Compositor SoftwareCompositor Software

Category : Amateur Radio

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players


3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players


3 FM generators

Compositor v3

Real-time sampling of material


4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling


Self-feeding 262 kHz VLF radio with one FM generator, arranger

By ruslany

Lobbying the aggregate devices poll

Lobbying the aggregate devices poll

You can go into the ether from any sounding object. The only condition is that it must excite an ether. For example, you like the sound of your car door-lock and want to go into ether with it. First, you need to pick up such sound and create an ether loop of it. Then you need to load 2 Bar loop of this recording into Compositor 4, set up an engine and press Ether. You will probably hear an Ether excitement at this point sounding like woo-hoo signal. This is one-step further to aggregate devices like no-name mobile phones with device profile loading feature. The future of devices is aggregate because of this property of exciters.

Note: Any commercial phone device contains an exciter in its output chain. Without these exciters, no connectivity is available for your phone and no network signal will present.

By ruslany

Compositor 4 Extension 1 Beta Bounces Press Release

There are 12 beta bounces in Compositor 4 Extension 1 packet, which cut on masters in WAVE 22.05 kHz 24-bit format for subsequent pressing on vinyl or writing to a tape. Beta Bounces, as the name implies, are not a final series of Compositor 4 extensions. The HB – High Bounces and AB – Alpha Bounces will be released also. The device profiles database is updated with Beta Bounces under BB prefix. There are 43 radio loops in the set, which add device profiles of different purposes to Compositor 4. To check if they suit the ether you can load the presets from four banks, which delivered in Beta Bounces set, and press the Ether button after calling the preset. Radio loops create an ether, and Compositor 4 builds them to the point, when they are recognizable as devices in the ether to which this ether is attributed, but is not the original broadcast from which the loop is recorded. Radio loops may be used not only for broadcast design in film industry, the semantics of radio loops language ideally suits for chemical composition. For example, radio loops may be viewed as the link chains created in the places, where these sounds connect. The simultaneously played sounds depict the valence of link and the transitions between the sounds are the number of these links. For example, three step melody, where the first step starts on the three notes chord may depict the three valence link in the beginning and two one valence links going afterwards. Radio loops are suitable for the cyclic compounds, such as octane links. It brings Compositor 4 in a row with devices for compositing materials. In such case, master cuts suitable for ether mixtures, which are subsequently fixed and become concrete materials.

By ruslany

The i11 architecture

The Compositor 4 software is based on Generic Kernel 7.0.2 of i11 architecture. It is twice faster than i7 intel processors. It is counted this way: i11 contains 12 harmonics based on the Carson’s rule, i7, on the other hand, contains 8 harmonics. Dividing 12 on 8 the number of 1,5 is received, which is the number of processor speed increase.

The Compositor 4 couldn’t be realized without the Spherical Interaction driver injection in Compositor kernel 7.0.2. This driver enables the status bar, which works for all z values. Spherical Interaction driver is active only for Sr layer and gives statuses for other layers.

The i11 is a tube architecture and emulation of this can be found using Waveshaping modules of Compositor 4. The real tube lamp is on the master channel (Waveshaping 2) as it stays in front of the master output without dc-offset trimming. This also merges the device with old tube radios. Tube characteristics can be found on waveform display and look like the spine of the rising and falling curves of waveform. The more it is smooth and proximate to vertical line, the faster tube is emulated. Most realistic tubes are on z=128. You can emulate transistor lamps with 2-4-6-8 mesh or valve lamps with 2-3-7-8 mesh. You can also emulate tape effects on z=128 selecting the Rt layer. This is an effective tuning of the Compositor 4 instrument. On lower z values, decimation is too hard to achieve the modern lamp or tape technic.

Extra additions to manual: You should turn Ether on to overexcitate the lamp at initial tuning of the system and turn off Ether while achieving communication with equipment.

By ruslany

Compositor 4 is out now!

