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Tag : Compositor v3

By ruslany

Compositor Software Web Shop Black Friday deals

Huge sale comes here at Compositor Software Web Shop for Max for Live and Standalone products on Black Friday!

First, now you have an opportunity to buy the Compositor v3 bundle for a reduced price of €136,50, which comes with Max for Live instruments and Standalone software. The bundle includes AI-RT1024, FF8, TC25, N9000 and SASER Max for Live, which can be used as Standalone and in Ableton Live.

Second, Compositor v4 price dropped twice and is now €147. For this money you receive two-DSP system suitable for feeding with your own two-bar loops or with internal synthesizer engine and physical modelled generators.

Third, Compositor v4 Extension 1 Beta Bounces pack reduced even more and now costs only €77,70, which comes with 43 loops in 44100 Hz 24-bit WAV format taken from MDL12 Max for Live device and presets to make them sound fresh on Compositor v4 Standalone.

Valuable addition to Black Friday sale is Compositor 4 Max for Live, which goes for a reduced price of €31,50.

Terms: from Thursday 23rd November until Monday 27th November.

By ruslany

Compositor v3 Hypervisor Radio Shack Interceptions

Compositor v3 Hypervisor Radio Shack Interceptions

The Compositor v3 Musique Concrete experiment with Compositor feeders. Here you can find a set of five recordings made in Compositor v3 Hypervisor Radio Shack. It is not a montage, it is a direct output recording of Compositor v3 Hypervisor Radio Shack. In the recording you can hear VLF radio interception in 8kHz range of the highest quality available on the market with little or no Ether noise. Tune in and listen to five hours of meditative soundscapes.

Compositor v3 Hypervisor Radio Shack Mixdown 1 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 2 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 3 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 4 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 5 (VLF Interception):

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players

No

3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players

Yes

3 FM generators

Compositor v3

Real-time sampling of material

No

4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling

No

Self-feeding 262 kHz VLF radio with one FM generator, arranger

By ruslany

Compositor Sessions – Session 089

Compositor Software presents Compositor v3 sessions. In the current session you can hear the recording of Compositor v3 Machaon ether. The RT-z8 ether aggregation is used and SASER CS16RT5 (RT-z8-e) for Ethernet modification. Current recording contains VLF ether from 16-07-2017 starting from 18-30 to 19-30 (MSK GMT+3). The recording is cleared using denoiser with noise profile learning. Recording is uploaded in .mp3 format to Mixcloud.com server.

Two signal generators (AI-RT1024 and TC25) are used to achieve time-space folding and conducting a long ether at the same time. Both feeders are linked to RT-z8 arranger, which chooses loop-chain selection of VLF waves by signal constellations injection on the generators working frequency.

By ruslany

Compositor v3 Hypervisor AI – the race for supremacy

Compositor v3 AI capable of not only musically arranging the events, but also intonating the notes with the use of the local area network, based on virtual simulation of radio ether. Such local area network mostly reminds neural networks. However, Spherical Interaction Network, the way it is called in Compositor Software, may produce more human-like results by the factor of human participants in the radio ether. Compositor Software feeders conduct other objects of the network to initiate the radio transmission using the random distribution law, which may be compared with conducting an orchestra of radio transmitting points.

In the current recording of Compositor v3 Hypervisor output, there are two Compositor Software feeders: derived (Quantum) AI-RT1024 and original TC25, based on continuous-time convolution. Both feeders remotely controlled by RTC8k radar stochastic chain (LINK mode) and streamed into the SASER auxiliary channel.

Using this example, I show the musicality of stochastic radiolocation. In the essence, what we hear after denoising the original recording is a number of channels transmitting simultaneous Morse code translations each on its own frequency. Summing these channels, we hear chaotic tone dialing. String-like evolving long sounds happens on the frequency of the digital waveguide self-oscillation on the receiving channel of SASER device and transmitting SASER devices of other users.

By ruslany

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

By ruslany

Compositor v3.0.1 for Windows x64 and Macintosh released

Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.

With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.

You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.

Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.

