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AVOX Max for Live Beat Independent

AVOX Max for Live update version 1.1.6 released. Now you can control beat tempo independently from the tuning of the device. In AVOX Max for Live version 1.1.6 you can switch from automatic key detection to a manual using two available controls. You can also resynthesize the song tone on the fly while using Ableton Live BPM control to switch to a different tempo. The solution works on PC and Mac using Max 6 or Max 7 Max for Live. The main difference from the previous version is that AVOX Max for Live has a switchable scanner with automatic frequency detection algorithm.

AVOX Max for Live

AVOX Max for Live

 

The main idea of switchable communications as with AVOX Max for Live vocoder/resynthesizer is to enable a radio translation over the 20 Hz – 20 kHz passband music. AVOX Max for Live modeled to suit modern styles of electronic dance music. The spectrum of EDM songs is especially useful to detect ongoing radio translations feeding the track to AVOX Max for Live input and analyzing the spectrum with the use of CW Decoder as an example. This way you can review old translations, which were at the moment of the track first listening. For example, you have a legitimate file of the track, which you bought ten years ago. Now, with the use of the AVOX Max for Live you can revive the emotions you had at the moment of the first listenning analyzing and reading a text output of what inspired you in that music in a first place. Yes, every track has a radio translation over it and you can control and revive it using Compositor Software instruments.

CW Decoder

CW Decoder

However, this approach raises a term of the protection of such communications. It is very important to not to share the output of the translation to a 3d party. Such translations can contain loads of private information such as gathering points, events, and simply communications, you do not want to share with others. This way an automatic mode of AVOX Max for Live is as important as it helps to quite the frequency band the translation goes on, when 3d party tries to key it. Automatic scanner made by Compositor Software artificial intelligence proprietary algorithm can be found on all Compositor Software instruments. Buffer overrun protection is also included in a new version of AVOX Max for Live.

Compositor Software RT-z8 – the BMW Z8 in a world of audio clock generators

Compositor Software recently adopted the 16k technology. It was in the work for a few weeks and now I would like to present to you a breakthrough in a world of audio generators. From now on, the 16k patterns are available in Compositor Software RT-z8 Ethernet Aggregator device.
First, it is musical. Second, brilliant patterns switched by a continuous mix in real time are a perfect solution for later developments.

BMW Z8

From Wikipedia:

In mathematics and signal processing, the Z-transform converts a discrete-time signal, which is a sequence of real or complex numbers, into a complex frequency domain representation.

Compositor Software RT-z8 uses complex transform at the early stages of the code right before the actual processing begins. Starting from RTC developments it brings the same network aggregation without an IP protocol. No need to plug any cables. RT-z8 processing starts immediately right after the load of the device. Compositor Software RT-z8 avoids Time Collisions by more efficient memory usage. RT stands for Real-Time. Complex processing transforms your actual PC in the cloaking generator device with the use of a single-click performance.

Exalted is Compositor Software endorser

avaxAfter three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

Play like you’ve played it in 1964 with Compositor Max for Live

The original mechanic metronome has a two-step structure of a pendulum swinging from left to right. The Compositor Max for Live uses the same clock mechanism, but also plays back a sequence of FM function, which drives it. Having an authentic style of sound Compositor Max for Live has a clock precision of 1 sample per hertz. This in fact means that you can improvise for an hour or longer without timing loss and have an authentic feeling of mechanical device, but with precision of digital. You can further tweak your improvisation turning on the Apply route button to swing the metronome performance. On the recording below, you can find Boosty playing a Suite for the Young – IX. Small Fry by Norman Dello Joio on piano over the Compositor Max for Live device with swing turned on.

It is a difficult one, – says Boosty, to play simple jazz with a swing feeling and Compositor Max for Live turns me on on that.

You can now buy Compositor Max for Live with Black Friday Sale -20%. Grab it now for that price until the end of the week.

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

SASER SAS24P3L ver.1.1.1

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

Antimuseum in Electromuseum

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

MDL12 demodulator

The project of modeling the demodulator for the MDL12 Sonar Telescope has begun in 2012, some time before the original function developed and was a step on the opposite function to the one provided by Frequency Modulation (FM). The project is for the whole generation of Compositor Software instruments and consists of QIF submitted to sine + cosine functions with an opposite behavior. The demodulator successfully achieves waveform restoration after it is processed by MDL12 codec for subtracting Time function from spectral representation.

