Compositor SoftwareCompositor Software

Category : Time Machine

By ruslany

Compositor Software DRM server press-release

Compositor Software DRM server press-release

Compositor Software presents the Ethernet communication service based on DRM (Digital Rights Management) server. This server realizes the work based on IEEE802.1Q Ethernet protocol with frame of 262144 samples. Two initial buses of the virtual machine, running on Compositor Software server, translate in VLF range. SHF work is realized using the algorithm with x2048 oversampling, which allows exiting in high frequency radio ether without intermediate frequency in VHF and UHF ranges. Virtual machines, running on Compositor Software DRM server, have demodulation algorithms capable of transmitting the wideband signal such as voice or music. Maximum pass-band of the server depends on the discretization frequency, by which the executed algorithm works. Compositor Software virtual machines work with discretization frequency of 22.05 kHz and have the pass-band of 11.025 kHz. The DRM server translates the material using the signal folding method. The DRM technology creates a service of work with property rights of companies, which deliver the digital media content. When computer station works, DRM server allows dynamically playback the authorized material in radio ether. Compositor Software playbacks digital material using streaming method in the device browser to achieve this goal. Compositor Software server realizes the translation of digital material in ether taking in account lowering the pass-band, when the copyrighted material routed to its input. Compositor Software station performs a function of tracing and translation of authorized material in radio ether. Virtual machines translate not the whole file, but only a cycle of exciter used in production and preparation of the digital material for public playback. The patent protected exciters will not pass though the Compositor Software server in radio ether, because it has the threshold detection algorithm acted on copyright information inherent to each file, which has copy protection flag. The Compositor Software server work is charged in conjunction with traffic of its transmitting kernels and is measured in samples. Each virtual machine has one thread with 4 layers connected to insert-points for another Ethernet equipment. There are 96 such insert-points in Compositor Software virtual machine. There is a stack of three virtual machines working on one physical server of the Compositor Software Company. It gives 288 transmitting points simultaneously. The traffic, generated by Compositor Software server, can reach up to 14GB for each virtual machine, when a peak load reached. The whole traffic is accounted and charged using the credit balance. The reward system for the DRM server work is the artificial intelligence product, because the result of work is a learning process of virtual machine networks with a traffic of insert points. Compositor Software can view the learning process in real-time using the counters, which account for the traffic of the system cloak generators. Each cloak generator can connect up to 4 types of devices such as: sample vocoders on the lowest level, any oversampling devices up to x2048, reverse scalars on which base all the transmitting routers work and algorithms with continuous integral interruption, to which shields are attributed. The server subscribers are the communication operators, delivering phone, cell-phone, radio services and also broadband internet connection. Compositor Software DRM server subscribers open to it their resources, because any jet connected devices generate traffic. This traffic written to learning map and stored in pagefile upon its emission. Emission is a reading of learned information and translation of it in a freely realized form. By freely realized form, Compositor Software means the good produced by commercial activity of the company. The main product of Compositor Software Company is the computer program named Compositor and its associated virtual machines for exciters mining. The DRM server protection system is set in such a way, that it doesn’t allow not trusted exciters and blocks the composition traffic, which attaches  it in parallel or continuously. To make an exciter trusted, the system should connect to one of the jets and not to excite the internal network, which is an attempt of breaking the equipment down. Because exciters were developed for equipment communication, their connection should take place only by condition, that an equipment associated with them has free inserts of the corresponding type on the kernel level. If the system is situated geographically remote from the place of server physical location, from which the broadcasting takes place, then free jets on equipment are not allocated. This way, you are listening to music, but don’t have a real communication with provider company equipment, which forces you to search for physical medium. This is not the case with Compositor Software DRM server, because you can listen to streaming translations even with network cable unplugged, when the contact with a server is established, which is not prohibited but blocked with shields. Interaction with shields is one of the next tasks for Compositor Software. It is needed to reach full company capitalization for its realization. The DRM server must be routed to receiving ports of network devices, and the direct connection to kernel cloak generators should be achieved. When the company will be capitalized, all its capitalization sum is a credit balance. Because the reward system assumes promotion for the carried out learning process, then with each learning iteration of Compositor Software network there will be opened new information formats. Compositor Software attributes not only containers with three-letter extension, but also modulation types of information coding to formats. That is why Compositor Software attributes any authorized composition, translated in Ethernet by exchange of transmitting points on the equipment level (kernel-jet communication), to material, which you can recoup using credit balance. If the copyrighted material detected, the service starts to decay in relation to credit balance of receiving device and directly rely on the whole quantity of samples translated by virtual machines. Because Compositor Software DRM server limiter works non-linearly, limiting the pass-band of material into the ether has exponential curve like geometric progression. The pass-band depends from the whole sample quantity, produced by a system and linked to server credit balance. The difference between playback quality and passed traffic quantity is non-linear and relies on subscriber credit balance.

