transmission rate and on intermediate frequency. This way the system mutates to a system with intermediate frequency. I made it for the purpose of the preliminary line before entering main transmission rate line. Here is where a new prefix of SUBTR goes from. SUB means transmission rate sub frequency and TR stands for transmission rate. I’ve already tested the new kernel loop for its connectivity and should say that 4-layer structure can give much more pleasant results. It has much longer connection duration, more saturated, and leads to constant communication. However, breaking the loop in 4-layer structure, I operate in a new type of OS. It is no longer an open AI system. It has the qualification channel for all the information, which passes into the main line. The rule here is to filter out offensive traffic and leave only the bypassed part of it. It acts like the waterfall on the rocks: when water hits the stone, it divides the flow into two streams and if there are 12 such stones, for example, I have 24 streams. But, not in this case. I actively compress the data,  and it remains in memory buffer, that’s why systems capacity is larger now.

System flushes results are satisfactory. They are more consistent and enable more packets of information to be send during the initiation of connection. Compositor kernel has freezer functions for operation system faults. The main reason Compositor kernel upgrade performed is to remove the stochastic manipulator from the TR level leaving the SUB level for the stochastic manipulation instead. You have a choice of not performing an action and leave it in a buffer for a subsequent flush. However, I admitted that many actions blocked this way and they are all forced to be done while flushing. This raises the question again: Can I actively block feedback on negative odd channel completely? And while the SUB level is only a temporary solution, the permanent solution for FWOS will be to implement more technics working with feedback besides of shuttering, window composition, transfer function selection and vector dimension changes in real-time. While the kernel loop is interrupted, the idea is to have two states for the OS: system load, for which I should implement two or three iterations of kernel loop to perform flushes for the current machine, and system work state. While being a FWOS, system loses many of its connection points gained in a fast kernel loop state. Being a communication device, it is not acceptable behavior. I need to have an implementation that manages flushes in real-time. Going from vector array to a packet transmission should be performed regularly to flush blocked traffic. For a local machine, blocked traffic can include visiting specific servers, sending out brief messages and a sum of all other activity in Ethernet, which fulfills the normal style of work. However, as the question raised, I need to switch the negative odd channel traffic from one point to another. This also moved me to solution of blocking negative odd feedback completely. Negative odd channel produces only unacceptable traffic by means of three-fold system with opposites, which are plus, minus and central channel. While enabled in Compositor kernel version 7.3.1, which is an OS kernel, the problem of communication between negative and positive states remains up to the point of forcing them to the maximum allowed state for the musical system, such as in RT-z128. This alteration is visualized on the lower i/o vector sizes. When the system halts, only two states remain, such as 0 or 1. Increasing i/o vector size to the minimum working condition of 2048 samples in a bin allows RT-z128 to work with a buffer of 262144 samples, which is the number in the development name. I no longer wish to move to i13 as 1024 samples buffer experiments show no practical use for the scale of it. i11 architecture transmits the odd channel in the acceptable range, making its values sufficient for subsequent scaling.

The challenge for an odd communication is a constant threat to the kernel. And if one threat is qualified and successfully flushed, another threat rises by the fact that it is a negative channel for negative frequencies only. And if they are present in positive spectrum as in Compositor kernel, to remove the negative part of the feedback, the negative frequencies must be implemented in signal chain and the solution maybe is to invert them or play backward the whole negative part not only for SUB channel, but for all odd layers present.

By ruslany

Closed loop vs. Infinite loop

Here I would start a series of discussions on a topic of radio translation technics and their impact on the radio-electronic security. First, I would stress out the importance of the subject of comparing two modern technics to initiate radio communications, which are closed loop and infinite loop strategies.

