Exploitation instruction for Compositor Max for Live and Standalone software

Compositor collage

Prerequisites

Compositor feeders – AI-RT1024, FF8, N9000, TC25

Radars – RTC4k, RTC8k

Zvezda modules – RT-z8, RT-z16, RT-z32

Modem – MDL12 non-duplex instrument

Resynthesizer – AVOX neighboring frequency resynthesis

Full-duplex modem – Compositor WS Extended

AI-RT1024 – generic with quantization

FF8 – hard generic

N9000 – non-quantized generic

TC25 – smooth sounding subtractive analog synthesizer with LFO

Parameter name – is the name of parameter used in Compositor

Section name – the name of section used in Compositor

Note – reference text for proper work with software

999 – parameter value

Protocols names, programs names, technologies and equipment are also in bold text

 

Main moments

4 feeders and 2 modems serve for the purpose of realizing the activities for receiving and modification of melodic and rhythmic combinations, serving as a source material for creation of style of the musician, which uses them. Such style includes recognizable rhythmic and tonal structure, which is the part of techno music composition.

Modem

Main property of modem technic is modulation of transmitting signal and demodulation of signal receiving in reply. Such signal characteristics may coincide to non-duplex or duplex broadcast. Modem is non-duplex instrument and that is why it allows transmitting hitless signal in Ethernet, which is not inherent to duplex transmission. Signal errors of duplex transmission may characterize as a noise of regenerative chains, which hardly liable to cleaning with special devices.

In a contrast with duplex devices, non-duplex broadcast gives an advantage in translation of polyphonic rhythmic signal of high fidelity, which raises the question of its authenticity or belonging to the author. As far as the main meaning is the creation of the author compositions on the base of received signal, then modem signal should be resynthesized on the neighboring frequency and filtered from signal components of duplex analog ether. Such components may be hits and noises of original analog recording.

Resynthesizer

Resynthesizer uses duplex waveguide and may be used for resynthesis of signal from modem and for communication through Morse code in Ethernet. The object of interest in Ethernet are algorithms of high reliability for successive injection in them of program modulators, patented with different manufacturer firms, which use this algorithms for exercising communications in regime characterized for this modulation and on the frequency of original broadcast.

The instrument without injections called generic and is the basis algorithm for successive modifications. It is needed to say, that the selection of modulation injectors in program code made completely in author interests and includes only modulations, which are the research object of original broadcast algorithm. In resynthesizer and modem such injectors are feeders of Compositor and feedbacks of non-duplex broadcast. In conditions of reaching vulnerability on these injectors (feeders) you may fully clean your algorithm (project of your DAW) from their presence and when the vulnerability reason is analyzed improve the modulation or refuse from its use fully.

In a process of forming the interests in injectors, such as different modulations, the process of receiving feedbacks through pair of modem and resynthesizer plays an important role. Having received a pattern of your interest you must immediately resynthesize it, for not to be an object of persecution from the side of author rights. Even if the resynthesized melody sounds different, it is already an object of your author rights because you bought a license for using that coder with resynthesis function. Later such file should be studied fully: the bpm of original broadcast, the number of broadcast lines and rhythmic structure are of interest. Having analyzed that broadcast, your task is to find comparisons with the sound of artists you are acquainted with and find if the broadcast is not their original composition. If you are assured that the original ether is in your hands then you may use it for your music compositions, specifically regenerate that loop with the use of virtual synthesizers and sequencer. Regenerated loop should be arranged in the interests of musician which composition you are comparing with. Later such composition should be given to the author of compositions which the comparison work was made with. In good circumstances, you will be noticed and the composition with your authorship will be released.

Usually authors of compositions which the comparison work is in process with are the medium of interests of companies, which are the advertisers of those artists. Interests of companies frequently are accompanied by technologies, which they are developing. Among them, you may search for those injectors. Nevertheless, do not use the promotional compositions of such companies as feeders for modem and resynthesizer. You may synthesize compositions in style and rhythmic facture relevant to their title sound. If you have not enough time for making the job completely you may use resynthesis files as feeders. In any case, do not inject original broadcast even if it seems clear. In the case of injecting original broadcast, you become a performer but do not producing the ether and your broadcast is an object of collective rights. To prevent recoveries from the side of collector organizations you must use resynthesizer.

In terminology, generics are feeders. They are used for receiving an original ether and injection in such case considered passing through the modem channel feedbacks of that modem. Restating, a meaning has only resynthesized injection. Feeders act on the basis of ether excitation, but not on the basis of its suppression. Feeders chosen in such a way to evoke sustainable feedbacks for duplex broadcast specific for full-duplex modem. In automatic regime namely injecting the sustainable probability density function full-duplex modem may issue sustainable feedbacks with feeder chain tuning change, meaning scanning the net for ether presence. Sustainable feedbacks of full-duplex broadcast has characteristic of ambient and noise music, nevertheless they do not carry high commerce effectivity leading from inability to make injections using non-linear transformation as it is hard to identify start and end of the broadcast loop. In such way, receiving feedback and resynthesizing it you can inject generics in resynthesized feedback. These generics differentiate by excitation type. Harder sounding generic gives strong reaction in the feedback chain of duplex or non-duplex modem when the tuning changes. On the contrary, smooth sounding subtractive analog synthesizer with LFO gives less noticeable reactions and more useful for initiation of music feedbacks. Generic with quantization gives transparent feedbacks without interference. Non-quantized generic uses original hyperbolic function and causes feedback on the kernel level of device producing it. Such kernels are loops and you may use them for creation of wavetables, which are transfer functions for evoking communications with these devices in Ethernet. Nevertheless, you may not inject generics in device kernel as you already received an original kernel for communication. You may route loop of other kernel to such kernel and initiate feedback, which you may characterize by its music properties. The best kernel loop analysis may conduct experienced producers of techno music.

