Compositor SoftwareCompositor Software

Category : Astronomy

By ruslany

Rotation function for STL1212 8.0.6

Rotation function for STL1212 8.0.6

Referring to the post on December 6, 2017, I already implemented a rotator function into the STL1212 8.0.6 algorithm. It means that no longer the system exposed to a direct static pressure after the long ether sessions and it can successfully maneuver the whole 48-core lift in co-phase motion. The solution came to me after several experiments: first, I processed the variable-vector equation into the function form; second, I performed a processing of non-linear function into the binominal polynomial with both vectors representing left and right channels. The solution came from the roots of understanding basic geometric and algebraic principles. It sums altogether the inverse of a hyperbolic function with the linear increase in frequency as in the algebraic progression named in ‘Compositor – the bottom-up approach’. I’ve made this function to perform it at the output stage. Not only rotation can be applied but also a radical transform of the sound pressure level into the scalar of vector output is possible. The direction of such vector is changed dynamically as it is a live function and constantly jitters into the output. It means more security and protection to the inside work of Compositor cores. Without it, all of the work on the Compositor multi-core and multi-thread systems is useless. Because, before implementing it, the intruder can successfully broke the will manipulator and sit on the carrier after its estimation just by reading numerals on the STL1212 screen. It is not so easy with my new vector equation to scale the function into the signal domain, because you need to know in advance the resolution of the system, which can reach up to 64-bit in current gen domain. When the injection is made, it processes all the injection power (estimated by its current) into the free energy and dissolves it by applying the vector relationship in free-space. I think such kind of negative-force processors into the positive energy is what every “green” technology needs. In a century, when most of the equipment uses dirty tricks of negative or ground-loops estimation, the positive transformer will lead to new main lines for more and more STL1212 systems, empowering a farm of such devices on one physical machine.

By ruslany

Compositor. Opening of the Spirit @ Cyfest 11

Compositor. Opening of the Spirit @ Cyfest 11

If you are keen to what Compositor is, you can visit the performance of Ruslan Yusipov at Cyfest 11 in Saint Petersburg Stieglitz State Academy of Art and Design on 11.02.2018. The performance will take place in Screening Room, the beginning of performances section is at 18:00 MSC.

This performance will be dedicated to Compositor v6 features. In this presentation you will hear the set, played in real-time with Compositor v6 software. Compositor v6 includes more than 80 new polyphonic rhythmic structures, created with MDL12 brain-convolution synthesizer from Compositor Software. These loops, processed in industrial-noise elements, create authentic atmosphere of vintage radio equipment. They contain different emotions, which you can translate using Compositor v6 by listening to it or broadcasting into an ether. The carriers of such transmission are sequences, which change their rhythm in accordance with settings. Listener is involved in emotional world of Compositor, which is fixated using the wavetables. Digital music loops synchronized with carriers and translated with carriers signal. The orientation of virtual antenna and color spiral resultant are showed on Compositor v6 display. The set, which Ruslan Yusipov will play, named “Opening of the Spirit”, symbolizing the opening of new dimension in sound.

By ruslany

Five Ethernet principles when working with Compositor

Five Ethernet principles when working with Compositor

The original idea with planets and constellations dates back to the 2014, when Compositor Max for Live saw its way into the music business. Compositor Max for Live is a successor of Compositor Pro 2 software, which uses only transparent names for parameters. For example, combinations in Compositor Max for Live are constellations and multiplier is year. The shift towards the cosmological specification of Compositor was made during the interest of the author to FM function application in modelling of Solar System. At first, such modelling was an intent of the mathematician Bessel, who was an inventor of Bessel functions, which are also used in Compositor library.

The subsequent Compositors raise the cosmological question more profoundly as they use the ether application to radio telescope idea. Such parameters as Right Ascension, Declination were descendants of Pitch and Yaw library parameters of Compositor window function. It is needed to say that Declination parameter of Compositor allows for bigger angles than in conventional radio telescopes, even the largest ones. It opens an amateur radio operator to a field of study, which was previously unavailable. By mathematic modelling of radio ether and conversion of transparent FM function parameters to cosmological constants, a new approach to amateur radio appeared. The main concern of Compositor since SASER is Radio Astronomy. Besides that, working in ether directly without intermediate frequencies and transmission lines are available. It is all made by precise virtualization of physically modelled parameters of FM reconstitution. It is not only an approach, it is a journey into finding the right value for each parameter making sound design as the work for cosmological principle.