Minority Report movie

One can believe that for a whole instrumentation only one parameter needed however that is not the case as the main working routine is the subjective approximation of exponentially discretized continuous function, which is no longer a secret named as Quantum Interpolation Formula by means of extrapolating the order of things to an outcome given. This outcome however is not the system of values but the Chowning’s view on FM as a source for musical creativity. Yet, if we go forward and use more modulators in a system, it will give us the plethora of possibilities for an algorithmic outcome applied to many more spheres than I originally intended. The main function is sublimed for the plethora of possibilities, but more modulators mean extra processing power and new architectural design, which for its purpose has more direct connection for voice modeling and thus is removed from the deterministic telescope idea named in a first place. Determinism of such model is a set of behavioral patterns routed from the function itself thus the opposite function provides with different outcomes. One outcome I found in original function is its connectivity to the technological point of view on the Solar system: to model it, more additive style is needed. Thus with proper multiplier I can consider the view of things more clearly stepping back on the original path of investigation and possibly removing most of you from the possibility to work with software, which is MDL12 Max for Live device v1.0.9 in current installment. However, if you consider the demodulation process an opposite of modulation you will step back on a path, which means all negative is an opposite from positive, which is not the case in FM, even when negative frequencies folded to positive ones. Here is where Bessel functions take place in order to count proper vector relationships of the viewed uniform creation. I have this ability for you to view ‘underthehood’ of FM sound synthesis by vectors. Yet, to my clear point of view that is not needed. To proper understand what I’m talking about consider antenna polarization as a source of inspiration for imagery, yet it will not shed a light on a sound frequencies acting on a slightly different scale of things. If you still think the impact of the device is an amplitude or FM deviation it really is. Thus, deviation of 4096Hz provides us with more spectrum running x4096 from the nominal 1 of absolute scale. If we consider 8092Hz of such deviation, the output will be even more emphasized as more frequencies slip through the bandpass filters.

MDL12 Sonar Telescope v1.0.9

Direct transmission by an amplifier achieves more pressure with sound waves, but makes no use in a large scale transfers, thats why you can’t exaltate yourself this way for the whole generation given. For the real work you need one source and one destination. Lets call it point-to-point connection, which takes its root from the communications industry. This way we as Compositor Software users will stay in touch with current software trends. However, for the sake of mathematical precision I modeled a network with one sender and six receivers all acting by a means of stochastic selection for opening channels of such communication in a superposition of time relative to the current destination.

It can be viewed this way: consider me sitting in front of the screen and submitting the file to several destinations in say 2015, 2035 and 2145 years. And lets consider that all of the MDL12 receivers act as a serviced servers with up and running clock devices for the whole Time period, which is defined by the original creation of such server and to the indeterminate point in time at which such server is shutting down. Lets consider such point the year 4000. The receiver can receive music, images or other multimedia by a means of such modem device, which in this case the Compositor Software development MDL12 Sonar Telescope. It achieves Telescopic precision celestial measurements within a one year time route using a sound travel idea. This is how I model such communication, which can in fact predict future, make other persons aware of fraudulent actions and as a popular movie ‘Minority Report’ already covered the subject predict the crime.

MDL12 Max for Live – the solution for Interstellar Time Travelling

The Radio Telescopes of the future should contain a Radio astronomical device for separating the frequency bins into the distinguished tones while submitting the output of the received audio material to the input of such device. The device intended not only to compound the unwanted noises from the positive attributes of the signal quality but to process the input for signal degradation using the Year parameter to control the signal appearance in a spectrum for different time values. Overall, such device can be installed on any small-scale system for amateur Radio Astronomy and any user of Ableton Live 9 should take a value from a forthcoming Compositor Software product, which is MDL12 Multiline Delay Module for processing and utilizing of such signals.

MDL12 Max for Live

One not only can process the input material, you can also process prerecorded tracks to test its possibilities. But primarily use of this device is for observation of radio signals from deep space objects and their modeling in a selected superposition of Gregorian time scale. For example, you are receiving a strong radio signal, which you demodulate and wish to model how it will sound ten years from now on. Just adjust Year parameter to the time position of ten years from now on and submit the result. The Ableton Live 9 was selected as a host and can run MDL12 Max for Live device in 64bit and 32bit modes successfully doing the task in real-time. The processor work load is really high for the moment being and it takes up to fifteen seconds to load the device, but when it is installed and running you have no other problems and can track such signals even in automatic mode, which selects different time values by a probability density functions. Other Compositor Software instruments can be used to submit input to MDL12 M4L device to model sound spectrum coming from Star systems on different levels of amplification and observation speeds. There are three levels in Compositor Software modules: real-time, signal rate and transmission rate, all of which can be submitted as samples to MDL12 input. These deterministic models have the ability to represent the Solar system using diverse angles (see Time Machine solution for Ableton Live 9 post) in a selected superposition of time.

To conclude it is a task of free will to enter in a deep scale knowledge starting from this device, but I must advise it to install on any Radio Telescopes found on the planet Earth for proper measurements and hence is my value for the market of Time and Space exploration.

Time Machine solution for Ableton Live 9

First, to reconsider everything, which I wrote on the subject before, I entered the opportunity to orchestrate the Compositor Software virtual machines for one beneficial goal: Time and Space modeling on different scales. I saw one possibility in this task, which was many to apply them on different levels or speeds as you may think of it. The lowest level, which is a physical layer is real-time operation, which is AI-RT1024 is all about. You do not need to take a move in it, the system programmed as an automatic device to consider all possible Time and Space combinations in Ableton Live 9 for Compositor Max for Live algorithm with quantization. For the purpose of demonstration, I made another version of Compositor Software AI-RT1024 with visualization of all navigation properties using the OpenGL and standard number boxes as you can see on the picture below.
AI-RT1024 visual system

The speed in omega now represented in knots (which is a standard for any ship, whether space, air or water) and really can go as fast as 18000 knots making it suitable for Time bending, but not enough to achieve escape velocity, but it can go as fast as 21771 knots if needed. Another option is to show direction of the ship orientation, which viewed from the angular distance, can be obtained in different dimensions by three-space processing by MDL12 Max for Live.