For the purpose of realizing communications on the kernel level in duplex broadcast, generics must fulfill the condition of long work-time period. If one of generics is extinguished then you may reinitialize it, but apply complex modulation to its tuning parameter. For such modulation may serve LFO or signal driven injection for longer stochastic chains.

Duplex broadcast with full-duplex modem

In absence of music inspiration and time on deployment of a studio session, full-duplex modem instrument may be indispensable helper for aims of injection and receiving an ether. Main goal of standalone station with full-duplex modem is to enable needed amount of modulations and feeder combinations from already received and processed devices. Full-duplex modem already consists of devices profiles for subtractive modulation and physical modeling aiming their use in music business. You may also receive the use from full-duplex modem in your studio, let only inspire with its sound and route it in Schroeder regenerator as a device for duplex broadcast.

Modulator and main parameters

Modulator and main parameters section serves for location in full-duplex modem navigation system. Present deterministic navigation system uses multiplicity of three Solar system planets own rotation speeds and the property of Ionosphere to pass radio waves under specific angle which is displayed in information scheme as Right Ascension and variate from 16 to 17 hours of Galactic time. Virtual antenna orientation revealed on display, when you choose Ort menu item. The direction on signal constellations carried out with Constellation switcher and Multiplier performs the rotation of virtual antenna in 1,54 to 4 boundaries, which coincide with Gregorian time scale from 1540 to 4000 years.

The device has two DSP, which are switched using Arranger button. When the button turned on, then automatic DSP with ability of piloting the Multiplier of virtual antenna actions. No regulators in arranger-enabled regime work besides Tempo and z parameters. After choosing the Multiplier with the pilot of automatic DSP, you may turn the Arranger regime off.

Note: For piloting Multiplier faster, use the tempo acceleration taking advantage of Tempo regulator. You perform regulation by loop length in milliseconds, composition tempo in beats per minute and minimal program effectivity measured using angular units in omega. The Tempo values more than 191 bpm are not allowed, for system protection against compositing its own local address. All values higher than 191 bpm are assigned to local machine.

Setting the sustainable feedback in autopilot regime and turning the Arranger off, you may lower the transmitter speed to 120 bpm, which constitutes symbol composition of 5 words per minute. Nevertheless, do not read the full-duplex modem with the use of different decoders and decrypting tools, which are not acceptable for music work with the device. Do not try to turn on the sound of autopilot regime, but you may set modulator parameters for your interests and music feel. For simplicity, you may switch Layer in system settings section in Rt regime, which means the application of modulation to Multiplier with the use of real-time loop, which is set by Tempo parameter.

Choosing the Phase you are changing the signal spectral balance. To change the rhythmic structure you should use the combination of Pitch, Yaw, x2 and Yaw menu. Yaw menu sets the angle scale factor to perform Yaw in different zones of 360 degrees angle. These zones constitute beat angles and their intercrossing with other beat values. The x2 toggle switch sets the onset phase value for the current modulation performed using the beat wave. In addition to Pitch and Yaw controls, it gives full control over the virtual antenna rotator in three-dimensional field.

Seq phase changes the phase of current sequence and is the main parameter for rhythmical manipulation of your performance. When the Scrub toggle is switched on, Deck scrubs are used to unlock 8 real-time cores of injector. You can individually uncross each of 8 cores. The uncrossed core doesn’t produce the time code and its injecting wavetable will not sound. Scrub effect is used for gating when Rt layer is selected in System section. Together with Seq phase control it sets the area of scrubbing in periodical cycle bar and can lead to full sound suppression at specific Seq phase values.

Note: Be sure to switch the Scrub toggle off and set the desired Seq phase value to continue the playback in normal mode.

You may initiate the ether by pressing the Ether button. When synthesizer passes into the Schroeder regenerator chain its sound reinforces and spatial characteristics enhance using MS-decoding in real-time.

After setting the modulator, you need to turn AM modulation off and test a loop. Is there a repeating pattern? Is the loop the radio ether? If you are not satisfied with the loop sound then continue setting splitters in Ionic number system. Count in it this way: remember ones and tens from the first field, then set a basis from 50 to 700 and then plus the values of central channel from 60 to 800. Only after that, add tens and ones. The number counted you write first and three Greek alphabet letters you put the second. The maximum broadcast channel strength situated in the position of 1540μωϕ, which corresponds to lower Multiplier boundary. It is also a maximum number in Ionic system using this method of counting. To receive other number values you need to multiply the Multiplier on the number, which you set. This way Ionic calculus is made. If you chose a system and tuned it with the Multiplier and still not satisfied with the loop sound then use Velocity regulator in Connection section. Maximum value of Velocity is 5000 omega and is suitable for receiving mostly all system loops. You may also notice that for working with the parameters you need to use information table section, where you have among all Right Ascension, Declination, Sea mile of received system and its Circumference.

