Play like you’ve played it in 1964 with Compositor Max for Live

The original mechanic metronome has a two-step structure of a pendulum swinging from left to right. The Compositor Max for Live uses the same clock mechanism, but also plays back a sequence of FM function, which drives it. Having an authentic style of sound Compositor Max for Live has a clock precision of 1 sample per hertz. This in fact…

Boosty is Compositor Software endorser

After two decades of experimentation in computer synthesis Ruslan Yusipov uses Boosty alias again for an album design for Compositor Software. One-shot samples suited for the wavetables of wavetable synthesis design. RAM storage inspired a new way of loops resynthesis when an artist tries to imitate a well-known hook using one-shot samples. Delay modules suits a two-way operation. First, it…

UNIX kernel displacement for AI-RT1024 Quantum kernel on PC

Yesterday, 11.13.2016, Compositor Software was able to hack the UNIX core of a standard PC to the point of granular synthesis generator with variable frequency. Compositor may also overwrite it with TC25 Max for Live variable granular resynthesizer, yet that was not needed and the device is still fully functional. As you may hear at the beginning MDL12 Max for…

SASER Max for Live ver. 1.1.3 released

SASER SAS24P3L Max for Live ver. 1.1.3 released. Convenience of the new version of SASER SAS24P3L Max for Live device for Ableton Live 9 lies in having the Ether switch (earlier Damping). It allows turning the regenerative chain right after this switch activation. It also allows connecting to VLF Ether using the regenerative transmitter made after Armstrong regenerator. Steady synthesis…

Night vision wavetable

In a process of my Radio Telescope development, there were many scientific discoveries and one of them is the outcoming wavetable for the night vision. This wavetable is the important criteria in translucent images on the SASER SAS24P3L screen after the successful receiving of it using virtual antenna rotator mechanism. 24 send/receive channels multiplexing into twisted pair, open-coming through the…

Ruslan Yusipov Radio Telescope for USSR constructivism replacement

My first task was to separate the program from its practical application, because extra attention to this project threaten to leave the idea without its realizations. Such approach condoned because of inattention to the project from the surrounding people and mostly specialists. This have not prevented me from realizing the idea to the end. Summarizing, I came through all the…

QRG Q code received using Compositor Software Max for Live devices

After creation of SASER SAS24P3L VLF radio station, I received a number of signals. Today at 15:35 GMT+3 Moscow time at the 29.5 kHz frequency using the 13 modulator I received a signal and then sent it back to MDL12 Max for Live VLF modem. After I stopped the transport in Ableton Live 9, I received a feedback loop with Q…

Disclosure

SASER SAS24P3L software synthesizer uses granular synthesis, splitting FM signal on the components, which have three parameters: phase, frequency and amplitude. Such approach in granular synthesis of FM carried out using continuous playback of these components back and forth. Positive and negative components of FM signal can coincide when the transmitter frequency dial is at 22,05 kHz. You should avoid…

Ether decomposition using Morse code method

Ether received via MDL12 Max for Live modem is a property of its original sender. However, I developed a method of Ether decomposition using the AVOX Max for Live resynthesizer. The pass band of AVOX is capable of SLF translations suitable for submarine communications. Thus turning back to an original intent of merging both Sonar and Radar technics together and…