  1. The first principle is a guiding principle. By this principle I mean that the ether guides the will of communicator and can shape ideas, words and thoughts into the Morse code signals, appearing as symbols and short codes. It means that quality ether can guide you in representing your ideas and has all needed automated tools to decrypt it in radio-accepted language such as Morse code. It also means that for use of Compositor, you don’t need to have a knowledge of Morse code, but you can reveal your ideas only by free-will of manipulating the software. You can read your communications, using Morse code decoding tools (such as CW Decoder on Windows). In these radio ether sessions you can understand all other principles of working with ether.
  2. The second principle is ether aggregation. It is also a cause why rhythm machine was introduced again in Compositor v6. Working with rhythm machine and injecting it into the ether can accumulate Ethernet lines of communication – the carriers on which such communication happens. You can aggregate ether by using rhythm box such as DB-01 and then use the decoder to read new ether lines, which are many after the successful aggregation using rhythm machine performance. Such approach helps to accomplish a manual task of ether aggregation and is similar to the processes of automatic ether aggregation of STL1212 DRM computer.
  3. The third principle is a haunting principle. It states that for successful ether session to over, you need to mask your Ethernet traces. You can achieve this goal using DB-01 drumbox as well as for ether aggregation. Compositor v6 has all needed set of tools for ether aggregation and masking your tracks using rhythm machine and random Ethernet wavetables selection.
  4. The main concern of working with Compositor is accumulation principle. The accumulators such as STL1212 can successfully store and flush aggregated traffic via Compositor v6 DB-01 drumbox virtual machine. If you use more than one accumulator on the physical machine, you need to take in account the physical address of hard drives, from which such accumulators are rendered. For example, I currently run two DRM accumulators from one physical machine, which allows storing 48 Compositor cores simultaneously. You can inhabit these cores by the ether participants using available free cores of STL1212 DRM computer and when the memory usage of STL1212 lowers, you should use Compositor v6 manual mode to aggregate the STL1212 cores usage.
  5. The fifth principle is that you can select on your own, which line you want to listen to in CW Decoding software. If there is nearby communication happening on two lines, you need to choose a spare line using CW Decoder selector.

The named principles of working in Ethernet are self-evident and can be comprehended by Compositor owners on their own. I name them here only in an attempt to integrate new Compositor users into the ether more fast with my own knowledge of Ethernet communications.

By ruslany

Compositor Software: Happy New Year!

Compositor Software: Happy New Year!

The 2017 was a very busy and productive year for Compositor Software. Three versions of software were released this year. They all cover the aim of autonomous stochastic performance and artificial listening.

Top 3 key achievements of 2017:

  1. Compositor v5 Hypervisor released
  2. Compositor v4 released
  3. Compositor v3 Hypervisor released

Top plans for 2018:

  1. Compositor v6 Mini-rack
  2. Compositor v7 Hypervisor
  3. Compositor STL1212 Multithread Computer module
  4. Compositor WS Extended

Winter Sale is under way, where you can buy among all:

  1. Compositor Pro 2
  2. Compositor 3 Feeders
  3. Compositor 3 Hypervisor
  4. Compositor 4
  5. Compositor 4 Max for Live
  6. Compositor 4 Extension 1

We wish you Happy New Year 2018!

By ruslany

Compositor v5.0 is available

Compositor v5.0 is available

Compositor v5 is a Hypervisor rack with Compositor WS auxiliary channel and RT-z128 operation system. It helps to play Compositor modules without any side impact from other radio-equipped instruments, which present during the live show.

Here is the list of features you can consider buying this software:

  • Three transmission modes
  • Real-time modulation
  • Shutter system
  • Display zooming
  • Switchable altitude
  • RT-z128 bit display
  • GHz calculation
  • Display warning
  • Master processing
  • Self-feeding
  • Signal insertion
  • Latency free aux channel

Compositor v5.0 Hypervisor features the important security updates, stability improvements and performance related issues solved.