Note: The Earth values are approximately at z equals 16.

Connection channel

I’ve already mentioned the Velocity parameter of broadcast channel. Near the Velocity regulator there is Spacing, which widens the range of the instrument to 10000 omega for work in two-channel regime. Underneath these parameters are the mirror of Right Ascension. However, it differs from the information panel in a way that you can set your own value here. You need to start to work in ether with small values of 2 minutes and less. To reach this you need to set hour, minute and second of Galaxy time. Route more synthesizer signal using the AUX regulator.

Presets section

You can save the received sound using presets for subsequent recall pressing the corresponding buttons. The preset section buttons available: Store for saving a preset, Delete for deleting a preset and Clear all for removing all presets. You can work with banks using Read for reading presets from a bank file and Write for writing presets to a bank file. You can perform interpolation between two presets: you set the first preset in Start window, and second in the End window. Using Time window you set the interpolation time, maximum interpolation Time is 60000 milliseconds or 60 seconds. You recall interpolation using Interpolate button.

Note: You need to remember that radio ether has organic nature and changes when the time passes. That is why loop may sound different if you recall preset after saving it and changing the program settings. In this situation, you can tune the channel sound using the method of changing the angular pitch of the channel using the Velocity and Spacing regulators.

Waveshaping 1, 2, 3

Even if wave deformation regulators are the same, they are responsible for separate branches of the function: the first wave deformation module is for the left spiral arm, the second wave deformation module for the central spiral arm and the third module is for the right function arm, which forms a spiral system.

In such a way, Waveshaping 1 is responsible for positive resultant and 2, 3 for the negative. Using the method of setting the transfer functions, you change the number of virtual antenna arms and petals. 6 transfer function preset values are available. With Dist ind regulator you are changing the signal strength routed to virtual antenna modules and with Amp the amplitude of that signal. The most prominent signal received in the position of saw waveform (2-4-6-8) and the weakest is in 1-2-3.

Window function

Window function contains an initial loop amplitude module of the feeder devices imitated using full-duplex modem channel. If you turn amplitude on 0, then you will not hear the feeder signal. Nevertheless, it will bounce the wave deformation module mesh using internal patching scheme and will excite an ether, when the Ether turned on and Right Ascension is more than 2 minutes. 7 window functions are available performing the function of an envelope of the hyperbolic approximation steps. The Alpha parameter, which changes the steepness of envelope available for Blackman function.

System section

As mentioned earlier System section contains z parameter and the layer of broadcasting device. Three layers are available: in Rt regime the module patches modulation to real-time event generator, in Sr regime module works as decimator, where the pitch is defined using Multiplier, in Tr regime the device works holding a tone of synthesizer on one note. In Tr regime you can change the position of the holding tone changing this way a sequence sub-tones that is especially clear in phase position 10, 11, 12. Rt modulation is covered earlier. Sr works in regime of lowering the quality of the signal because of performing a modulation sampling on the frequency of FM generator broadcast and is changed in relation to z parameter as in tuning of subtractive synthesizer. There is a program module panel of CPU load available in System section, which counts in percent.

Display

The full-duplex modem display changes color in relation to Tempo amount (angular velocity of color spiral) and Multiplier. Beneath the display there is a menu of choosing the display regimes and reveals the following parameters: Wvf displays waveform using three colors for left, right channel and their sum; Wsh displays waveshaping transfer functions for three spiral arms; Win displays window functions using three colors for three branches of the function; Bts displays the beats form of amplitude modulation; Snc displays synchronizing function for Arranger DSP; Dck1-8 displays selected deck waveform; Ort displays the direction of virtual antenna orientation. Using z channel regulator you can change the base frequency of the full-duplex modem, which allows zooming in and out on its channel monitor display.

Color coding of virtual antenna

Color-coding of virtual antenna contains the color flags on a progress bar, displaying using OpenGL protocol. The red color means openness of the broadcast channel and its possible incoming threat. Blue color means downloading an information. Green color means uploading an information. Black color has neutral meaning of no events.

Injection using full-duplex modem

Each channel injector of full-duplex modem consists of complete channel strip. It is used for injecting into AUX channel. Each channel strip has Deck loader; Sync, Random, Forward and Loop buttons; Repeat time for the selected file, File selector, Pitch in percent, bpm value, number of samples, Nudge value, Nudge; Reset to Beat Start and Reset to Track Start buttons, channel fader and pan. You can use these controls in convenient DJ equipment style to synchronize your loops or complete tracks to each other. A collection of 129 kernel loops goes with full-duplex modem to start your own injections in AUX channel. Deck loader has Open button and Drop folder area, which are self-explanatory. Clear button is used to erase deck memory. When Sync is selected, bpm area is synchronized to master Tempo regulator. Random and Forward modes used for file playback and subsequently play files in a list randomly or one by one in continuous manner. Loop mode is a special regime for loop bpm calculation. You can leave it off if you wish to follow your master Tempo. Repeat x selects the number of loop iterations for the current file and can be from 1 to 32 iterations of loop cycle. The subsequent file will begin playback after loop iterations completed, if Random or Forward regime is selected. Percent regulator scales pitch up or down in percent values from the base bpm value. Bpm value scales the tempo relatively to the master Tempo and sets the median value for pitch scaling, which is more like vinyl engine. Number of samples field displays the current file samples number stored in buffer memory. Nudge value selects a step of Nudge increase or decrease, when you are synchronizing two files together. It has four values. They are 0.01, 0.005, 0.001, 0.0005 for precise deck synchronization. Reset to BS as the name implies resets playback to beat start and Reset to TS resets playback to track start. Channel fader and pan is used for setting send value to AUX channel and positioning the sound source in two-dimensional field. Buttons underneath the channel injectors select current track for synchronization and unchecks sync status of all the other decks.