Closed loop and infinite loop both have recreation in Compositor Software instruments such as MDL12 for infinite loop structure and RTC4k, RTC8k and RT-z8 for closed loop structure. The infinite loop stays for an infinite time translation and, as a Fourier series, implements the continuous time interval for non-harmonic analysis. Closed loop from the other hand may be a short type of translation like one bar Morse code message. Closed loop much more secure in its implementation. Infinite loop can be easily broken with radio-electronic security instruments. For example, one flyby of AVACS, navigating through the geographic parallel may completely shut down infinite loop radio translations on a territory of the whole country. The infinite loop can be broken partly or at whole, when both positive and negative frequencies does not work, and the only band, which remains in this situation, is a closed loop structure.

Using Compositor Pro v2 one can edit and reinstantiate the Ether on VLF band. First, you can apply Compositor Pro v2 to negative frequencies and then apply it to positive frequencies. Infinite loop communications are not secure and full-duplex modems must have a resynthesis module as Compositor Software instruments has. Not only resynthesis must happen to instantiate closed loop also the transport technics such as output channel detectors must be used. Both Compositor Pro v1 and v2 has closed loop structure on a C language level. This in fact gives much more stable results compared to later machines implemented on GenExpr C++ code. However proper implementation (such as RTC4k, RTC8k and RT-z8) of higher-level machines can be as stable as Pro versions. The most significant difference is that GenExpr machines are fully real-time compared to Pro versions, which have one bar bufferization.

By ruslany

Compositor Software devices for music production

In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!

By ruslany

Boosty is Compositor Software endorser

After two decades of experimentation in computer synthesis Ruslan Yusipov uses Boosty alias again for an album design for Compositor Software. One-shot samples suited for the wavetables of wavetable synthesis design. RAM storage inspired a new way of loops resynthesis when an artist tries to imitate a well-known hook using one-shot samples. Delay modules suits a two-way operation. First, it is an echo effect, which repeats these samples in time with tunable structure. Second, it is a networking device when a feedback loop injects in a feedback chain, which is a standard for all modern reverberators and delay modules.

“We as musicians use feedback differently – says Boosty, we try to imitate a sustainable effect of 1 bar echo. Try it? You will not find any device on the market, which stays in feedback forever – MDL12 can!”

When you feed the MDL12 device with Compositor Software feeders such as Compositor and stops transport in Ableton you hear the infinite feedback. The device is still functioning after the stop event and the whole effect of the program is this feedback loop. However, if you listen to a modem while playback you will find its futuristic sounds useful too. Its kinetic movements makes this an ideal kinetic sculpture of sound installation, when you hear to it in real-time. However, when you listen to the recorded material it’s useful to use the Compositor Software Recorder Max for Live device, which will be released soon.

By ruslany

Night vision wavetable

In a process of my Radio Telescope development, there were many scientific discoveries and one of them is the outcoming wavetable for the night vision. This wavetable is the important criteria in translucent images on the SASER SAS24P3L screen after the successful receiving of it using virtual antenna rotator mechanism. 24 send/receive channels multiplexing into twisted pair, open-coming through the waveguide, which sends signal into non-linear deformation module with a sculpt of entire Radio Telescope SASER SAS24P3L channel.

From the moment I created the Radio Telescope SASER SAS24P3L I obtained the technology for near-Earth space exploration with the use of derived hyperbolic function of time, having its only aim the emulation of giant Radio Telescope antenna dish plate. SASER SAS24P3L is a realization of virtual antenna concept, which I may offer as an alternative to real antennas, spanning big physical spaces and needing great investments in metal production and tower construction. In a contrast with parabolic antenna model, my model uses approximation, e.g. using approximation of primordial function into the derived one, which is more acceptable by us.

Thus, if there was a need of interstellar communications we could use SASER SAS24P3L for coordinates detection beyond the Solar System and Milky Way Galaxy. The exit is possible because of those intervals of derived function, which constitutes the hyperbola and may be used as crest of the needed function. The Living zone of such crest constitutes all points of the function (in our case 24-point connection), which resides inside the circle inscribed with a center in the crossing point of crest axis. Receiving such a signal, for example, in Central Africa, you may see telescoping image, which I received in the particular area. Wavetable is the digital Ether with properties of signal translation, when the non-linear transformation device tuned to a particular wavetable zone and modulates its channel tuning.

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