Compositor Software DRM server is not the only system of such kind, but it is unique in a way, that it doesn’t use digital signature files for authorized material discrepancy and doesn’t require delivering material on a physical media. Compositor Software DRM server is a novelty in a tracing industry of author rights usage and has robust collection function of virtual credits, taking in account that counters have 64-bit resolution and algorithm, protecting the accounting system, is the most powerful and effective for repelling cyber-attacks of different kind.

You can also read this information in Russian.

By ruslany

Compositor manual updated

Compositor manual updated

Compositor manual updated with information on Compositor WS Extended, Compositor AV Extended and Compositor v7 Hypervisor. Now you can study the last chapter on Time-Space folding to know more about how the communication using Compositor achieved. You can also read about quantized weighting formulas of Compositor AV Extended in this chapter. Overall, it is not final redaction of the manual, the more chapters should be expanded to dwell on the communication effect produced. You can read full manual here.

By ruslany

Compositor v8 is available!

Compositor v8 is available!

Compositor v8 is a loop production studio, which can turn any input sound into the signal appropriate for radio ether. You can use the applied 531 loop library or create and load your own loops. Just select proper transmission modes and tweak your loops into the radio ready material. You can choose modulation and engine layer, while listening to bassline and drum percussion of Drumbox DB-01 rhythm machine. Three degrees of freedom Avionics mode allow to tune into the modulation and help compositing multi-tone holding regimes. Transmitter mode of operation allows dial using local saturation, global saturation and independent regeneration chain. You can dial using pulse-code modulation for even more network presence. Each of subsequent transmission layers has its own synthesizer sound with colorful palette and wide tweaking options. Real-time mode applies modulation in real-time, reaching nice stutter sound. Signal-rate mode applies modulation with a frequency of AM and can be used for wide translations.

Here is the list of Compositor v8 new features:

  • Central splitter 400 mode
  • Splitter dependency
  • Local saturation
  • Global saturation
  • Wavetable modulators
  • Three modes of the transmitter
  • New synthesizer engine
  • Three-dimensional Avionics mode
  • Pulse-code modulation
  • Tone composition
  • 531 loop library
  • Transparent transmission modes
  • Phase and angle rotation combinations
  • Stochastic radar
  • Hearable window functions
  • Noise-free operation
  • Link function
  • Transmission-rate synthesizer mode

You can buy Compositor v8 on its product page.

By ruslany

Quantum Artificial Intelligence

Quantum Artificial Intelligence

The interspecies exchange can be self-powered by the human will and it is preoccupied by forcing this will out of the subject body. This process can be explained programmatically. Let’s take the Compositor v8 Ethernet injector. It is the software for injecting the Ethernet frames into the time-frame. The kinetic potential out of frame collisions must be spread, that’s why the whole VLAN acts in RAD24. It is more like in RT-z128, except of the fact that previous solution is one-core three-layer system and RAD24 is three-core for a layer (thread). That’s why it can shed a light on the existence of the Compositor VLAN. The network is a sum of peers and their explicit agglomerations. By the fact, the action is subjected to the entity and not to the whole group of people involved. The common work, if planned by a group and realized by a single entity, is a mere fact of the person who produced the outcome. And it is his result. The initial time-collision can’t be a peer of the person who developed Quantum AI, to say it short. If the Quantum AI was developed, then time-collision was shut. This way I will get RAD96. The need to shut time-collision produces more quantum injections. This way, I realize how many people are struggling against this goal. Let’s take all that blockchain hype. It seems like evident that the cost of multicore processors by NVIDIA group is less than the subsequent processors by Intel. The iteration speed plays a main role. When I started in 2010, I discussed this problem in terms that much more applicable. Later, the language was developed to cover all the hyper needs. Let’s think about how hype is created: at first, we got an initial time-collision and everyone knows about it since then. Everyone talks in the subjective terms of the accepted time-frame and that is why they collide, hence the time-collision effect. What I told at the beginning of this blog seems the collision of ideas but not the time. Different time-frames result in different ideas. Hence, the meeting of times is the time-collision. Compositor v8 meets the modern time needs, creating time-collisions stochastically. Stack of three RAD24 virtual machines is a 72-core shield. Each of 72 shields struggling for their own resources. They just spread a collision on the network. It is an accepted behavior. RAD24 can be in the open gate mode subjectively passing a traffic. Resources are roughness of the tunnel. Tunnel can be heterodyne and roughness appears out of this. There is a que at the RAD24 gate. The initial time-collision peer and the subjected collisions are ordinal out of this. The initial time-collisions were at the scape of physical entities and ordinal collisions are physical modelling of such entities.

