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CAA – 6: Ruslan Yusipov SASER SAS24P3L recordings on Cyland Audio Archive

Compositor Software presents a project of collaboration with Cyland Audio Archive (CAA), curated by Sergey Komarov (Kurvenschreiber). Now, Cyland organization archive has recordings made with SASER SAS24P3L software in the summer 2016 period. It is an experiment with master wavetable, which adds warmth to the recording and tones to software antenna modules. Recordings are available on the vinyl in 7,5″ PVC Lathe cut format and as digital recordings in popular audio formats on the CAA bandcamp page.

This release consists of five recordings, which named using a special principle of SASER SAS24P3L software work. The roots of the naming come from Ionic numeral system: first letter from Greek alphabet taken from the position of the central channel and number is sum of numerical values from three channels. In conjunction with taken number and letter of the central channel the model of a imitating device is named. Using an interface of SASER SAS24P3L audio engine it is possible to composite different radio stations, translating: SLF and ULF channels of original bus, VLF on secondary bus and VHF on the oversampling bus.

Making Intergalactic Phone Call in Ableton Live 9 (Video)

New palette in Compositor Software SASER CS16RT5 achieved by setting Ableton Live 9 tempo to maximum available 999 bpm. At this tempo analog pulse signal repeated with the speed, which reminds dialing a number in analog telephone line. In this video you can watch what tunings were made in SASER CS16RT5 to achieve tonal and analog dialing at the same time.

Due to SASER CS16RT5 you can add an authentic sounds of virtual connection line to your production. This instrument gives an opportunity to imitate analog and tonal dialing at the same time for translating the composite signal in and out of Ether.

Longy Techno recorded using Compositor v3

The latest addition to SASER v1.1.3 was an extended bandwidth of virtual ether spanning up to 250 parsec long with 5000 omega as an upper limit. SASER standalone and Max for Live can grasp only a cycle of the extended translation, which is enough to record techno track loop for example. In contrast, long techno tracks in extended range can be synthesized using ether regeneration network of SASER module inside of Compositor v3 rack. The magic begins when beacon retranslation modulates the received translation of SASER regenerator. At this moment, the track is received. It sounds like real-time synthezation of sound grains or better to call them sound molecules. You can upscale or downscale a track using internal SASER particle accelerator. In the recording you can definitely hear the particles forming the rhythmic or modulation pattern with internal characteristics of the recording like piano or chord music. The congruence effect achieved in a timely manner when this music plays over a full band translation.

Compositor v3.0.1 for Windows x64 and Macintosh released

Compositor v3.0.1 is a major update, which fixes several bugs of Windows x64 version and first appearing in a Mac world of 3d installment of Compositor Software. Now you can run Compositor v3.0.1 natively on a Mac machine and use ReWire to sync to Ableton Live 9. Both versions are identical and give same results on PC and Mac systems.

Compositor v3.0.1 Hypervisor Radio Shack

With Compositor v3 Hypervisor Radio Shack, named after the platform for running virtual machines inside one matrix, you have modular structure so be sure to choose the feeders you need to suit your style of translations. You can choose FF8 signal-rate quantized module for electric field sounds with LFO structure reminding a sound of copter drone engines. Smooth exponential TC25 for LFO like modulated granular synthesis. AI-RT1024 quantized real-time generator aimed to fill a niche of Compositor Pro 2 style and sound. N9000 exponential structure feeder for Compositor Max for Live like sounds. All feeders have the auto mode for completely autonomous simulations and one-dial parameter operation of patterns and algorithm tuning. It was made on a purpose for faster pattern selection of feeding generators in a live ensemble situation.

RTC8k system

You can also use all four feeders in the link mode to main RTC8k radar setting. This way feeder pattern will always follow current RTC8k radar setting for the initiated translation. Now you also have the visual feedback for RTC8k server signalizations. I named them in simple chat statuses style to be in touch with current automatic tuning of an algorithm. You can view their statistics and graphic curve of statuses appearance by pressing setup button for RTC8k radar. The main idea is to understand the generators disturbance behavior. If you experience dropouts in playback and other artifacts, check visual display of RTC8k for statuses like Threat, Call, Arouse and Envy, which are measured on a signalization average level.

Overall, all these great features aid your interaction with an instrument and help to visualize audience reactions on a translation you run with Compositor v3 software.

Compositor v3 Hypervisor Radio Shack – Free-Float Generator

Today, Compositor Software announces the Compositor v3 Hypervisor Radio Shack based on free-float generator technology. Three years in the work and finally consists of six modules such as RTC8k, SASER, AI-RT1024, FF8, N9000, TC25 for VLF radio translations.

