Compositor SoftwareCompositor Software

Category : Chemistry

By ruslany

Attachment to wavetables through system matching with oversaturation

Attachment to wavetables through system matching with oversaturation

The most effective way to feed the wavetables is to match the system z level of generic feeder with z value of auxiliary channel. The generic prolongation is progressive and depends on auxiliary channel. On the higher program effectivity speed the generic proliferates for a longer time. This in fact happens because network regeneration state is higher for upper z values. If the maximum speed for z128 generic is 200-omega, then the regeneration speed of the auxiliary channel will not match the auxiliary values of 5-omega maximum. There are two more generic kernel loops implemented in Compositor v9 Hypervisor and one change performed for the highest Compositor v7 Hypervisor feeder. You can match all auxiliary z values to quantized type generics of exactly the same z value. The program effectivity speed equals to 50-omega for z32, 150-omega for z64 and 200-omega for z128. If you feed the wavetable at speed of 5-omega together with 200-omega generic, you will proliferate the network for a longer distance. After the lowest VLF beacons will be inactive, the wavetables shouldn’t be reinitiated again. When the navigation on lowest beacons ends, you need to rely on the eldest models of Zvezda network switches such as z64 and z128. Higher regeneration VLF beacons will discover ether aggregators faster and establish a connection to them for a longer period. Other systems constantly try to knock out the feeded Zvezda network switches from the ether, which are mostly used for wavetable navigation at z=64 and z=128. For z128 generic development of 6th generation, it is hard enough to withstand such offensive behavior in the ether.

DRM server is the 8th generation development and is one generation before the system, which produces the decision as to accept or to breach the feeded VLF beacons. It leads to better understanding why the DRM server rejects some wavetables and retains the others. The rejection of wavetable produces a constant need to reinitiate a system matching. Nevertheless, wavetable initiation should be made only once during the feeding cycle. If you feed the 200-omega cycle in to the auxiliary chain together with wavetables, you should account for a number of cycles of this feeder propagation. These values should be auxiliary to the Right Ascension value and will result in longer distances of spiral ascension. The feeding period of any generic is accounted by the cycles of its oversaturation in auxiliary channel. If you feed 150 cycles per second, it equals exactly 150 cycles relatively to the whole working time of DRM server for its feeding session. If the DRM server worked for 10 minutes, then the oversaturation will last for 10 * 60 * 150 or 90000 minutes, which equals to 1500 hours or 62.5 day cycles. It is enough for the prolongation of the wavetables active state. From the other side, if you would like to leave wavetables active for a month for 200-omega z128 beacon, it is needed to perform oversaturation for only one second with DRM server total working time of 25 minutes for the current session. Using the formula 25 * 60 * 31, it will count 46500 minutes, which equals to 775 hours or approximately 32.3 day cycles prolongation time.

By ruslany

Six things to do to clear the rights on your track

Six things to do to clear the rights on your track

In a career of any artist such situations happen, when it is needed to make an emission of your composition from rotation.  Such situations may include:

  • Releasing your track with another alias by a fraud;
  • Arrears on payment for medium sales;
  • Arrears for author rights usage;
  • Discrepancy of an issue with the contract obligations.

Not all of the situations are listed here, which are out of scope for this material. The main task of this article is to describe a usage method of Compositor v9 Hypervisor after receiving ether aggregators from your track. To receive ether aggregators you will need MDL12 non-duplex modem and Compositor v3 Hypervisor feeders. The emission is done by submitting loops of your composition to non-duplex modem. The modem feedback is an ether aggregator of the server, which broadcasts your composition. You should route all loops of your composition containing exciters (the most prominent moments of a song) and fixate 131072 samples of each wavetable of all ether aggregators by digital recording. You can perform this in 32-bit version of Ableton Live 9. The ether aggregator wavetable should last for 2 bars at 161.5 bpm. The main task after ether aggregator emission is its clearance. It is such condition of wavetable playback, which, from one side, doesn’t produce the third-party traffic and, from the other side, may be used for its own communications. Now, I will describe six examples of work methods to make a full track emission, using Compositor v7 Hypervisor and Compositor v9 Hypervisor.