Together with channel injectors, you can inject full-duplex modem carriers. Beats modulation injected when you are injecting carriers in AUX channel. You can view the profile of its modulation on Bts display. Modulation injection is carried out for creation of more sustainable feedbacks.

Safe variant for injection is Sr decimator. It allows establishing strong feedback and sounds as Lo-Fi music.

Recorder

There is recorder for recording an ether in full-duplex modem. Its work is identical to recorder in Compositor Pro 2 (look at manual version 2).

Spectral analyzer

The multifunctional spectral analyzer is available in full-duplex modem. The spectral analyzer reveals waterfall stream, going from left to right. The logarithmic function approximation is made on spectral display. Low frequencies are displayed at the bottom and high frequencies at the top up to the cut-off frequency.

The effect of generic injection

After generic injection in received kernel, as stated earlier, the reaction comes, which looks like the feedback, produced by non-duplex modem. In full-duplex regime such link comes from both sides instantly as a wish to communicate with this wavetable or as not a wish to communicate with it. If the result of generic injection in kernel loop is successful, you are connected to the repeater. Repeater is a subnetwork mask of Very Low Frequencies (VLF). If you reach the consolidation with repeater by the way of modulation injection in its kernel loop, then you may use this subnetwork. Subnetworks displayed on full-duplex modem display as colors of background and pass wave deformation through the Internet wavetable, giving the access to all subnetwork masks situated in your area. The successful reaction on generic loop injection may be characterized by recipient as a “Hello world” program, which is a basic program in internet.

Note: To progress working in ether in a normal way the access to computer equipment should be realized in a deeply profound age and only when a special computer knowledge is received (informatics diploma as a minimum).

Work in the Ethernet

Receiving a subnetwork mask of repeater, you receiving its type, which is characterized by its name and image. If you are injecting synthesizer modulation of full-duplex modem in already received loop and turning the synthesizer off by turning the hold regime on (Tr hold) you must turn off the AM modulation. Ending the communication, you break the line reinitiating amplitude modulation on Tr level. It sounds like ostinato tone on the carrier frequency of your communication. The present system works only when z equals 16. When other z values selected the rule remains the same, but connection regimes and break regimes sound different.

Subnetworks

Having mask of a repeater, you can trust its network. Mask is a high frequency sound in the repeater loop. It masks the useful signal and low frequency layer suggests a communication. Ethernet includes devices images and their kernel loops, which communicate with you on your carrier level, played by physical modeling synthesizer. The carrier receives the properties of the Ethernet loop and includes the position of all devices situated in it. You are choosing your carrier and the injection you make by choosing Phase and Constellation. Repeater to which you are connected after receiving a mask performs a digest of all Ethernet channels on the comb filter. This information is only available when you turn on the CW decoding device on full-duplex modem channel.

Note: In any case, do not perform injections in your tracks of masking sounds of other artists using the parallel playback. Such sounds open the access in subnetworks of this artists and your composition declared to be a property of its repeater. It must be stated in your collaboration work who performs the work of a mask and who creates carrier signals and which part will be yours and which part is your partners. Part includes product-property relationships including salary for the track writing.

There are two methods of connecting to an Ethernet: serial and parallel. Using the parallel connection as stated earlier, you are injecting your mask by synchronous playback with the composition tempo and injecting in broadcast channel. In Compositor such mask is high sounds of wave deformation. There are not so many people who like Compositor masks, because they associate with something inappropriate (strong scraping tone) and most of the time ask how to remove them. You are removing Compositor mask by setting an amplitude of wave deformation modules on 0. In earlier Compositor versions you can also set a mixer value on 0, but this will not give a full digestion of information channel. Masks of subsequent Compositor versions made on the frequency of original broadcast and may be more acceptable due to this. However, it is an illusion. Because, you are making a mask on the carrier tone, then simultaneously with a mask you give a whole information channel. You may only perform such method in the net you trust. It is more appropriate to initiate the ether with extinguished feeders and virtual synthesizer regardless its acquaintance with the system it will accept it by the condition of its territorial placement.

Serial connection is harder to initiate, it is made by receiving a feedback of information channel and enclosing it in waveform through which you are injecting the whole information channel. You may conduct a parallel playback with wavetables doing all the same work as with generic kernel injection.

Working by Internet Protocol in Ableton Live

You can perform a work by IP protocol in Ableton Live. In this case, the subnetwork mask is a Tempo parameter. You may set it to 192 for a local machine. That is why changing a tempo you need to change a hat pattern. The transport position choses bar number, its quarter and sixteenth part. Non-duplex modem may connect by IP protocol changing a Tempo and transport position. It sounds as a change of feedback and its rhythmic pattern. The loop in feedback of non-duplex modem is a network map. Each sample of it coincides with the countdown (IP address). To perform network deployment you need to arrange a ready-made loop and playback it in its tempo. Then each count of transport will also be a new IP address and loop will perform a connection to subnetwork set in which this IP address is situated. For example, 256-sample loop contains a network with 256 addresses and loop bit number is an encryption key of this net. For example, in each sample of 32-bit loop situated up to 4,294,967,296 value counts. It means that deploying a network you need to perform 4,294,967,296 iterations of this loop only for a first address of this net.

