New palette in Compositor Software SASER CS16RT5 achieved by setting Ableton Live 9 tempo to maximum available 999 bpm. At this tempo analog pulse signal repeated with the speed, which reminds dialing a number in analog telephone line. In this video you can watch what tunings were made in SASER CS16RT5 to achieve tonal and analog dialing at the same time.
Due to SASER CS16RT5 you can add an authentic sounds of virtual connection line to your production. This instrument gives an opportunity to imitate analog and tonal dialing at the same time for translating the composite signal in and out of Ether.
During the perfection and in attempt to create more stable technology Compositor Software arranged its modules in the Radio Shack structure. By means of virtual machines, the Ableton Live 9 or MaxMSP suits as a platform for hosting micro-kernel machines such as AI-RT1024, FF8, N9000 and TC25. These machines feeds SASER channel with an approximation curve inherited from an RTC8k chain. This way you can potentially receive completely stochastic translations out of VLF band.
In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!
After three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.
When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.
The original mechanic metronome has a two-step structure of a pendulum swinging from left to right. The Compositor Max for Live uses the same clock mechanism, but also plays back a sequence of FM function, which drives it. Having an authentic style of sound Compositor Max for Live has a clock precision of 1 sample per hertz. This in fact means that you can improvise for an hour or longer without timing loss and have an authentic feeling of mechanical device, but with precision of digital. You can further tweak your improvisation turning on the Apply route button to swing the metronome performance. On the recording below, you can find Boosty playing a Suite for the Young – IX. Small Fry by Norman Dello Joio on piano over the Compositor Max for Live device with swing turned on.
It is a difficult one, – says Boosty, to play simple jazz with a swing feeling and Compositor Max for Live turns me on on that.
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SASER SAS24P3L Max for Live ver. 1.1.3 released. Convenience of the new version of SASER SAS24P3L Max for Live device for Ableton Live 9 lies in having the Ether switch (earlier Damping). It allows turning the regenerative chain right after this switch activation. It also allows connecting to VLF Ether using the regenerative transmitter made after Armstrong regenerator. Steady synthesis allows SASER SAS24P3L ver. 1.1.3 Max for Live device conduct uninterruptable translations in VLF band, and to use this information as rhythmic loops for electronic music. 8K tables increased the synthesizer spectrum above the radio navigation system Alpha beacons signal, which were available in previous versions of SASER SAS24P3L. It allowed turning the carriers of other stations situated in this band. The effectiveness of the code raised on 10% by excluding resource-consuming tasks not affecting the quality of the sound.
Ministry of Telecom and Mass Communications of the Russian Federation software register filled with the first software made entirely on Max/MSP – SASER SAS24P3L. It is complex software for deterministic navigation systems and Ethernet security, which can not only receive signal from 84-parsec distance, but also send telegraph messages. It is a first step on the way to transmitting on very high distances in VLF spectrum without antenna and mast constructions.
SASER SAS24P3L software written with the use of a several program languages inside the Cycling ’74 Max/MSP software. First, it is Jitter, which is used for radio telescope display, translating phase distortions of the received signal. Second, it is Gen~ (real-time DSP library, which is used for radio telescope core). Finally, Max/MSP for routine objects and DAC. In addition, the Max for Live framework is used for menus and interface. These elements are components of the Max/MSP programming language, which was develop by Miller Puckette at IRCAM and extended by Cycling ’74 company. The entire software written in Russia and is a copyright property of Ruslan Yusipov, which made it possible to include it in the register. All blocks, which is used by the author conform the GOST 28397-89 standard and defined as the programming language for computer.
SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid this frequency to make the task of transmitter frequency detection harder. The derived function values work for all three levels of SASER SAS24P3L software. These levels are signal generation in real-time, granular synthesis and discretization. Received signal must comply periodical criteria for it to be synthesized with SASER SAS24P3L software.
The model with modulation index of 11 has 12 component harmonics for positive part and 12 component harmonics for negative part. These harmonics sums up to 24 components, which has the derived values. The derived values of the 5th harmonic and higher, starting from the center frequency, fall into the same phase value simplifying the calculations. For SASER SAS24P3L software there is no meaning to work with modulation indexes higher than 11. The derived function has the hyperbola graphic also, but in a contrast with primitive function approximates curve values. The derived function suits for faster calculations and solves synchronization problems with discretization frequency of audio equipment of your device.
SASER SAS24P3L software is a hyperbolic system, working in the VLF band. The hyperbola graph can contract and expand in accordance with the transmitter frequency value.
SASER SAS24P3L software serves for connection line detection. This problem is important when a signal transmitted on the large distances. If two stations, equipped with SASER SAS24P3L software, will be connected there will be no aliasing effect due to cascade of two 8th order Butterworth filters, which process the output signal in real-time and do not allow to spread the signal beyond the pass band of a channel, which equals ¾ of modulation frequency. Radio wave of this connection line will propagate on the large distances. The connection line has one receiving frequency of the signal, which modulated using the signal constellation. 4096-CPFSK modulator, applied to the frequency of receiver, serves as a phase spinning of radio reception in physical space. The parameters of spinning counted by Euler angles.
SASER SAS24P3L software applied for mathematical approximation in physical space. The resulting, drawn on the 3D display of SASER SAS24P3L software has the structure of radio particles, passing through a pipe of waveguide and collapsible into the final image. These figures created in a presence of the signal constellations. These figures are not 2D, but a 3D images, which shows the topology of VLF network on this channel.
While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.
I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.
SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.
Spherical Interaction Network management software Compositor Pro v2 is a system control using a technic of prerecorded audio samples. While normal network management software is for predefined parameters, which operator controls, audio samples recorded with Compositor Pro v2 can contain parameterization, which may only be introduced in distant future but already presented as an inherent quality of the audio file. An ability to record an audio sample is also a set of parameters, which is a product of manipulations in such network and can be remotely submitted to the input of device under inspection.
An operator with sufficient amount of experience can submit Compositor Pro v2 network map called a ‘track’ to the MDL12 input as a network combination given. This in fact gives precision to judging of where to apply the technology and as Max for Live branch of Compositor Software is only able to model Solar System like planetary systems, Compositor Pro v2 standalone software can model star systems with even numbers of planets ranging from 2 to 12.
The task of MDL12 is to observe such Spherical Interaction mapping tracks generated using Compositor Pro v2 to adjust their tuning from one angular position to another. This leads to an ability to audition the network tracks in different years according to Gregorian calendar, while retaining the original multiplier setting consistent for the whole track length.
The previous MDL12 experiment can be conducted using just a pair of Compositor Pro v2 and Ableton Live 9 with MDL12 Max for Live connected using the Rewire technic. Compositor Pro v2 can emulate superposition using Time multiplier control just like the Year parameter on MDL12. The MDL12, on the other hand, achieves Just Intonation tuning through resynthesis of the submitted material instead of real-time synthesis.
To order Compositor Pro v2, please, visit the following product page.