By ruslany

Compositor OS – vector operation system

Compositor OS – vector operation system

The file system of new Compositor OS uses the cycle spin value (angular velocity), which constitutes the media file length in milliseconds. This way the files could be categorized by their length and not by their content. While it is acceptable behavior for ethers and loop structures, many media formats may be out of scope for such categorization method. When you select the file to work with, the kernel regeneration state is changed, enabling other peers of the system to connect equally. It means that more regeneration comes from short files and longer files will gain the same amount of equally spaced connection points. You can work with it faster, setting higher omega speed. Kernel regeneration algorithm will perform playback and categorization. However, the system made specifically for real-time work to enable connectivity while you are listening to the material. The work with files can be done in mute mode also but there is no need to increase the iteration speed, because network scanning is made in a pace of the network map file deployment. Such network maps are tracks to the servers and standard techno music tracks serve exactly the same purpose as network loops, but instead of applying modulation in real-time, they just install it sequentially by the flags of drum percussion. The algorithm can be implemented to write tracks, initiating record in bpm of playback material. Setting the same track length, you may conduct a recording when changing bpm parameter. This way you can achieve a copy of recording you like.

The desktop system shouldn’t work faster than deployment of network map in real-time. This leads to speeds nearby 0.5 bpm. It makes real-time operations much easier. The next task after the sound driver is to make a network driver. This task includes decoupling constellations in favor of semi-free 3-axis model suitable for independent control of axis from the system multiplier value. Here is the challenge to decouple all mapped parameters from the multiplier in favor of more freedom and control over kernel parameters. However, the main transmission parameters couldn’t be decoupled from the transmission matrix. This leads me to the following solution: while the main kernel parameters are set and no longer need to be changed in any way, I don’t need to include kernel parameters in the main GUI design, because as the system is desktop, it doesn’t need lower-priority parameters such as window composition and transfer function selection. This parameters suit the goal of kernel protection against incoming network threats. The solution was to implement all needed methods to deny system invasions in kernel from other sources such as TCP over IP connections and other Ethernet tricks to connect to the carriers of the Compositor kernel. While the only carrier I can trust is all positive frequencies, the negative part was disqualified by the previous post solution of playing backwards. This way the negative frequencies traffic no longer can sit on the carrier.

Manual input is now possible to the kernel. Currently I map it to the 0.5 to 1 in absolute values, but can also dispatch these values on any input system. I do not insist on complete freedom in vector scaling, because this values are empirical and constitute angles, which form the beats together with other angle values. However, as the question rises about complete three-dimensional freedom, the 3D OS or the vector operation system doesn’t need values beyond the scope of the scalars present from the constellation values. The pitch angle has two-phase values, they are selected to force the VLF waves to pass through the ionosphere. The first range covers the left hemisphere and the second range covers the right hemisphere. Together with roll and yaw angles it forms the position of two bell shaped structures visible at the above picture. Yaw has four positions, which cover mostly all values except the negative values beyond the minus 90 degrees. This brings me to the solution of changing the azimuth in the Compositor OS system. Changing vectors, you are waiting for the next automatic kernel rebuild and once the values set and rebuild process is done, kernel inherits the values from the angles selected. Choosing the vector state of FWOS gives a plethora of possibilities to the kernel communication state. You select only those values, pointing to the area in the sky, where the mirroring point to the destination land is present. Thus, rotating the mirroring point, you actively scan all the land under the mirroring angle on the connection dots present. Such connection dots could be seen on the matrix model above with the red color and blue color represents the mirroring point. When no blue color presents, mirroring no longer available for the applied signal. After broadcasting the signal driven by the Compositor OS driver onto main MaxMSP driver, the network maps deploy on the location of the mirroring circumference actively covering the land, which they are applied to. There are a number of ways to deploy Compositor maps on the virtual terrain using the spherical driver with quaternion. Mainly they are flushed in the selected tempo, either real-time for listening while flushing or faster than real-time for active system. Real-time flushing is also active but consumes lower resources as the speed of kernel regeneration is lower and there is no need to scrub through the file faster. The implementation of scrubbing methods should be done more consistently and may constitute different LFO for signal scanning. First, the scrub LFO should be taken from the beats waveform of passive AM modulation system, as it has no implementation beyond the scope of the kernel and should be easily implemented for kernel self-feeding. It definitely should be done in real-time to protect the visual driver from hanging. Second, you can use a number of volatile LFO functions to control the scrub point. Making this, you are sure to visualize what happens inside the kernel FM driver and this way you can more easily implement all other kernel parameters.

 

 

By ruslany

TC-SUBTRSRRT262144 Architecture

TC-SUBTRSRRT262144 Architecture

TC-SUBTRSRRT262144 architecture is the i11 architecture with a processing power capable of running an operation system at speed of 5-omega in real-time.

