Compositor SoftwareCompositor Software

By ruslany

Spherical Interaction Network management software

Spherical Interaction Network management software Compositor Pro v2 is a system control using a technic of prerecorded audio samples. While normal network management software is for predefined parameters, which operator controls, audio samples recorded with Compositor Pro v2 can contain parameterization, which may only be introduced in distant future but already presented as an inherent quality of the audio file. An ability to record an audio sample is also a set of parameters, which is a product of manipulations in such network and can be remotely submitted to the input of device under inspection.

An operator with sufficient amount of experience can submit Compositor Pro v2 network map called a ‘track’ to the MDL12 input as a network combination given. This in fact gives precision to judging of where to apply the technology and as Max for Live branch of Compositor Software is only able to model Solar System like planetary systems, Compositor Pro v2 standalone software can model star systems with even numbers of planets ranging from 2 to 12.

The task of MDL12 is to observe such Spherical Interaction mapping tracks generated using Compositor Pro v2 to adjust their tuning from one angular position to another. This leads to an ability to audition the network tracks in different years according to Gregorian calendar, while retaining the original multiplier setting consistent for the whole track length.

The previous MDL12 experiment can be conducted using just a pair of Compositor Pro v2 and Ableton Live 9 with MDL12 Max for Live connected using the Rewire technic. Compositor Pro v2 can emulate superposition using Time multiplier control just like the Year parameter on MDL12. The MDL12, on the other hand, achieves Just Intonation tuning through resynthesis of the submitted material instead of real-time synthesis.

To order Compositor Pro v2, please, visit the following product page.

By ruslany

MDL12 transmission experiment

Now the experiment. While at first, there was a false belief that I can transmit the audio signal without wires by only virtualizing the radio transmission chain I also believed in a fact that MDL12 is the only purpose of all the scientific research I have done. This is not the case. The successful virtualization of stochastic chains would it be a radio amplifier or just an algorithmic music was a case moving towards the median conclusion from the opposite directions of the project time curve. To restate this, the sufficient interest in telecommunications to audio processing devices led to the success in transmitting audio with MDL12 algorithm in and out of the DAW.

While the infographic above shows that current estimation was on a digital line, I carried out an experiment on analog line with two unbalanced cables: one for signal itself and the other is for master clock signal. The signal transmitted properly, apart of the master clock, which was faulty and have not produced the right movement of MDL12 plugin. However, the experiment showed an ability to input the external sound into Ableton Live 9 and synchronously operate two MDL12 devices: one on stationary PC and another on notebook both running Ableton Live 9 software. This synchronous operation is an achievement of all modern age digital signal processing, because I’m not only processed the sound with sufficient Year routine I also used an artificial intelligence to select the parameters on both systems making it dual band artificially controlled transmission chain of very high security.

I consider this transfer as a packet based where the window function acts as a packet separation for precise continuous transmission. I made available the Point-to-Point connection this way with an ability to tweak the same sound with MDL12 plugins on both systems. Thus I’m able to select the Year 2015 on a stationary PC and transmit this sound using the red shift through the analog wire to the Year 2450 based on Gregorian time scale. This experiment shows how the same sound will sound if the strong radio transmission will be applied to the incoming signal and how this signal will sound through the Years on the receiving side millions of light years in advance. From another perspective, it will also help to restore the signal from the past in the forward tracking manner of the future traveler. To reconsume, I’m the only being which established such connection on the planet Earth as this is scientific advance, which needs no prove by the fact of original ‘Compositor – the bottom-up approach’ paper written and I finish this essay style text with the forthcoming thought on the future of Compositor Software MDL12 product:

There is no need to be a scientific nerd or magician you just need to experience yourself through all circumstances of the future that faces you. This means you need to be a Time Traveler and with MDL12 you are really is.