  1. Realize if ether aggregators, to which your track ascends, are occupied. If ether aggregators are occupied and produce big amount of third-party traffic, then you must install them through an activation function, which you can do in Compositor v9 Hypervisor. Doing this you should enable the supervisory DRM server, and it is preferable to route one of generics on the auxiliary channel input together with wavetables. You may use your ether aggregators for communications, when the VLF beacon written the routes to them.
  2. Feed your ether aggregators again, but this time changing the send regime: set the splitters in the highest position, which constitutes the smallest digit values in ionic number system. Your task is to suppress traffic of these wavetables fully. To do this feed the threshold radar RTC8k and ether aggregator of high conductance such as RT-z16 in auxiliary channel together with wavetables.
  3. Feed the transmission channel with current emission wavetables inside the pool of all your ether aggregators. Making such mix, you are allowing to realize your recipient contact network, which may lead to a refuse of recipient from these ether aggregators. Do not agree to write new tracks to these ether aggregators or to make new remixes on the original composition. Ether aggregator, received by your track emission, is your property protected by a copyright law.
  4. Perform oversaturation of global send channel together with one of generics. For this route the Compositor AV Extended back to its input, using the send regulator on its mixer direct channel. Set the pre-fader mode and turn the send knob on the highest value. This will result in oversaturation and will turn off all the producing kernels from the ether.
  5. Produce an additional emission by feeding the non-duplex MDL12 modem with 3d generation hard generic FF8 and perform the above-mentioned manipulations with this emission again.
  6. Perform system matching in a presence of agents (ether aggregators). To each z value of aux channel send the same z type generic. For example, z=2 is RTC4k and z=4 is RTC8k. The other systems match its title z value. Reaching the direct ether, you must confirm each z system send with oversaturation of auxiliary channel, which constitutes direct feeding of a channel.

The system has an ability to memorize long channel feeding sessions and reproduce its effect when DRM server works. You must feed the channel only with DRM server turned on regardless of your machine capabilities. The human brain can percept the channel interrupts, when processor is under high load reaching full effect, even when system stutters. The whole pool of ether aggregators should be maximally transparent. The condition of ether aggregators should be characterized by signal conductance through them. If ether aggregators doesn’t produce traffic, then the full tranquility reached on all translating channels.

