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By ruslany

Compositor Software RT-z8 – the BMW Z8 in a world of audio clock generators

Compositor Software recently adopted the 16k technology. It was in the work for a few weeks and now I would like to present to you a breakthrough in a world of audio generators. From now on, the 16k patterns are available in Compositor Software RT-z8 Ethernet Aggregator device.
First, it is musical. Second, brilliant patterns switched by a continuous mix in real time are a perfect solution for later developments.

From Wikipedia:

In mathematics and signal processing, the Z-transform converts a discrete-time signal, which is a sequence of real or complex numbers, into a complex frequency domain representation.

Compositor Software RT-z8 uses complex transform at the early stages of the code right before the actual processing begins. Starting from RTC developments it brings the same network aggregation without an IP protocol. No need to plug any cables. RT-z8 processing starts immediately right after the load of the device. Compositor Software RT-z8 avoids Time Collisions by more efficient memory usage. RT stands for Real-Time. Complex processing transforms your actual PC in the cloaking generator device with the use of a single-click performance.

By ruslany

Compositor Software devices for music production

In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!

By ruslany

Exalted is Compositor Software endorser

After three decades of growth as an artist, Ruslan Yusipov uses Exalted alias again for an album design for Compositor Software. Selections is a stochastic experiment of snapshots inside MaxMSP software. How snapshots influences our lives and how they stored on computer. Exalted puts it inside the two-channel AVOX decks inside Ableton Live 9 and mixes for reminiscent feeling of youth, aging and oldest. He remembers his life through connection to Compositor Max For Live device where he used an artist idea of the Time Machine from 1540 to 4000 years.

When you feed the AVOX device with Compositor Software feeders such as Compositor Pro 2 the interesting effect achieved. Someone sends a Morse code on the second deck such as a right channel and tries to sync to a feeder tempo. In addition, you can hear this at the right channel of Exalted – Selections album starting from the middle of the continuous mix, which was recorded using Compositor Software Max For Live recorder, which will not be released due to the amount of products functional pricelist has.

By ruslany

Play like you’ve played it in 1964 with Compositor Max for Live

The original mechanic metronome has a two-step structure of a pendulum swinging from left to right. The Compositor Max for Live uses the same clock mechanism, but also plays back a sequence of FM function, which drives it. Having an authentic style of sound Compositor Max for Live has a clock precision of 1 sample per hertz. This in fact means that you can improvise for an hour or longer without timing loss and have an authentic feeling of mechanical device, but with precision of digital. You can further tweak your improvisation turning on the Apply route button to swing the metronome performance. On the recording below, you can find Boosty playing a Suite for the Young – IX. Small Fry by Norman Dello Joio on piano over the Compositor Max for Live device with swing turned on.

It is a difficult one, – says Boosty, to play simple jazz with a swing feeling and Compositor Max for Live turns me on on that.

You can now buy Compositor Max for Live with Black Friday Sale -20%. Grab it now for that price until the end of the week.

By ruslany

Boosty is Compositor Software endorser

After two decades of experimentation in computer synthesis Ruslan Yusipov uses Boosty alias again for an album design for Compositor Software. One-shot samples suited for the wavetables of wavetable synthesis design. RAM storage inspired a new way of loops resynthesis when an artist tries to imitate a well-known hook using one-shot samples. Delay modules suits a two-way operation. First, it is an echo effect, which repeats these samples in time with tunable structure. Second, it is a networking device when a feedback loop injects in a feedback chain, which is a standard for all modern reverberators and delay modules.

“We as musicians use feedback differently – says Boosty, we try to imitate a sustainable effect of 1 bar echo. Try it? You will not find any device on the market, which stays in feedback forever – MDL12 can!”

When you feed the MDL12 device with Compositor Software feeders such as Compositor and stops transport in Ableton you hear the infinite feedback. The device is still functioning after the stop event and the whole effect of the program is this feedback loop. However, if you listen to a modem while playback you will find its futuristic sounds useful too. Its kinetic movements makes this an ideal kinetic sculpture of sound installation, when you hear to it in real-time. However, when you listen to the recorded material it’s useful to use the Compositor Software Recorder Max for Live device, which will be released soon.

By ruslany

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for Live modem repeated a 5/4 combination, played in a sequential manner with the internal waveguide of the device. Using two turns Compositor injected pendulum function of Compositor Max for Live over the cloaking device shutting down the chat function and injected all the kernels needed for ICH7 operation in quantum mode with C based pipe of Compositor Pro v2.

Equipment used in a session:

SASER Max for Live
Compositor Max for Live
FF8 Max for Live
AI-RT1024 Max for Live
MDL12 Max for Live
Compositor Pro v2

By ruslany

SASER Max for Live ver. 1.1.3 released


SASER SAS24P3L Max for Live ver. 1.1.3 released. Convenience of the new version of SASER SAS24P3L Max for Live device for Ableton Live 9 lies in having the Ether switch (earlier Damping). It allows turning the regenerative chain right after this switch activation. It also allows connecting to VLF Ether using the regenerative transmitter made after Armstrong regenerator. Steady synthesis allows SASER SAS24P3L ver. 1.1.3 Max for Live device conduct uninterruptable translations in VLF band, and to use this information as rhythmic loops for electronic music. 8K tables increased the synthesizer spectrum above the radio navigation system Alpha beacons signal, which were available in previous versions of SASER SAS24P3L. It allowed turning the carriers of other stations situated in this band. The effectiveness of the code raised on 10% by excluding resource-consuming tasks not affecting the quality of the sound.