By ruslany

MDL12 Max for Live – the solution for Interstellar Time Travelling

The Radio Telescopes of the future should contain a Radio astronomical device for separating the frequency bins into the distinguished tones while submitting the output of the received audio material to the input of such device. The device intended not only to compound the unwanted noises from the positive attributes of the signal quality but to process the input for signal degradation using the Year parameter to control the signal appearance in a spectrum for different time values. Overall, such device can be installed on any small-scale system for amateur Radio Astronomy and any user of Ableton Live 9 should take a value from a forthcoming Compositor Software product, which is MDL12 Multiline Delay Module for processing and utilizing of such signals.

One not only can process the input material, you can also process prerecorded tracks to test its possibilities. But primarily use of this device is for observation of radio signals from deep space objects and their modeling in a selected superposition of Gregorian time scale. For example, you are receiving a strong radio signal, which you demodulate and wish to model how it will sound ten years from now on. Just adjust Year parameter to the time position of ten years from now on and submit the result. The Ableton Live 9 was selected as a host and can run MDL12 Max for Live device in 64bit and 32bit modes successfully doing the task in real-time. The processor work load is really high for the moment being and it takes up to fifteen seconds to load the device, but when it is installed and running you have no other problems and can track such signals even in automatic mode, which selects different time values by a probability density functions. Other Compositor Software instruments can be used to submit input to MDL12 M4L device to model sound spectrum coming from Star systems on different levels of amplification and observation speeds. There are three levels in Compositor Software modules: real-time, signal rate and transmission rate, all of which can be submitted as samples to MDL12 input. These deterministic models have the ability to represent the Solar system using diverse angles (see Time Machine solution for Ableton Live 9 post) in a selected superposition of time.

To conclude it is a task of free will to enter in a deep scale knowledge starting from this device, but I must advise it to install on any Radio Telescopes found on the planet Earth for proper measurements and hence is my value for the market of Time and Space exploration.

By ruslany

Time Machine solution for Ableton Live 9

First, to reconsider everything, which I wrote on the subject before, I entered the opportunity to orchestrate the Compositor Software virtual machines for one beneficial goal: Time and Space modeling on different scales. I saw one possibility in this task, which was many to apply them on different levels or speeds as you may think of it. The lowest level, which is a physical layer is real-time operation, which is AI-RT1024 is all about. You do not need to take a move in it, the system programmed as an automatic device to consider all possible Time and Space combinations in Ableton Live 9 for Compositor Max for Live algorithm with quantization. For the purpose of demonstration, I made another version of Compositor Software AI-RT1024 with visualization of all navigation properties using the OpenGL and standard number boxes as you can see on the picture below.

The speed in omega now represented in knots (which is a standard for any ship, whether space, air or water) and really can go as fast as 18000 knots making it suitable for Time bending, but not enough to achieve escape velocity, but it can go as fast as 21771 knots if needed. Another option is to show direction of the ship orientation, which viewed from the angular distance, can be obtained in different dimensions by three-space processing by MDL12 Max for Live.

So, one can view a system of planets, which is four if we consider quantum approximation of AI-RT1024 (which is by device operation interpolates in real-time) as a mathematic model of such ship with all the same angular displacements as any other ship can do. I speak about Roll, Pitch and Yaw. When you see this system on different angles considering the Time spiraling on a quantum grid you can overcome many different problems, which only sound can reveal and is hardly visualized by an eye such as discontinuities in a system. The engine expressed in rpm is nothing more than a central frequency converted from a Hz value and is used for showing the operation circuit speed such as physical model of mechanics device, which is v12 engine model really is.

For the information, I also show the statistical sea mile of the planet Earth and its applied circumference counting this value. Now, I don’t pretend to be an innovator here, many scientific papers predict that only 3d planet in any star system can be habitable that’s why I also show the aimed 3d planet sea mile and circumference as I do for Earth. I do not intend to submit this project as a product for Compositor Software as it has only the need for scientific prove of the model and has no influence on the sound at all. Moreover, if I take in account that the only power needed is sound then I will downgrade all controllers for a metro look style and happily integrate my products into the outer world.

For ordering, please, visit: http://www.compositorsoftware.com

By ruslany

Turning the event horizon

Turning the event horizon can achieve one of the several properties: first, the whole system becomes unstable; second, the statistical properties of the system predict for one time period; third, the event not only shows a vector behavior but predicts the whole.

