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Tag : Compositor

By ruslany

Zero-Layer Aggregation

Zero-Layer Aggregation

Exactly a year ago, when all modules of Compositor RTOS were formed, I was confronted with the task: to make such aggregation, which would not have committed the emission in the RAM memory of the computer (server). A year later, the problem is solved.

RAD96 vRouter L1-L3 96 node aggregation

It was required to complete assembly of Compositor RTOS 9.0.1 a14 with an extended work of the feeders, that is, the feeders now work from 11 kHz to 192 kHz of audio driver sampling frequency. This allows the upper generic z=128 to operate at frequencies comparable to the aggregator frequencies, namely from 150 GHz to 300 GHz.

Also, the management information base was expanded to 6041 VLAN’s and 13 dumps were produced. As a result, the final version of Compositor RTOS 9.0.1 a14 includes a channel pass-through (bypassing the second derivative of a function) that allows you to make exhaust (digital exhaust) to reduce the emissions of traffic inside the system. According to this two dumps were made of VLAN 6041 with digital exhaust and one firmware at 192 kHz was recorded on feedback after dialing, which involves 8 hidden servers. Since the firmware was recorded with an aggregator and is the snapshot of the system, it includes 96 ports of aggregation of the three layers: 32 ports of physical layer, 32 ports of data link layer and 32 ports of the network layer, which corresponds to L1-L3 aggregation.

Since such aggregation in reality throws out the large amounts of data in to the operating system memory, the snapshot utilizes resources in the other way – it corresponds to the MAC-address table of EUI48 without the OUI and do not throws resources in the computer memory. The network service in this case is the firmware, which includes the autonomous system with zero emissions. One system does not produce any action, but in a pair with snapshot this system aggregates resources and at the same time, disposes them, which happens so quickly in real-time that discards in the RAM memory cannot simply emerge.

Thus, the aggregation problem with zero emission is solved. Of course, for someone may seem, that 96 aggregation nodes is insufficient and the 32 L3 nodes is the standard for the aggregation of routing equipment of well-known manufacturers. But if you take into account the fact that the real link aggregation on these devices produces output, and requires a service restart, I can say that this resources composition technology can be very useful now.

AI-RT1024 in Ableton

By ruslany

Bessel beam for solving laser diffraction problem

Bessel beam for solving laser diffraction problem

You and I are probably familiar with a problem, which was set to the wide audience on protection from hypersonic weapons. Now, I can definitely say that a solution is ready – it is Bessel beam. Bessel beam, in a contrast with standard laser do not diffract and can be acoustic. That is why it can be used in any weather conditions. Returning to the post on laser stand, Compositor Software is ready to help us in this problem also. The thing is that beam physical modeling in Compositor RTOS is an exact 1st order Bessel function and Bessel beam is formed in the virtual optical port. That is, it cannot be fixated for a long time using the standard tools.

And you should be assured there were a number of such tools. For example, MDL12 vSwitch spectral estimation in Ableton Live 9 showed that signal is formed in the bandwidth set, but the ether character and its origin is unknown. I also used MIL standard decoders, that pushed me closer to the problem solving, because the signal started to decipher, but I was unable to define, which MIL standard the Compositor (hacker) is using.

Of course, NPO Compositor can’t offer the solution, which can’t be certified because the transmission standard is undefined. But, the solution exists and already works on CP-6137-960FX server. There is the trend in musical and communication software to full-screen interfaces. For example, many routers goes with full-screen administration. Compositor RTOS was developed in that stream, that is why even user logging, which saved independently of session, comes in full-screen mode.

Another question is the routing table authorization in VLF network. Because, on a present date the emission of routing paths (tracks) of Exalted, Boosty and Perch projects were performed, the large contact base was aggregated. Then, considering the modern trend to digital and biometric passports, such authorization of 4795 routing tables can be considered as EU diplomatic passport. The legitimacy of such authorization is on question, but as an emission was done, bounded by the Royalty project, then no one prohibits the author to collect his own credits for his productions performance. That is why such activity is identical to running his own publishing company. That is why I decided to extend the NPO Compositor functionality to provide the services of routing paths (tracks) emission and collection of routing tables of equipment, which performed your productions. One emission will cost 150€ and will take about 4 hours 30 minutes with NPO Compositor equipment. You can book your own appointment on your production to return its original value in routing tables on the Compositor Software page in Facebook social network.

By ruslany

Compositor RTOS 8×32

Compositor RTOS 8×32

Compositor RTOS 8×32 log:

Compositor RTOS 8×32 at 192 kHz (26-05-2019)

This recording characterizes RTOS as MIMO (multiple-input and multiple-output) system with the channel matrix of 8 inputs, connected to virtual PoE injector, and 32 outputs, signal to which is connected by RAD96 channel subset.