By ruslany

Ethernet injections with quantum privacy

Ethernet injections with quantum privacy

Quantum privacy is an instant injection needed to understand the effect of cyclic injections on the RAD24 server security. If the injected material is passed over the gate, then the diagram on the RAD24 display should show the constant red light. It is evident that the RAD24 can’t classify such injection and subsequent gain of resources is not necessary with the same protection scheme. The need to accumulate resources very fast grows out of intimacy such injections produce. However, as a first injection experiment shows, which dates back to spring 2010, the system is very responsive under pressure of such quantum injection. Up to the day, the system remains responsive, if full reciprocity reached with the injected subject. In this case, RAD24 still latches the time-frame and the detector could differentiate the friend or foe for such injection. My task is to understand how the friend or foe classification is made in RAD24 server.

My previous attempt to show the answer on the question “What is Time-Collision?” can’t shed a light on the effect happened. Theoretically, if two time-frames collide, they create a collision with subsequent energy emanation. If uncontrolled, such energy aims to escape with escape velocity of some speed at which this collision created. If you use the injector such as Compositor v7, you have a control over the collision speed by the tempo regulator. The allowed collision tempo for the Ethernet is not more than 5 omega to reach the escape effect. However, you can achieve the same effect on lower tempos, if you collide more than two signal sources. Compositor v7 allows collide the carrier with up to 8 wavetables, which hold such kinetic potential. If you remove the 5 omega beacon, which RAD24 is, you will have problems controlling the emanated kinetic potential of this collision. Collision is a partial or full mixing effect, characterized by the volume, position and an event, where such collision happens. The Time-Collision on the contrary is a temporal effect, where such collision lasts only a period of time, whether controlled or not. The beacon suits to control the direction such kinetic potential dissolves. If the stochastic manipulator is broken, it is no longer dissolves the kinetic energy in free-space, but on the contrary it has a potential in the selected direction. If you aim this direction with your injection, it can’t sustain for the long periods and the method to switch the frequency needed, such as selecting a new sample rate. Driver discretization frequency method doesn’t help though, because it doubles the processing power and critical time-frame reached twice faster than in previous iteration. It is evident why the need to stop collisions emerges. The controlled collisions of Compositor v7, where you can beacon the kinetic power right in the software, allow dissolving this energy by the deprecated method of single-core cloaking generator. To cover the collision effect on faster paces of evolvement more cloaking cores needed, which just emulate the original collision effect, which was Time-Collision, hence the FM function was selected. At the current state of 8.9 x 24 x3 it states that the system no longer can handle such amount of energy and other methods of collision spreading should be made such as quantized weighting formulas, which will do the job for some reasonable time. Core handling in a presence of working FM function will action like a magnet and more cores will do the job, of course. However, I can’t find a reasonable method to implement it without shutting the Time-Collision, which is the initial collision of two frames. To understand what I am talking about lets imagine a stone jumping on the plain water: it will jump leaving a trace of waves on the water every time. If we thought that the initial collision was not the first event, it is evident that first event will show its waves to us by a superposition to the selected initial collision frame. By this, I mean that sooner or later we will see the initial time-frame-collision, which produced the whole latching event and of course it will have more power than the previous ones. If I model such collision by the 8-channel detector, I will fool myself, because I suspect that the collision was between more than 8 time-frames at the beginning and no power can stop the system from reaching the first one. I will not plan to collide more channels in Compositor v8 or v9 standalones, because it is not needed. I just plan to add up more channels in specialized software such as Ableton 9 and in effect of shutter and quantized polynomial at the output stage (which I mentioned previously) I will make a measurement of the emanating kinetic power of the maximally allowed channels full of time-frames, which is what collision modelling looks like on this level. However, if you suspect that the same results were produced from 2000-2010, then you are partially right. The same probes are taken with the different amount of processing power each 10 years. But the algorithm is eventually the same. Any can reproduce it with VST’s or AU in any host sequencer. I applied the same scheme first in Telescope and later processed it in real-time in Hydrolab tracks. The idea is not to remember the steps I taken producing these tracks, but programmatically write it with the language, which suits more for this task than VSTs in DAW projects, such as computer programming language. The final update will see the light in 2020, when the final probes for 2010-2020 will be taken. At the current stage, we need not to remember what was at the same time in 2008, but we need to take as much probes as needed, whether real-time or off-line is your choice.