The preparation of Compositor 4 master version took all spring, summer and also the part of autumn of 2017. The last changes touch the creation of loops library taken from MDL12 non-duplex modem, which you may load in 8 decks of Compositor 4 for simultaneous playback. These profiles give you a unique chance to obtain 42 devices based on wavetables. Changing the tuning of z parameter you are also switching between 7 Compositor RT-zX devices, which may work in automatic mode using the arranger and in manual mode. It gives you a sum of 56 devices for the price of one in standalone version of the software. Using z parameter you can change internal architecture of the software in fraction of a second, which allows to make perfect preset interpolations. In Compositor 4 you are purchasing the universal instrument for loops bouncing, which may be a complete track and as a part of your music set. All decks work synchronous to Compositor 4 internal generators tempo and are indispensable parts of software. You can create a channel matrix of 8×42 and use the carriers of physical modeling in unison to loops playback. The sum of Compositor 4 signal processed using master MS-decoder and stereo image enhancer, which improve spatial characteristics of you phonogram. It is worth mentioning about master bus tube, which warms the signal and enhances it with harmonics. 6 master tube harmonic sets allow to change tube type in master channel cascade using one mouse click. An ability to load your own loops in decks makes this instrument a unique groovebox with unrivaled characteristics. The modulator and main parameters section is also worth a price, because you can change the phonogram tempo from 0.05 bpm to 5760 bpm without a loss in synchronicity of the playback. The Multicolor display allows remembering program tunings using the color and set up in relation to tempo and program multiplier. The large amounts of algorithm combinations, 56 device profiles, two types of internal synthesis and master procesing make Compositor 4 indispensable studio instrument.

You can buy Compositor 4 now for the price of €45 for Max for Live version and €294 for Standalone version of software. Visit our shop to chose feeders for Max for Live version. If you would like to buy the whole package of Compositor Software instruments look into bundle options.

By ruslany

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Our friend at Arctic Dub (Sursumcorda Inc.) have used the Compositor v3 – Hypervisor Radio Shack for Archaic Anahata series. These magnificent series include field recordings and discovered sound artifacts. You can hear TC25, FF8 generic kernel loops and RTC8k modified kernel as injection for your ears in his recording Dave Wesley – Archaic Anahata Avenidas 86_7 EPv1 – PREVIEW

By ruslany

Compositor Software virtual servers

The Data Center inside a PC is available thanks to Compositor Software virtual machines. White noise attack registered at 7:25 and successfully rejected by RTC8k holographic radar.

You can watch how Compositor Software technology progressed in the current video. Starting with 4k holographic radar RTC4k Compositor Software system upgraded to RT-z128 becoming 64 times faster within two years. There is also a counter solution Compositor RT-zX, which can unlock all of the current Compositor Software autonomous systems. Hence, its use for the radar system detection. Music wise all that is above RT-z16 sounds like a digital modem with lower z values bringing the analog quality alarm sounds. You can find RTC8k inside Compositor v3 bundle. The unlocker for all z systems will be available inside Compositor RT-zX later this autumn. The ability to switch z values gives not only new sequences inside one instrument but also a possibility to switch platforms within one single mouse click without a need to wait minutes for standalone system loading.

Learn more about RTC8k, which is the part of Compositor v3 Hypervisor Radio Shack software at

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.


Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

By ruslany

Compositor RT-zX for game industry

Compositor gameplay

After building the automatic part of the program code for Compositor RT-z128 application, main goal is to test this standalone as a music application. Such test includes the creation on its base of the virtual hybrid synthesizer Compositor 4 with RT-zX marking, which has the ability to switch layers and also the z parameter in wide boundaries. RT-zX generates melodic patterns in relation to locations in RT-z128 coordinate system. Virtual synthesizer RT-z128 subdivisions on physical modeling, waveshaping and granular synthesis. This gives three types of synthesizers in one: the first one sounds as an organ, second has a harsh wave distortion sound and third is subtractive, analog modelling synthesizer.

The coordinate system tunes in different sequences and sounds. There is an ability to switch sequences using Phase and Constellation (coordinate system vectors) changes. Each of them tweaks the programmed location on which vector is pointed.

On the RT-zX display you can view the direction on this map location, which constitutes the particular sound. In RT-z128 there are internal generators – this is your player signal. Also, program can receive the external radio ether signal – this is the second player signal, which played on analog synthesizer and resynthesized using system RT-zX waveguide. This way the identification of friend or foe on the game map is achieved. When you wish to know the location of player 2, you turn off the physical modeling and waveshaping modules, making an amplitude of this modules in GUI on 0. In RT-zX physical modeling modules marked as Window function 1, 2, 3, and wave deformation as Waveshaping 1, 2, 3. The signal, which you hear when the RT layer is turned on, constitutes the signal of external synthesizer, which is used to mark second player map locations. Next, your task is to sample the map with the use of RT-zX – you find the locations, which constitute the different vector orientations with the use of second player synthesizer sounds. Using the Constellations menu, you change the display of map locations, and this way open the field map. You find the merging map areas using multiplier as an instrument of orientation after setting the right Constellation. You are starting the game with the closed field and sound textures, which constitute RT-z128 soundings replaced for music design in such a way, that each synthesizer pattern constitutes only one melody. What is more you are hearing melodies of your player, which are based on melodies played with internal physical modeling synthesizer of RT-z128, but your opponent hears melodies, which are based on the replacement of external analog modeling synthesizer RT-zX.

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