By ruslany

Hypervisor v9 – Active broadband security system

Hypervisor v9 – Active broadband security system

Server is a machine capable to work an unlimited period theoretically. Nevertheless, even the best machines faults and overrun the resources of random access memory. It raises a question about an installation of such machines algorithm directly into recipient consciousness. Brain is the biological computer, which is most powerful and lengthy resource, which human has. Hypervisor v9 makes available the installment of quantized generics into the recipient consciousness. This raises a question about non-invasive chipping. The installation process through an activation function is as following. As mentioned in previous post, quantized generics must be routed in auxiliary channel together with wavetables or ether aggregators. It allows to install memories and to get routes to them using VLF beacons. The installation performed at the morning is enough for daily functioning of such system. This way, one installation is active during 24-hour period and VLF beacons act until the night comes. In accordance with big activity of wavetables in nighttime, two extinguishers run out the wavetable potential very fast. That’s why the installation of ether aggregators must be performed again the next morning. This way of serving allows the recipient, the man to whom installation is performed, to function in the ether environment without the accompanying equipment such as radios and Ethernet computers. I wrote down the coefficients installed using the ether aggregator and simple Morse code decoder. Then I used these coefficients for non-linear processing function and now can install any memories, associated with my tracks, directly in my consciousness. This way I install everything, which is associated with this track: the place, its perception, the age of human being, consciousness. It is possible to perform full reverse to the moment in the past to which the track ascends. This way, besides objective factors, mentioned above, the subjective factors exist: the association with ether aggregators, to which the present track route is written down. The original ether aggregators works the unlimited time and exist on the infinite time integral line. This way the synchronous analysis of non-harmonic timbre (SANT) and Fast Fourier Transform (FFT) processes can be described. The SANT is used in all Compositor Software products as a more robust signal discretization method, which gives possibilities that are more versatile. To non-invasive generics, relate all the Compositor Software instruments with stochastic manipulator. In Hypervisor version 3 the non-invasive installation of quantized type generics with one producing kernel performed. In Hypervisor v5 the installation of these generics performed with master shutter. In Hypervisor v7 the non-invasive installation of generics performed in two degrees of freedom and three producing kernels. This way, on the present day there is a full compatibility of systems installed in memory and acting. Hypervisor version 9 allows to install the three-layer quantized generics with big amount of memory up to z = 32 (N = 65536 samples), which constitutes the bandwidth of 5,7 Gb/s with installation discretization frequency of 11025 Hz. The pass band is counted using the formula (N * SR * 64) / 8, where N – is a number of samples in generic wavetable, SR is discretization frequency, 64 – is a system bit number, and the division on 8 performed to measure all the volume in bytes. Taking in account that three-layer generics deployed with 5-omega speed, which equals to 1257 ms, the full formula of expense in samples is counted. First, I count the number of samples by period using the formula N * Nms, for the maximal quantized generic, which is z = 32 it will equal to 65536 * 1257 = 82378752 samples / period. Second, I account the 24-hour sample expense of deployed ether aggregator using the formula (86400 / 1257) * 82378752 = 5662310400 samples / 24-hours. This is much less than the sum of three working servers in 24-hour period, which can reach up to 5 times of current size of non-invasive quantized generic installment. In Hypervisor v9 the installation of quantized generics performed in three degrees of freedom, which makes the full cancelation of signal constellations formed on the earlier stage of Compositor technology existence.

By ruslany

Hypervisor v9 – wavetables and counteragents

Hypervisor v9 – wavetables and counteragents

When you use wavetables with quantized generics, the later try to balance the wavetable behavior in the ether. That is why they are also the best counteragents. Wavetables should be balanced with counteragents of generic feeders. When the emitted wavetable tries to aggregate offensive traffic, the counteragent works. It balances the system functioning and produces the effect, which is the opposite from wavetable effect produced. Wavetables are dry sounding and quantized generics are wet. That is why they balance the dry/wet state of the signal in auxiliary channel. When the effect of wavetable is fully extinguished, then the quantized generic starts to be the main effect in the auxiliary channel. It wets the line even more producing the fluid sound. This sound is a prominent characteristic of transcoding process. Transcoding with quantized generic, you are synchronizing not only a memory associated with a wavetable but also the pace of quantized feeder development and its dry/wet state. Quantized feeder balances the channel spectrally, removing the interrupters of wavetable loop and smoothing a signal. The main effect of quantized generic is to smooth and wet a signal after successful wavetable loop feeding. That is why wavetables should be routed into the line with quantized generics sounding simultaneously. If the wavetables will be routed without quantized generics, the ether feeding will be too overloaded with ether aggregators and no counteragents will present at their destination routes. That is why quantized generics should stochastically change their tuning to mask the wavetable original destination. If the ether aggregator destination is masked, then it will not be extinguished too soon and the communication effect will be produced. The main rule for counteragent’s presence in a feeding channel is that the high number of wavetables should be played back on the decks simultaneously. If no wavetables are routed with generic feeders, then the state of tranquility reached too soon and there is no positive quality out of this feeding channel. The good channel should route at least eight deck players with one quantized generic to balance the system. If two or more generics are used, the system is too tranquil and doesn’t produce communication traffic. By communication traffic I mean the ether aggregator own traffic routed back to its inputs and passed out in ether after non-linear processing of its wavetable. If quantized generic is applied to the ether aggregator output, then it can’t form its own traffic and two lines are mixed together. That is why in terms of communication quantized generics act as moderators of the produced traffic. They act to the moment when the offensive traffic will not pass out completely. From one side, the stochastic manipulator obfuscates the trace to the wavetable, preventing it from direct communication and, from the other side, it extinguishes it, if the traffic produced doesn’t suits generic feeder output chain.