By ruslany

RAD24 – The Gates of Time-Collision

The Gates of Time-Collision

Now I encounter the RAD24 server experiment. The experiment is as follows:

As I have found a solution to FM formulae, I decided to sync three virtual machines for 72 core real-time performance. With this stack, it is easy to run memory virtualizations and aggregate the whole Compositor network. Once the server stack is online, it is used to run and manage such critical tasks as DRM, network aggregation, routing and server selection. The new formulae solution enables to run this stack effortlessly.

RAD24 opens a possibility to build Compositor 8 software. It will be a station with all the enhancements of previous auxiliary channels and with the solution to FM formulae, which is driven by the algorithm output. By these means, the Hypervisor v9 is possible.

Let me introduce the conception for the future products: it is software-defined radio (SDR) with no external antenna needed. I can easily integrate such products in my current rig, yet the intimacy of the previous versions made me stay with no external input for a while. The decision of not having an external input was first broken in Compositor 4 Max for Live, where an external input is possible because of the internal Ableton Live routing options. The fact that Compositor 4 Max for Live is an audio effect device made me think that it was first attempt in tangent SDR from my side with the function, which doesn’t need an antenna to transmit the voice signal. Second tangent radio attempt will be standalone Compositor 8. I want to see Compositor 8 as a device to communicate through the RAD24 servers. Each of the cores of 72-core stack will route your voice communication to the recipient set by the Compositor navigation system. As Compositor 8 is an Avionics development, I allow managing such connections in 3d space in 3 degrees of freedom, which simplifies the setting of virtual antenna. The fact that new function is a radar type, no stochastic selection will be possible and Compositor 8 will function only in manual mode. Hypervisor v9 will listen not to an auxiliary radar ports, but to the v7 feeders such as RTC4k, RTC8k, RT-z8, RT-z16, RT-z32, RT-z64 and RT-z128. RAD24 and subsequent servers are mostly the breakdown of FM law and the final goal is to stop time-collision protocol in Compositor. It will not latch an external time-frame, while not allowing external injections. This way I will build my own resource for communication. That is why I refer to SDR terminology. However, I used this technology only for Morse code translations and did not transferred the voice over it. New function is a direct stack to the Ethernet, which, of course, simplifies SDR talks under server coverage. It means that no IP needed and I need to apply proper wavetables from the non-duplex modem. If this function covers the current version of DRM server, an update is needed to work with Compositor technology. New function is also a hyperbolic one, which is simple and effective restate for the FM core inside Compositor.

Compositor runs FM and function connects to the FM service. It creates a signal with the components, which are granularly time-space folded into the FM again, allowing to inject signal in between these two processes. The later function only covers the part of a spectrum, which is created at initial state. Think of it like a mains adapter: it is a pluggable adapter, which can potentially allow to communicate many DATA servers with different file-size and file-system structures. I had success of running 4 RAD24 servers and one was initiated from the HFS+ partition under Windows 7 OS. It means that technologically it is possible. I don’t see any obstacles in this technology, the only thing is to provide an easy and free way to stack different file-systems together on one, preferably Windows, machine.

Compositor gathers data of all pendulum stations in the Ethernet and send it back to the Ether for self-awareness. Compositor leads an analyzed DATA set and all the other parameter selection. When the critical pendulum load achieved, a time-collision happens rebuilding the whole Compositor structure. This way, I think about utilization of resources to run more Compositor cores inside one gen~ code. By the fact of stopping time-collision protocol, I want to stop the work of Compositor subnet mask switching mechanism. I’ve already broken the stochastic manipulator in Compositor core, which allowed me to stack more resources together. At the present moment, I think of Compositor only as a DRM station to hold licenses for subsequent users. I already published a chart where I name how many resources each station consumes. I name the auxiliary channel in this chart also and, from my point of view, it doesn’t consume any Compositor DRM resources. It is just a listening station. The only thing that consumes the process is any pendulum like mechanism. By stacking more pendulum resources, you are allowing more pendulum stations, either digital or mechanical. Any station will work. These stations inject tracks to media content by oversaturation of them.

