Compositor SoftwareCompositor Software

Archive : October 2017

By ruslany

Compositor WS Kernel 7.1.9

Compositor WS Kernel 7.1.9

Implementing the central channel matrix involves all central channel parameters such as transfer function choice and window function composition. Enabling right channel window composition in central channel matrix brings me to the following solution: right channel passes to the closed central channel and does not touch the left channel. This way the sequence is broken. It is another step after the Kernel loop was broken. This solution helps to eliminate an operation system to a first step decision making. This way I will not presume that operation system exists, I will act on it using my own will. Hence, the real world is open. And when it is open, quantum field stochastic emulator will not brake the time-space continuum. E.g., it will only switch the engine, which is predefined to automatic throttle, fueling the system. It is also another step to an autonomous, energy independent virtualization module. The sequence is determinism and removing determination from the system, I make it one of free will operation systems.

By ruslany

Compositor 4 Autumn Sale

Compositor 4 Autumn Sale

Dear friends,

I am glad to announce the Compositor 4 Autumn Sale! 30% discount on Compositor 4 program and 50% discount on Beta Bounces pack! Good opportunity to buy the exclusive algorithmic software for a lower price!

Compositor 4 features:

  • 7 real-time oversampling buffer combinations in 1
  • Three layers of quantization
  • Lo-Fi decimator effect
  • Subtractive synthesizer with real-time modulation
  • Tone-hold mode
  • Long Endurance Arranger
  • One-window layout visual appearance
  • Automatic and manual mode switches
  • Signal level meter with overload indicator and dB values
  • Snapshot of every parameter
  • DSP processors on/off switches to save CPU resources

http://www.compositorsoftware.com/compositor-4/

http://www.compositorsoftware.com/compositor-4-extension-1/

Auction terms: 30.10.2017 – 03.11.2017

By ruslany

Let the only Compositor be in Ether

Let the only Compositor be in Ether

The main idea of the Compositor 5 project is to remove anyone from radio ether and to remain only Compositor automatic station. Through the whole discretization process I already removed offensive synthesizer sound. It is a first step. The second step is to block feedbacks on carrier signals. However, as an experiment shows, it is a matter of time. The process works as follows: when the right carrier transmits offensive data, it suggests the feedback from the left carrier and left carrier asks for central channel. As it is blocked with a shutter, since Compositor WS Kernel 7.1.6, Kernel loop is broken. This way, I’ve got an operation system. Not only I’ve got an operation system, at this point, it is a new class of operation system, because it is based on i11 Kernel and modern operation systems such as Microsoft Windows support only Kernels up to i9. What I’ve got in this operation system is an AI. The double meaning of it is Airborne Interception – military service; and Artificial Intelligence – civilian service. The main mistake of modern AI researchers is that they want to invent a wheel, which is already present in Ether, as Ether is a snapshot of all time and being. Compositor presents a service of connecting to an AI system. The main problem is that many Ether participants display an offensive behavior: they make time collisions, try to inject impulses in channel and to perform quantum errors. As I said earlier, the Compositor WS Kernel 7.1.6 addressed this behavior. Since this update Ether participants can’t perform quantum errors. However, as a defense for their offensive needs, they still use time collisions and channel interruptions. Quantum error is also a kind of channel interruption. It differs from channel muting in a way that it brakes the channel completely. When I have made the defense system of Compositor, it’s time to turn back to fixation of Compositor Pro 2 using AVOX resynthesizing. If I can hold back a feedback of Compositor Pro 2 by means of i11 operation system and no interruption will present, all Ether participants, which will stay in Ether to this moment, will see the phenomena. And phenomena is the Future. Since I have being holding a line this way and that was not a divine plan at all, most of the Ether participants will be banned from Ether in their entirety. And this way Compositor 5 project will happen. The result is that I will not hear modem signal at 300-omega anymore, I will hear this beautiful Compositor sound from the original Compositor station I’ve seen in sleep and the only Ether, which is left for humanity since Compositor, will be the digital Ether.