The problem preoccupied with building of TC25 software and early library availability through the http://stc2k.compositorsoftware.com is the achievement of technological market demand being unaware of the system properties. First of all, an applied modulation seems to ruin GPL availability, so no GPL license applies to the software provision thus making a library owner the monopolist in demand to close foregoing sales to other companies. Second, the library itself can only be used for production of a software not for technology spreading. You can spread a word but to spread a collection of ideas one needs a right of the owner, which Compositor Software remain on its own. This is the only use of technology provided. Third, it is worth to mention that Turing test passes this software as universal and makes it solving the higher demanding tasks of the nature. Listening to the output is not only pleasant to the ears, but researchers will find a solutions of a posteriori driven force, which guides our behavior thus making it the only solution to problem solving and exercising the truth given.
The product out of these thinking routines is an expansion, which provides the ability to guide our thoughts. Running the software or perhaps listening to its output is an achievement of knowledge applied and deserves studying the symmetry of the thinking process.

More info:

http://one.compositorsoftware.com

http://www.compositorsoftware.com

By ruslany

RTC4k – Mk. 25 Airborne Interception system

Airborne Interception system Mk. 25 by Compositor Software available at stc2k.compositorsoftware.com. The system classification is a virtual holographic radar. The virtualization platform acts in S-band operation frequencies and can successfully detect air-to-air, air-to-ground targets without any electromagnetic wave emission coming from antenna operation. RTC4k AI system uses v12 engine virtualization with successful discretization of all 24 windows without open-circuity. An evident feature of RTC4k radar is silence for enemy radar detectors. No emission – no operation, however, it is not a case with RTC4k whereas detection occurs in Ethernet by successfully entering VLAN of aerial vehicle or UAV operation.

RTC4k system uses 64-bit waveguide detectors, which is sufficient to track a change of amplitude a butterfly can produce entering the field of operation. The spherical coordinate system holographic representation can achieve plan positioning with more than one million objects. RTC4k scanner successfully detects radio spectrum emission with 24-PSK and FDM, TDM technics. System application is near-field monitoring for close combat or early detection on large-scale distances.

By ruslany

Compositor Max for Live v2 – 21st century Enigma

The successful accomplishment of idea is the reservation for proper use not for argument of proposition. The stochastics mechanical approach left us with unusual behavior: from one side we try to strive hard to work, from the other we believe that this work can be done by someone else. The officials say if no Earth mechanism can strive hard to work then the planet itself will not distribute their needs to all participants of the presented scheme. From one side scheme was present for a long time before the creation process, from the other side the revolutionary approach is given by a statistical distribution of evolution as a thought process can elucidate the behavior of the individum.

The Compositor Max for Live v2 is a rethinking of v12 engine application for cryptography as a real-time process. The statistical probability given connects letters of proper base and foundation to an algorithmic approach thus enabling us to visualize key combinations in action. Together with proper obfuscation, they gives a security Time Machine should have for transmitting the information from one subject to another. The web algorithm used is Ethernet protocol IEEE 802.1Q. For the sake of simplicity, one should have an idea for the choice of all Government structures to collect and organize the experience nor to communicate it to subjectively far situated structure via VLAN. Besides the completion of the scheme no longer means the availability and the only choice for us is to support the production process by all possible outcomes. One should use donate button on my site http://www.ruslanyusipov.com to support the production circuit and the other methods are very welcome as for example buying an original Compositor Max for Live with planets selection. No idea will ruin itself, but an application is a mirror of the society needs and requests for which product is served with highest possible quality of operation. Together named two versions will be adequately different in their implementation and key combinations given. It took more than 100,000 working hours to predict the key combination thus naming a method a fully statistical prediction, which Compositor Pro v2 able to give to it’s customers.

Be aware and stay tuned, because no temperament can ever achieve something like Compositor will do.