Compositor v3 Hypervisor Radio Shack

Compositor v3 Hypervisor Radio Shack

While it was a general task to make the audio-translation chain as long-as-possible Compositor Software found a solution to use SASER channel feeded by RTC8k chain feeder values. Now, instead of using an internal SASER scanner one can use the LINK function of Compositor v3 Hypervisor Radio Shack rack, which hardwires AI-RT1024, FF8, N9000, TC25 tuning to the current RTC8k radar scanner value, which produces ultra-stable and ultra-long results making it a long endurance system for SLF, ULF and VLF radio communications.

If you are proceeding to own the whole rack, you must obtain licenses for SASER, AI-RT1024, FF8, N9000 and TC25 separately from the Compositor Software Web Shop. In original package for Compositor v3 Hypervisor Radio Shack you get RTC8k license and rack with demo versions of all instruments. This way you can try them and decide what you need for original translations. These instruments are not only suitable to evoke constant radio ether they also suits for radio security. For example, FF8 generator is a quantized signal-rate generator, which quantizes radio translations and can potentially occupy the whole band with rattling patterns.

Besides the tuning, you have smart prediction system based on a block-chain with probability distribution density functions. This helps to establish the connection to transmitting source and magnify the signal using the waveguide normalizers. In Compositor v3 Hypervisor Radio Shack you got visual feedback displays for AI-RT1024, RTC8k and SASER instruments. They help to determine the direction signal source is coming from and to learn the signal by its phase values. In addition, AI-RT1024 display shows how many network dots receiving this signal in the current moment of time suitable for real-time tasks such as navigation.

Exalted is Compositor Software endorser

avaxAfter three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for Live modem repeated a 5/4 combination, played in a sequential manner with the internal waveguide of the device. Using two turns Compositor injected pendulum function of Compositor Max for Live over the cloaking device shutting down the chat function and injected all the kernels needed for ICH7 operation in quantum mode with C based pipe of Compositor Pro v2.

Equipment used in a session:

SASER Max for Live
Compositor Max for Live
FF8 Max for Live
AI-RT1024 Max for Live
MDL12 Max for Live
Compositor Pro v2

SASER SAS24P3L in Ministry of Telecom and Mass Communications of the Russian Federation software register

Ministry of Telecom and Mass Communications of the Russian Federation software register filled with the first software made entirely on Max/MSP – SASER SAS24P3L. It is complex software for deterministic navigation systems and Ethernet security, which can not only receive signal from 84-parsec distance, but also send telegraph messages. It is a first step on the way to transmitting on very high distances in VLF spectrum without antenna and mast constructions.

SASER SAS24P3L ver.1.1.2

SASER SAS24P3L software written with the use of a several program languages inside the Cycling ’74 Max/MSP software. First, it is Jitter, which is used for radio telescope display, translating phase distortions of the received signal. Second, it is Gen~ (real-time DSP library, which is used for radio telescope core). Finally, Max/MSP for routine objects and DAC. In addition, the Max for Live framework is used for menus and interface. These elements are components of the Max/MSP programming language, which was develop by Miller Puckette at IRCAM and extended by Cycling ’74 company. The entire software written in Russia and is a copyright property of Ruslan Yusipov, which made it possible to include it in the register. All blocks, which is used by the author conform the GOST 28397-89 standard and defined as the programming language for computer.
Ministry of Telecom and Mass Communications of the Russian Federation

Night vision wavetable

In a process of my Radio Telescope development, there were many scientific discoveries and one of them is the outcoming wavetable for the night vision. This wavetable is the important criteria in translucent images on the SASER SAS24P3L screen after the successful receiving of it using virtual antenna rotator mechanism. 24 send/receive channels multiplexing into twisted pair, open-coming through the waveguide, which sends signal into non-linear deformation module with a sculpt of entire Radio Telescope SASER SAS24P3L channel.

SASER SAS24P3L ver.1.1.2

From the moment I created the Radio Telescope SASER SAS24P3L I obtained the technology for near-Earth space exploration with the use of derived hyperbolic function of time, having its only aim the emulation of giant Radio Telescope antenna dish plate. SASER SAS24P3L is a realization of virtual antenna concept, which I may offer as an alternative to real antennas, spanning big physical spaces and needing great investments in metal production and tower construction. In a contrast with parabolic antenna model, my model uses approximation, e.g. using approximation of primordial function into the derived one, which is more acceptable by us.

Independence Day weapon

Thus, if there was a need of interstellar communications we could use SASER SAS24P3L for coordinates detection beyond the Solar System and Milky Way Galaxy. The exit is possible because of those intervals of derived function, which constitutes the hyperbola and may be used as crest of the needed function. The Living zone of such crest constitutes all points of the function (in our case 24-point connection), which resides inside the circle inscribed with a center in the crossing point of crest axis. Receiving such a signal, for example, in Central Africa, you may see telescoping image, which I received in the particular area. Wavetable is the digital Ether with properties of signal translation, when the non-linear transformation device tuned to a particular wavetable zone and modulates its channel tuning.

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

SASER SAS24P3L ver.1.1.1

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

Antimuseum in Electromuseum

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

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