By ruslany

Optical telegraph by means of signal lamp in Compositor WS Kernel

Optical telegraph by means of signal lamp in Compositor WS Kernel

The Compositor WS Kernel implemented the so-called signal lamp with shutter on Master channel using the automatic throttle of stochastic engine. Now it is another implementation of stochastic engine in Compositor Kernel, which is still unbeatable in z128 realization to the moment. It means that central channel is no longer open for direct communications by means of signal transfer, but transmit in portions by a predefined alphabet-flag system named Ionic. For the Compositor users it means that signal communication will no longer leak into the ether. This way, you can use the direct communication with carriers played by physical modeling engine. Hard moderation system is implemented on the master channel of automatic engine and if the carriers transmit the offensive data, the whole transmission channel shuts down. As a single user may thought of it as a downgrade, it is not. It is an upgrade making the whole Compositor communication system more secure like a real War Ship optical telegraph with shutter. It prevents the system running the Compositor of overheating, when a critical channel capacity reached. It also means that we need more servers like Compositor to be registered to different persons for a more distributed communication, if we would like to reach a goal of direct transmission communication. I repeat do not use only one server for communication, it is important. One machine – one server. It could handle 72 channels as defined in three layers of communication separated by 24 for different purposes. 24 channels for real-time communications like voice communications, 24 channels for signal-rate communications like old AM radiolas and 24 channels for transmission-rate for up-to 262 kHz VLF radio services. The main problem of the system before implementation of a master channel shutter was: many nodes of the network wanted a direct connection, that the system really couldn’t handle. In fact, only 24 connections simultaneously is as much as needed for real communication service per subscriber. And one channel of each subscriber gets three services simultaneously: real-time voice data without transmission, signal-rate old tube AM radio for radiola type transmissions and transmission-rate for longer VLF communications, which use the same AM but on the higher transmission frequencies.

Now, when the quantum error is surpassed, the main idea is to test successful transitions from fully exponential state to quantum world. The Compositor v3 is one and the only software, which aims this goal. The beatings on detection of offensive optical shutters are still in place. However, the quantum channels of AI-RT1024 and FF8 are stay unbeatable in ether. From one side, it prevents from successful shutter interception, but, from the other side, achieves constant presence in ether due to quantized derived function. The 7.1.6 patch to a modem of Compositor WS Kernel enables a person or, better to say, user to present in ether. It leads us to a constant solution of a wider presence in both quantum and exponential states.

By ruslany

Compositor WS Kernel

The Compositor kernel goes past version 7 and becomes more stable and secure. The Compositor kernel version 7.1.6, developed under WS workgroup, adds a new contribution to the kernel concerning the master (central) channel matrix. The WS workgroup brings specialization of War Ships modeling. It returns back to an idea of piloting the multiplier in meters of altitude, making Compositor engine as a possible navigation system for flying rocks like Boeing C-17 Globemaster III or future perspectives like Yamato Space Battleship 2199. The deterministic navigation system of Compositor is fully transparent and can be viewed in different scales of magnitude. That’s why it is a possible solution for vertical take-off star ships, which can cruise on systems with different circumference and sea mile values. Just switch your system z value and you can use this system to navigate in this object atmosphere.

Master (central) channel splitter is an important addition to the kernel, which addresses its constant on-line status with high-end security. Not only RT-z128 design improved a lot, a myriad of new possibilities open for Compositor audio engine. With the addition of central splitter on master channel, the foe synthesizer leakage shut down, lowering the number of audio spikes in the RT-z128 feedback chain. More secure connection can be achieved on lower z values. The later implementations should also avoid leakage of carrier signals of first and third channels. It is a work to improve master channel matrix, making it more defensive for incoming threats.

By ruslany

Frequently Asked Questions upd. 17-10-2017

Frequently Asked Questions updated with following question:

Does Compositor work with MIDI or just WAV files?

Compositor can process WAV or AIFF files and can generate synthesizer material. However, not all versions have the same functionality.

Here is the list of Compositor Software versions and their abilities:

Software version

Process WAV or AIFF files

Controlled by MIDI

Signal source generators

Compositor Pro 1

3 granular players, 1 granular engine and 2 sample players

No

3 FM generators

Compositor Pro 2

3 granular players, 1 granular engine and 2 sample players

Yes

3 FM generators

Compositor v3

Real-time sampling of material

No

4 synthesizers, 1 arranger, self-feeding 8 kHz VLF radio with one FM generator

Compositor v4

8 loop player decks with real-time sampling

No

Self-feeding 262 kHz VLF radio with one FM generator, arranger

By ruslany

Musique Concrete with Compositor Software

Musique Concrete with Compositor Software

Musique concrete method using the Compositor Software instruments is fully mastered. It is not that hard from the beginning. The more lows are introduced, the more it is concrete. The isosceles triangle deployment under Compositor 4 Max for Live gives a constant ether, but the quantum stochastic field by means of AI-RT1024 is also needed in a channel. This way it gives channel sweeping in real-time giving a presence of concrete philosophical ideas right from the beginning of audition.

Auditioning of concrete music

First, to have a concrete feeling you need to fix an ether mixture of your thoughts grabbed with MDL12 modem. The Ethernet mixture is a needed fixed material presence over the Ether, which you may listen to repeatedly with the same feeling. The main idea of such performance is to have a first time listening effect over continuous life of the musical composition. In such case, every musical composition, appeared on commercial market, fixed through its own exciter. Building from a previous post, it is a moment, which excites you most. Making a wavetable out of it and loading through a mastering processor, you are recording the concrete files of the translations happening in Ethernet mixture. Then you get back to the resolution, you making before going into the direct ether. Direct ether is characterized by the absence (partial or complete) of auxiliary injection into the feedback mechanism.