By ruslany

Compositor manual updated

Compositor manual updated

Compositor manual updated with information on Compositor WS Extended, Compositor AV Extended and Compositor v7 Hypervisor. Now you can study the last chapter on Time-Space folding to know more about how the communication using Compositor achieved. You can also read about quantized weighting formulas of Compositor AV Extended in this chapter. Overall, it is not final redaction of the manual, the more chapters should be expanded to dwell on the communication effect produced. You can read full manual here.

By ruslany

Rotation function for STL1212 8.0.6

Rotation function for STL1212 8.0.6

Referring to the post on December 6, 2017, I already implemented a rotator function into the STL1212 8.0.6 algorithm. It means that no longer the system exposed to a direct static pressure after the long ether sessions and it can successfully maneuver the whole 48-core lift in co-phase motion. The solution came to me after several experiments: first, I processed the variable-vector equation into the function form; second, I performed a processing of non-linear function into the binominal polynomial with both vectors representing left and right channels. The solution came from the roots of understanding basic geometric and algebraic principles. It sums altogether the inverse of a hyperbolic function with the linear increase in frequency as in the algebraic progression named in ‘Compositor – the bottom-up approach’. I’ve made this function to perform it at the output stage. Not only rotation can be applied but also a radical transform of the sound pressure level into the scalar of vector output is possible. The direction of such vector is changed dynamically as it is a live function and constantly jitters into the output. It means more security and protection to the inside work of Compositor cores. Without it, all of the work on the Compositor multi-core and multi-thread systems is useless. Because, before implementing it, the intruder can successfully broke the will manipulator and sit on the carrier after its estimation just by reading numerals on the STL1212 screen. It is not so easy with my new vector equation to scale the function into the signal domain, because you need to know in advance the resolution of the system, which can reach up to 64-bit in current gen domain. When the injection is made, it processes all the injection power (estimated by its current) into the free energy and dissolves it by applying the vector relationship in free-space. I think such kind of negative-force processors into the positive energy is what every “green” technology needs. In a century, when most of the equipment uses dirty tricks of negative or ground-loops estimation, the positive transformer will lead to new main lines for more and more STL1212 systems, empowering a farm of such devices on one physical machine.

By ruslany

Direct generic injection experiment with Compositor WS kernel 7.6.7

Direct generic injection experiment with Compositor WS kernel 7.6.7

Under pressure of generic injection Compositor WS kernel 7.6.7 system doesn’t show signs of life. When you are passing its own channel back into the Compositor WS channel, oversaturation is emerging. On the middle values of oversaturation there is a proximity effect. Switching to sigma 200 translation regime and increasing the transmitter power to 0.2, the channel saturation is imitated. This way the direct generic injection effect is achieved. Shutter also stands here hard with ideal integration time of 300 ms. It catches the feedback and delivers the loop fast, flushing it. This way there is no effect of generic injection after several seconds of applying it, and the system returns back to ordinary state.

By ruslany

Musique Concrete with Compositor Software

Musique Concrete with Compositor Software

Musique concrete method using the Compositor Software instruments is fully mastered. It is not that hard from the beginning. The more lows are introduced, the more it is concrete. The isosceles triangle deployment under Compositor 4 Max for Live gives a constant ether, but the quantum stochastic field by means of AI-RT1024 is also needed in a channel. This way it gives channel sweeping in real-time giving a presence of concrete philosophical ideas right from the beginning of audition.