By ruslany

SASER SAS24P3L in Ministry of Telecom and Mass Communications of the Russian Federation software register

Ministry of Telecom and Mass Communications of the Russian Federation software register filled with the first software made entirely on Max/MSP – SASER SAS24P3L. It is complex software for deterministic navigation systems and Ethernet security, which can not only receive signal from 84-parsec distance, but also send telegraph messages. It is a first step on the way to transmitting on very high distances in VLF spectrum without antenna and mast constructions.

SASER SAS24P3L software written with the use of a several program languages inside the Cycling ’74 Max/MSP software. First, it is Jitter, which is used for radio telescope display, translating phase distortions of the received signal. Second, it is Gen~ (real-time DSP library, which is used for radio telescope core). Finally, Max/MSP for routine objects and DAC. In addition, the Max for Live framework is used for menus and interface. These elements are components of the Max/MSP programming language, which was develop by Miller Puckette at IRCAM and extended by Cycling ’74 company. The entire software written in Russia and is a copyright property of Ruslan Yusipov, which made it possible to include it in the register. All blocks, which is used by the author conform the GOST 28397-89 standard and defined as the programming language for computer.

By ruslany

Night vision wavetable

In a process of my Radio Telescope development, there were many scientific discoveries and one of them is the outcoming wavetable for the night vision. This wavetable is the important criteria in translucent images on the SASER SAS24P3L screen after the successful receiving of it using virtual antenna rotator mechanism. 24 send/receive channels multiplexing into twisted pair, open-coming through the waveguide, which sends signal into non-linear deformation module with a sculpt of entire Radio Telescope SASER SAS24P3L channel.

From the moment I created the Radio Telescope SASER SAS24P3L I obtained the technology for near-Earth space exploration with the use of derived hyperbolic function of time, having its only aim the emulation of giant Radio Telescope antenna dish plate. SASER SAS24P3L is a realization of virtual antenna concept, which I may offer as an alternative to real antennas, spanning big physical spaces and needing great investments in metal production and tower construction. In a contrast with parabolic antenna model, my model uses approximation, e.g. using approximation of primordial function into the derived one, which is more acceptable by us.

Thus, if there was a need of interstellar communications we could use SASER SAS24P3L for coordinates detection beyond the Solar System and Milky Way Galaxy. The exit is possible because of those intervals of derived function, which constitutes the hyperbola and may be used as crest of the needed function. The Living zone of such crest constitutes all points of the function (in our case 24-point connection), which resides inside the circle inscribed with a center in the crossing point of crest axis. Receiving such a signal, for example, in Central Africa, you may see telescoping image, which I received in the particular area. Wavetable is the digital Ether with properties of signal translation, when the non-linear transformation device tuned to a particular wavetable zone and modulates its channel tuning.

By ruslany

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the obstacles of communications and finished the Radio Telescope project ending not with a small pirate Radio Station but with the software, which exceeded the level of worldwide analogs.

Starting from the beginning, I discovered the discretization method, which is used only in this software to this date. After this, I was able to receive first VLF ethers. It was evident, that the instrument exceeds the comparison SDR software by subjective characteristics. The first characteristic of the received ether is its clarity, ending with a precision only next-door translation can give.

I could limit myself only to these translations, because that was enough for techno music, which was the first task of this instrument. However, I decided to concentrate on the original idea described in Boosty – Telescope track produced under impression of video installation of French artist Laurent Montaron and released on Fabric 49 compilation of DJ Magda.

Observatory, presented in this video, was an ideal place for intimate and useful work, which connects to the innovative technology. In a contrast with this video, my path laid down not through an existent Telescope, but through a multiyear work on my own Radio Telescope, which exceeds the level of “Medvezhyi Ozera” Space Communications Center nearby Moscow, built in USSR. Now, here is some facts. The variable radius of virtual farm consisting of 24 antennas reaches 4,414 km at maximum. It is surrounded by two smaller virtual farms of five antennas in each with variable radius also, created to commit translations in shortwave band. Master signal outputs through a matrix, using the amplitude modulation, which connects my virtual communications center to other centers using digital ether wavetable. The applied technologies are the innovative in the sphere of digital ether and shortwave band, this is achieved thanks to synchronization of main farm antennas. This program is not the replacement or as it is popular to say in Russia “import replacement” technology, it is a full Russian product or better to say a product written in Russia, as it is an object of private property with an authorship of Russian Federation citizen. It is a first precedent in Russian history when infrastructure objects has its author and relates to objects of author rights, because this software can replace real objects of communication infrastructure such as antennas and their fields. Such approach made this Radio Telescope the cultural heritage object, being in a genre of media installation. Firstly, Radio Telescope SASER SAS24P3L was presented at Antimuseum exhibition in Moscow Electromuseum.

At the exhibition, users can use the full version of the first Russian 4K system for VLF signal reception. From that time SASER SAS24P3L software made an advancement to open the 8K technology, which puts Compositor Software communication equipment higher than such companies as Apple, which commercial lines adopted only 4K technology in user models. Not only because Apple having this technology for quite a while doesn’t make it accessible, but also because you can buy SASER SAS24P3L 8K system for a minimum market price and has a full Radio Telescope on your desktop and laptop already now. Of course, the downside of this is a high processor workload. However, I don’t think that SASER SAS24P3L software will not run on a comparable performance machines of the recent couple of years, because the development was on the tested authentic equipment.

At the present moment SASER SAS24P3L software passes through an expert commission for inclusion in Russian software register of Ministry of Telecom and Mass Communications of the Russian Federation. To the present moment, Radio Telescope of Ruslan Yusipov doesn’t have any worldwide analogs and is completely Russian product. Russia have showed that such Radio Telescope in the epoch of China goods is not needed, because the country doesn’t approve the product price, which is 3060 rub (approx. 40 Eur) and compares to the price of all “Medvezhyi Ozera” Space Communications Center infrastructure built in USSR.

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