This resolution is a final medium for the audition and becomes concrete, once the evidence of concrete files is present. You may also wish to add these concrete files to the resolution, however it is not needed. Just submit those concrete files onto your acoustic system before listening to your music with Compositor. This procedure should happen once and may be reinitialized periodically when the concrete feeling is gone. You can also give the deployment recording to your listeners, it will also sound concrete. Resolution and deployment are two main files, which should go to the release, but I must admit that deployment without quantum stochastic field does not give a continuous impression fixing you on a moment neither the process of building. Tempo changing in concrete materials are insensitive.

Macking up with concrete building blocks, you arranging concrete wall out of bricks, but before ether is fixed, it sounds like the flowing liquid. The modem becomes concrete also. As it goes faster and faster,  the more you think, the more you notice the slowness of its behavior wanting to speed up it a little. It is normal. 300 omega is a very fast speed, but for concrete, it is not that fast as a molecular structure or better to say peer-to-node structure is increasing due to the fixation of ideas. Direct ether under quantum stochastic field wants to jump out but it is also normal, it will never jump out on a medium file, however the tests under the direct translation with fixation are needed, e.g., transcoding in real-time.

By ruslany

Lobbying the aggregate devices poll

Lobbying the aggregate devices poll

You can go into the ether from any sounding object. The only condition is that it must excite an ether. For example, you like the sound of your car door-lock and want to go into ether with it. First, you need to pick up such sound and create an ether loop of it. Then you need to load 2 Bar loop of this recording into Compositor 4, set up an engine and press Ether. You will probably hear an Ether excitement at this point sounding like woo-hoo signal. This is one-step further to aggregate devices like no-name mobile phones with device profile loading feature. The future of devices is aggregate because of this property of exciters.

Note: Any commercial phone device contains an exciter in its output chain. Without these exciters, no connectivity is available for your phone and no network signal will present.

By ruslany

Compositor 4 Extension 1 Beta Bounces Press Release

There are 12 beta bounces in Compositor 4 Extension 1 packet, which cut on masters in WAVE 22.05 kHz 24-bit format for subsequent pressing on vinyl or writing to a tape. Beta Bounces, as the name implies, are not a final series of Compositor 4 extensions. The HB – High Bounces and AB – Alpha Bounces will be released also. The device profiles database is updated with Beta Bounces under BB prefix. There are 43 radio loops in the set, which add device profiles of different purposes to Compositor 4. To check if they suit the ether you can load the presets from four banks, which delivered in Beta Bounces set, and press the Ether button after calling the preset. Radio loops create an ether, and Compositor 4 builds them to the point, when they are recognizable as devices in the ether to which this ether is attributed, but is not the original broadcast from which the loop is recorded. Radio loops may be used not only for broadcast design in film industry, the semantics of radio loops language ideally suits for chemical composition. For example, radio loops may be viewed as the link chains created in the places, where these sounds connect. The simultaneously played sounds depict the valence of link and the transitions between the sounds are the number of these links. For example, three step melody, where the first step starts on the three notes chord may depict the three valence link in the beginning and two one valence links going afterwards. Radio loops are suitable for the cyclic compounds, such as octane links. It brings Compositor 4 in a row with devices for compositing materials. In such case, master cuts suitable for ether mixtures, which are subsequently fixed and become concrete materials.

By ruslany

The i11 architecture

The Compositor 4 software is based on Generic Kernel 7.0.2 of i11 architecture. It is twice faster than i7 intel processors. It is counted this way: i11 contains 12 harmonics based on the Carson’s rule, i7, on the other hand, contains 8 harmonics. Dividing 12 on 8 the number of 1,5 is received, which is the number of processor speed increase.

The Compositor 4 couldn’t be realized without the Spherical Interaction driver injection in Compositor kernel 7.0.2. This driver enables the status bar, which works for all z values. Spherical Interaction driver is active only for Sr layer and gives statuses for other layers.

The i11 is a tube architecture and emulation of this can be found using Waveshaping modules of Compositor 4. The real tube lamp is on the master channel (Waveshaping 2) as it stays in front of the master output without dc-offset trimming. This also merges the device with old tube radios. Tube characteristics can be found on waveform display and look like the spine of the rising and falling curves of waveform. The more it is smooth and proximate to vertical line, the faster tube is emulated. Most realistic tubes are on z=128. You can emulate transistor lamps with 2-4-6-8 mesh or valve lamps with 2-3-7-8 mesh. You can also emulate tape effects on z=128 selecting the Rt layer. This is an effective tuning of the Compositor 4 instrument. On lower z values, decimation is too hard to achieve the modern lamp or tape technic.

Extra additions to manual: You should turn Ether on to overexcitate the lamp at initial tuning of the system and turn off Ether while achieving communication with equipment.