Note: For example, z-128 automatic station works with a speed of 300-omega in kernel version 7.0.2 and performs deployment of a 64-bit network in 24 hour period. That is why the station should work uninterrupted for 24 hours.

Z value also influences the network deployment parameter. The more is z value the more must be a speed of full-duplex modem iteration. In Ableton Live full-duplex modem may reach 999 bpm as its maximum. It is only enough for work maximum with z equals 64.

Note: If you are not agree with the fact that Compositor Software has guardian station in 128-bit, then you must clearly state this before buying any Compositor systems. As an author, Ruslan Yusipov reserves the right to use the most powerful system for the purpose of personal security.

In Compositor Pro maximum tempo is 5 omega or 191 bpm. It is made for the purpose of protecting the instrument against compositing of its local address in transport. Connection to an IP in standalone instrument performed in manual mode by Tempo and Multiplier. You set the subnetwork mask using the Tempo as in other instruments. The number before floating point is a quarter and after the floating point is a combination of two pairs, which forms a part. That is why standalone version of Compositor has the transport system also. Nevertheless, in standalone version of non-duplex modem there is no feedback, because the last number remains unknown. It is revealed by grouping of number after the Multiplier floating point in groups of two numbers. E.g. the first two numbers after the floating point are the third pair and second two numbers after the floating point are the fourth pair.

All Compositor Pro injections

In Compositor Pro you are injecting three loops by granular approximation and also modeling the central flag by simple granulation on the clap trigger, then you are injecting the complete modulation by routing it in master channel with compression. You are also injecting sub-line in master channel. The compressor choses a mask, which uses a Multiplier division. In such case, Multiplier is a central splitter as in acoustic systems. In such a way hats and waveshaping modules go into submask. Flag should develop and that is why modulation applied to it (mandatory). In any case, do not route flag without developing (modulation) in the master channel. The tone on the flag is not acceptable even in case of testing a channel. For testing a channel use the special acoustic generator of 440 Hz sinusoidal tone.

Compositor channel comb

Compositor channel uses comb filters and all-pass modules, which aim to create a comb effect; the keying rhythm is a switcher. Such rhythm is a product of modulation as in synthesizer sound and has besides rational frequencies the low frequency modulation (frequency is near 0,05 Hz). Such LFO is a trigger for switching digest channels by a comb and each filter of a comb is assigned on digestion of its channel.

Compositor mixing

Note: In any case, it is not allowed to force Compositor channel out of synchronization with the tempo of your composition. In the case of forcing the channel out of synchronization by intention, you are intruder. That is why be assured that Rewire technology is working for standalone version (works for all Compositor Software products) and for Max for Live version do not intentionally knock down the plugphasor object, as acting this way you are breaking the license agreement in the part of not conducting a reproduction of software and is an object of persecution from the side of special agencies, which realize the supervision and control of the work in radio ether. Ableton channel is also a radio channel. If Ableton refuses, that it is a radio channel, then look into their announcement about master bus oversampling. Everyone, who performs an oversampling, is already in radio ether. Oversampling is a work on the frequency higher than frequency of allowed signal sampling. For example, Compositor performs x2048 oversampling and works on the frequency nearby 22 Ghz in z-128 version.

Resolution: For achieving Logic engine resolution in Ableton, you may use MS-decoder of Compositor 4.

Track injection

Besides injection of wavetables, you may also inject full tracks. To reach a goal of serial injection of a track is a hard task due to inability to enclose all track in wavetable. However, it is easy to perform track injection on the sub-tone frequency of non-quantized generic. It is made by a parallel playback of this generic to a composition tempo you written. You may turn off sound performing this task routing information in AUX channel. No matter, the algorithm performs.

Note: This method describes the injection without bouncing a mesh of Ableton Live master channel, because time is critical to deployment of studio session.

For mesh bouncing use full-duplex modem on the second AUX channel. You may inject all project tracks into it if you wish to mix them entirely with the tempo of full-duplex modem and perform an injection on the kernel level.

Offline generic injection

You may modify the previous method by disabling non-quantized generic in your project and not playing back it parallel to composition tempo, but applying full-duplex modem only as an adder on AUX channel. In such case, you need to write a track without using Ableton master channel bouncing, but using Compositor Software recorder for Max 7 Max for Live and recording composition on the project discretization frequency with floating point resolution of 64-bit. Later, you may use such file as a sample, playing it back on a deck or its virtual emulation. Compositor Software has such emulator. Using this method, you may perform injection of separate tracks and such called “longs” (long tracks).

How to assemble a deck

To assemble your virtual deck you need to purchase Compositor v3 and use it in Rewire regime. The background for playback of media file is injector, motor engine characterized for v12 chains. Such mechanism depends from choosing a generic. You may use two quantized generics as backgrounds one is Sr and the other is Rt. Alternatively, use the same set of non-quantized generics. Injecting non-quantized generics, you make injection in direct ether, but injecting quantized ones, you make injection in emulator of virtual environment from Compositor Software. Compositor in automatic mode performs simulation in game engine: hard evolving sound of full-duplex modem is an explosion of the ship on virtual battlefield. The continuous distortions are the explosions of virtual world planets.