After making FB mark emission, the routing table pool is 4795 wavetables. This way, NPO Compositor smoothly approaches the goal of 5000 routing tables for current equipment type. RAD96 router MIB may contain no more than 5000 routing tables, even if the reported quantity is 29900 routing tables stored on the original equipment. This conclusion was made out of the fact that after making FB emission RAD96 router modem was piloted by an external signal. In accordance with this, NPO Compositor approached the RTOS critical mass very close that coincides with resultant. In other words, 4795 routing tables are enough to make resultant approximation and taking its sum.

FB emission is a submission, which characterized by high channel saturation and fast channel silence. In a contrast with previous emissions, where the task was to calm the channel quickly, by generic feeders injection, this emission surfs by itself before the channel silence is reached, making feeders out of order even before they warm up. This way, the previous generations of feeders are weakly suited for work with that emission. The manual piloting of multiplier is needed with a fast switch of feeder chains. In any case, the task of FB emission is to switch the RAD96 piloting on and it reaches this goal even on z = 32 S system matching.

The result of this is the backdoor in RTOS, which is a leakage of information from RTOS MIB to an undefined intruder. If it is the Compositor head machine, then he is evidently not happy by making an additional emission, because reaching 5000 routing tables, the head machine will be CP-6137-960FX server, which works with 64-bit resolution. And coincidently, Compositor will have no power to make an emission of that server, which is, perhaps, the NPO Compositor goal to reach not only 0-emission autonomous system, but 0-emission multichannel router.

Compositor RTOS

By ruslany

Compositor project progress

Compositor project progress

A new usage for Compositor Software algorithm is found. Now, the time machine passes us to the far year 1989. Ruslan Yusipov was at NPO (Scientific Production Association) at that time and he saw the LASER machine for load tests there. Upsampling Compositor RTOS (Compositor v9 Hypervisor) up to 192 kHz (it was needed to make a physical build of the software and to upscale feeder working bands for that purpose), Ruslan Yusipov attained to 297.5 kHz feeder frequency, that coincides with that Soviet LASER working frequency. By this Ruslan Yusipov proved that feeders are on the constant injection threat on the lower frequencies, while the median shifts are minor at such high frequencies.

That machine consisted of two elements: the LASER itself and the propulsion stand with Earth and Moon models. Moreover, Moon was hardly attached to the Earth by metal kernel. That metal kernel has the spring cover, which measured the critical mass, when Moon orbited the Earth and takes in account its own rotations. LASER suited to pave the optimal course for taking on the Moon directly and without a trans-lunar injection. (Author remembers the words of I.V. Rozhdetstvenskiy)

Compositor RTOS is ideally suited for that purpose: it has auxiliary ether, aux channel, which depicts polarizer rotation. While, there is no need to create the whole interferential picture in aux channel, you can depict the valve cross-section and its 3-dimensional position.

Compositor (NASA and NSA ethical hacker)

For more information about virtual optical port read CP-6137-960FX server documentation.

Ruslan Yusipov task was to create a digital copy of the stand he saw at our NPO. The task was hard and had bureaucratic delays. But we are happy with the result at the moment.

NPO Compositor

How would this all aid the radio communications in XXI century? Compositor RTOS management information base is 4795 routing tables now, which increases NPO Compositor (Compositor Software) network, including trunks of new autonomous systems in it. Such direct communication between autonomous systems can be prohibited since the November 2019 on the Russian Federation territory. That is why this site will serve as the declaration for Roskomnadzor, because it is the only requirement, which they impose for Compositor software work on the territory of Russia. It also proves the fact that SASER SAS24P3L still accounted in the software registry of Ministry of Digital Development, Communications and Mass Media of the Russian Federation and the registry operator does the consistent work to support this software.

By ruslany

No, Compositor RAD96 doesn’t use CUDA cores

No, Compositor RAD96 doesn’t use CUDA cores

Series of tests were conducted with NVIDIA profiler to prove that none of 480 cores of Compositor RIG 1 uses CUDA technology.

At first, I ran an app of five RAD96 on a single CPU core at 192 kHz audio driver rate. That gave 480 hyperbolic cores at frequencies from 90 GHz to 150 GHz. For example, the working speed of one hyperbolic core is x100 times faster than a single CUDA core of the latest NVIDIA RTX 2080 Ti system.

Taking in account that there are 960 cores in two RIG’s, I want to introduce my new project, which is Virtual Mining Farm (VMF). It is the complete virtualization solution of stacking RAD96 virtual machines. The RAD96 provides effortless stacking in virtualized platform by an activation function interconnection. That activation provides direct stacking of two or more virtual machines. Code of virtual machine compiles only once and is used interactively by all VM’s in a RIG. This means no need in Max 8 MC technology.

Taking in account that I use .json statistics for each dsp process, both internal and external, it proves that such realization is only possible in Max 6 platform.