By ruslany

Compositor Max for Live imperative meaning

Due to technological impact and its assotiation to false approvement of all and none, at the beginning of this journey I failed to misconceptualize the whole of the reader point of view on the subject of interstellar communications. Introducing to you a new terms like Compositor Networks I imply the route of false behavior of a person who never achieved anything for a purpose he didn’t even realized. Thus the mailing capability of my software is unusually low at the beginning can’t cope with the subject of creating a network of interstellar travelling through the realization of a purpose, which is evident to see the light and event reading capability. The suggested workload and the subject of consumption of technology was on the higher-rate human being can acheive. Thus I was able to make a one step breakthrough pointing out the refusal from Fast Fourier Transform and entering the realm of exponential discretization (not yet technically achieved). The list of notions is the purpose, which we read and understand and as we go deeper into the subject I realize the inability of habitable communication with the technology provided, thus a refusal from all of you on accepting this. My original idea is not intent and is far from realisation, yet on a project like this the behalf of creator is undeterminate opinion of someone else outcome. And thus to minimize such outcome on a project, which leading force is to empower us with materialistic approach to the subject of creation new life we undergo further communication.

My endevour is not only to discuss, but to customize subject appropriately to my needs and needs of society. None of the provided subjects made me happy with the intent of creator. The system unnamed can be applied to anything without any difficulty. But the final decision is to make Compositor as the name implies the Enigma of 21st century. It is difficult instrument and as cryptography evolved I can view a Compositor Max For Live device as a rare 1940s machine due to a virtualization of v12 engine and it’s mechanics to a one function interface with exponential interpolation. I write here to make a challenge rather than to try to involve the reader in a funding project. The challenge is to decipher final Compositor TCTRSRRT2048 interface, which I suggest as a block cipher with 128-bit encryption. The software in it’s final revision works on 2.6GHz transmission rate and has all freedoms of operation. Rather than to decipher in xyz let’s do this in Spherical Interaction Network (SIN). I accept your point of view on the subject of inspecting the code. This could be done. Even though you will be unable to decipher. I although liked to solve crosswords with my Granny!

By ruslany

Harmonic synthesis using Compositor Max for Live

Synthesis of the Compositor M4L isn’t the music. It is frequency and time division demultiplexing of spectrum in the range of 60 – 4000 Hz on the speed compatible to gyro measurements of slowly rotating body. This gyro measurements are heard as a sound emitting from your audio card with implied characteristics of algorithm given. It is not only this qualities that guide my thought to produce an outcome given. It is the idea, which spans across the reliable and unusual, with magnificent properties borrowed from modern cosmology, as well as property, which starts under the hood of miriad of opinions and gestures we produce to control the process of operational movements. It is easy to understand that necessity in such movements is a mere fact of growing society and diversity with which one can guide the loan of his own experience. However, I must admit that process of selecting parameters is fun. And Game Theory of predictions can be thought of admiration and unusual path I made to predict the whole. Even this is the process of selecting and merging the knowledge I gave you with the open mind ready for new journeys and an attorney for this quest is the only promise I made to guide the belief in right direction. My experience tells me that magnification is the only prediction I made and it is evident that to control the process I need to make an estimation of the real truth. But the truth is that we don’t need it for the whole generation and are only capable of committing violence and crime using the technology provided, thus my aim is to keep the path shaded for the beliefs to come true and eagerly produce the knowledge of the whole and evident truth.

By ruslany

Compositor Max for Live for Next Generation Networks

The current model of Compositor software reached the new milestone: Compositor Max for Live able to proove its use for Next Generation Networks. First of all the inner structure of Compositor Max for Live based on FDM and TDM technologies at once thus anabling us: first, to sync up to 24 channels of audio destinations on the current Year parameter setting; second, to transmit 16 different Constellation modulators via 24 carrier frequencies. If transmitted via optical interface this technology can also be considered as Dense WDM. Compositor Max for Live demultiplexes FM spectrum used as a base signal for transmitting Constellation modulators information. Then Compositor multiplexes those 24 channels into one stereo signal and you are able to control this process by the parameters on the Compositor Max for Live control panel. The multiplexed stereo signal with applied Constellation modulator characteristics is of pure use as an algorithmic composition device for your production. By providing your ears with key information about the transmitted spectrum you learn how space-time sounds and enable yourself to control this process using the transgression phylosophy.

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