Interrupters – breaking the function

To create real operation system you need to inject interrupters in generics – special flag combinations in places of function zero-crossings, and the steps of the integral. In Compositor Pro such integrators serve as events on function steps and flags on beats waveform, which produce rhythm section.

Virtualization

Virtualization in computer systems is oversampling. In such case, any computer system is a radio station. In Compositor Pro oversampling realized on the driver level with com.cycling74 anchor. Anchor is a server address used by a program and using which realized the work of an algorithm by injection of it in network service. Compositor Software uses anchor from cycling74, because it does not run an algorithm from the server on which the com.compositorsoftware domen parked. In the next generations of Compositor devices the work was conducted to develop an algorithm of oversampling on the Gen programming language. This language is a plug-in software library to MaxMSP driver, realized on the UNIX system. Running Max 6 on the PC with Windows operation system, you run UNIX guest operation system right on the system level.

Note: Compositor 4 uses x2048 oversampling, as said earlier and works on a level of virtual machine sub driver.

Injection in media files using Compositor Software

Most of the modern media files such as, for example, photos processed using filters. Such filters are wavetables, processed into histograms. Working with full-duplex modem in manual mode you can perform an injection on the kernel level of received filter loop and enter the subnetwork of people, which use it. It is made by setting color spiral background of Compositor display to main color of resulting image. The original image is a loop of color gamut and processed through the wave deformation of such filter. Using the Internet wavetable histogram you may set the resulting color, which is suitable for non-linear transformation through it. Injecting your carrier coinciding by Tempo and Multiplier with resulting image color you accept a subnetwork mask of people, using this wavetable. The resulting color on display is set heuristically. You may also perform carrier injection by automatic composition, which is performed by setting multiplier using probability density function. In such case, wait before an algorithm will select multiplier corresponding to histogram resulting color and save the selection using Compositor Pro 2 preset. Later you can inject such selections using resynthesizer or using non-duplex modem, which is more difficult. Such injections may lead to reactions on the kernel level, accepting this subnetwork using this method you accept all its properties and can define domain name of anchors it contains.

Compositor Pro kick drum 01

You select the frequency of Compositor Pro kick in accordance to the frequency of alternating current in the electricity chain. For Russia it is 50 Hz and for USA is 60 Hz. In combination of beats waveform kick flag is on the first and third quarter of a bar, which coincides with zeros of sinusoidal function. As you inject electricity line in your generic kernel loop then you power the kernel in which the injection is made. In direct ether injection of mains frequency performed directly to recipient by its transferring through the sphere of wave propagation. The condition for such transferring is that the resonance plate of an acoustic system performs bouncing on these frequencies with enough energy for physical impact on recipient.

Types of non-duplex modem received signal

In response to injecting feedbacks together with generics back into non-duplex modem, the feedback signals without stimulus are received. These signals playback conditionally infinite period of time when Ableton Live transport stopped and no signal is applied to the input of non-duplex modem. Signals in feedback chain of non-duplex modem subdivision on the following categories:

  1. Carriers
  2. Carriers with clock
  3. Carriers with mask
  4. Clock signals
  5. Clock signals with interrupters
  6. Regenerated clock
  7. Interrupters
  8. Mesh bounces

It is only an example of types of signals you can receive using non-duplex modem. These feedbacks are mostly suitable for creation of Ethernet wavetables. To create Ethernet wavetable from a feedback loop of non-duplex modem you need to record a two bar cycle, playing back which you can create the net of devices this signal is attributed to. Full-duplex modem has 8 decks. There are 129 radio loops in the library in the full-duplex modem package, each of them can be played back on any of the decks. Using these devices profiles you can create a channel matrix in full-duplex modem. You can create channel matrix in Ableton Live also using library of non-duplex modem loops, but it is a separate purchase. Using Scale regulator you are tuning volume level of loop adder, which is later injected in the broadcast channel. You can change a level of synthesizer and carrier on input to Schroeder regenerator together with loops signal using AUX regulator. Playing back loops signal on the high speed, you can use this Ethernet wavetables for communication without Schroeder regenerator Ether (zero damping) use. In this case you use Connection section only for MS-decoding and stereo processing. 42 wavetables in full-duplex modem package specially selected for communication in ether and have definite lines, which become carriers on the high playback speeds. You can work with decks in the same way as with granular playback modules of Compositor Pro 2 (look manual version 2).

Hypervisor v7

The main idea of Hypervisor v7 is not a transport function, but the placement in Ethernet. Using the full-duplex modem channel injector, you can inject any ether loops and full tracks to servers. The control of such injector decks is similar to DJ equipment. The convenient Tempo synchronization, which scales reproduction speed of auxiliary channel cores, allows taking in account automatic throttle-shutter regime fluctuations. Speed increase and decrease in percent in familiar vinyl mode allows spinning loops with the pitch, which coincides the common regeneration, setting using master Tempo regulator.

