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AVOX Max for Live Beat Independent

AVOX Max for Live update version 1.1.6 released. Now you can control beat tempo independently from the tuning of the device. In AVOX Max for Live version 1.1.6 you can switch from automatic key detection to a manual using two available controls. You can also resynthesize the song tone on the fly while using Ableton Live BPM control to switch to a different tempo. The solution works on PC and Mac using Max 6 or Max 7 Max for Live. The main difference from the previous version is that AVOX Max for Live has a switchable scanner with automatic frequency detection algorithm.

AVOX Max for Live

AVOX Max for Live

 

The main idea of switchable communications as with AVOX Max for Live vocoder/resynthesizer is to enable a radio translation over the 20 Hz – 20 kHz passband music. AVOX Max for Live modeled to suit modern styles of electronic dance music. The spectrum of EDM songs is especially useful to detect ongoing radio translations feeding the track to AVOX Max for Live input and analyzing the spectrum with the use of CW Decoder as an example. This way you can review old translations, which were at the moment of the track first listening. For example, you have a legitimate file of the track, which you bought ten years ago. Now, with the use of the AVOX Max for Live you can revive the emotions you had at the moment of the first listenning analyzing and reading a text output of what inspired you in that music in a first place. Yes, every track has a radio translation over it and you can control and revive it using Compositor Software instruments.

CW Decoder

CW Decoder

However, this approach raises a term of the protection of such communications. It is very important to not to share the output of the translation to a 3d party. Such translations can contain loads of private information such as gathering points, events, and simply communications, you do not want to share with others. This way an automatic mode of AVOX Max for Live is as important as it helps to quite the frequency band the translation goes on, when 3d party tries to key it. Automatic scanner made by Compositor Software artificial intelligence proprietary algorithm can be found on all Compositor Software instruments. Buffer overrun protection is also included in a new version of AVOX Max for Live.

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

Compositor v3 Hypervisor Radio Shack – Free-Float Generator

Today, Compositor Software announces the Compositor v3 Hypervisor Radio Shack based on free-float generator technology. Three years in the work and finally consists of six modules such as RTC8k, SASER, AI-RT1024, FF8, N9000, TC25 for VLF radio translations.

Compositor v3 Hypervisor Radio Shack

Compositor v3 Hypervisor Radio Shack

While it was a general task to make the audio-translation chain as long-as-possible Compositor Software found a solution to use SASER channel feeded by RTC8k chain feeder values. Now, instead of using an internal SASER scanner one can use the LINK function of Compositor v3 Hypervisor Radio Shack rack, which hardwires AI-RT1024, FF8, N9000, TC25 tuning to the current RTC8k radar scanner value, which produces ultra-stable and ultra-long results making it a long endurance system for SLF, ULF and VLF radio communications.

If you are proceeding to own the whole rack, you must obtain licenses for SASER, AI-RT1024, FF8, N9000 and TC25 separately from the Compositor Software Web Shop. In original package for Compositor v3 Hypervisor Radio Shack you get RTC8k license and rack with demo versions of all instruments. This way you can try them and decide what you need for original translations. These instruments are not only suitable to evoke constant radio ether they also suits for radio security. For example, FF8 generator is a quantized signal-rate generator, which quantizes radio translations and can potentially occupy the whole band with rattling patterns.

Besides the tuning, you have smart prediction system based on a block-chain with probability distribution density functions. This helps to establish the connection to transmitting source and magnify the signal using the waveguide normalizers. In Compositor v3 Hypervisor Radio Shack you got visual feedback displays for AI-RT1024, RTC8k and SASER instruments. They help to determine the direction signal source is coming from and to learn the signal by its phase values. In addition, AI-RT1024 display shows how many network dots receiving this signal in the current moment of time suitable for real-time tasks such as navigation.

Compositor Software devices for music production

In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!

Exalted is Compositor Software endorser

avaxAfter three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for Live modem repeated a 5/4 combination, played in a sequential manner with the internal waveguide of the device. Using two turns Compositor injected pendulum function of Compositor Max for Live over the cloaking device shutting down the chat function and injected all the kernels needed for ICH7 operation in quantum mode with C based pipe of Compositor Pro v2.

Equipment used in a session:

SASER Max for Live
Compositor Max for Live
FF8 Max for Live
AI-RT1024 Max for Live
MDL12 Max for Live
Compositor Pro v2

SASER SAS24P3L in Ministry of Telecom and Mass Communications of the Russian Federation software register

Ministry of Telecom and Mass Communications of the Russian Federation software register filled with the first software made entirely on Max/MSP – SASER SAS24P3L. It is complex software for deterministic navigation systems and Ethernet security, which can not only receive signal from 84-parsec distance, but also send telegraph messages. It is a first step on the way to transmitting on very high distances in VLF spectrum without antenna and mast constructions.