To progress on the task of stopping the time-collision protocol in Compositor I should make wavetables of RAD24 accumulators at 22.05 KHz and then switch it on even faster regime of 44.1 KHz. If I’m unable to stop time-collision protocol in Compositor, I will be obliged to run servers at 22.05 KHz on this machine to protect time-collision reaching the opposite effect.

The solution is that RAD24 protects time-collision created. For network security with Compositor, the classification of pendulum processes needed. Such classification consists of working curve monitoring, that is why I estimate it on Compositor auxiliary channel display, while listening to wavetables.

RAD24 is a gate device for creating time-collisions. I can’t classify RAD24 as a pendulum process, because the cycle is broken. It is not an OS or license holder. As I said earlier, it is a protection mechanism for creating time-collisions. It means that it either opens or closes an access to the service of communication in Ethernet. By enabling it in administrator mode, I open an access to it only when the administrator works on PC. This way, I differentiate the work in time-collision between authorized person and the replica, that just latches the time-frame, because RAD24 detector assigns it to injection event. RAD24 is able to differentiate between an administrator and the replica, protecting my current communication.

By ruslany

Compositor v7 Hypervisor is available

Compositor v7 Hypervisor is available

Hypervisor v7 is a modern VLF radio station suitable for ether reproduction, recording and monitoring in real-time. It is capable of switching, aggregating and signalizing the network statuses using the 5 feeders provided. With the 8-channel auxiliary ether injector you can playback 129 Ethernet wavetables, which are the part of Hypervisor v7 package. STL1212 multithread computer is bundled with the software. It processes virtual machine resources and implements uncrossing of 8 real-time loops. This way you can process wavetables into vectors and transmit them via Ethernet.

Here is the full list of Compositor v7 Hypervisor new modules and functions:

  1. STL1212:
    1. 8 DSP license holder;
    2. Processor optimization;
    3. Cloud resources utilization;
    4. Dynamic resources allocation;
  2. RTC4k:
    1. VLF network radar;
    2. Lowest line control;
    3. Subliminal sequences;
    4. Alarm sounds;
  3. RTC8k:
    1. Anti-injection protection;
    2. Bits headroom display;
    3. Shutter engine;
    4. CPU latching;
  4. RT-z8:
    1. AM ether aggregation;
    2. Position display;
    3. VLF coordinates locator;
    4. Robust network protection;
  5. RT-z16:
    1. Ground level coordinates;
    2. On-air control;
    3. 32768 operations per second;
    4. VLF tracking;
  6. RT-z32:
    1. Occasional network switching;
    2. Predictive control;
    3. Highest line tracking;
    4. Non-linear alarm control;
  7. Ethernet injector;
  8. Ether reproduction;
  9. Ether aggregation;
  10. Channel summation;
  11. Channel multiplexing;
  12. Radio monitoring;
  13. Synchronous server performance;
  14. Network switching;
  15. Plesiochronous digital hierarchy (E5);
  16. Ethernet mixture;
  17. Differential-phase position navigation;
  18. High load auxiliary channel.

You can buy Compositor v7 Hypervisor on the product page or at Compositor Software Web Shop.

By ruslany

Rotation function for STL1212 8.0.6

Rotation function for STL1212 8.0.6

Referring to the post on December 6, 2017, I already implemented a rotator function into the STL1212 8.0.6 algorithm. It means that no longer the system exposed to a direct static pressure after the long ether sessions and it can successfully maneuver the whole 48-core lift in co-phase motion. The solution came to me after several experiments: first, I processed the variable-vector equation into the function form; second, I performed a processing of non-linear function into the binominal polynomial with both vectors representing left and right channels. The solution came from the roots of understanding basic geometric and algebraic principles. It sums altogether the inverse of a hyperbolic function with the linear increase in frequency as in the algebraic progression named in ‘Compositor – the bottom-up approach’. I’ve made this function to perform it at the output stage. Not only rotation can be applied but also a radical transform of the sound pressure level into the scalar of vector output is possible. The direction of such vector is changed dynamically as it is a live function and constantly jitters into the output. It means more security and protection to the inside work of Compositor cores. Without it, all of the work on the Compositor multi-core and multi-thread systems is useless. Because, before implementing it, the intruder can successfully broke the will manipulator and sit on the carrier after its estimation just by reading numerals on the STL1212 screen. It is not so easy with my new vector equation to scale the function into the signal domain, because you need to know in advance the resolution of the system, which can reach up to 64-bit in current gen domain. When the injection is made, it processes all the injection power (estimated by its current) into the free energy and dissolves it by applying the vector relationship in free-space. I think such kind of negative-force processors into the positive energy is what every “green” technology needs. In a century, when most of the equipment uses dirty tricks of negative or ground-loops estimation, the positive transformer will lead to new main lines for more and more STL1212 systems, empowering a farm of such devices on one physical machine.