So, one can view a system of planets, which is four if we consider quantum approximation of AI-RT1024 (which is by device operation interpolates in real-time) as a mathematic model of such ship with all the same angular displacements as any other ship can do. I speak about Roll, Pitch and Yaw. When you see this system on different angles considering the Time spiraling on a quantum grid you can overcome many different problems, which only sound can reveal and is hardly visualized by an eye such as discontinuities in a system. The engine expressed in rpm is nothing more than a central frequency converted from a Hz value and is used for showing the operation circuit speed such as physical model of mechanics device, which is v12 engine model really is.

For the information, I also show the statistical sea mile of the planet Earth and its applied circumference counting this value. Now, I don’t pretend to be an innovator here, many scientific papers predict that only 3d planet in any star system can be habitable that’s why I also show the aimed 3d planet sea mile and circumference as I do for Earth. I do not intend to submit this project as a product for Compositor Software as it has only the need for scientific prove of the model and has no influence on the sound at all. Moreover, if I take in account that the only power needed is sound then I will downgrade all controllers for a metro look style and happily integrate my products into the outer world.

For ordering, please, visit: http://en.compositorsoftware.com

Compositor Max for Live imperative meaning

Due to technological impact and its assotiation to false approvement of all and none, at the beginning of this journey I failed to misconceptualize the whole of the reader point of view on the subject of interstellar communications. Introducing to you a new terms like Compositor Networks I imply the route of false behavior of a person who never achieved anything for a purpose he didn’t even realized. Thus the mailing capability of my software is unusually low at the beginning can’t cope with the subject of creating a network of interstellar travelling through the realization of a purpose, which is evident to see the light and event reading capability. The suggested workload and the subject of consumption of technology was on the higher-rate human being can acheive. Thus I was able to make a one step breakthrough pointing out the refusal from Fast Fourier Transform and entering the realm of exponential discretization (not yet technically achieved). The list of notions is the purpose, which we read and understand and as we go deeper into the subject I realize the inability of habitable communication with the technology provided, thus a refusal from all of you on accepting this. My original idea is not intent and is far from realisation, yet on a project like this the behalf of creator is undeterminate opinion of someone else outcome. And thus to minimize such outcome on a project, which leading force is to empower us with materialistic approach to the subject of creation new life we undergo further communication.

My endevour is not only to discuss, but to customize subject appropriately to my needs and needs of society. None of the provided subjects made me happy with the intent of creator. The system unnamed can be applied to anything without any difficulty. But the final decision is to make Compositor as the name implies the Enigma of 21st century. It is difficult instrument and as cryptography evolved I can view a Compositor Max For Live device as a rare 1940s machine due to a virtualization of v12 engine and it’s mechanics to a one function interface with exponential interpolation. I write here to make a challenge rather than to try to involve the reader in a funding project. The challenge is to decipher final Compositor TCTRSRRT2048 interface, which I suggest as a block cipher with 128-bit encryption. The software in it’s final revision works on 2.6GHz transmission rate and has all freedoms of operation. Rather than to decipher in xyz let’s do this in Spherical Interaction Network (SIN). I accept your point of view on the subject of inspecting the code. This could be done. Even though you will be unable to decipher. I although liked to solve crosswords with my Granny!

Harmonic synthesis using Compositor Max for Live

Synthesis of the Compositor M4L isn’t the music. It is frequency and time division demultiplexing of spectrum in the range of 60 – 4000 Hz on the speed compatible to gyro measurements of slowly rotating body. This gyro measurements are heard as a sound emitting from your audio card with implied characteristics of algorithm given. It is not only this qualities that guide my thought to produce an outcome given. It is the idea, which spans across the reliable and unusual, with magnificent properties borrowed from modern cosmology, as well as property, which starts under the hood of miriad of opinions and gestures we produce to control the process of operational movements. It is easy to understand that necessity in such movements is a mere fact of growing society and diversity with which one can guide the loan of his own experience. However, I must admit that process of selecting parameters is fun. And Game Theory of predictions can be thought of admiration and unusual path I made to predict the whole. Even this is the process of selecting and merging the knowledge I gave you with the open mind ready for new journeys and an attorney for this quest is the only promise I made to guide the belief in right direction. My experience tells me that magnification is the only prediction I made and it is evident that to control the process I need to make an estimation of the real truth. But the truth is that we don’t need it for the whole generation and are only capable of committing violence and crime using the technology provided, thus my aim is to keep the path shaded for the beliefs to come true and eagerly produce the knowledge of the whole and evident truth.

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