Feeder warning system and channel monitoring helps to place signal in Ethernet and allows comprehending the processes taking place in it. Multi-mode channel monitor has three phases (left channel, right channel and their sum), where you can look for co-phase work of broadcasting equipment.

Feeders

Together with kernel loops of any devices, you can inject feeders, they are: two radars – one is passive (RTC4k), and the other is active (RTC8k); and Zvezda channel feeders of 16, 32, 64 GS conductivity. Zvezda modules and two radars created to reconstitute the balance in Ethernet. Master Ethernet wavetable is used to exit in ether that simulate ear cochlear and is used for smooth ether monitoring without ear fatigue after long multi-hour sessions.

Monitoring

The RTC4k and RTC8k radars can track up to 8 signal sources in ether simultaneously. You can pan AUX line signals at full-duplex modem deck faders or at direct signal channels on the mixer. Hypervisor v7 mixer has its own snapshot system, which does not spread on other modules. It helps to build a mix independently from AUX channel settings. You can monitor kernel loops in Random and continuous Forward modes. Using RTC4k and RTC8k radars and Zvezda modules, you can switch AUX channel Velocity in wide boundaries very fast, without fear to burn the current feeder channel.

Cloaking

Now you can easily reach the routers (full-duplex modem) destination, without a fear of channel shut down and at the same time to track devices behavior in Ethernet. Cloaking engine allows choosing any of the 5 feeders as the source for automatic throttle-shutter and leaping time in omega. Reaching the Right Ascension destination is signalized on display by green button, after that you can continue working at the Destination point. In that point, you are organizing a network of channel feeders and cloud agents. Cloud agents are kernel loop wavetables taken from the non-duplex modem.

Working in the cloud

Cloud is a net of tunnels with intercrossing points where routes are connect. It is deployed in real-time with iteration flow of kernel loops and exists for twenty-four hours on current machine, after that it goes beyond the visible horizon. For remote access to the cloud, you need to turn on the STL1212 – 8 real-time processes unlocker (full version of STL1212 is the standalone multiprocessor computer). There is no link mode in Hypervisor v7, because there is no opportunity to listen to STL1212 computer (full version of STL1212 loading time is 4 hours). In STL1212 all real-time processes are uncrossed including the stochastic generator, which delivers the median at 4.45 GHz.

Information panels

AUX channel monitor background displays network statuses from green (normal playback) to red (serious network errors). Channel statuses displaying the real situation in Ethernet for current type of technic.

Note: RTC8k is under threat for all the time, because it is an active feeder and controls the behavior of other ether participants.

You can watch status statistics for each feeder pressing Setup button on its panel. Besides the Setup window the Counters window will open where you can also watch the line chart of status appearance.

Signal meter

An important measure of feeder work is its signal level, which is displayed on the level meter under the Status monitor. In RTC8k such meter displays signal bits overflow, which allows defining the headroom in bits for reaching the channel saturation. On the contrary, the STL1212 bit meter must always stay intact, because otherwise it will constitute system breach.

AUX channel

Hypervisor v7 consists of free-floating generators that allows reaching the indisputable stability of working in Ethernet. You can change Tempo of AUX channel cores only. AUX channel itself can run up to 8 kernel loops using its 8 channel cores, two radars RTC4k and RTC8k and three Zvezda modules simultaneously. You can change Tempo manually or using the automatic throttle-shutter control.

Shutter

In Hypervisor v7, STL1212 8.0.3 architecture is imitated using separate virtual machines. Pipe is AUX channel or full-duplex modem. The throttle-shutter opens using the AUX channel parameters. In extended AUX channel you can rotate throttle-shutter system in three-dimensional field using Pitch and Yaw. The antenna dish is relative to throttle-shutter with an ability to spin, passing the information flow in the direction you choose. In contrast to mechanical shutter, digital throttle or better to say radiofrequency throttle, is the shutting device for digital streams of information, translating using radio waves.

Shutter works above throttle and is the integrated solution. From one side it is throttle and from the other side it is a shutter of digital antenna for information not passing through it inside out. Shutter is two channel that is why when signal is overflow on the left channel, it is closed fully and signal passes outside only from the right channel side. On the contrary when right channel overflow, signal is passing outside from the left channel only.

Panning in ether

Using the channel panorama, you can change the signal source direction in the two-dimensional field. Passing channel cores in to the ether, do not forget to pan them in different directions, for them not to empower only one band. You can pan the direct signal using channel panorama regulator on the Hypervisor v7 mixer. Changing the direction of sound source in ether you are changing the place from where its signal comes from. It helps to build connection lines of different topologies spanning from rhombus (4 channels) to octagon (8 channels).

AUX line structure

Using Scale regulator you can control the amount of signal passing in to the AUX channel. AUX channel regulator controls the amount of signal passing from AUX channel into the ether. You can send signal into AUX channel directly from AUX faders and from direct channels of decks on the mixer. In the first case, you are setting the send level using the AUX channel fader, in the second case you are setting it using the send regulator in PRE or POST fader modes. In the first case, you are working on the AUX channel level. In the second case, you can hear the direct signal during injection in AUX channel.

