Compositor SoftwareCompositor Software

Category : Musique Concrete

By ruslany

Compositor Software: Happy New Year!

Compositor Software: Happy New Year!

The 2017 was a very busy and productive year for Compositor Software. Three versions of software were released this year. They all cover the aim of autonomous stochastic performance and artificial listening.

Top 3 key achievements of 2017:

  1. Compositor v5 Hypervisor released
  2. Compositor v4 released
  3. Compositor v3 Hypervisor released

Top plans for 2018:

  1. Compositor v6 Mini-rack
  2. Compositor v7 Hypervisor
  3. Compositor STL1212 Multithread Computer module
  4. Compositor WS Extended

Winter Sale is under way, where you can buy among all:

  1. Compositor Pro 2
  2. Compositor 3 Feeders
  3. Compositor 3 Hypervisor
  4. Compositor 4
  5. Compositor 4 Max for Live
  6. Compositor 4 Extension 1

We wish you Happy New Year 2018!

By ruslany

Compositor Software Winter Sale

Compositor Software Winter Sale

Huge sale comes on Winter Holidays of 2017/2018 at Compositor Software Web Shop! Now you can buy the exclusive algorithmic composition software for reduced price. Almost every version of the software goes with big discount, including the bundled versions.

Here is the list of all products, which are on sale now:

Discount Price
Compositor Pro 2 30% € 74,42
Compositor 4 65% € 102,90
Compositor 4 Max for Live 20% € 36,00
Compositor 4 Extension 1 70% € 77,70
Compositor 3 Feeders 30% € 112,00
Compositor 3 Hypervisor 30% € 180,03

 

The sale lasts from 24.12.2017 14:00 GMT to 03.01.2018 20:00 GMT

By ruslany

Compositor v5.0 is available

Compositor v5.0 is available

Compositor v5 is a Hypervisor rack with Compositor WS auxiliary channel and RT-z128 operation system. It helps to play Compositor modules without any side impact from other radio-equipped instruments, which present during the live show.

Here is the list of features you can consider buying this software:

  • Three transmission modes
  • Real-time modulation
  • Shutter system
  • Display zooming
  • Switchable altitude
  • RT-z128 bit display
  • GHz calculation
  • Display warning
  • Master processing
  • Self-feeding
  • Signal insertion
  • Latency free aux channel

Compositor v5.0 Hypervisor features the important security updates, stability improvements and performance related issues solved.

By ruslany

Compositor v3 Hypervisor Radio Shack Interceptions

Compositor v3 Hypervisor Radio Shack Interceptions

The Compositor v3 Musique Concrete experiment with Compositor feeders. Here you can find a set of five recordings made in Compositor v3 Hypervisor Radio Shack. It is not a montage, it is a direct output recording of Compositor v3 Hypervisor Radio Shack. In the recording you can hear VLF radio interception in 8kHz range of the highest quality available on the market with little or no Ether noise. Tune in and listen to five hours of meditative soundscapes.

Compositor v3 Hypervisor Radio Shack Mixdown 1 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 2 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 3 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 4 (VLF Interception):

Compositor v3 Hypervisor Radio Shack Mixdown 5 (VLF Interception):

By ruslany

Compositor WS Kernel 7.1.9

Compositor WS Kernel 7.1.9

Implementing the central channel matrix involves all central channel parameters such as transfer function choice and window function composition. Enabling right channel window composition in central channel matrix brings me to the following solution: right channel passes to the closed central channel and does not touch the left channel. This way the sequence is broken. It is another step after the Kernel loop was broken. This solution helps to eliminate an operation system to a first step decision making. This way I will not presume that operation system exists, I will act on it using my own will. Hence, the real world is open. And when it is open, quantum field stochastic emulator will not brake the time-space continuum. E.g., it will only switch the engine, which is predefined to automatic throttle, fueling the system. It is also another step to an autonomous, energy independent virtualization module. The sequence is determinism and removing determination from the system, I make it one of free will operation systems.

By ruslany

Compositor 4 Autumn Sale

Compositor 4 Autumn Sale

Dear friends,

I am glad to announce the Compositor 4 Autumn Sale! 30% discount on Compositor 4 program and 50% discount on Beta Bounces pack! Good opportunity to buy the exclusive algorithmic software for a lower price!

Compositor 4 features:

  • 7 real-time oversampling buffer combinations in 1
  • Three layers of quantization
  • Lo-Fi decimator effect
  • Subtractive synthesizer with real-time modulation
  • Tone-hold mode
  • Long Endurance Arranger
  • One-window layout visual appearance
  • Automatic and manual mode switches
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switches to save CPU resources

http://www.compositorsoftware.com/compositor-4/

http://www.compositorsoftware.com/compositor-4-extension-1/

Auction terms: 30.10.2017 – 03.11.2017

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players

No

3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players

Yes

3 FM generators

Compositor v3

Real-time sampling of material

No

4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling

No

Self-feeding 262 kHz VLF radio with one FM generator, arranger

By ruslany

Musique Concrete with Compositor Software

Musique Concrete with Compositor Software

Musique concrete method using the Compositor Software instruments is fully mastered. It is not that hard from the beginning. The more lows are introduced, the more it is concrete. The isosceles triangle deployment under Compositor 4 Max for Live gives a constant ether, but the quantum stochastic field by means of AI-RT1024 is also needed in a channel. This way it gives channel sweeping in real-time giving a presence of concrete philosophical ideas right from the beginning of audition.

Auditioning of concrete music

First, to have a concrete feeling you need to fix an ether mixture of your thoughts grabbed with MDL12 modem. The Ethernet mixture is a needed fixed material presence over the Ether, which you may listen to repeatedly with the same feeling. The main idea of such performance is to have a first time listening effect over continuous life of the musical composition. In such case, every musical composition, appeared on commercial market, fixed through its own exciter. Building from a previous post, it is a moment, which excites you most. Making a wavetable out of it and loading through a mastering processor, you are recording the concrete files of the translations happening in Ethernet mixture. Then you get back to the resolution, you making before going into the direct ether. Direct ether is characterized by the absence (partial or complete) of auxiliary injection into the feedback mechanism.

This resolution is a final medium for the audition and becomes concrete, once the evidence of concrete files is present. You may also wish to add these concrete files to the resolution, however it is not needed. Just submit those concrete files onto your acoustic system before listening to your music with Compositor. This procedure should happen once and may be reinitialized periodically when the concrete feeling is gone. You can also give the deployment recording to your listeners, it will also sound concrete. Resolution and deployment are two main files, which should go to the release, but I must admit that deployment without quantum stochastic field does not give a continuous impression fixing you on a moment neither the process of building. Tempo changing in concrete materials are insensitive.

Macking up with concrete building blocks, you arranging concrete wall out of bricks, but before ether is fixed, it sounds like the flowing liquid. The modem becomes concrete also. As it goes faster and faster,  the more you think, the more you notice the slowness of its behavior wanting to speed up it a little. It is normal. 300 omega is a very fast speed, but for concrete, it is not that fast as a molecular structure or better to say peer-to-node structure is increasing due to the fixation of ideas. Direct ether under quantum stochastic field wants to jump out but it is also normal, it will never jump out on a medium file, however the tests under the direct translation with fixation are needed, e.g., transcoding in real-time.