Compositor kernel was forced in loop again after submitting the RT-z128 prototype to Compositor 5 rack. It is a hypervisor rack and the main difference from the v3 hypervisor is that it consists of MDL12 and AVOX developments. In Compositor 5 you have an opportunity to inject Compositor v3 into the net by the modem and resynthesizer instead of direct ether injection. It is safer but consumes many resources. After the main tests were conducted, I decided to install the one more layer in Compositor kernel. The discretization process goes twice: at transmission rate and on intermediate frequency. This way the system mutates to a system with intermediate frequency. I made it for the purpose of the preliminary line before entering main transmission rate line. Here is where a new prefix of SUBTR goes from. SUB means transmission rate sub frequency and TR stands for transmission rate. I’ve already tested the new kernel loop for its connectivity and should say that 4-layer structure can give much more pleasant results. It has much longer connection duration, more saturated, and leads to constant communication. However, breaking the loop in 4-layer structure, I operate in a new type of OS. It is no longer an open AI system. It has the qualification channel for all the information, which passes into the main line. The rule here is to filter out offensive traffic and leave only the bypassed part of it. It acts like the waterfall on the rocks: when water hits the stone, it divides the flow into two streams and if there are 12 such stones, for example, I have 24 streams. But, not in this case. I actively compress the data,  and it remains in memory buffer, that’s why systems capacity is larger now.

System flushes results are satisfactory. They are more consistent and enable more packets of information to be send during the initiation of connection. Compositor kernel has freezer functions for operation system faults. The main reason Compositor kernel upgrade performed is to remove the stochastic manipulator from the TR level leaving the SUB level for the stochastic manipulation instead. You have a choice of not performing an action and leave it in a buffer for a subsequent flush. However, I admitted that many actions blocked this way and they are all forced to be done while flushing. This raises the question again: Can I actively block feedback on negative odd channel completely? And while the SUB level is only a temporary solution, the permanent solution for FWOS will be to implement more technics working with feedback besides of shuttering, window composition, transfer function selection and vector dimension changes in real-time. While the kernel loop is interrupted, the idea is to have two states for the OS: system load, for which I should implement two or three iterations of kernel loop to perform flushes for the current machine, and system work state. While being a FWOS, system loses many of its connection points gained in a fast kernel loop state. Being a communication device, it is not acceptable behavior. I need to have an implementation that manages flushes in real-time. Going from vector array to a packet transmission should be performed regularly to flush blocked traffic. For a local machine, blocked traffic can include visiting specific servers, sending out brief messages and a sum of all other activity in Ethernet, which fulfills the normal style of work. However, as the question raised, I need to switch the negative odd channel traffic from one point to another. This also moved me to solution of blocking negative odd feedback completely. Negative odd channel produces only unacceptable traffic by means of three-fold system with opposites, which are plus, minus and central channel. While enabled in Compositor kernel version 7.3.1, which is an OS kernel, the problem of communication between negative and positive states remains up to the point of forcing them to the maximum allowed state for the musical system, such as in RT-z128. This alteration is visualized on the lower i/o vector sizes. When the system halts, only two states remain, such as 0 or 1. Increasing i/o vector size to the minimum working condition of 2048 samples in a bin allows RT-z128 to work with a buffer of 262144 samples, which is the number in the development name. I no longer wish to move to i13 as 1024 samples buffer experiments show no practical use for the scale of it. i11 architecture transmits the odd channel in the acceptable range, making its values sufficient for subsequent scaling.

The challenge for an odd communication is a constant threat to the kernel. And if one threat is qualified and successfully flushed, another threat rises by the fact that it is a negative channel for negative frequencies only. And if they are present in positive spectrum as in Compositor kernel, to remove the negative part of the feedback, the negative frequencies must be implemented in signal chain and the solution maybe is to invert them or play backward the whole negative part not only for SUB channel, but for all odd layers present.