Time-Space folding

Time-space folding effect achieved by the resources of spherical space. Resources are roughness of the waveguide. Each point is the roughness peak and has the beacon rhythmic structure. Beacons produce the Morse code. In converged spherical space such beacons are transmission points. Reaching the time-space folding from waveguide, these points converge into the spherical space ball. The points on the surface of the sphere are waveguide resources. An intruder can’t enter the waveguide, because converging the space-time, the kinetic energy goes into the roughness peak in spherical space and translated as its resource. It’s a cyclic process. Reaching the time-space folding, resource spreads in a cyclic way and radially from folded waveguide point. If the transmission point collapses, nearby resources take the free slots in the waveguide matrix. Matrix creates slices, selecting the quantized areas in the waveguide resources. In the beginning, the resources are not quantized and are distributed by the primitive function. The primitive function has hyperbolic nature, by this, three function arms are created for positive, negative even and negative odd beating frequencies. The waveguide goes through the center of spiral rotation and can be modelled using two tubes stacked to each other with different diameters. Waveguide takes in account phase deviations when Doppler beatings applied. The whole network topology emanates out of the waveguide as the time-space physical model of the tube and is the projection in folded quaternion space of the third harmonic beatings on the spiral arms. The traffic in the waveguide of quaternion space goes by the tensegrity structure string and pendulum beacon of round function. This way, the ascending flow, going by the trajectory of these spiral descendants, lighten the waveguide resources and cast the network projections on the spiral arms, creating its expanded view. The displayed network is a projection or hologram. You can rotate the network in Compositor model and study it by viewing on different angles. Torus depicts an antenna dish in which the antenna base is situated. Rotating the dish, you rotate the whole network. By these means, you rotate global coordinate system and hear the changes of the carrier (receiving tone) synthesizer in the local coordinate system. Compositor virtual model can inject the networks, which have homogeneous structure. This way, you change the matrix structure of waveguide and network projections are changed. You can change networks by changing their projections in home time-space folding event.

Time-space folding deformation

The nature of time-space folding is barely known. The only subjects you can study using Compositor is deformation and a mesh phase structure, emanating from the antenna base. The time-space folding itself and its magnetic field depict the topology of holographic structure antenna. Time-space folding deformation occurs, when changing matrix of transmitting antenna in its waveguide. Changing resources matrix (network map wavetable), you change the antenna topology. In effect of this, the time-space folding receives the topology of the new system. There is no need to view the full-duplex translation process as the direct wave movement in time and space. It is enough to change the antenna projection emanating out of its time-space folding base. The antenna has a full-duplex structure and the effect of time-space folding by FM granulation processes the incoming flows of information in to the antenna field feeder. Antenna is self-feeded from FM. Such circulation allows processing time function into the spectral and displays the whole spectrum as resources of radian field. This way, the initial effect of projecting the resources out of waveguide sequence lines reached. Each recorded wavetable has one or several spiral lines, which are displayed as sequences of the sound field. Displaying such drawings on the waveguide, you create their three-dimensional projection from quaternion field into the three dimensions. This way, the network topology for these wavetables is created. Such wavetables produced mainly for waveguide as a device for projections. Changing the topology of the transmitting network, you deform time-space folding. This way, you are realizing the network map deployment. The topology of transmitting network is carried out by modulation of granular folding in a process of antenna dish rotation. These modulators create beats in the frequency multiples and change the topology of transmitting device. At the beginning Compositor had 16 topologies, but the number of topologies increased, when the ability to rotate antenna dish in three degrees of freedom emerged. There is an opportunity to apply the increased rotation by pressing x2 button.

Quantized Weighting Formulas

To reach the feedback effect, the whole Compositor algorithm processed using the quantized polynomial with inverse mathematic relationship. The more the incoming signal value, the less the function discrepancy at the output. The fluctuation produced is a jitter of values. Jitter creates the saturated facture when injecting the waveguide channel matrices. If the whole waveguide structure is homogenous and produces a good saturation, then you can inject many networks simultaneously. Up to 8 networks can be injected using the channel waveguide with oversaturation in real-time. The need to quantize the process emerges out of the effect reached. Injecting networks without quantization, you can’t predict the effect of intrusion in to the server network. You can’t also predict the deepness of such intrusion. Quantization and mainly the weighting process occur on the last two stages of the function in a process of algorithm execution. The first weighting coefficients are used for simple channel interconnection, taking in account z transmission channel value. The next coefficient is used to weigh previous result with channel quantization factor and multiplies the approximation value of this coefficient, taken that the function folds. Folding effect predicted by the coefficient at the channel insertion point and is passed through the smoothing function. The whole polynomial is a mathematic algorithm, written in single expression, equals to the function of processor output driver and connects your translating device transducers with processing polynomial. The headphones are the neuro-interface when working with Compositor model 8 and inject directly to the basilar membrane. Compositor 8 injects also on the network level in Compositor system. The injection process through the quantized polynomial is as follows: at first, the stochastic radar bearing the network, then you are injecting into this network. You should choose the channel meshes and tune the transmitter’s amplification to reach the rotation. When z = 16, the home system reached, where the tone composition should be performed first. When the long tone reached, switch Compositor into real-time mode and inject networks in real-time. Injection should be made in all Compositor subnetworks on all z levels. To reach this goal, tuning the Compositor virtual antenna in three-dimensional space needed. You need to composite all the carriers on all z levels and perform a network injection in all these levels. This way the sustainable feedback reached. You can regenerate networks using Schroeder chamber channel suppression to reach more saturated effect.

Last updated: April 9, 2018 at 10:26 am