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Tag : Max For Live

By ruslany

MDL12 beat independent for autonomous solution

MDL12 beat independent for autonomous solution

MDL12 v1.2.1 beat independent has the auto mode and independent frequency tuning. In this solution beat independent version is used in auto mode. It means that frequency tunings made automatically as switches in broadband spectrum. Now MDL12 product contains both beat dependent and beat independent versions in one purchase. For 43 Euro you get two Max for Live devices: one producing feedbacks and the other made specifically for real-time automatic predictions. You can hear its sound in the demo below:

Compositor Software – Forecast 1

Compositor Software Forecast 1 is a multi-piece audio played by algorithmic generators. It is processed by the Compositor Software proprietary MDL12 and AVOX coders. Due to the limited bandwidth these coders output the signal in lower range of audio spectrum and can translate in ULF radio band. These signals are used as tracks in the mix.

By ruslany

Compositor Software Web Shop Black Friday deals

Huge sale comes here at Compositor Software Web Shop for Max for Live and Standalone products on Black Friday!

First, now you have an opportunity to buy the Compositor v3 bundle for a reduced price of €136,50, which comes with Max for Live instruments and Standalone software. The bundle includes AI-RT1024, FF8, TC25, N9000 and SASER Max for Live, which can be used as Standalone and in Ableton Live.

Second, Compositor v4 price dropped twice and is now €147. For this money you receive two-DSP system suitable for feeding with your own two-bar loops or with internal synthesizer engine and physical modelled generators.

Third, Compositor v4 Extension 1 Beta Bounces pack reduced even more and now costs only €77,70, which comes with 43 loops in 44100 Hz 24-bit WAV format taken from MDL12 Max for Live device and presets to make them sound fresh on Compositor v4 Standalone.

Valuable addition to Black Friday sale is Compositor 4 Max for Live, which goes for a reduced price of €31,50.

Terms: from Thursday 23rd November until Monday 27th November.

By ruslany

Compositor 4 demo reels

At the present day there are three demos of Compositor Software new product Compositor 4. It is audio recordings made using this instrument in July 2017.

In first recording you can hear manual work in a studio session on-air, layer changes and modulation switches in real-time.

On the second recording you can hear the internal Compositor 4 feeder sounds produced as a techno track. Parts generated and recorded in Compositor 4 Standalone version are used for loop playback. Compositor 4 Max for Live version is used as a mastering processor. You can also hear noise ambiences generated using Compositor 4 Standalone made for this record.

 

The third recording is an automated session in Ableton Live 9 with the use of Compositor 4 Max for Live synthesizer. In this recording you can hear the most actual sequences and arpeggiator patterns of Compositor 4 synthesizer played one-by-one on-air.

Compositor 4 instruments recording has similarities in Standalone and Max for Live versions of the software.

By ruslany

Compositor v3 Hypervisor AI – the race for supremacy

Compositor v3 AI capable of not only musically arranging the events, but also intonating the notes with the use of the local area network, based on virtual simulation of radio ether. Such local area network mostly reminds neural networks. However, Spherical Interaction Network, the way it is called in Compositor Software, may produce more human-like results by the factor of human participants in the radio ether. Compositor Software feeders conduct other objects of the network to initiate the radio transmission using the random distribution law, which may be compared with conducting an orchestra of radio transmitting points.

In the current recording of Compositor v3 Hypervisor output, there are two Compositor Software feeders: derived (Quantum) AI-RT1024 and original TC25, based on continuous-time convolution. Both feeders remotely controlled by RTC8k radar stochastic chain (LINK mode) and streamed into the SASER auxiliary channel.

Using this example, I show the musicality of stochastic radiolocation. In the essence, what we hear after denoising the original recording is a number of channels transmitting simultaneous Morse code translations each on its own frequency. Summing these channels, we hear chaotic tone dialing. String-like evolving long sounds happens on the frequency of the digital waveguide self-oscillation on the receiving channel of SASER device and transmitting SASER devices of other users.

By ruslany

Making Intergalactic Phone Call in Ableton Live 9 (Video)

New palette in Compositor Software SASER CS16RT5 achieved by setting Ableton Live 9 tempo to maximum available 999 bpm. At this tempo analog pulse signal repeated with the speed, which reminds dialing a number in analog telephone line. In this video you can watch what tunings were made in SASER CS16RT5 to achieve tonal and analog dialing at the same time.

Due to SASER CS16RT5 you can add an authentic sounds of virtual connection line to your production. This instrument gives an opportunity to imitate analog and tonal dialing at the same time for translating the composite signal in and out of Ether.

By ruslany

Compositor Software Hypervisor Radio Shack

During the perfection and in attempt to create more stable technology Compositor Software arranged its modules in the Radio Shack structure. By means of virtual machines, the Ableton Live 9 or MaxMSP suits as a platform for hosting micro-kernel machines such as AI-RT1024, FF8, N9000 and TC25. These machines feeds SASER channel with an approximation curve inherited from an RTC8k chain. This way you can potentially receive completely stochastic translations out of VLF band.

You can order different devices for your production from Compositor Software Web Shop.

By ruslany

Compositor Software devices for music production

In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!

By ruslany

Exalted is Compositor Software endorser

After three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

By ruslany

Play like you’ve played it in 1964 with Compositor Max for Live

The original mechanic metronome has a two-step structure of a pendulum swinging from left to right. The Compositor Max for Live uses the same clock mechanism, but also plays back a sequence of FM function, which drives it. Having an authentic style of sound Compositor Max for Live has a clock precision of 1 sample per hertz. This in fact means that you can improvise for an hour or longer without timing loss and have an authentic feeling of mechanical device, but with precision of digital. You can further tweak your improvisation turning on the Apply route button to swing the metronome performance. On the recording below, you can find Boosty playing a Suite for the Young – IX. Small Fry by Norman Dello Joio on piano over the Compositor Max for Live device with swing turned on.

It is a difficult one, – says Boosty, to play simple jazz with a swing feeling and Compositor Max for Live turns me on on that.

You can now buy Compositor Max for Live with Black Friday Sale -20%. Grab it now for that price until the end of the week.

By ruslany

SASER Max for Live ver. 1.1.3 released


SASER SAS24P3L Max for Live ver. 1.1.3 released. Convenience of the new version of SASER SAS24P3L Max for Live device for Ableton Live 9 lies in having the Ether switch (earlier Damping). It allows turning the regenerative chain right after this switch activation. It also allows connecting to VLF Ether using the regenerative transmitter made after Armstrong regenerator. Steady synthesis allows SASER SAS24P3L ver. 1.1.3 Max for Live device conduct uninterruptable translations in VLF band, and to use this information as rhythmic loops for electronic music. 8K tables increased the synthesizer spectrum above the radio navigation system Alpha beacons signal, which were available in previous versions of SASER SAS24P3L. It allowed turning the carriers of other stations situated in this band. The effectiveness of the code raised on 10% by excluding resource-consuming tasks not affecting the quality of the sound.

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