Here I would start a series of discussions on a topic of radio translation technics and their impact on the radio-electronic security. First, I would stress out the importance of the subject of comparing two modern technics to initiate radio communications, which are closed loop and infinite loop strategies.
Compositor multiplier spiral
Closed loop and infinite loop both have recreation in Compositor Software instruments such as MDL12 for infinite loop structure and RTC4k, RTC8k and RT-z8 for closed loop structure. The infinite loop stays for an infinite time translation and, as a Fourier series, implements the continuous time interval for non-harmonic analysis. Closed loop from the other hand may be a short type of translation like one bar Morse code message. Closed loop much more secure in its implementation. Infinite loop can be easily broken with radio-electronic security instruments. For example, one flyby of AVACS, navigating through the geographic parallel may completely shut down infinite loop radio translations on a territory of the whole country. The infinite loop can be broken partly or at whole, when both positive and negative frequencies does not work, and the only band, which remains in this situation, is a closed loop structure.
Hyperbolic frequency bands
Using Compositor Pro v2 one can edit and reinstantiate the Ether on VLF band. First, you can apply Compositor Pro v2 to negative frequencies and then apply it to positive frequencies. Infinite loop communications are not secure and full-duplex modems must have a resynthesis module as Compositor Software instruments has. Not only resynthesis must happen to instantiate closed loop also the transport technics such as output channel detectors must be used. Both Compositor Pro v1 and v2 has closed loop structure on a C language level. This in fact gives much more stable results compared to later machines implemented on GenExpr C++ code. However proper implementation (such as RTC4k, RTC8k and RT-z8) of higher-level machines can be as stable as Pro versions. The most significant difference is that GenExpr machines are fully real-time compared to Pro versions, which have one bar bufferization.
During the perfection and in attempt to create more stable technology Compositor Software arranged its modules in the Radio Shack structure. By means of virtual machines, the Ableton Live 9 or MaxMSP suits as a platform for hosting micro-kernel machines such as AI-RT1024, FF8, N9000 and TC25. These machines feeds SASER channel with an approximation curve inherited from an RTC8k chain. This way you can potentially receive completely stochastic translations out of VLF band.
Compositor Software recently adopted the 16k technology. It was in the work for a few weeks and now I would like to present to you a breakthrough in a world of audio generators. From now on, the 16k patterns are available in Compositor Software RT-z8 Ethernet Aggregator device.
First, it is musical. Second, brilliant patterns switched by a continuous mix in real time are a perfect solution for later developments.
In mathematics and signal processing, the Z-transform converts a discrete-time signal, which is a sequence of real or complex numbers, into a complex frequency domain representation.
Compositor Software RT-z8 uses complex transform at the early stages of the code right before the actual processing begins. Starting from RTC developments it brings the same network aggregation without an IP protocol. No need to plug any cables. RT-z8 processing starts immediately right after the load of the device. Compositor Software RT-z8 avoids Time Collisions by more efficient memory usage. RT stands for Real-Time. Complex processing transforms your actual PC in the cloaking generator device with the use of a single-click performance.
In this video I will show you the special method of work, due to it you can produce a techno track in 20 minutes or less using MDL12 Max for Live and other Compositor Software feeders. The artificial network produces the feedback loops out of submitted material. You can receive loops for parts such as basslines, melodies and percussion. Enjoy!