Compositor SoftwareCompositor Software

Tag : Compositor v6

By ruslany

Compositor Library

Compositor Library

On 18 May, 2018 I released 6 extensions of Compositor Library. The following loops released for purchase: AB, BD, CG, RY, SR, SC. AB (Alpha Bounces) is a final library in the preparation set for Hypervisor v7. It consists of 136 loops. This set of 4 libraries consists also of MB (Mesh Bounces), BB (Beta Bounces), HB (High Bounces), which were released earlier. They are included in the package, which goes with Compositor v6 and Compositor v7. It allows entering the radio ether without the external antenna usage. You can use this set without Compositor internal generators and route only these loops into auxiliary channel, using the decks, which Compositor v4, v6, v7 have. Alpha Bounces is a final test before RAD24 (ODU – outdoor unit) release. These feedbacks of non-duplex modem were taken before introducing the polynomial on the output cascade of Compositor algorithm. The next loops were produced to test non-linear processing on the output cascade. They address the protective abilities of the system before and in a moment of wavetables application. Such loops are: 1) BD (Bass Drum), where the non-duplex modem feeded by material with a synthetic kick drum; 2) CG (Creations Glory); 3) RY (Ruslan Yusipov Loops); 4) SR (Sample Rate Loops); 5) SC (Silent Creek). All loops performed as the emission bounded by Royalty project. The main task, when the BD Loops were recorded, was to receive feedbacks with RAD24 server working. RAD24 algorithm successfully sustained these loops feeding and I decided to extend the peering network to 96 points and produced the RAD96 server. Bounded by this server feedbacks the RY (64 loops), CG (155 loops), SR (47 loops) and SC (209 loops) were produced. RAD96 algorithm successfully coped with these emissions. After these feeding sessions, I decided to produce Hypervisor v9. Starting from version 9 of my software, the Library will be supplied as a separate purchase. You can buy the Library in parts, orienting by loops production history, which I will post in this blog.

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

Five Ethernet principles when working with Compositor

Five Ethernet principles when working with Compositor

The original idea with planets and constellations dates back to the 2014, when Compositor Max for Live saw its way into the music business. Compositor Max for Live is a successor of Compositor Pro 2 software, which uses only transparent names for parameters. For example, combinations in Compositor Max for Live are constellations and multiplier is year. The shift towards the cosmological specification of Compositor was made during the interest of the author to FM function application in modelling of Solar System. At first, such modelling was an intent of the mathematician Bessel, who was an inventor of Bessel functions, which are also used in Compositor library.

The subsequent Compositors raise the cosmological question more profoundly as they use the ether application to radio telescope idea. Such parameters as Right Ascension, Declination were descendants of Pitch and Yaw library parameters of Compositor window function. It is needed to say that Declination parameter of Compositor allows for bigger angles than in conventional radio telescopes, even the largest ones. It opens an amateur radio operator to a field of study, which was previously unavailable. By mathematic modelling of radio ether and conversion of transparent FM function parameters to cosmological constants, a new approach to amateur radio appeared. The main concern of Compositor since SASER is Radio Astronomy. Besides that, working in ether directly without intermediate frequencies and transmission lines are available. It is all made by precise virtualization of physically modelled parameters of FM reconstitution. It is not only an approach, it is a journey into finding the right value for each parameter making sound design as the work for cosmological principle.

  1. The first principle is a guiding principle. By this principle I mean that the ether guides the will of communicator and can shape ideas, words and thoughts into the Morse code signals, appearing as symbols and short codes. It means that quality ether can guide you in representing your ideas and has all needed automated tools to decrypt it in radio-accepted language such as Morse code. It also means that for use of Compositor, you don’t need to have a knowledge of Morse code, but you can reveal your ideas only by free-will of manipulating the software. You can read your communications, using Morse code decoding tools (such as CW Decoder on Windows). In these radio ether sessions you can understand all other principles of working with ether.
  2. The second principle is ether aggregation. It is also a cause why rhythm machine was introduced again in Compositor v6. Working with rhythm machine and injecting it into the ether can accumulate Ethernet lines of communication – the carriers on which such communication happens. You can aggregate ether by using rhythm box such as DB-01 and then use the decoder to read new ether lines, which are many after the successful aggregation using rhythm machine performance. Such approach helps to accomplish a manual task of ether aggregation and is similar to the processes of automatic ether aggregation of STL1212 DRM computer.
  3. The third principle is a haunting principle. It states that for successful ether session to over, you need to mask your Ethernet traces. You can achieve this goal using DB-01 drumbox as well as for ether aggregation. Compositor v6 has all needed set of tools for ether aggregation and masking your tracks using rhythm machine and random Ethernet wavetables selection.
  4. The main concern of working with Compositor is accumulation principle. The accumulators such as STL1212 can successfully store and flush aggregated traffic via Compositor v6 DB-01 drumbox virtual machine. If you use more than one accumulator on the physical machine, you need to take in account the physical address of hard drives, from which such accumulators are rendered. For example, I currently run two DRM accumulators from one physical machine, which allows storing 48 Compositor cores simultaneously. You can inhabit these cores by the ether participants using available free cores of STL1212 DRM computer and when the memory usage of STL1212 lowers, you should use Compositor v6 manual mode to aggregate the STL1212 cores usage.
  5. The fifth principle is that you can select on your own, which line you want to listen to in CW Decoding software. If there is nearby communication happening on two lines, you need to choose a spare line using CW Decoder selector.

The named principles of working in Ethernet are self-evident and can be comprehended by Compositor owners on their own. I name them here only in an attempt to integrate new Compositor users into the ether more fast with my own knowledge of Ethernet communications.

By ruslany

Compositor v6 is available

Compositor v6 is available

Compositor v6 is a rack consisting of Compositor WS Extended auxiliary channel and Drumbox-01 rhythm machine. You can create complete tracks using Compositor v6 by mixing its sequence with radio loops and rhythm section. Radio loops library, extended with 44 hb loops, showcases different device profiles. Using it, you can play radio ether loops alongside the rhythm section with synthetic kick, non-linear snare, FM hat and sampled bassline. You can control all of multiplier-mapped parameters independently, adjusting Compositor WS sequence structure to your needs. DJ’s will find it convenient to mix full tracks with Compositor v6 by using reset to beat start and reset to track start buttons. You can take full control over 8 decks by scrubbing, nudging and pitch scaling your performance independently. Sync function, forward and random playback modes allow for uninterruptable decks playback. You can send the Compositor WS Extended aux mix to headphones independently of master channel for monitoring while mixing.

You can purchase Compositor v6 here.