Compositor SoftwareCompositor Software

Category : Algorithmic Composition

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players

No

3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players

Yes

3 FM generators

Compositor v3

Real-time sampling of material

No

4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling

No

Self-feeding 262 kHz VLF radio with one FM generator, arranger

By ruslany

Musique Concrete with Compositor Software

Musique Concrete with Compositor Software

Musique concrete method using the Compositor Software instruments is fully mastered. It is not that hard from the beginning. The more lows are introduced, the more it is concrete. The isosceles triangle deployment under Compositor 4 Max for Live gives a constant ether, but the quantum stochastic field by means of AI-RT1024 is also needed in a channel. This way it gives channel sweeping in real-time giving a presence of concrete philosophical ideas right from the beginning of audition.

Auditioning of concrete music

First, to have a concrete feeling you need to fix an ether mixture of your thoughts grabbed with MDL12 modem. The Ethernet mixture is a needed fixed material presence over the Ether, which you may listen to repeatedly with the same feeling. The main idea of such performance is to have a first time listening effect over continuous life of the musical composition. In such case, every musical composition, appeared on commercial market, fixed through its own exciter. Building from a previous post, it is a moment, which excites you most. Making a wavetable out of it and loading through a mastering processor, you are recording the concrete files of the translations happening in Ethernet mixture. Then you get back to the resolution, you making before going into the direct ether. Direct ether is characterized by the absence (partial or complete) of auxiliary injection into the feedback mechanism.

This resolution is a final medium for the audition and becomes concrete, once the evidence of concrete files is present. You may also wish to add these concrete files to the resolution, however it is not needed. Just submit those concrete files onto your acoustic system before listening to your music with Compositor. This procedure should happen once and may be reinitialized periodically when the concrete feeling is gone. You can also give the deployment recording to your listeners, it will also sound concrete. Resolution and deployment are two main files, which should go to the release, but I must admit that deployment without quantum stochastic field does not give a continuous impression fixing you on a moment neither the process of building. Tempo changing in concrete materials are insensitive.

Macking up with concrete building blocks, you arranging concrete wall out of bricks, but before ether is fixed, it sounds like the flowing liquid. The modem becomes concrete also. As it goes faster and faster,  the more you think, the more you notice the slowness of its behavior wanting to speed up it a little. It is normal. 300 omega is a very fast speed, but for concrete, it is not that fast as a molecular structure or better to say peer-to-node structure is increasing due to the fixation of ideas. Direct ether under quantum stochastic field wants to jump out but it is also normal, it will never jump out on a medium file, however the tests under the direct translation with fixation are needed, e.g., transcoding in real-time.

By ruslany

Compositor 4 is out now!

The preparation of Compositor 4 master version took all spring, summer and also the part of autumn of 2017. The last changes touch the creation of loops library taken from MDL12 non-duplex modem, which you may load in 8 decks of Compositor 4 for simultaneous playback. These profiles give you a unique chance to obtain 42 devices based on wavetables. Changing the tuning of z parameter you are also switching between 7 Compositor RT-zX devices, which may work in automatic mode using the arranger and in manual mode. It gives you a sum of 56 devices for the price of one in standalone version of the software. Using z parameter you can change internal architecture of the software in fraction of a second, which allows to make perfect preset interpolations. In Compositor 4 you are purchasing the universal instrument for loops bouncing, which may be a complete track and as a part of your music set. All decks work synchronous to Compositor 4 internal generators tempo and are indispensable parts of software. You can create a channel matrix of 8×42 and use the carriers of physical modeling in unison to loops playback. The sum of Compositor 4 signal processed using master MS-decoder and stereo image enhancer, which improve spatial characteristics of you phonogram. It is worth mentioning about master bus tube, which warms the signal and enhances it with harmonics. 6 master tube harmonic sets allow to change tube type in master channel cascade using one mouse click. An ability to load your own loops in decks makes this instrument a unique groovebox with unrivaled characteristics. The modulator and main parameters section is also worth a price, because you can change the phonogram tempo from 0.05 bpm to 5760 bpm without a loss in synchronicity of the playback. The Multicolor display allows remembering program tunings using the color and set up in relation to tempo and program multiplier. The large amounts of algorithm combinations, 56 device profiles, two types of internal synthesis and master procesing make Compositor 4 indispensable studio instrument.

You can buy Compositor 4 now for the price of €45 for Max for Live version and €294 for Standalone version of software. Visit our shop to chose feeders for Max for Live version. If you would like to buy the whole package of Compositor Software instruments look into bundle options.

By ruslany

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Compositor v3 in Arctic Dub (Sursumcorda Inc.) series

Our friend at Arctic Dub (Sursumcorda Inc.) have used the Compositor v3 – Hypervisor Radio Shack for Archaic Anahata series. These magnificent series include field recordings and discovered sound artifacts. You can hear TC25, FF8 generic kernel loops and RTC8k modified kernel as injection for your ears in his recording Dave Wesley – Archaic Anahata Avenidas 86_7 EPv1 – PREVIEW

By ruslany

Compositor Software virtual servers

The Data Center inside a PC is available thanks to Compositor Software virtual machines. White noise attack registered at 7:25 and successfully rejected by RTC8k holographic radar.