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

Five Ethernet principles when working with Compositor

Five Ethernet principles when working with Compositor

The original idea with planets and constellations dates back to the 2014, when Compositor Max for Live saw its way into the music business. Compositor Max for Live is a successor of Compositor Pro 2 software, which uses only transparent names for parameters. For example, combinations in Compositor Max for Live are constellations and multiplier is year. The shift towards the cosmological specification of Compositor was made during the interest of the author to FM function application in modelling of Solar System. At first, such modelling was an intent of the mathematician Bessel, who was an inventor of Bessel functions, which are also used in Compositor library.

The subsequent Compositors raise the cosmological question more profoundly as they use the ether application to radio telescope idea. Such parameters as Right Ascension, Declination were descendants of Pitch and Yaw library parameters of Compositor window function. It is needed to say that Declination parameter of Compositor allows for bigger angles than in conventional radio telescopes, even the largest ones. It opens an amateur radio operator to a field of study, which was previously unavailable. By mathematic modelling of radio ether and conversion of transparent FM function parameters to cosmological constants, a new approach to amateur radio appeared. The main concern of Compositor since SASER is Radio Astronomy. Besides that, working in ether directly without intermediate frequencies and transmission lines are available. It is all made by precise virtualization of physically modelled parameters of FM reconstitution. It is not only an approach, it is a journey into finding the right value for each parameter making sound design as the work for cosmological principle.

  1. The first principle is a guiding principle. By this principle I mean that the ether guides the will of communicator and can shape ideas, words and thoughts into the Morse code signals, appearing as symbols and short codes. It means that quality ether can guide you in representing your ideas and has all needed automated tools to decrypt it in radio-accepted language such as Morse code. It also means that for use of Compositor, you don’t need to have a knowledge of Morse code, but you can reveal your ideas only by free-will of manipulating the software. You can read your communications, using Morse code decoding tools (such as CW Decoder on Windows). In these radio ether sessions you can understand all other principles of working with ether.
  2. The second principle is ether aggregation. It is also a cause why rhythm machine was introduced again in Compositor v6. Working with rhythm machine and injecting it into the ether can accumulate Ethernet lines of communication – the carriers on which such communication happens. You can aggregate ether by using rhythm box such as DB-01 and then use the decoder to read new ether lines, which are many after the successful aggregation using rhythm machine performance. Such approach helps to accomplish a manual task of ether aggregation and is similar to the processes of automatic ether aggregation of STL1212 DRM computer.
  3. The third principle is a haunting principle. It states that for successful ether session to over, you need to mask your Ethernet traces. You can achieve this goal using DB-01 drumbox as well as for ether aggregation. Compositor v6 has all needed set of tools for ether aggregation and masking your tracks using rhythm machine and random Ethernet wavetables selection.
  4. The main concern of working with Compositor is accumulation principle. The accumulators such as STL1212 can successfully store and flush aggregated traffic via Compositor v6 DB-01 drumbox virtual machine. If you use more than one accumulator on the physical machine, you need to take in account the physical address of hard drives, from which such accumulators are rendered. For example, I currently run two DRM accumulators from one physical machine, which allows storing 48 Compositor cores simultaneously. You can inhabit these cores by the ether participants using available free cores of STL1212 DRM computer and when the memory usage of STL1212 lowers, you should use Compositor v6 manual mode to aggregate the STL1212 cores usage.
  5. The fifth principle is that you can select on your own, which line you want to listen to in CW Decoding software. If there is nearby communication happening on two lines, you need to choose a spare line using CW Decoder selector.

The named principles of working in Ethernet are self-evident and can be comprehended by Compositor owners on their own. I name them here only in an attempt to integrate new Compositor users into the ether more fast with my own knowledge of Ethernet communications.

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