SASER SAS24P3L ver.1.1.2

SASER SAS24P3L software written with the use of a several program languages inside the Cycling ’74 Max/MSP software. First, it is Jitter, which is used for radio telescope display, translating phase distortions of the received signal. Second, it is Gen~ (real-time DSP library, which is used for radio telescope core). Finally, Max/MSP for routine objects and DAC. In addition, the Max for Live framework is used for menus and interface. These elements are components of the Max/MSP programming language, which was develop by Miller Puckette at IRCAM and extended by Cycling ’74 company. The entire software written in Russia and is a copyright property of Ruslan Yusipov, which made it possible to include it in the register. All blocks, which is used by the author conform the GOST 28397-89 standard and defined as the programming language for computer.
Ministry of Telecom and Mass Communications of the Russian Federation

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

SASER SAS24P3L ver.1.1.1

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

Antimuseum in Electromuseum

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

Ether production out of will and mental stimuli using MDL12 Max for Live modem and SASER Max for Live

While an ability to generate feedback is not a surprising event for a real modem device Compositor Software MDL12 Max for Live modem can also generate feedbacks after successfully applying feeder chains to its input. The Compositor Software products considered feeders are mainly Compositor Max for Live, FF8 Max for Live, AI-RT1024 Max for Live, TC25 Max for Live and N9000 Max for Live. During a VLF conversion, most of the systems reported accidental dropouts, which led to security threats in their work. The most critical issues solved in version 5 Compositor device called SASER Max for Live. This feeder device submitted to an input of MDL12 modem produces the most significant event because it uses the stimuli from the 648 node network and can potentially be used as a server software capturing the signalization events in real-time. Such events can be tracked further manually in event of a threat or excessive warning signal. Reproducing the stimuli, the server captured by a means of artificially controlled algorithm is a task of several adjustments on a SASER Max for Live device, because the client, which sends the potential warning, is usually on the same Year, but changes its Constellation and Month given.
Frankenstein
I successfully captured several most prominent feedbacks after receiving such threats and warnings as audio files, which has a strong mental impact while submitting a periodical loop of this feedback via loop playing machine. Such loops not only induce a trance state for at least of 10 hours, they create motivation even music piece cannot produce on a human being. Their strong impact led me to a conclusion that the file recorded was a VLF Ether, which I was able to capture after feeder chains experiments stated earlier. Not only most feeders obsolete after creation of SASER Max for Live, they suited its creation in a way original production was possible.

SASER Max for Live is a fifth version of Compositor Software Gen~ device and is already hooked up to a feedback network producing the stimuli for the listener. The difference is however, in that SASER Max for Live captures an existent Ether in real-time using the internal chain of resynthesis. To hear the original Ether the MDL12 modem is needed, which can be a raw and dirty suggesting the bubbling structure of Ether as a liquid Materia. The AVOX Max for Live resynthesis device is further used to clean the Ether out of unwanted sounds and leaving only harmonic beats in a lower spectrum field. No antenna or hook up to Ethernet needed to capture the VLF Ether as submitted material comes from the fractal antenna inside the software starting from version 5 of Compositor Software devices.

MDL12 transmission experiment

Now the experiment. While at first, there was a false belief that I can transmit the audio signal without wires by only virtualizing the radio transmission chain I also believed in a fact that MDL12 is the only purpose of all the scientific research I have done. This is not the case. The successful virtualization of stochastic chains would it be a radio amplifier or just an algorithmic music was a case moving towards the median conclusion from the opposite directions of the project time curve. To restate this, the sufficient interest in telecommunications to audio processing devices led to the success in transmitting audio with MDL12 algorithm in and out of the DAW.

Spherical Interaction Network Setup

While the infographic above shows that current estimation was on a digital line, I carried out an experiment on analog line with two unbalanced cables: one for signal itself and the other is for master clock signal. The signal transmitted properly, apart of the master clock, which was faulty and have not produced the right movement of MDL12 plugin. However, the experiment showed an ability to input the external sound into Ableton Live 9 and synchronously operate two MDL12 devices: one on stationary PC and another on notebook both running Ableton Live 9 software. This synchronous operation is an achievement of all modern age digital signal processing, because I’m not only processed the sound with sufficient Year routine I also used an artificial intelligence to select the parameters on both systems making it dual band artificially controlled transmission chain of very high security.

MDL12 Sonar Telescope

I consider this transfer as a packet based where the window function acts as a packet separation for precise continuous transmission. I made available the Point-to-Point connection this way with an ability to tweak the same sound with MDL12 plugins on both systems. Thus I’m able to select the Year 2015 on a stationary PC and transmit this sound using the red shift through the analog wire to the Year 2450 based on Gregorian time scale. This experiment shows how the same sound will sound if the strong radio transmission will be applied to the incoming signal and how this signal will sound through the Years on the receiving side millions of light years in advance. From another perspective, it will also help to restore the signal from the past in the forward tracking manner of the future traveler. To reconsume, I’m the only being which established such connection on the planet Earth as this is scientific advance, which needs no prove by the fact of original ‘Compositor – the bottom-up approach’ paper written and I finish this essay style text with the forthcoming thought on the future of Compositor Software MDL12 product:

There is no need to be a scientific nerd or magician you just need to experience yourself through all circumstances of the future that faces you. This means you need to be a Time Traveler and with MDL12 you are really is.

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