You can watch how Compositor Software technology progressed in the current video. Starting with 4k holographic radar RTC4k Compositor Software system upgraded to RT-z128 becoming 64 times faster within two years. There is also a counter solution Compositor RT-zX, which can unlock all of the current Compositor Software autonomous systems. Hence, its use for the radar system detection. Music wise all that is above RT-z16 sounds like a digital modem with lower z values bringing the analog quality alarm sounds. You can find RTC8k inside Compositor v3 bundle. The unlocker for all z systems will be available inside Compositor RT-zX later this autumn. The ability to switch z values gives not only new sequences inside one instrument but also a possibility to switch platforms within one single mouse click without a need to wait minutes for standalone system loading.

Learn more about RTC8k, which is the part of Compositor v3 Hypervisor Radio Shack software at http://www.compositorsoftware.com/compositor-v3-hypervisor-radio-shack/

By ruslany

Compositor Feeders audio demo

Not the best task to record signal generators, which should stay masked in an audio channel. But as our talk is about music, then its main property is the definitive score of such music. For signal generators, which Compositor Feeders are, such definitive score could be only a recording or displaying the main function of a program. The audio recording I made is for AI-RT1024, FF8, N9000, TC25 Max for Live devices and samples the work of generators using internal Ableton automation. As all main Compositor Feeders parameters mapped to a feeder tuning parameter, then switching presets is a task of changing of feeder tuning. Below you can hear the main stable tunings of generators sampled in Ableton Live 9 software.

 

Compositor Software portfolio broadens and fills with information

Now portfolio of Compositor Software includes definitive technical characteristics of several feeders and information about it will be broadened in a process of learning their properties and application in practical situations. The company web site fills with information and internal links are made. AI-RT1024, FF8, N9000, TC25 all have their own pages in category Portfolio, where you can learn, for example, the diameter of a circular area of devices work. When Compositor Feeders routed to SASER SAS24P3L channel in Compositor v3, they have own speed of wave propagation in virtual field measuring in knot. In addition, you can find full list of instruments and generator functions, which the main station Compositor RT-z128 has. This station (available 24/7) provides the security in Spherical Interaction Network communications.

By ruslany

Compositor RT-zX for game industry

Compositor gameplay

After building the automatic part of the program code for Compositor RT-z128 application, main goal is to test this standalone as a music application. Such test includes the creation on its base of the virtual hybrid synthesizer Compositor 4 with RT-zX marking, which has the ability to switch layers and also the z parameter in wide boundaries. RT-zX generates melodic patterns in relation to locations in RT-z128 coordinate system. Virtual synthesizer RT-z128 subdivisions on physical modeling, waveshaping and granular synthesis. This gives three types of synthesizers in one: the first one sounds as an organ, second has a harsh wave distortion sound and third is subtractive, analog modelling synthesizer.

The coordinate system tunes in different sequences and sounds. There is an ability to switch sequences using Phase and Constellation (coordinate system vectors) changes. Each of them tweaks the programmed location on which vector is pointed.

On the RT-zX display you can view the direction on this map location, which constitutes the particular sound. In RT-z128 there are internal generators – this is your player signal. Also, program can receive the external radio ether signal – this is the second player signal, which played on analog synthesizer and resynthesized using system RT-zX waveguide. This way the identification of friend or foe on the game map is achieved. When you wish to know the location of player 2, you turn off the physical modeling and waveshaping modules, making an amplitude of this modules in GUI on 0. In RT-zX physical modeling modules marked as Window function 1, 2, 3, and wave deformation as Waveshaping 1, 2, 3. The signal, which you hear when the RT layer is turned on, constitutes the signal of external synthesizer, which is used to mark second player map locations. Next, your task is to sample the map with the use of RT-zX – you find the locations, which constitute the different vector orientations with the use of second player synthesizer sounds. Using the Constellations menu, you change the display of map locations, and this way open the field map. You find the merging map areas using multiplier as an instrument of orientation after setting the right Constellation. You are starting the game with the closed field and sound textures, which constitute RT-z128 soundings replaced for music design in such a way, that each synthesizer pattern constitutes only one melody. What is more you are hearing melodies of your player, which are based on melodies played with internal physical modeling synthesizer of RT-z128, but your opponent hears melodies, which are based on the replacement of external analog modeling synthesizer RT-zX.

By ruslany

Compositor 4 demo reels

At the present day there are three demos of Compositor Software new product Compositor 4. It is audio recordings made using this instrument in July 2017.

In first recording you can hear manual work in a studio session on-air, layer changes and modulation switches in real-time.

On the second recording you can hear the internal Compositor 4 feeder sounds produced as a techno track. Parts generated and recorded in Compositor 4 Standalone version are used for loop playback. Compositor 4 Max for Live version is used as a mastering processor. You can also hear noise ambiences generated using Compositor 4 Standalone made for this record.

 

The third recording is an automated session in Ableton Live 9 with the use of Compositor 4 Max for Live synthesizer. In this recording you can hear the most actual sequences and arpeggiator patterns of Compositor 4 synthesizer played one-by-one on-air.

Compositor 4 instruments recording has similarities in Standalone and Max for Live versions of the software.

By ruslany

SASER SAS24P3L sale! 25% off

Dear friends,

I am glad to announce the SASER SAS24P3L sale! 25% off! Price with discount is 53,21 €. Good opportunity to buy Max for Live or standalone version of software!

SASER SAS24P3L features:

  • One-dial performance
  • Cross platform licenses (Compositor v3 and Max for Live)
  • Stereo-image enhancer
  • MS coding
  • Ableton Live tempo synchronous operation
  • One-window layout visual appearance
  • Scanner with automatic mode
  • 16 types of AM modulation
  • 12 phase-distortion presets
  • Automatic digital mixer
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switch to save CPU resources

Auction terms: 21.07.2017 – 28.07.2017.

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