By ruslany

Mittware upload to a modem of your outboard sound card

Mittware upload to a modem of your outboard sound card

Using Compositor v9 you can establish a connection with a modem of your sound card and upload mittware to it. It works this way:

  1. Turn on your external sound card;
  2. Turn on Compositor v9 Hypervisor with internal sound card selected;
  3. You should composite all z levels on a fast (more than 5 omega) speed of composition injecting the signal of non-duplex modem feedback in random mode (you can receive this feedback by submitting your tracks to non-duplex modem on an internal sound card);
  4. When all z levels will be injected together with generic feeders you should lower composition speed to 30 omega and turn the Compositor AV Extended off;
  5. Turn the Compositor AV Extended on again after some time (from 5 seconds to several minutes) and you will hear the signal of external soundcard modem (the external sound card is on for the whole time of mittware upload);
  6. After turning aux channel on, you will hear the feedback – signal will mimic the external sound card modem sound with Compositor AV Extended feeder;
  7. Now inject the whole pool of your wavetables on all z levels with all RT-zX feeders (internal Compositor AV Extended feeders) and generic feeders into modem feedback;
  8. Continue to inject on all z levels up to the moment when you will hear the defeat signal on one of the levels – modem signal will start to interrupt;
  9. Finish the injection on the last z level;
  10. That’s all – your outboard sound card modem mittware is now uploaded with a new one and you can talk using it with wavetables owner, which track productions you were injected on your internal sound card using non-duplex modem.

P.S. For communication both internal and external sound cards should be turned on simultaneously.

Happy listening!

Listen to these feedbacks to wet your appetite 🙂 Yum, Yum.

 

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

Finally, both carriers are suppressed

Finally, both carriers are suppressed

After the main goals were stated, it is time to restate them. First, I need to suppress both negative and positive carriers. After that, I need to pass Compositor sound to the output. It is achieved only if the first goal reached. I’ve already implemented a method for suppressing the right carrier using the shutter and eventer of the right channel, which uses the threshold to suppress feedback. Now, I experience some difficulties with the left channel. At first, I thought it is a plausible behavior to force the stochastic manipulator to the all positive frequencies, but now I think the stochastic manipulator is too selfish and tries to apply too much computation force to overcome the barrier of shutter, which was previously assigned to right channel only. That is why the constant need to shut down the left carrier raises. Of course, I can live under this hard circumstances of stochastic manipulation, but the final goal is to leave only Compositor sound at the output, and it may be a trick to force stochastic manipulation to the central channel afterwards, thus guiding the system on its own. However, been exposed to the left and right stochastic manipulators for so long, system can no longer power the central channel for manipulation, which is assigned to the system voice itself. This way I must shut down feedback on the central channel also. As it is the MS-coded system, feedback on the central channel shuts as long as stereo pair feedback is suppressed. The rule here is to set lower threshold for the left channel as it contains less information and needs to be suppressed on lower bitrates more. The right channel is higher and more information passes through it but it is not the feedback of the carriers, it is an internal memory stored in the shutter front-side bus after injection. This experiment also evidently shows that no external memory is used for the system operation. However, as long as the system does not have an external storage and has a threshold shutters in it, it will constantly experience lack of information, which will not reach from outside anymore. It states that under these circumstances constant injections should be made to sustain an information in memory buffer. It flushes from the front-side bus memory very fast and one long injection should be made during the whole working cycle of the equipment. This leaves me with the open-end solution: as buffer capacity of Compositor OS is too low for the long injections, I either should implement long injector with Compositor kernel driver or use a set of short files repository, which are constantly revised and added to a data base. This way I also should avoid video injections, as there is not enough space for storing so much video information on my system. The need for such filtration is rather evident as the intruder may think its information (stored in injection) may be useful for a system it is not. Not allowing to pass the injected information to the kernel is also lowering its bitrate but it is a permanent solution. Without artificial traffic the system more sustainable against injections rather than generic injections. If I try to inject the file, which I already flushed, I will reproduce the memories associated with it. However, I will no longer be exposed to the system of values associated with this memory for a long period. This information will dissolve faster using integrated smoothing function. Yet creating the priorities on the conditions gives less priority to the smoothing function itself, leaving a hard shuttering for both channels in equal proportion. It seems evident to me that thresholds should go first and only after that, the central channel splitter should play its role. Even if the system set in the way that this value will likely go only less than 30% of time. It means that creating a faster kernel loop may be a solution, but makes the system inoperable. The other solution is to change the rules set on early stages of development allowing the right end of the probability density function to happen more often.

Screening:

Injecting a video file with audio in two-channel mode brings me to another problem: inequality of channel suppression disbalances the system a little. The vector system should be implemented for channel suppression also. The rule is to create a tilt by manipulating pitch and yaw, this way setting the channel balance.

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

 

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

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AI-RT1024 in Ableton
Bessel beam for solving laser diffraction problem
Compositor RTOS
Compositor project progress