By ruslany

RT-z8: Bind your computer is 16GB RAM system

16k technology opens a myriad of possibilities inside your current machine especially when dealing with high capacity sample data streaming from your PC RAM system. It is an ability, which empowers your needs as a sound designer to use more RAM, than currently resides in your system. RT-z8 is silver plate technology for discretization tasks as well as RTC8k model. At a current sample rate, RT-z8 can store up to 16GB memory packed in about 580MB in your PC system, which you can discover for crucial tasks such as real-time rendering. This way you can run RT-z8 on older systems to protect it against the security threats.

 

 

Now about the RT-z8 FM computer system specifications:

Bus: 11TB throughput rate;

Processor speed: 11025Hz;

RAM: 16GB;

System Bus Multiplier: from 1.54 to 4x with random access;

Connectivity: 4096PPQ;

Operation: Real-time, Signal-rate, Transmission-rate.

Real-time operation in ms, Signal-rate in Hz and Transmission-rate in Hz

As you see, current virtual machine setup is a perfect solution to inbound computer tasks, which now suits the Compositor v3 rack development goal. Together with other virtual machines it suits uninterruptable communications at processor speed without hard drive usage at all.

By ruslany

Compositor v3 in the Radio Session

Here is a demo of Compositor v3 Long Endurance System in a session with professional VLF systems. THIS IS A REAL WORLD EXAMPLE! Ton of technics used to suspend Compositor translation in full-duplex two-way radio system.

 

First, I thought they are joking; to fight Compositor is a tough task. It almost impossible to shut down due to RTC8k radioprotection features. However, the Compositor v3 regeneration suffered from unauthorized dimmers on that channel. In a translation, you can hear how SASER produces a long-query translation to this sources and how they respond with Morse on that channel.

Second, two feeders were used on an auxiliary channel of SASER. Auxiliary channel available only in Compositor v3 Hypervisor Radio Shack and not in standalone or Max for Live version of SASER. In the recording, you can hear how AI-RT1024 and TC25 generators feed the regenerator to receive long and pure ether from different sources. Up to three sources on the same channel communicates to each other with different LFO and Morse signal translators. The central place belongs to the SASER, which can produce a diversity of patterns.

TC25 is a huge phase rotator, which can potentially brake the incoming signal regenerators. AI-RT1024 from the other side can initiate stable translation in SLF band. Channel protection mechanisms were used in a LINK session. It is hard to predict the chain of feeder tunings, because main tuning comes from RTC8k holographic radar. It rotates the tunings of the feeders in according to the threat source, searching for a better trajectory of signal translation.

By ruslany

Compositor v3 Hypervisor Radio Shack – Free-Float Generator

Today, Compositor Software announces the Compositor v3 Hypervisor Radio Shack based on free-float generator technology. Three years in the work and finally consists of six modules such as RTC8k, SASER, AI-RT1024, FF8, N9000, TC25 for VLF radio translations.

While it was a general task to make the audio-translation chain as long-as-possible Compositor Software found a solution to use SASER channel feeded by RTC8k chain feeder values. Now, instead of using an internal SASER scanner one can use the LINK function of Compositor v3 Hypervisor Radio Shack rack, which hardwires AI-RT1024, FF8, N9000, TC25 tuning to the current RTC8k radar scanner value, which produces ultra-stable and ultra-long results making it a long endurance system for SLF, ULF and VLF radio communications.

If you are proceeding to own the whole rack, you must obtain licenses for SASER, AI-RT1024, FF8, N9000 and TC25 separately from the Compositor Software Web Shop. In original package for Compositor v3 Hypervisor Radio Shack you get RTC8k license and rack with demo versions of all instruments. This way you can try them and decide what you need for original translations. These instruments are not only suitable to evoke constant radio ether they also suits for radio security. For example, FF8 generator is a quantized signal-rate generator, which quantizes radio translations and can potentially occupy the whole band with rattling patterns.

Besides the tuning, you have smart prediction system based on a block-chain with probability distribution density functions. This helps to establish the connection to transmitting source and magnify the signal using the waveguide normalizers. In Compositor v3 Hypervisor Radio Shack you got visual feedback displays for AI-RT1024, RTC8k and SASER instruments. They help to determine the direction signal source is coming from and to learn the signal by its phase values. In addition, AI-RT1024 display shows how many network dots receiving this signal in the current moment of time suitable for real-time tasks such as navigation.