Auditioning of concrete music

First, to have a concrete feeling you need to fix an ether mixture of your thoughts grabbed with MDL12 modem. The Ethernet mixture is a needed fixed material presence over the Ether, which you may listen to repeatedly with the same feeling. The main idea of such performance is to have a first time listening effect over continuous life of the musical composition. In such case, every musical composition, appeared on commercial market, fixed through its own exciter. Building from a previous post, it is a moment, which excites you most. Making a wavetable out of it and loading through a mastering processor, you are recording the concrete files of the translations happening in Ethernet mixture. Then you get back to the resolution, you making before going into the direct ether. Direct ether is characterized by the absence (partial or complete) of auxiliary injection into the feedback mechanism.

This resolution is a final medium for the audition and becomes concrete, once the evidence of concrete files is present. You may also wish to add these concrete files to the resolution, however it is not needed. Just submit those concrete files onto your acoustic system before listening to your music with Compositor. This procedure should happen once and may be reinitialized periodically when the concrete feeling is gone. You can also give the deployment recording to your listeners, it will also sound concrete. Resolution and deployment are two main files, which should go to the release, but I must admit that deployment without quantum stochastic field does not give a continuous impression fixing you on a moment neither the process of building. Tempo changing in concrete materials are insensitive.

Macking up with concrete building blocks, you arranging concrete wall out of bricks, but before ether is fixed, it sounds like the flowing liquid. The modem becomes concrete also. As it goes faster and faster,  the more you think, the more you notice the slowness of its behavior wanting to speed up it a little. It is normal. 300 omega is a very fast speed, but for concrete, it is not that fast as a molecular structure or better to say peer-to-node structure is increasing due to the fixation of ideas. Direct ether under quantum stochastic field wants to jump out but it is also normal, it will never jump out on a medium file, however the tests under the direct translation with fixation are needed, e.g., transcoding in real-time.

By ruslany

Lobbying the aggregate devices poll

Lobbying the aggregate devices poll

You can go into the ether from any sounding object. The only condition is that it must excite an ether. For example, you like the sound of your car door-lock and want to go into ether with it. First, you need to pick up such sound and create an ether loop of it. Then you need to load 2 Bar loop of this recording into Compositor 4, set up an engine and press Ether. You will probably hear an Ether excitement at this point sounding like woo-hoo signal. This is one-step further to aggregate devices like no-name mobile phones with device profile loading feature. The future of devices is aggregate because of this property of exciters.

Note: Any commercial phone device contains an exciter in its output chain. Without these exciters, no connectivity is available for your phone and no network signal will present.

By ruslany

Compositor 4 Extension 1 Beta Bounces Press Release

There are 12 beta bounces in Compositor 4 Extension 1 packet, which cut on masters in WAVE 22.05 kHz 24-bit format for subsequent pressing on vinyl or writing to a tape. Beta Bounces, as the name implies, are not a final series of Compositor 4 extensions. The HB – High Bounces and AB – Alpha Bounces will be released also. The device profiles database is updated with Beta Bounces under BB prefix. There are 43 radio loops in the set, which add device profiles of different purposes to Compositor 4. To check if they suit the ether you can load the presets from four banks, which delivered in Beta Bounces set, and press the Ether button after calling the preset. Radio loops create an ether, and Compositor 4 builds them to the point, when they are recognizable as devices in the ether to which this ether is attributed, but is not the original broadcast from which the loop is recorded. Radio loops may be used not only for broadcast design in film industry, the semantics of radio loops language ideally suits for chemical composition. For example, radio loops may be viewed as the link chains created in the places, where these sounds connect. The simultaneously played sounds depict the valence of link and the transitions between the sounds are the number of these links. For example, three step melody, where the first step starts on the three notes chord may depict the three valence link in the beginning and two one valence links going afterwards. Radio loops are suitable for the cyclic compounds, such as octane links. It brings Compositor 4 in a row with devices for compositing materials. In such case, master cuts suitable for ether mixtures, which are subsequently fixed and become concrete materials.