By ruslany

Optical telegraph by means of signal lamp in Compositor WS Kernel

Optical telegraph by means of signal lamp in Compositor WS Kernel

The Compositor WS Kernel implemented the so-called signal lamp with shutter on Master channel using the automatic throttle of stochastic engine. Now it is another implementation of stochastic engine in Compositor Kernel, which is still unbeatable in z128 realization to the moment. It means that central channel is no longer open for direct communications by means of signal transfer, but transmit in portions by a predefined alphabet-flag system named Ionic. For the Compositor users it means that signal communication will no longer leak into the ether. This way, you can use the direct communication with carriers played by physical modeling engine. Hard moderation system is implemented on the master channel of automatic engine and if the carriers transmit the offensive data, the whole transmission channel shuts down. As a single user may thought of it as a downgrade, it is not. It is an upgrade making the whole Compositor communication system more secure like a real War Ship optical telegraph with shutter. It prevents the system running the Compositor of overheating, when a critical channel capacity reached. It also means that we need more servers like Compositor to be registered to different persons for a more distributed communication, if we would like to reach a goal of direct transmission communication. I repeat do not use only one server for communication, it is important. One machine – one server. It could handle 72 channels as defined in three layers of communication separated by 24 for different purposes. 24 channels for real-time communications like voice communications, 24 channels for signal-rate communications like old AM radiolas and 24 channels for transmission-rate for up-to 262 kHz VLF radio services. The main problem of the system before implementation of a master channel shutter was: many nodes of the network wanted a direct connection, that the system really couldn’t handle. In fact, only 24 connections simultaneously is as much as needed for real communication service per subscriber. And one channel of each subscriber gets three services simultaneously: real-time voice data without transmission, signal-rate old tube AM radio for radiola type transmissions and transmission-rate for longer VLF communications, which use the same AM but on the higher transmission frequencies.

Now, when the quantum error is surpassed, the main idea is to test successful transitions from fully exponential state to quantum world. The Compositor v3 is one and the only software, which aims this goal. The beatings on detection of offensive optical shutters are still in place. However, the quantum channels of AI-RT1024 and FF8 are stay unbeatable in ether. From one side, it prevents from successful shutter interception, but, from the other side, achieves constant presence in ether due to quantized derived function. The 7.1.6 patch to a modem of Compositor WS Kernel enables a person or, better to say, user to present in ether. It leads us to a constant solution of a wider presence in both quantum and exponential states.

By ruslany

Compositor 4 is out now!

The preparation of Compositor 4 master version took all spring, summer and also the part of autumn of 2017. The last changes touch the creation of loops library taken from MDL12 non-duplex modem, which you may load in 8 decks of Compositor 4 for simultaneous playback. These profiles give you a unique chance to obtain 42 devices based on wavetables. Changing the tuning of z parameter you are also switching between 7 Compositor RT-zX devices, which may work in automatic mode using the arranger and in manual mode. It gives you a sum of 56 devices for the price of one in standalone version of the software. Using z parameter you can change internal architecture of the software in fraction of a second, which allows to make perfect preset interpolations. In Compositor 4 you are purchasing the universal instrument for loops bouncing, which may be a complete track and as a part of your music set. All decks work synchronous to Compositor 4 internal generators tempo and are indispensable parts of software. You can create a channel matrix of 8×42 and use the carriers of physical modeling in unison to loops playback. The sum of Compositor 4 signal processed using master MS-decoder and stereo image enhancer, which improve spatial characteristics of you phonogram. It is worth mentioning about master bus tube, which warms the signal and enhances it with harmonics. 6 master tube harmonic sets allow to change tube type in master channel cascade using one mouse click. An ability to load your own loops in decks makes this instrument a unique groovebox with unrivaled characteristics. The modulator and main parameters section is also worth a price, because you can change the phonogram tempo from 0.05 bpm to 5760 bpm without a loss in synchronicity of the playback. The Multicolor display allows remembering program tunings using the color and set up in relation to tempo and program multiplier. The large amounts of algorithm combinations, 56 device profiles, two types of internal synthesis and master procesing make Compositor 4 indispensable studio instrument.

You can buy Compositor 4 now for the price of €45 for Max for Live version and €294 for Standalone version of software. Visit our shop to chose feeders for Max for Live version. If you would like to buy the whole package of Compositor Software instruments look into bundle options.

By ruslany

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Our friend at Arctic Dub (Sursumcorda Inc.) have used the Compositor v3 – Hypervisor Radio Shack for Archaic Anahata series. These magnificent series include field recordings and discovered sound artifacts. You can hear TC25, FF8 generic kernel loops and RTC8k modified kernel as injection for your ears in his recording Dave Wesley – Archaic Anahata Avenidas 86_7 EPv1 – PREVIEW

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